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Lot 202
2014 Fender Limited Edition Transport for London 60 years Routemaster electric guitar, made in Mexico, serial no. MX14xxxx85; Finish: burgundy red; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag and tags; Weight: 3.57kg; Overall Condition: very good *Fender produced twenty-five limited edition "Routecaster" guitars which celebrate key design features of the Routemaster bus. In addition to replicating the Routemaster's distinctive red livery, the Transport for London (TfL) 'Roundel' appears on the headstock and the scratchplate design is based on the double-decker's 'moquette' seat fabric. The stripe across the body echoes the gold badge that appeared on the front of Routemasters
Lot 341
A vintage G-Plan teak sideboard, of rectangular form, with double cupboard, three drawers and front opening cupboard, on square block legs, 80cm high, 101cm wide, 46cm deep and a similar oblong extending dining table on shaped feet, with later seat pads complying with fire regulations. (a quantity)
Lot 401
A 20thC telephone table, with shell capped and scroll top, overstuffed arm, back and seat and drawer to the side on shaped legs, 48cm wide. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
Lot 585
Carved oak box settle, circa 1900-1920, having a four foliate carved panel back and scroll arms, over a box seat with lift up lid and two panel carved front, raised on turned baluster feet, width 136cm, depth 50cm, height 122cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Lot 595
Welsh bardic carved oak chair, circa 1900-10, the top rail carved with acanthus and foliate scrolls and surmounted with Prince of Wales feathers, over a recessed panel back carved with a rampant dragon within oak leaf trails and the three sacred lines of Jehovah, solid seat with open arms, carved frieze and tapered square section legs, width 63cm, height 133cm, depth 60cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Lot 613
Victorian rosewood and upholstered lady's armchair, deep buttoned dusky pink fabric back and seat, open arms with pads and carved scroll forearms, raised on carved cabriole legs, width 69cm, height 83cm, depth 73cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Lot 620
Sussex style ebonised beech armchair, circa 1900, with rail back and arms, rush seat, raised on ringed forelegs, width 51cm, height 92cm, depth 54cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Lot 624
Set of six mahogany cockpen style dining chairs, early 20th Century, comprising two carvers and four singles, each with gold fabric drop-in seat raised on fluted square section legs (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Lot 657
Chippendale style mahogany ladderback armchair, 19th Century, drop-in needlework seat over chamfered square section legs, width 61cm, height 93cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Lot 659
Provincial ash open armchair, circa 1820, having a splat back and needlework upholstered drop-in seat, raised on square section legs, width 54cm, height 96cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Lot 668
Yewood comb back Windsor chair, early 19th Century, with a shaped top rail, shaped elm seat raised on swan neck forelegs with crinoline stretcher, width 61cm, height 105cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Lot 443
A Set of Six French Painted Dining Chairs, each with a cane back and upholstered seat raised upon carved cabriole legs with scroll feet, together with a French Style Rectangular Coffee Table with glass top, 120 x 70cm, together with a similar French painted dressing table and a similar side chair
Lot 523
Louise Jopling (1843-1933) Portrait of the Hon. Mrs Eliot Yorke (nιe Annie de Rothschild) (1844-1926) Signed with monogram and dated 1877 Oil on canvas 76.5 x 63.6cm; 30 x 25in Provenance: Commissioned from the artist to hang at Aston Clinton House, seat of Sir Anthony and Lady Louise de Rothschild, the sitter's parents; Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House Literature: Louise Jopling, Twenty Years of My Life 1867 to 1887 (London: John Lane, 1925), p.110; Patricia de Montfort, Louise Jopling: A Biographical and Cultural Study of the Modern Woman Artist in Victorian Britain (Routledge-Ashgate, 2017), p. 64 Exhibited: London, Royal Academy, 1878, no. 386 Louise Jopling was originally commissioned to paint Annie Yorke's sister Constance de Rothschild (1843-1931). This painting was exhibited at the Royal Academy in 1876, and was such a success, that she was commissioned to paint this work as a pendant. The portraits of the two sisters hung at Aston Clinton House, Buckinghamshire, the home of their parents Sir Anthony and Lady Louise de Rothschild. As Jopling wrote to her husband "I have got an order!!! To paint Mrs Eliot Yorke's portrait to hang as a pendant to Connie's at Aston Clinton" This work is recorded in the Dr Patricia de Montfort's catalogue of Louise Jopling's work, which is currently being compiled, no. 111
Lot 153
A mahogany inlaid wingback armchair,inlaid with scrolling flowers, upholstered back and seat, with arrow-shaped splats, 63cm wide62cm deep118cm high, seat 43cm highCondition report: Replaced front detail front right under seat. Needs restoring and re-upholstery. Knocks to frame and moulding.
Lot 189
An Arts and Crafts oak settle,in the style of Liberty, with a slatted back, moulded arms with a solid seat, and cushion,117cm wide68cm deep932cm high, seat 43cm highCondition report: Some knocks to the top rail, arms and frame. Some areas of colour change - photo of the new seat off - plain boards beneath. More photos attached.
Lot 206
An Arts and Crafts Glasgow-style inlaid mahogany armchair, c.1900, the design attributed to G M Ellwood, the back inlaid in pewter with an arrowhead motif and centred with green stained inlay, with a retailer's label for 'P E Gane of Bristol',54cm wide52cm deep124cm high, seat 45cm highCondition report: Rewebbed, restored, cleaned arrowhead design. Frame slightly loose.
Lot 224
A pair of rare Arts and Crafts oak armchairs, by C F A Voysey (1857-1941), c.1902, each with leather and studded drop-in seats, 62.5cm wide 54.5cm deep 100.5cm high, seat 42.5cm high (2)Charles Francis Annesley Voysey, was educated at Dulwich College and was a prolific architect- designer within the Arts and Crafts movement. An undistinguished academic at college, Voysey later claimed he became an architect because it was 'the only profession for which one did not need to pass any examinations'. Beginning his career in 1881, he first established himself as a designer of furniture, textiles and wallpapers. Winning his first building commissions in 1890, he quickly earned a reputation of being a master of artistic cottages and modern country houses. He paid meticulous attention to detail, designing every aspect of a project, down to the door hinges. Voysey regularly exhibited watercolour elevations of his building projects, furniture and decorative designs at the Royal Academy, and is celebrated today as one of the leading British designers of the turn of the 20th century.The simple design, personified by a heart motif on the back of a chair, is one of Voysey’s best known furniture designs. F C Nielsen, who made other furniture that Voysey designed, made these chairs from 1902, in differing proportions. One telltale detail is the dovetail construction fixing the splat to the frame. Versions of this chair can be seen in major collections around the world with leather and rush drop-in seats.Voysey had a limited number of designs that he used, but in many of his schemes for interiors, this model appears often - his mantra was for furniture with a ‘sense of proportion and puritanical love of simplicity’.Few of these chairs have come on the market over the last ten years, the most recent a pair of single chairs without arms, which sold in March this year for £16,500.No doubt, this pair are the exemplar of the Arts and Crafts tradition and rarer still to be found together after all this time. Examples of this chair can be seen in The Homestead, built for the General Manager of the Essex and Suffolk Equitable Insurance Society, whose offices Voysey designed, and is among his best-preserved domestic masterpieces. The vendor has been the lucky owner of these for over forty years.Condition report: If further images needed, please contact auctions@sworder.co.uk.Provenance statement from the vendor '- I have no information as to their original owners. My father was a highly respected antique collector, he had two antique shops in Bath. He had a great eye for high-quality craftsmanship in the design and making of all periods of furniture, which I have inherited from him. I spent much of my childhood and youth in these two shops.#1 split to the splat panel above and below the heart shape. Right arm - this has been reset - split down the line of the stretcher below. Seat split to the join, webbing replaced. Back rail has some splits to the inner edge. Studwork worn and rusted – three worn. Numbered VI to the edge of seat.#2Top right upright rest and restored. Seat faded and loose – later screws into the seat from the underside. Studwork rusted and worn. Some studs are loose. Webbing replaced. Numbered IX to the edge of seat.
Lot 278
A set of six beech dining chairs, c.1981, by the John Makepeace Workshop, with tan leather slung seats and backs, stamped 'John Makepeace Workshop, Norman Illingworth, 1981',49cm wide 48cm deep83cm high, seat 48cm high (6)Condition report: Tan leather seats and backs stained. One foot restored and reset. One set of studs loose on the front edge of the seat. One back has a torn section.
Lot 280
Three items of children's furniture,the first, a child's coppiced hazel chair,3.5cm high,the second, a double 'S' seat, ash and elm,67cm long x 38cm high,the third, a three-legged stool, with elm seat, signed and dated 2010,7cm high (3)These items were made by Nick & Katie Abbott, see www.nkabbott.co.ukCondition report: Each in good condition
Lot 282
A modern beechwood high back East Anglian elbow chair,by Peter Owen, with a solid dished seat,117cm highPeter Owen has been designing and making furniture for more than twenty-five years. Based on the Essex/Suffolk border, he focuses on traditional and regional techniques, preferring British grown timbers such as oak, elm, ash, beech and sycamore. He has exhibited extensively across England.Condition report: No obvious major faults.
Lot 285
A mahogany and yew wood armchair,c.1976, designed by Rupert Williamson (b.1945), labelled 'Furniture by Rupert Williamson',67cm wide55cm deep73.5cm high, seat 45cm highProvenance: Professor John Hedgecoe, Rector of the Royal College of Art, and by descent.Commissioned by John Hedgecoe, then Professor of Photography at the Royal College of Art, in 1976, and shown at the Royal College of Art Alumni Exhibition. It is believed there are only two of these in existence, the latter in cherry and sycamore made in 1987. Rupert Williamson himself trained as a designer at the Royal College of Art and was influenced by Art Deco and Celtic design. His pieces are collected worldwide and the V&A and other major museums hold his work.Condition report: Some areas of lightneing to the frame. Some losses to the beading. Hole in the seat. More images attached.
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217092 item(s)/page