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Lot 177
Large collections of 00 Gauge Model Railway Building and Accessory Kits by Scalelink Ratio Slaters Coopercraft Tiny Signs Metcalfe Superquick and others, including Superquick Swan Inn, Heritage Tin Mine, Metcalfe Brick sheets, Stone Sheets, Signal Box, Platform Shelter, Lineside Hut, Picnic Tables, English Village designs, Ratio UQ/70 LMS Signal Kit, Windows, Platform Lamps, Lamp Tops, Chimneys, Coach Seat mouldings, Scale Link F7, F4 and F9 sheets, Tiny Signs Pub Signs, Advertising Signs (5), Southern Pride Pullman Dining Chairs, Coopercraft GWR Seats, Station Names, Pooley Rail Wagon Weighbridge, Platelayers Tools, Tool Kit, Slater's 3mm Alphabets, Station Awning, Microstrips, Cement Bags, Potato Sacks, Rodding, Heljan Barrels, Dart Castings Domestic Oil Lamps, Springside Head and Tail Lamps, Woodland Scenic Field Grass, Dee Ess Bushes, Modelcraft Trackside Features Kit, Faller A Frame House kit, various sets of Axles, loose Coach Roofs, building Roofs, most in original packets, G-E, not checked, packets G-VG (large qty)
Lot 275
Two modern Japanese ceramic garden seats, one with hexagonal top with pierced decoration, the other with painted cartouche of mountainous scene and cartouche of cranes in a landscape, signed and a modern stick stand painted with a woman amongst bamboo, height of largest 50cm (3). CONDITION REPORT Pierced seat - top is cracked in several places , there are various firing cracks throughout the pierce work, signs of agingthe painted seat - several large cracks in the top and various scratches , marks and signs of wear]stick stand - signed to reverse, scratch marks and signs of wear
Lot 316
A group of eleven 19th and early 20th century prints to include Liverpool related prints and lithographs, 'Liverpool as it Appeared in 1650', published by A.Bowker & Son 27 Renshaw Street Liverpool, After T. Allom; 'The New Custom House Liverpool', after I. Shaw; 'Otterspool Lancashire - The Seat of John Moss Esq', after WG Herdman; 'The Tower of Liverpool', and others, a pair of W.R. Wakefield signed prints of sailing ships in harbour, a large print 'The Royal Mail Coach', a 18th century, 1750, framed and glazed indenture etc, largest 49 x 76cm, all framed and glazed (11).
Lot 75
A 1960s rosewood dining table of rectangular form on chrome supports united by a rosewood stretcher, 73 x 214 x 114cm, and a set of eight metal framed dining chairs each with upholstered back, arm and seat in woven cream fabric (9). CONDITION REPORT There are some scratches and minor marks to top, minor scuff marks to metal workCites certificate No. 600510/02
Lot 160
THE BEATLES. Set of Beatles signatures on the back of a Parlophone Records postcard of the group. Obtained on May 26th 1963 at the Liverpool Empire. With the original seat ticket for the concert, a copy of the official programme, and some contemporary newspaper cuttings.Provenance: Previously sold at Halls on 8th August 2008 for a hammer price of £2,800
Lot 607
A 19th century mahogany beadwork upholstered boudoir chair, of spoon back form, with floral cresting to the top rail, the shaped back with beadwork padding over a conforming stuff-over seat, raised on turned front supports on castors, the upholstery possibly original and worked with 'en-grisaille' flowers and foliage bordered by dark pink velour, 102cm high, 47cm wide, seat height 42cm.Condition report: Generally fair throughout with some minor cosmetic blemishes consistent with age and use. Some minor shrinkage to the top rail joints. Structurally sound throughout. Upholstery showing some wear with loss of pile in places.
Lot 655
A 19th century elm and beech comb-back type windsor armchair with eliptical turned legs united by an 'H' stretcherCondition report: Ok but feet faded (owing to floor washing) and chipped. Very worn patina on arms and seat particularly. Seat with jagged hairline cracks. Legs and arms 'loose' - needs re-gluing.
Lot 5147
Adolf Hitler – an Ornamented Chair Back Cover from the Berghof on the ObersalzbergBrown leather chair back covering decorated with embossed, gilded national eagle with folded wings. Left and top edges exhibit removal of round seat tacks, right edge and bottom exhibit cut marks. Folding and storage wear and creases. Dimensions approx. 69 x 47 cm.USA-Los: Versand aus den USA.Zustand: II -Adolf Hitler – an Ornamented Chair Back Cover from the Berghof on the Obersalzberg Brown leather chair back covering decorated with embossed, gilded national eagle with folded wings. Left and top edges exhibit removal of round seat tacks, right edge and bottom exhibit cut marks. Folding and storage wear and creases. Dimensions approx. 69 x 47 cm.USA-Lot: Shipping from the USA.Condition: II -
Lot 5194
Porzellanmanufaktur Allach – Gaukler "Till Eulenspiegel", Modell 134 von Richard FörsterPorzellanfigur "Till Eulenspiegel", Modell 134, Künstler Richard Förster, glasiertes weißes Porzellan, sehr detailliert ausgearbeiteter Körper, im Schritt/unten am Übergang der Hose eine kleine Reparatur. Am Felssockel seitlich mit "R. Förster" bezeichnet. Nachdem die Gauklerserie 1942 von Förster designed wurde, dauerte es bis 1944, bis die Figuren in der Ausstellung "Deutsche Künstler" in Breslau vorgestellt wurden. Kurz danach waren sie im Handel erhältlich. Es gibt keine Dokumentation der gefertigten Stückzahlen. Auf der Unterseite mit Pressmarke "SS Allach", Höhe 24 cm, guter Zustand, sehr selten!Zustand: IIPorzellanmanufaktur Allach – a juggler "Till Eulenspiegel", model 134 by Richard Förster A porcelain figure of "Till Eulenspiegel", model 134 by the artist Richard Förster, in glazed white porcelain, the body wrought with meticulous attention to detail, a small repair to the crotch/at the seat of the trousers. Inscribed "R. Förster" on the side of the rock pedestal. Although Förster designed the juggler series in 1942, it was not until 1944 that the figures were displayed in the "German Artists" exhibition in Wrocław. They were available for purchase soon after. The series numbers produced were not documented. The "SS Allach" mark stamped in the underside, height 24 cm, good condition, extremely rare.Condition: II
Lot 27
STUHL "SALONICOL". Ruhlmann, Jacques-Emile. 1879 - 1933. Datierung: 1933-34. Material: Makassar-Ebenholz massiv, versilberte Bronzeschuhe. Gepolstert. Maße: 91x53x56cm, Sitzhöhe 48cm. Marke: Auf der Zarge Schlagstempel. Literatur:Camard, Florence: Ruhlmann, Paris 1983, S.266.Jacques-Émile Ruhlmann wird 1879 als Sohn einer elsässer Familie in Paris geboren. Die Eltern betreiben dort ein Maler- und Spiegelgeschäft, das Ruhlmann 1907 nach dem Tod seines Vaters übernimmt. Er erweitert das Angebot durch eigene Möbelentwürfe. Im Jahre 1913 zeigt er erstmals einen Sekretär auf dem Pariser Herbstsalon.1919 gründet er zusammen mit dem Maler Pierre Laurent eine Firma für hochwertige Raumausstattungen - Ruhlmann & Laurent. Die exquisiten Möbelentwürfe wurden zunächst in befreundeten und ab 1927 in eigenen Werkstätten gefertigt.Der Ruf der Möbel war legendär und die Auftraggeber von höchstem Rang, so etwa der Élysée-Palast. 1925 darf Ruhlmann auf der Pariser Art Déco Ausstellung einen ganzen Pavillon gestalten.Mit nur 54 Jahren stirbt Ruhlmann im Jahr 1933. Nach seinem Wunsch wird die Firma daraufhin aufgelöst. Bis heute zählen die Ruhlmann'schen Möbel zu den erlesensten Erzeugnissen des Art Déco. Erläuterungen zum KatalogJacques-Emile Ruhlmann Frankreich Jugendstil / Art Déco 20. Jahrhundert Stuhl Holz MACASSAR EBONY CHAIR "SALONICOL" WITH SILVER PLATED BRONZE FEET. Ruhlmann, Emile-Jacques. 1879 Paris - 1933. Date: 1933-34. Technique: Solid macassar ebony, silver plated bronze feet. Upholstered. Measurement: 91x53x56cm, Height of the seat 48cm. Mark: Marking stamp on the frame. Literature:Camard, Florence: Ruhlmann, Paris 1983, p.266Jacques-Émile Ruhlmann was born in Paris in 1879 as the son of an Alsatian family. His parents ran a painting and mirror shop, which Ruhlmann took over after the death of his father in 1907. Soon he expanded the product range with his own furniture designs. In 1913, he presents his first design, a bureau, at the Parisian Autumn Salon. Together with the painter Pierre Laurent he founded a company for high-quality interior decoration - Ruhlmann & Laurent - in 1919. First produced in workshops of friends, from 1927 onwards the exquisite furniture designs were manufactured in-house. The reputation of the furniture was legendary and the clients, such as the Élysée Palace, were of the highest ranks. In 1925, Ruhlmann was allowed to design an entire pavilion for the Paris Art Déco exhibition.Ruhlmann died in 1933 at the age of only 54. Following his wish, the company was thereupon closed down. Until the present day, Ruhlmann's furniture is regarded as an exquisite highlight of the Art Déco period.. Explanations to the Catalogue
Lot 4158
Kaiserin Elisabeth von Österreich – umfangreiche Gruppe Badezimmer-Utensilien in großem Weidenkorb mit Deckel, um 1860/70 Der Weidenkorb mit langen seitlichen Trageseilen sowie geschwärzten Eisenbeschlägen, im Deckel Inventaretikett "Privatfond I.K.K. Majestät" mit der Nummer "890". Einliegend eine Keramik-Bettpfanne, ein Keramikeinsatz für eine portable Toilette, vier Packungen "Papier-Closenettes (Abort-Einsätze)", weitere Tücher in Originalverpackung, diverse Keramikgefäße, Zahnbürsten, Kämme und Bürsten, Pinzette, Reiseschuhlöffel/-knöpfer, Haarklammern, Handtuch und Waschlappen, ein Thermometer, Wäscheklammern, ein kleines Etui, ein Reise-Kleiderhaken, einige Duftsäckchen, ein Fläschchen "Anker-Pain-Expeller" aus Rotterdam und eines "Superior Ebglish Eau de Cologne" aus London sowie ein Schächtelchen mit Kieselsteinen. Außerdem zwei Teppichklopfer. Die Utensilien aus München, Paris, London oder Traunstein (soweit Verpackungen noch vorhanden). Maße des Weidenkorbes (altersbedingte Beschädigungen) ca. 90 x 55 x 47 cm. Seltener Einblick in die Reisegepflogenheiten des Hochadels im 19. Jhdt.Provenienz: Hermann Historica, 24. Auktion im Mai 1991, Los 2782. Seither in einer deutschen Privatsammlung.Zustand: IIEmpress Elisabeth of Austria – an extensive collection of bathroom utensils in a large wicker basket, circa 1860/70 The wicker basket with long, carrying ropes at the sides and blackened iron fittings, the inventory label in the lid reads "Privatfond I.K.K. Majestät" and the number "890". Containing a porcelain bedpan, a porcelain insert for a portable toilet, four packets of "Papier-Closenettes (Abort-Einsätze)" (paper toilet seat covers), other cloths still in the original wrappers, various porcelain pots, toothbrushes, brushes and combs, a pair of tweezers, a travel shoehorn/buttonhook, hairpins, hand towel and face flannel, a thermometer, clothes pegs, a small case, a travel clothes hanger, several scented sachets, a small bottle marked "Anker-Pain-Expeller" from Rotterdam and a "Superior English Eau de Cologne" from London, plus a small box of pebbles. Also two carpet beaters. The utensils from Munich, Paris, London or Traunstein (where the packaging is still present). Dimensions of the wicker basket (damage due to age) approx. 90 x 55 x 47 cm. A rare glimpse into the travelling habits of the high nobility in the 19th century.Provenance: Hermann Historica, 24th Auction in May 1991, lot 2782. Thereafter in a private German collection.Condition: II
Lot 65
Sean Henry (b.1965) 'Thinking Man' (Man on a stool) Signed 'SH 9/9' under the seat Limited edition 9 of 9 Bronze sculpture with oil paint, 2010 42 x 12 x 21cm, 16 x 5 x 8in British sculptor Sean Henry depicts anonymous figures in drawings, painted clay and bronze, often portrayed in thoughtful and contemplative poses. Changes of scale disrupt our comprehension of the figures - proportions are never quite life like, rather enlarged or reduced, creating a physical and psychological contrast in relation to the viewer. Henry's large-scale sculptures can be seen outside in public spaces, squares, coastlines and moorland. Recent installations include Seated Figure, originally situated in the North York Moors National Park and now on view at the Yorkshire Sculpture Park. In Woking, Surrey - Henry's place of birth - a series of figures are located throughout the town centre, and at the train station and central shopping mall. A further four sculptures are due to be added in 2021/2022, completing the town's permanent collection. Henry graduated in ceramics from Bristol Polytechnic in 1987 and had his first exhibition in London in 1988 at the Anatol Orient Gallery. He was the first sculptor to win the Villiers David Prize in 1998 and has had more than 30 solo shows during his career. His work is regularly exhibited by galleries in London, New York, Stockholm, Bad Homburg, Mykonos and Brussels, and his sculptures can be found in public collections in the UK, Sweden, Norway, Germany, USA and elsewhere. Henry is married with 3 children and lives and works near Winchester, Hampshire, England.
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216995 item(s)/page