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Click here to subscribeAn early 19th Century George III Country Farmhouse Windsor armchair / elbow / fireside chair of yew and elm wood construction. The chair having a shaped comb backrest with central yew wood back splat, turned rails, shaped elbow rests and saddle seat. The arm chair being raised on turned legs united by a crinoline stretcher. Measures approx; 100cm x 54cm x 40cm.
A 19th Century Arts & Crafts armchair having a shaped top rail with central spindle backrest flanked by further turned supports. Bowed scrolled armrests with rush seat rest below with all raised and supported upon stuned tapering supports united by turned stretchers. Wear commensurate with age. Measures approx; 95cm x 50cm x 55cm.
A Near Pair of Yew Wood Windsor Armchairs, mid 19th century, with pierced splats, notched arms, crinoline stretchers, raised on turned feet (2)One chair structurally soundOne chair with a broken front leg near the join at the seat, would need repairing.Both with some splits to the top rail near the splat but structurally sound at this point. General wear and superficial marks, some wax filled repairs.
SUITE DE QUATRE FAUTEUILS CABRIOLETS D'EPOQUE LOUIS XV MILIEU DU XVIIIe SIECLEA SUITE OF FOUR LOUIS XV FAUTEUILS MID-18TH CENTURY Each with shaped back and armrests, the toprails and seat rails carved with floral and foliate sprays, on cabriole legs, upholstered in green fabric, remains of a maker's stamp, 62cm wide, 49cm deep, 89cm high (24in wide, 19in deep, 35in high). This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
PAIRE DE TORCHERES LOUIS XVI EN BOIS SCULPTE ET DORE DANS LE GOUT DE GEORGES JACOB FIN XVIIIe - DEBUT XIXe SIECLEA PAIR OF LOUIS XVI CARVED AND GILTWOOD TORCHERES IN THE MANNER OF GEORGES JACOB LATE 18TH - EARLY 19TH CENTURY The stop-fluted baluster foliate shaft surmounted by a circular tray with beaded and lappeted border above water leaves and gadrooned support, on a hexagonal recessed panelled base with delicate scrolling foliate sprays, the lower section composed of three addorsed sirens holding the reeded vase shape apron, on a concave fronted triangular plinth centred by rosette and edged with tip-leaf moulding, on bun feet, partly regilt, differences to carving , 52cm wide, 161cm high (20in wide, 63in high). Footnotes:These finely carved torcheres, or tripods for vases reflect the late 1770's fashion for decorating the grand 'Salons' of the last quarter of the 18th century in Paris. They are related to four stands commissioned for every corner of the 'Salon de Musique' of Comtesse Marie-Léopoldine Pàlffy, Princesse Kinsky (d.1794) following the building of her hôtel in rue St-Dominique in Paris in 1770. The Kinsky torchères, slightly earlier in dating, were designed by the sculptor and designer Gilles-Paul Cauvet (1731-1788), carved by Pierre Gontier and gilt by F. Mathon. The commission included also a music stand carved in the same manner, so to have a coherent designed suite to the newly furbished room. The music stand is now conserved at the Château de Versailles, illustrated in Pierre Arizzoli-Clémentel, Le Mobilier de Versailles. XVIIE et XVIIIE Siècles, Tome 2, Dijon, 2002, p.237. A pair of Kinsky torchères were sold Christie's London, 22 November 2007, lot 100, from the Collection of the Marquis and Marquise de Ravenel, (sold GBP 558.100 inlcuding buyer's premium). The torcheres here offered are stylistically reminiscent to the designs brought in by ornemanistes such as François Joseph Bélanger (1744-1818), and by Jean-Demosthène Dugourc, his brother-in-law. Belanger was the first architect of Comte d'Artois as from 1777, while Dugourc was appointed in 1780 'dessinateur du Cabinet de Monsieur, frère du Roi' for who he looked after the remodeling and embellishments of the various interiors owned the Comte d'Artois.In 1782 Dugourc published an album of ornaments entitled 'Arabesques', which opened the door to a new fashionable taste of the early 1780's. A new taste composed of mainly delicate female figures ending in lavish acanthus motifs, reminiscent of the bases carved on our torchères. A design for a project of decoration of a 'cabinet à la française' for the Pardo, project which was never executed, shows in prominent position a pair of torchères of similar style with closely related tripod bases. The fashion for the 'turqueries' or 'goût turc' was initiated by the comte d'Artois in Paris during the mid-1770's with the creation of his boudoir turc in the Palais du Temple in 1776. Georges Jacob (1739-1814) was actively carving suites of seat furniture to the new exotic designs of Etienne-Louis Boullée, a stylistic revolution was taking place at the time in Paris, characterized by the celebrated console table for the second cabinet turc of comte d'Artois at Versailles, carved with addorsed sirens at the top of the supports by the talented Georges Jacob in 1781.For further information on this lot please visit Bonhams.com
IMPORTANT MOBILIER DE SALON D'EPOQUE LOUIS XVI COMPRENANT SEPT FAUTEUILS, UNE BERGERE ET UN CANAPE, ESTAMPILLE DE DELAISEMENT DERNIER QUART DU XVIIIe SIECLEAN IMPORTANT LOUIS XVI SUITE OF SEAT FURNITURE BY DELAISEMENT LAST QUARTER 18TH CENTURY Grey-painted with blue velvet upholstery, comprising seven fauteuils, one bergère and a canapé, each with rectangular backs with moulded, beaded and ribbon-twist motif, the shaped armrests carved with upswept acanthus, the seatrails with ribbon-twist motif and resting on turned tapering reeded legs headed by large rosettes, the uprights of the canapé with scrolling motif and stepped finials, stamped 'DELAISEMENT', Fauteuils: 92 cm high, 62 cm wide, 55 cm deep,Bergère: 92 cm high, 66 cm wide, 67 cm deep,Canapé: 96 cm high, 186 cm wide, 76 cm deepFootnotes:Nicolas-Denis Delaisement, Maître menuisier in 1776This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
SUITE DE DOUZE CHAISES D'EPOQUE LOUIS XVI EN BOIS LAQUE CREME DERNIER QUART DU XVIIIe SIECLEA SUITE OF TWELVE LOUIS XVI CREAM-PAINTED DINING CHAIRS LAST QUARTER 18TH CENTURY Each with rectangular moulded back and seat upholstered in close-nailed crimson patinated leather, the turned tapering stop-fluted legs headed by a rosette and joined by an H-shaped stretcher, restorations to the tips of legs, 48cm wide, 85cm high (18 1/2in wide, 33in high). This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
PAIRE DE FAUTEUILS A LA REINE D'EPOQUE LOUIS XV EN NOYER, TRAVAIL LYONNAIS MILIEU DU XVIIIe SIECLEPAIR OF LOUIS XV WALNUT FAUTEUILS A LA REINE, LYON MID-18TH CENTURY Each with shaped rectangular back, waved armrests and cabriole legs, top rail and seat rail centred by floral sprays, upholstered in red silk cut velvet, 70cm wide, 68cm deep, 96.5cm high (27 1/2in wide, 26 1/2in deep, 37 1/2in high). Footnotes:Provenance:Galerie Pequignot, Lausanne, 1984.This lot is subject to the following lot symbols: * TP* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Oak arts and crafts armchair, with pierced heart decoration, width 56.5cm, height 102cm CONDITION REPORT:The chair is in very good condition, the back has some play and requires strengthening. The stretcher has broken away from the back panel and requires restoration - see additional images. The dowels have come apart from the seat and need re-attaching. Some cracking to back oak, and detachment at joint
Robert Mouseman of Kilburn oak monks chair, the curved back rail with a carved monks head to either side, the central splat has a shield with coat of arms, the side splats with Tudor rose flower heads. The seat is an early drop in woven leather lattice design, supported on four legs with a crossed stretcher with a carved mouse to the front right leg, lenght 62cm, width 62cm, height 81cmCONDITION REPORT:The chair is in excellent condition throughout, there is a small split to the join front RHS at seat support. Coat of Arms unknown
Robert Mouseman of Kilburn oak stool, the adzed saddle seat on octagonal chamfered legs united by plain stretchers terminating in block feet, carved mouse to front right hand leg, length 41cm , width17.5cm , height 37cmCONDITION REPORT:The stool is in very good condition throughout, some minor light water marks to seat
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