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A GEORGE IV MAHOGANY HALL BENCHATTRIBUTED TO GEORGE BULLOCK, CIRCA 182558cm high, 89cm wide, 45cm deepFor an almost identical hall bench, see Christie's, The Collector, 23rd May 2018, Lot 110 (£18,750).This bench compares with a number of related examples by or attributed to George Bullock (d.1818). Foremost among these is the pair supplied in 1817 as part of a fully documented commission to Matthew Robinson Boulton for Tew Park, Oxfordshire, executed in oak and holly at a cost of £23.2s., and sold Christie's Tew Park sale 27 June 1987 lot 31. Another was sold from the collection of Kentshire Galleries, Sotheby's, New York, 18 October 2014, lot 328 ($20,000 including premium) and most recently another was sold Christie's, London, 19 November 2015, lot 581 (£35,000 including premium). All featured the distinctive ring-turned and fluted arms supported by uprights carved as tulip-like flowers.GEORGE BULLOCK AND HIS COLLABORATORSGeorge Bullock was considered by his contemporaries and patrons as one of the most outstanding and progressive makers of his age, though his career was cut short by his sudden death in 1818. Working from premises at Tenterden Street, London, in addition to the extensive commission at Tew Park, Bullock was requested by the future George IV in 1816 to supply suitable furniture for the Emperor Napoleon's residence in exile on the island of St. Helena, while he was also employed at Sir Walter Scott's Abbotsford, Roxburghshire, and at the Duke of Atholl's Blair Castle, Perthshire.Among Bullock's collaborators were the architects Richard Bridgens (d.1846) and Richard Brown (fl.1804-42) who not only provided Bullock with designs during his lifetime, but also did much to publicise his 'antique' taste after his death. Bridgens is credited with the design of the firm's oak parlour chairs supplied in 1818 for Abbotsford and published his Designs for Furniture with Candelabra and Interior Decoration (1824); while Brown published his Cabinet and Upholstery Furniture, 1820 (2nd ed. 1822; 3rd ed. 1835), which featured Bullock's designs for window seats such as the present lot (see Clive Wainwright et al, 'George Bullock and his circle', George Bullock, Cabinet Maker, Exhibition catalogue, 1988, pp. 13 - 39). Bullock's work was here linked with publications such as 'Mr. Hope's mythological work; Mr. [George] Smith's excellent Book of Unique Designs [1808], and [Charles] Percier's splendid French work on Interior Decoration [1801; 2nd ed. 1812]'. Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.The seat is of panelled construction. The spherical finials are applied to the scalloped half roundels and there are some splits from the point where they are fixed, the underside of these have a dark stain.There are some slight variations to the shape of the turned feet. There are some chips to the lotus carved supports and it is likely that the turned end supports have been detached and re-fixed at some stage.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
A PAIR OF MAHOGANY LIBRARY BERGERE ARMCHAIRSIN REGENCY STYLE, EARLY 20TH CENTURY each 104cm high, 70cm wide, 75cm deep overall Condition Report: The seat rail of one chair stamped '3420' 'MAPLE & CIE' the other '3277' 'MAPLE & CIE'There are some marks, scratches, chips, cracks and abrasions consistent with age and use.Overall the mahogany of the chairs is clean with some paler flecks of faded filler. The casters are brown ceramic, some wear to some of them.Some variation of colour of mahogany, some sun fading including to the backs of the chairs.Some chips to the roundels of the arm fronts, scuffs and knocks including to the legs.The arms and two squabs of each chair are red morocco leather, worn through to the natural leather colour including to the piping, corners and creases, with some fading to the sides with the pattern of the canework. The upholstery slightly compressed. The cushions to one chair are hessian to the underside, with holes and tears, lacking buttons to the seat cushion; the cushions to the other chair are pale red cotton twill. The canework is later and paler to one of the chairs. There are some cracks including to legs and to the arm/back joint area of one chair.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A GEORGE IV MAHOGANY HALL SEATIN THE MANNER OF CHARLES HEATHCOTE TATHAM, CIRCA 182583cm high, 191cm wide, 38cm deep overallThe design of this hall seat or bench is inspired by Charles Heathcote Tatham's 'Etchings of Ancient Ornamental Architecture, London', of 1799. Condition Report: Seat with the expected marks, knocks, scratches and abrasions commensurate with age and use. Various old splits and chips (see images). Various later blocks to the underside of the seat to secure splits. Vacant areas to undersides of legs from where concealed castors once sat. Some later dowel or screw repairs made to the back with filler used to help disguise. Later dowel used to top of one from leg. Seat structurally solid overall. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A QUEEN ANNE WALNUT ARMCHAIRCIRCA 1710107cm high, 66cm wide, 59cm deepCondition Report: There are some marks, scratches, chips, cracks and abrasions consistent with age and use, some to the extremities and edges.Overall the piece is cleaned.Some repairs, including to the joint area where the arm rests meet the arm supports; some losses including a small section to the base of the shoe, a crack to this area.There is evidence of old worm including to seat rail, leg and stretcher areas.Please note we have not inspected the frame beneath the upholstered drop-in and can't comment on the condition and originality of this area.All that said these comments on condition are only apparent on close up inspection.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A QUEEN ANNE WALNUT WING ARMCHAIR CIRCA 1710114cm high, 80cm wide, 74cm deep overall Condition Report: The legs and stretchers with various marks, knocks, scratches and abrasions consistent with age and use. Timber with old splits and chips. Various old repairs, including; through one front leg, through both rear legs, to the centre of the H-stretcher, the side of the H-stretcher, and where all stretchers meet the legs - Please see additional images for details. Evidence of old worm. Seat rails and corner blocks appear to be later and have a dark wash applied over them. No rips or tears detected to upholstery. Upholstery with the expected minor wear in places and could benefit from a clean. Chair is structurally solid overall. Dreweatts cannot guarantee the originality of elements beneath upholstery. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A PAIR OF VICTORIAN CARVED OAK HALL CHAIRS IN GOTHIC REVIVAL STYLE, MID-19TH CENTURY One with a paper label 'WALTER CARTER'S DEPOSITORY MANCHESTER' each 95cm high, 46cm wide, 50cm deep Condition Report: There are some stains, marks, watermarks, scratches, chips and abrasions consistent with age and use. With some sectional joint cracks including to the seats. A large chip to the back of one back leg, some other chips including to the seat corners, edges of legs, shaped seat rail frieze. Some small repairs.Missing some blocks etc to the underside of the seats. There is evidence of worm in particular to one seat rail and elsewhere.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A PAIR OF HOWARD ARMCHAIRSBY HOWARD CHAIRS LTD, OF RECENT MANUFACTUREWith Mulberry fabric and labels for Howard Chairs Ltd, on square tapering legs with brass casters86cm high, 75cm wide, 90cm deepCondition Report: There are some marks, scratches and abrasions consistent with age and use, some to the extremities and edges of the legs. Some scratches to the brass casters.The upholstery has some subtle minor signs of use. The piping around the front edge of the seat cushions has rubbed with some tufts of threads visible. Generally in good condition including the bullion fringe.Please note we have not inspected the frame beneath the upholstery and can't comment on the condition and originality of this area.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
Y A PAIR OF WILLIAM IV ROSEWOOD AND BUTTONED LEATHER UPHOLSTERED ARMCHAIRSCIRCA 1835each 113cm high, 71cm wide, 87cm deepCondition Report: There are some marks, scratches, chips, splits and abrasions consistent with age and use.Overall clean and later upholstered with mottled/variably coloured brown leather and aged brass studs. The frames have some chips and holes from previous upholstery tacks, visible to the backs of the arm upholstery in particular where there is also some lifting, splitting and some losses to veneer. Some evidence of old worm. The joints to the crest rails look as though they have been re-fixed. The seat rails each have cracks and two dowel marks, with open cracks to the leg joints. Some chips to the legs. Later screws to the brass cappings and casters.Please note we have not inspected the frame beneath the upholstery and can't comment on the condition and originality of this area.The two rear cappings of one chair are later replaced examples that do not match the originals. Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
Y A PAIR OF WILLIAM IV CARVED ROSEWOOD AND PARCEL GILT SIDE CHAIRS CIRCA 1835 each 88cm high, 46cm wide, 45cm deep overallCondition Report: Both chairs with marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. The parcel gilt elements with some wear and losses. Both backs with old glued repairs to carved elements - see images. Some wear and marks to seats. The underlying timber seat frames are later replacements and one has evidence of old worm. Both structurally solid. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A CONTINENTAL WHITE PAINTED CARVED SOFTWOOD HALL BENCH18TH CENTURY116cm high, 176cm wide, 41cm deepProvenance: Lady Victoria GettyCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old splits, chips and losses. Old repairs. The back with various old repairs with metal bracing and glued down hessian strips visible to the rear. There are also 'shadows' and vacant screw holes where previous metal bracing sat. The cream painted surface is later. It is possible that some old repairs and replacements are concealed by the painted surface. An element of the arcaded section to the base of the back is detached but present. Two of the 'teeth' elements of the frieze below the front of the seat are lacking. Evidence of old worm throughout resulting in some losses in areas. Some movement within joins but seat is structurally solid overall due to glued re-securing of joins and later metal bracing between back and seat Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A GEORGE II WALNUT OPEN ARMCHAIR IN THE MANNER OF GILES GRENDEY, CIRCA 1735With 18th century needlework seat96cm high, 70cm wide, 54cm deep overall Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, one piece of veneer is missing to an upright - this is missing in the catalogue and online images, some other smaller chips and losses to veneersSigns of old woodworm to the frame, some holes have been filled and disguised others more noticeableThere is a hole to the front of the tapestry/ needlework seat, overall the seat has faded and not as vibrant. The needlework is likely 20th century in date and not 18th century. Overall the frame is solid and stable. There are two later corner blocks added to the rear corners of the seat rail. There has been spliced repairs to some uprights and other elements, there are some plugged repairs to the rear of the arms but there is no reason to doubt these are not original. One rear leg has been later replaced and is made of beech rather than walnut. It has been cleverly spliced in to join the chair so it is not easily detectable. There is a screwed in metal bracket securing the underside of the adjacent side rail to the replaced leg. This has been coloured/ painted to disguise it. There is no woodworm to the replaced leg.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A CARVED PORTLAND STONE CURVED GARDEN SEAT 19TH CENTURY Of Exedra form, the curved rectangular seat on scroll supportsapproximately 287cm wide, 46cm high, seat 45.5cm deepCondition Report: Bench with the lichen and weathering consistent with age and outdoor use. the expected old chips, knocks, scratches and abrasions. One support with a larger chip if loss - see image. Another support with an old section of replacement/repair to one side - see image. Bench in five parts; the two sections of the top and three supports. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
TWO STONE GARDEN BENCHES 20TH CENTURYBoth with curved rectangular seat on scroll supportsthe first 177cm wide overall, 47cm high, 52cm deep, the second 167cm wide, 45cm high, 46cm deepCondition Report: Please note, as catalogues these benches are not a pair. One has a curved top the other a straight top. Both with lichen, moss and weathering consistent with age and outdoor use. The curved bench has a more weathered appearance that the other. Both bear the expected chips, knocks and abrasions. One support with a minor crack to the scroll - see image. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A SMALL CAST IRON GARDEN BENCH AFTER THE CARRON FOUNDRY DESIGN, 20TH CENTURY White painted, apparently unmarked83.5cm high, 115cm wide, 50cm deepThis design, numbered 34358 was first registered by the Carron Foundry at the Public Record Office on 16 March 1846.Condition Report: There are some marks, scratches, knocks, chips, and abrasions consistent with age and use.White painted surface is very thick- obscuring detailing and any possible marks. Seems to be structurally sound- and heavy. Some rust to feet, underside of seat frame etc Please see the additional photographs as a visual reference of condition and which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A VICTORIAN CAST IRON GARDEN SEAT IN THE COALBROOKDALE 'ELIZABETHAN' PATTERN, LATE 19TH CENTURY Raised animal head and pattern number 59244 to each arm, wooden slats128cm wide, 78.5cm high, 65cm deepThis design, number 59244 was registered and patented by the Coalbrookdale Company, Shropshire, at the Public Records Office on 27th March 1849, and appears as seat number 16 in their 1875 Castings Catalogue
A VICTORIAN PAINTED CAST IRON GARDEN SEATJOHN PINCH, DUDLEY CIRCA 1865Impressed to the reverse 'JOHN PINCH PRIORY STREET WORKS DUDLEY' 127cm wideBy repute current seat appears to relate directly to design no. 190760 of the company's archives dated 5th October 1865. This model of bench is also recorded in Georg Himmelhebber Cast-Iron Furniture, plate 106, and he dates the original design to circa 1840.
A GEORGE III MAHOGANY WINDSOR ARMCHAIRCIRCA 1760Of large proportions124cm high, 74cm wide, 61cm deepThis hall armchair with solid saddle form seat and cabriole legs belongs to a distinct group which relate to provincial Windsor chairs but because of their more sophisticated design and use of fine mahogany are more likely to have been produced by London furniture makers.An almost identical armchair was sold, Christie's, New York, The collection of Robert Hatfield Ellsworth European Decorative Arts and Old Master Paintings, 21st May, Lot 1285, ($22,500).Condition Report: There are some marks, scratches, chips, cracks and abrasions consistent with age and use, some to the extremities and edges.Overall the piece is clean with some fine pale flecks, possibly from previous polishing.Some fine cracks along the grain of the timber to the bow back around the area that holds the splat and back uprights.There are some knocks/pitting to the seat.The underside of the feet with dowels and holes possibly from previous casters. The feet scuffed and knocked with chips.All that said these comments on condition are only apparent on close up inspection.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A GEORGE II MAHOGANY HALL CHAIRPOSSIBLY IRISH, CIRCA 1730Of 'saddle seated' type95cm high, 65cm wide, 58cm deepProvenance: Howth Castle, County DublinHowth Castle was the ancestral home of the St. Lawrence family. Picture reference: Francis Elrington Ball, A History of the County Dublin: Howth, Alex. Thom & Company (Limited), Abbey-St., 1917.Thomas Chippendale's Gentleman and Cabinet Maker's Director (3rd edition 1762, pl. XVIII) illustrates patterns for saddle-seated hall chairs. The present chair also relates in character to hall chairs supplied for Hartwell House, Oxfordshire. (one sold Christie's, London, 6th April 2000, lot 154 (£35,250). A further related pair of armchairs were sold Christie's, Important English Furniture, 14th June 2001, Lot 38 (£58,750). Chairs with related pierced vertical splats were supplied to Rousham Park, Oxfordshire and are illustrated in the Great Parlour, Rousham Park, Guide Book, n.d. A closely related set of twelve chairs (to the set at Rousham) was offered Christie's, London, 6th July 2000, lot 57 (£190,750).Condition Report: Please note: The main title of this lot should read 'A GEORGE II MAHOGANY HALL CHAIR, POSSIBLY IRISH, CIRCA 1730' There are some marks, scratches, chips, cracks and abrasions consistent with age and use.The chair has a clean appearance including to the saddle seat which has pitting.There is evidence of old worm including to the blocks behind the leg/seat joints.There are some repairs including to the seat that has two cracks across the grain of the timber, the underside now with two inset braces and one applied rectangular brace. There is some related repair incorporating some filler to some areas of the arms and supports, cracks to the tips of the arms. Many of these comments are apparent only on close inspection.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A GEORGE II WALNUT WING ARMCHAIR CIRCA 1735 Upholstered in floral needlework112cm high, 80cm wide, 60cm deep overall Provenance: Private Collection, LondonFor a wing armchair of the period incorporating similar carving to the legs but without the accentuated rounded back seen here, see Christie's, London, The English Collector, 22nd May 2014, Lot 1126 (£10,625). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old splits and chips (see images). some small lossesEvidence of old worm, dark wax/ filler has been used to help disguise small areas of worm damage and small losses in places. Some glue residue to the joins at the top/backs of the legs and to joins of the seat rail. Old tack holes to the undersides of rails and legs. Chair has been re-upholstered and the needlework is later associated. The later plain backing material bears old sun fading and some faults inclusing areas of wear and one relatively small hole. Needlework with wear, losses, fading and some small holes (see images). Some small stitched repairs to needlework. This is particularly noticeabel to the arms. Dreweatts cannot guarantee the originality of elements beneath upholstery. The seat rail is a later replacement throughout. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A GEORGE II MAHOGANY AND LEATHER LIBRARY ARMCHAIRMID-18TH CENTURY104cm high, 65cm wide, 68cm deepCondition Report: There are some marks, scratches, chips and abrasions consistent with age and use, some to the extremities and edges.There is some movement to the arm joints where they join the back and seat.The underside of the seat has later corner blocks. The top area of one back leg repaired. The carving to the knees and claw and ball feet knocked and knarled.There is evidence of old worm including to the seat rails and the blocks behind the ears at the top of the legs.The later brown leather upholstery has been stained with various colours giving a mottled patina and has worn, for example, to the front corners and edges of the seat, and to the central area of the seat, to reveal the paler underlying leather. Some other stains, marks and creasing.Please note we have not inspected the frame beneath the upholstery and can't comment on the condition and originality of this area.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A GEORGE II CARVED WALNUT OPEN ARMCHAIRCIRCA 1740 106cm high, 65cm wide, 60cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old chips and splits to timber. The upholstery in tired condition overall, with wear, pulls and tears - see images. Old glued repair to split through the upright support of one arm. Some losses to carving at tops of legs - see images. Some old glued repairs to elements of carving - see images. Small block of timber to back of one rear leg lacking. Dust cover to the underside of seat is lacking. Some joins opening slightly. The undersides of the rear feet with inset replacement timber from where castors used to sit. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A PAIR OF GEORGE I FRUITWOOD SIDE CHAIRS C.1720 probably cherry, each with a vase shaped splat above a drop-in seat, with a shaped front rail, on cabriole legs and pad feet (2) Provenance Acquired by the present owner from Millhouse Antiques, Halfway Bridge, nr. Petworth, 13th October 1982. A Private Collection, London.
A GEORGE II MAHOGANY LIBRARY ARMCHAIR ATTRIBUTED TO PAUL SAUNDERS, C.1755-60 the padded arched back, serpentine seat and armrests covered in damask fabric, with outscrolling arms carved with acanthus leaves, with a cabled edge and with shell terminals, the frieze with a lattice ground carved with Rococo 'C' scrolls, shells and leaves, on shell capped cabriole front legs terminating in scrolled toes, on later brass castors 101.8cm high, 70.5cm wide, 67.2cm deep Provenance Dreweatt Neate, 22nd March 1995, lot 87. From the collection of the late Dr. Gordon Pack. Catalogue Note This chair is conceived in the fashionable French style of the mid-18th century which was popularised by Thomas Chippendale in 'The Gentleman and Cabinet-Maker's Director' published in 1754. The present lot bears similarities to a suite of furniture previously in the collection of Sir John Ward of Dudley House attributed to William Bradshaw or his partner Paul Saunders. Paul Saunders was one of the most important suppliers of upholstered furniture of the 1750s and 1760s. He was based around Carlisle House, Soho Square and 59 Greek Street and established a large workshop. He worked for many high profile clients, including 1st Earl of Leicester and the Earl and Countess of Egremont. See Christie's New York, 11th June 2010, lot 428 for a similar pair of armchairs.
A PAIR OF MAHOGANY SIDE CHAIRS IN HEPPLEWHITE STYLE PROBABLY 19TH CENTURY each with a cartouche shaped back, with triple vertical pierced splats, centred with flowerhead paterae, above a stuffed over seat, on stop fluted and stiff leaf carved front legs, with guilloche ankles, the back left leg stamped '7496' (2) Provenance By repute, Earl of Yarborough, Arlington Street, London W1.
A SET OF TWELVE REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY each inlaid with ebonised stringing, with reeded supports, a drop-in seat and sabre legs, comprising: a pair of open armchairs and ten side chairs, one single chair of a later date (12) Provenance Purchased from Eton Gallery, Windsor, 17th November 1997 for £13,400.
A PAIR OF REGENCY EBONISED AND PARCEL GILT SIDE CHAIRS IN GOTHIC STYLE IN THE MANNER OF GEORGE SMITH, EARLY 19TH CENTURY each with a crenellated top rail, above a triple lancet arch back, with columns and pendants, with a later silk squab cushion, above a cane seat, on panelled front legs with leaf and rosette arched brackets (4) Provenance Purchased from Avon Antiques, Bradford on Avon, 12th October 1990. Catalogue Note See George Smith, 'Designs for Household Furniture', plate 36 / 37 and 54.
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216995 item(s)/page