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Lot 69

A pair of Charles II oak and fruitwood spindle-back chairs, Derbyshire, circa 1660Each back having a triple carved and punched-decorated arcade, with delicate cusped lower edge, on paired turned spindles, embellished with acorn finials, and flanked by scroll-ended uprights with split-moulding and circular boss, panelled seat, on ball-turned pegs, joined by a matching fore rail and H-form stretcher with matching cross-stretcher, plain side mid-rails and rear stretcher, 46.5cm wide, 104cm high, seat height 45.5cm, (2)

Lot 112

A documented and good James I oak panel-back open armchair, circa 1620 The rectangular back panel carved with a floral bouquet centred around a heart motif, below a top rail carved with paired leafy S-scrolls, and with an integral double-scroll and foliate-carved cresting, flanked by conical and ball-turned finials, the uprights chain-carved above the scroll-ended shaped arms, and with scroll and leaf-carved 'ears', the trapezoid-shaped seat with a highly rare deep, double-reed, cushion-moulded applied edge, on columnar-turned legs, joined all round by plain stretchers, 72.5cm wide, 121.5cm high, seat height 48.5cm Provenance: John Fardon Collection. Literature: This chair is illustrated Tobias Jellinek, ‘Early British Chairs and Seats 1500 to 1700’ (2009), p. 69, pl. 49

Lot 93

A Charles II oak backstool, Yorkshire, circa 1660 The back of two arched and cusp-profiled splats, carved with leafy-scrolls and centred by a highly stylized male mask, the back uprights with scroll-carved finials atop hatch-carving and a split spindle-turning, panelled seat, on ball-and-fillet turned front legs, joined by unusual ball-turned paired side stretchers and plain rear stretcher, 47cm wide, 103.5cm high, seat height 47cm The all-turned base is a highly unusual feature of this backstool

Lot 90

A Charles II oak backstool, Yorkshire, circa 1660-80 Having a typical back of two arched and cusp-profiled splats, carved with tight-scrolls and centred by a male mask with pointed beard, and hung with drop pendants, the back uprights with scroll-carved finials atop hatch-carving and ornate split ring-turning, deep panelled seat, on ball-and-fillet turned front legs, joined by a conforming turned fore rail and multiple plain side and rear stretchers, 48.5cm wide, 102cm high, seat height 47cm Provenance: Purchased in Sheffield, mid-1960s, from Phillip Jameson Antiques

Lot 92

A rare Charles II oak backstool, Yorkshire/Lancashire, circa 1660 The back with two arched and cusp-profiled splats, each carved with scrolling and hatch-filled flora, the back uprights with scroll-carved finials atop a geometric carved motif, deep panelled seat, on baluster-turned front legs, unusually not joined by a fore rail, but with low plain stretchers all round and side stretchers, 48cm wide, 105.5cm high, seat height 52cm

Lot 49

A rare and interesting Charles II turner's solid-walnut child's high chair, circa 1660With four splayed and ball-turned posts, the rear posts terminating in reel-turnings, joined by two horizontal rails, atop three back spindles, panelled seat, and deep footrest, 44.5cm wide, 114cm high, seat height 66cm,Literature: for a similar example see Tobias Jellinek, 'Early British Chairs and Seats 1500 to 1700' (2009), p. 150, pl. 169Provenance: Private collection, Winchester

Lot 91

A rare mid-17th century oak backstool, Yorkshire, circa 1640-60Having a pair of arched and cusp-profiled splats, each carved with outward scrolls, and centred by an unusual well-detailed male mask, with full-beard, the back uprights with outward facing scroll ends, boarded seat, the front ball-turned legs having a turned disc top, which is an unusual feature for Yorkshire chairs, and joined by a ball-turned fore rail, matching low side stretchers and plain rear stretcher, 49cm wide, 103cm high, seat height 43.5cm

Lot 104

SIMPSON (WILLIAM)The Seat of War in the East, First [-Second] Series, 2 vol. bound in 1, 2 hand-coloured lithographed titles, one lithographed dedication plate, 79 hand-coloured lithographed plates, tissue guards (some with printed keys), some foxing and damp-staining mostly at beginning and end, contemporary maroon half morocco gilt, g.e., slightly rubbed [Abbey Travel 237], folio (560 x 370mm.), Colnaghi & Co., 1855-56Footnotes:'These plates are indeed an impressive piece of work, not only artistically and technically, but also as pictorial reporting. Simpson must in this way rank as an early war correspondent' (Abbey). Simpson was dispatched to the Crimea by the printsellers Colnaghi & Son, where 'he recorded the naval battles in the Baltic Sea and then went on to Balaklava in November 1854 to make accurate sketches on the spot. The drawings which he made during that terrible winter were submitted to Lord Raglan, sent home to England, and shown to Queen Victoria by the minister of war' (ODNB).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 372

A GEORGE III HEPPLEWHITE PERIOD MAHOGANY ELBOW CHAIR with pierced lyre and plume back, stuff over seat, raised on square reeded legs with stop-toes. £30-£50.

Lot 380

A PAIR OF VICTORIAN CIRCULAR EBONIZED FOOTSTOOLS with beadwork upholstery and a square pitch pine STOOL with drop in beadwork seat raised on turned legs. (3). £40-£60.

Lot 320

An Edwardian novelty stamp holder in the form of a wheelbarrow, plain polished form bearing registered design number 520190, the hinged lid opening to reveal a gilt interior, NOTE: the lid does not seat correctly, 6cm wide, Birmingham 1908, Cornelius D Saunders and James F Hollings, g/w 18 gms

Lot 531

An early 20th century rocking chair in Moorish style with drop in leather seat possibly by Carlo Bugatti

Lot 510

A William and Mary style walnut framed large armchair with damask covering, 122cm high, 75cm wide, seat is 48cm deep

Lot 185

A GEORGE III MAHOGANY OPEN ARMCHAIRIN THE MANNER OF CHIPPENDALE, CIRCA 177596cm high, 63cm wide, 55cm deep, the seat 44cm highProvenance: Private Collection, London For a side chair with a related 'Catherine Wheel' chair back see Christopher Gilbert, The Life & Work of Thomas Chippendale, vol II, Cassell, 1978, plate 164, ordered for rooms at Paxton.Condition Report: Old marks, scratches and abrasions, old chips and splits comensurate with age and use. Some losses, some old repairs (see images) . The frame is generally of solid structure.One front leg possibly with an old repaired break and coloured to disguise. (see images) and a glued break apparent at the top of the same leg. Old cracks to the seat rails adjacent to the front legs (mainly visible from underside and one from front of frieze) possibly indicating more significant old breaks/ detachment of legs. Some evidence of later re-gluing and a later screw put into the adjacent frieze from the underside. Later seat upholstery with stains and requires replacement. Good colour and patina overall with some additional wear and fading to arm terminals from use as expected. High quality and unusual casters with leather rollers. Some casters a little loose and position may need re-securing. Please refer to the additional images for visual reference to condition.  Condition Report Disclaimer

Lot 372

Y A SET OF TWELVE GEORGE IV ROSEWOOD DINING CHAIRSBY GILLOWS, CIRCA 1825Four reduced in height, the seat rails stamped 'HH'87cm high, 52cm wide, 48cm deepThe stamped initials 'HH' to this stool is one of the most common initial stamps recorded on chairs and stools made by Gillows in the first half of the 19th century. In Stuart's book it is explained with known examples that the stamp may belong to Henry Howard, however, Henry Holmes might be a better candidate as he was a known Gillows journeyman. (Susan E. Stuart, Gillows of Lancaster & London, Antique Collectors Club, 2008, vol.II, page 244)

Lot 112

A GEORGE III CARVED MAHOGANY AND UPHOLSTERED ARMCHAIRIN THE MANNER OF WRIGHT & ELWICK, CIRCA 1760104cm high, 71cm wide, 75cm deep overallCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: the leather is recent and a little loosely, rather than tightly, upholstered; there is some dark staining; some cracks to the top of leg/ear joints; with later seat rails and corner stretchers.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 355

A SET OF SIX REGENCY BEECH AND GILT METAL MOUNTED DINING CHAIRSCIRCA 1815each 85cm high, 45cm wide, 53cm deepTOGETHER WITH TWO LATER ARMCHAIRS TO MATCH 20TH CENTURYeach 83cm high, 53cm wide, 59cm deep(8) Please note, the armchairs in this lot are of a later date and have been made to match the side chairs. Condition Report: Please note, the armchairs in this lot are of a later date and have been made to match the side chairs. All chairs with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Some evidence of old worm to all side chairs. Various old repairs to side chairs using dowels, nails, glue and filler - see images for details. Sections of replacement timber spliced in to the back uprights of one chair where they meet the seat rails. All side chairs with some movement within frames. Upholstered seats in good condition overall. Seat have been fixed to side chairs by screws through the seat rails. The simulated rosewood surface with the expected wear, fading and losses. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

Lot 258

A GEORGE III MAHOGANY ARMCHAIRATTRIBUTED TO JOHN LINNELL, CIRCA 1780Indistinct pencil inscription to one seat rail90cm high, 59cm wide, 66cm deep, the saddle seat 45cm high John Linnell (1729-1796) supplied much furniture to Adam Houses including Kedleston and Osterley. At Ammerdown House, Kilmersdon, Somerset built by James Wyatt, Linnell provided furniture in 1795 including seat furniture. See Clifford Musgrave, Adam and Hepplewhite and other Neo-Classical Furniture, Faber and Faber, London, 1966, p122, 'An attractive feature of the furniture is the unusual design of the arms. The termination of these is carved with a ball enclosed by a cluster of four bay leaves.'For an identical pair of chairs see Ronald Phillips, Fine English Furniture, 2018, pp 240-241, 'the sophisticated shaped backs with their channelled moulding with floral carving and leaf carved ball terminals correspond perfectly with the later years of the Linnell workshop's output, when the company was headed by John Linnell, William's son.See also Ralph Edwards, A History of the English Chair, 1950, illus 88; Percy Macquoid and Ralph Edwards, The Dictionary of English Furniture, revised edition, 1954, vol I, p293, fig 214; and Helena Hayward and Pat Kirkham, William and John Linnell, Eighteenth Century London Furniture Makers, 1980, vol II, p45, illus 87.  Condition Report: Old marks, scratches and abrasions, old chips and splits commensurate with age and use. The frame is of solid structure.Later upholstery with some stains (see additional images)Some additional old dark scratches and indentations in areas, mainly only noticeably to the top of the reverse of the back. Good colour and patina overall. Constructed from high quality timber. The corner blocks to the seat rails are possibly later additions/ replacements. No breaks to legs detected. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer

Lot 141

A SET OF SIX GEORGE III MAHOGANY DINING CHAIRSIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 176595cm high, 56cm wide, 53cm deep, the seat 47cm highProvenance: Private Collection of a GentlemanCondition Report: All chairs with the marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Various old repairs, including dowel, screw and nail repairs to joints, and a spliced replacement to one rear leg - see images for details. Upholstered seats in tidy order overall with just the expected minor wear and fading. All chairs structurally solid. Some later supporting blocks to undersides of seats. Evidence of old worm to seat rails. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

Lot 348

A REGENCY SIMULATED ROSEWOOD AND PARCEL GILT ARMCHAIRCIRCA 181584cm high, 54cm wide, 53cm deep, the caned seat 42cm highCondition Report: Chair with the marks, knocks, scratches and abrasions commensurate with age and use. Old chips, splits and some losses. The gilt and painted surface has been refreshed at some point. Surface has various chips, losses, flaking and wear - see images. Some isolated old worm holes in places. Caning has been replaced. Both panels are in generally good order with no breaks. The caning to the chair back has a neatly executed repair - see images. Loose cushion seat with the expected wear and some minor 'pulls' to fabric. Underlying timber is beech. Slight movement within one arm but chair is structurally solid overall. Old repair made to scroll element at one side of chair back. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

Lot 36

AN OAK SETTLE 18TH CENTURY140cm high, 26cm wide, 54cm deep overallCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: there is evidence of worm; some filler, some later timber; some later dowel joints; some dark staining so that the colour is variable; some spliced feet; some vacant holes to the seat rails.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 232

A LOUIS XV WALNUT AND UPHOLSTERED FAUTEUIL MID 18TH CENTURY A printed paper label to the seat rail 'G 7 G BARILLA COLLECTION'97cm high, 76cm wide 57cm deep overallTOGETHER WITH A PAIR OF LOUIS XV WALNUT AND UPHOLSTERED SIDE CHAIRS MID 18TH CENTURY A stamp to one seat rail 'RESTAURI MOBILI D'ARTE F. PAINI PARMA'each 97cm high, 61cm wide, 50cm deep overall (3) Provenance:Private Collection, LondonAcquired Sotheby's, London, 14 March 2012, The Collection Contessa Iacobacci, Parma 

Lot 354

A REGENCY SIMULATED ROSEWOOD AND PARCEL GILT X FRAME STOOL OR WINDOW SEAT EARLY 19TH CENTURYThe seat later upholstered with woven green fabric57.5cm high, 100.5cm wide, 37cm deepCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: the later upholstery is a woven bottle green cotton fabric with some wear and age; some of the paintwork rubbed including to terminals and edges; the paintwork has varying degrees of craquelure; some staining to the seat rails; there might be some evidence of worm beneath the paintwork but there are not evident holes.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 263

A GEORGE III MAHOGANY ARMCHAIRIN CHIPPENDALE 'GOTHICK' MANNER, CIRCA 177091cm high, 66cm wide, 61cm deepA remarkably closed related armchair is in the collection of Stourhead House, Wiltshire (National Trust NT 731769). The current chair being offered has fretwork to the arms and pierced 'spandrels' to the tops of the legs, which the Stourhead example lacks. Condition Report: Old marks, scratches and abrasions, old chips and splits comensurate with age and use. Some small losses, some old repairs (see images) . The frame is generally of solid structure.The seat upholstery (later replaced) is worn and dirty and stained and requires repalcement. The top of one side seat rail has a slender later fillet added to the top of it to replace wormed/ damaged element (see image) one rear leg spandrel with lost and poorly replaced small scroll terminal. The stretcher inside the rear seat rail may possibly be an old addition. The gothic tracery of the arm panels has previously been broken in several places and re-glued ( and likely incorporates some later replaced sections in places to one arm). Interestingly, in regard to the almost identical chair at Stourhead, Wiltshire, this chair has the arm tracery repaired but present. There is no arm tracery to the example at Stourhead. No old breaks to legs or feet. No splicing to legs or feet. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer

Lot 368

A REGENCY MAHOGANY AND GREEN LEATHER LIBRARY ARMCHAIREARLY 19TH CENTURY96cm high, 65cm wide, 79cm deepCondition Report: Chair with the marks, knocks, scratches and abrasions consent with age and use. Some old chips, splits and shrinkage cracks. Old repaired splits to front seat rail - see images. Chair frame is structurally solid. No breaks or tears to caning found. Upholstered pads and cushions with the expected scuffs and wear. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

Lot 242

A FRENCH TRANSITIONAL PAINTED BEECHWOOD ARMCHAIRBY GEORGES JACOB, CIRCA 1770The front seat rail stamped 'G. IACOB', upholstered in woven silk90cm high, 62cm wide, 57cm deepGeorges Jacob was received as a master cabinetmaker 1765.Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: some later timber sections to the seat rail and blocks; the seat rail with some vacant upholstery tack holes; there is some evidence of worm; the frame recently painted; recently re-upholstered with high quality woven silk fabric with little evidence of worm.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 346

A PAIR OF GEORGE IV BEECH STOOLSIN THE MANNER OF GILLOWS, CIRCA 182543cm high, 90cm wide, 44cm deepCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: later modern fabric upholstery; rubbing and bleaching of the staining; some cracks; modern screws where the legs join the seat rail; there could be some worm but no holes appear to be evident.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 409

A PAIR OF REGENCY MAHOGANY HALL CHAIRSATTRIBUTED TO GILLOWS, CIRCA 1815One chair impressed stamp 'R.F.' to underside83.5cm high, 39.5cm wide, 49cm deep For a related mahogany hall chair see Susan E Stuart, Gillows of LANCASTER and LONDON 1730-1840, Antique Collectors' Club, 2008, p203, pl177, whilst the upper back of plate 177 is shell carved the outline and all other features are near identical to this pair of chairs being offered.  Condition Report: Both chairs with the marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Both chairs structurally solid. Evidence of old worm to seat rails - see images for extent. One chair with old dowel repair at top of one back leg and a glued split to the seat. The other chair with two dowels to the chair back where it meets the seat rail, smaller glued splits to seat and chair back, and a glued repair to top of one back leg. Later supporting blocks to underside of seats. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

Lot 8

A PAIR OF FRUITWOOD, ASH AND ELM WINDSOR ARMCHAIRSLATE 18TH/EARLY 19TH CENTURY96cm high, 59cm wide, 51cm deepCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: both chairs with dark staining, extensively worn; repairs including some pinned joints, later dowels, some use of filler, some later inset patches of timber; some cracks and splits; there is evidence of worm including to one chair seat in particular; a block to one foot; some legs possibly later, probably back legs; the chair with the small block under one leg does not sit flat on the floor.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 151

A DUTCH WALNUT AND FLORAL MARQUETRY SERPENTINE COMMODE CIRCA 1780 With a rouge griotte marble top 85cm high, 110cm wide, 57cm deepProvenance: The Wodehouse, near Womborne, Staffordshire The Wodehouse, is a grade II* listed country house. The estate has existed since medieval times and is recorded from the 13th century. It came into possession of the Hellier family in 1708 and for over 900 years it has never been sold, the current owners having inherited the house by marriage. It became notable as the family seat of the Georgian landscape designer and musicologist Sir Samuel Hellier, who created the core of an important collection of musical instruments and literature. For over 200 years, the Hellier family was also in possession of what would become known as the Hellier Stradivarius, one of the best-preserved violins made by Antonio Stradivari of Cremona around 1679, and is now in the care of the Stradivari Foundation in Cremona. Please refer to our website for further background history regarding The Wodehouse and the collection gathered there.  

Lot 160

A LOUIS XVI PAINTED BEECH WOOD AND VELVET UPHOLSTERED CANAPELATE 18TH CENTURY88cm high, 128cm wide, 67cm deepCondition Report: Old marks, scratches and abrasions, old chips, cracks and and splits comensurate with age and use. Some losses, some old repairs.(see images) There is a noticeable fragment of loss to each front outer leg terminal (see images) The frame is generally of solid structure, some joints will require 'tightening' and some general restoration required for ongoing use. The screwed in blocks to the inner corners of the seat rail are later additions/ replacements to strengthen the frame. Some wear and staining to the velvet textile. Wear is particularly noticeable to areas of the piping of the cushions. This may add to the 'antique' charm of the piece dependant on appearance sought. Staining dirt may clean out largely but this cannot be guaranteed (see images)The painted surface appears to have age but is likely not original. There are are areas of wear, loss and scratching to it in areas throughout (see images) A small rectangular patch of the reverse of the frame has not been painted, nor the underside edge of the reverse of the frame (see images) Evidence of old worm and fragmentary loss as a result. The worm to the seat rails does not cause them to be immediately weak. The front legs have a clean crack through the upper terminal. The rear central leg has an old repaired break through the upper part of it. Some other old damages/ repairs may be disguised by paint. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer

Lot 131

A SET OF SIX ITALIAN FRUITWOOD ARMCHAIRSCIRCA 1827With carved dolphins to the crests and lion masks to the arms, upholstered in polychrome woven patterned fabric95.5cm high, 58cm wide, 57cm deepProvenance: An Important Collection from a Cadogan Square HouseAntoine Cheneviere Fine Arts, London, acquired 9 October 1998 Part of a suite presented at the marriage of Prince Massimo to the Princess Gabriolla di Savoia in 1827.Condition Report: There are some marks, scratches, knocks, chips and abrasions consistent with age and use.There are losses and restorations including repairs to the dolphin tails; cracks along the grain of some veneers, some filled; some later blocks between the arm and the lion masks, and between the top of the legs and seat rails; lacking some sections of veneer and some replaced sections including to corners and tips of feet for example; there is evidence of worm, some filled to veneered areas, other areas not filled, for example, to seat rails; The upholstery appears to be recent and / or of good condition.We are unable to inspect areas covered in upholstery and so cannot comment on the condition and originality of these areas we are unable to see.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 150

A PAIR OF CARVED OAK RELIEF PANELS DEPICTING GRIFFIN PROBABLY ENGLISH OR WELSH, 16TH CENTURY each 11cm square Provenance: The Wodehouse, near Womborne, StaffordshireThe Wodehouse, is a grade II* listed country house. The estate has existed since medieval times and is recorded from the 13th century. It came into possession of the Hellier family in 1708 and for over 900 years it has never been sold, the current owners having inherited the house by marriage. It became notable as the family seat of the Georgian landscape designer and musicologist Sir Samuel Hellier, who created the core of an important collection of musical instruments and literature. For over 200 years, the Hellier family was also in possession of what would become known as the Hellier Stradivarius, one of the best-preserved violins made by Antonio Stradivari of Cremona around 1679, and is now in the care of the Stradivari Foundation in Cremona. Please refer to our website for further background history regarding The Wodehouse and the collection gathered there. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Approximately 3.2cm at the deepest point both with later drilled hanging holes to upper edge- both also with old worm and related loss- 1 lacking end of tail Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.Condition Report Disclaimer

Lot 246

A GEORGE III OPEN ARMCHAIRIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 178093cm high, 61cm wide, 64cm deep, the seat 42cm highThe underside of the seat rails of this chair have carved notches and dowel holes. See Christopher Gilbert, The Life & Work of Thomas Chippendale, Cassell, London, 1978, p113-115, 'Note the distinctive V-shaped notches to take glue cramps when the members were being assembled'.Please note, the timber is not mahogany, as originally stated in the printed catalogue, it is probably a walnut or related timber. Condition Report: NB - This chair is not mahogany as stated in the catalogue, but probably a stained walnut or related timber.There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: there are repairs including inset sections to the chair back; the upholstery is aged and torn; some sectional cracks have opened up; various cracks including to the base of the arm support, the back of the oval chair back, some corners of the seat frame, chair legs, seat rail; there is evidence of worm.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 241

A SET OF SIX GEORGE III MAHOGANY DINING CHAIRSIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 176596.5cm high, 59cm wide, 57cm deep, the seat 47cm highTOGETHER WITH TWO ARMCHAIRS CARVED TO MATCH 19TH CENTURY (8)Provenance: Private Collection of a GentlemanPlease note, the two armchairs are later in date. They match the set extremely well but are out of period. They likely are 19th century in date. Condition Report: Please note, the two armchairs are later in date. They match the set extremely well but are out of period. They likely are 19th century in date. All chairs with the marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Upholstered seats in generally tidy condition overall but have some wear, fading and small marks. Some seats with additional patches of wear to front edges. Some joints with slight movement but all chairs structurally solid overall. Some old repairs to pierced spandrels. One spandrel is loose but remains in position, two spandrels are lacking. Various replacement seat rails - see images for details. The remaining original seat rails with the expected worm and some losses. Later supporting corner brackets to undersides of seats. Please refer to additional images for visual reference to condition.Condition Report Disclaimer

Lot 152

A SET OF TEN PAINTED CHAIRS OR FAUTEUILS18TH/EARLY 19TH CENTURYComprising six armchairs, four side chairs; one of the chairs stripped of paint, one other gilded, upholstered in pale blue damask, of pegged constructionThe fauteuils 95cm high, 62cm wide, 71cm deep, the side chairs 94cm high, 51cm wide, 50cm deepProvenance: The Wodehouse, near Womborne, StaffordshireThe Wodehouse, is a grade II* listed country house. The estate has existed since medieval times and is recorded from the 13th century. It came into possession of the Hellier family in 1708 and for over 900 years it has never been sold, the current owners having inherited the house by marriage. It became notable as the family seat of the Georgian landscape designer and musicologist Sir Samuel Hellier, who created the core of an important collection of musical instruments and literature. For over 200 years, the Hellier family was also in possession of what would become known as the Hellier Stradivarius, one of the best-preserved violins made by Antonio Stradivari of Cremona around 1679, and is now in the care of the Stradivari Foundation in Cremona. Please refer to our website for further background history regarding The Wodehouse and the collection gathered there. Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: some aging, stains, water marks, indentations and marks to the pale blue damask fabric; one chair stripped and stained; one chair gilded; the other chairs paintwork variously with craquelure, chips, traces of underlying red paint and in places timber, over-painted, flaking; the paint somewhat layered generally making it difficult to ascertain worm holes, splits, repairs etc; some repairs visible; there is some evidence of worm, most apparent to the stripped chair; some later metal braces; the upholstered arm rests have some movement perhaps due to lacking some screws to the underside to hold these sections fast.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 276

A PAIR OF GEORGE III BEECHWOOD ARMCHAIRSIN THE MANNER OF JOHN LINNELL, CIRCA 178094cm high, 60cm wide, 59cm deep Provenance:A paper label to one seat rail '209 Archer, Cowley & Co., DEPOSITORY, OXFORD HUGH CAWLEY ESQ J'Sir Robert Hugh Cawley, 2nd Baron Cawley of Prestwich 1877-1954 lived at Adderbury House, Oxfordshire from 1904, then Berrington Hall, Hertfordshire from 1937For a Linnell drawing circa 1775 of a related chair see Peter Ward-Jackson, Victoria and Albert Museum, English Furniture Designs of the Eighteenth Century, 1984, pl 241.John Linnell (1729-1796) supplied much furniture to Adam Houses including Kedleston and Osterley. At Ammerdown House, Kilmersdon, Somerset built by James Wyatt, Linnell provided furniture in 1795 including seat furniture. See Clifford Musgrave, Adam and Hepplewhite and other Neo-Classical Furniture, 1966, p122, 'An attractive feature of the furniture is the unusual design of the arms. The termination of these is carved with a ball enclosed by a cluster of four bay leaves.'Condition Report: Provenance:There is a paper label to one seat rail '209 Archer, Cowley & Co., DEPOSITORY, OXFORD HUGH CAWLEY ESQ J'Sir Robert Hugh Cawley, 2nd Baron Cawley of Prestwich 1877-1954 lived at Adderbury House, Oxfordshire from 1904, then Berrington Hall, Hertfordshire from 1937. There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: there are damages and repairs including to the arm and arm support joints some incorporating later timber with traces of glue; the upholstery margins of the back, arms and seat rails with many vacant holes from previous upholstery tacks; one chair with greater old restoration than the other including later front legs (with some variances of carving, for example garrya husks carved to the replacement leg that is a vacant channelled groove to the other) and re-tipped back legs, possibly with later cappings and casters, other sections possibly replacements; later blocks to the seat rails; with different upholstery webbing, both of some age, to each chair; there is some evidence of worm.Please see the additional photographs as a visual reference of condition.    Condition Report Disclaimer

Lot 192

A SET OF NINE GEORGE III MAHOGANY DINING CHAIRS IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770 The seat rails stamped 'WH'95cm high, 58cm wide, 59cm deep Provenance: By repute, Sir Lionel Faudel-Phillips, Balls Park Hertford and thence by family descentCondition Report: Marks, scratches, knocks, chips, splits and abrasions consistent with age and use.The chairs with appealing depth of colour and patina. There are some losses, restorations and observations including: slight movement to joints,repairs to some top rails and backs; there is evidence of worm including to some seat rails and blocks; some missing and later carved elements, particularly to the upper corners of the backs.One splat with an old, pinned repair at the top, some chairs with loose timber where the splat fits to the back seat rail.Various old repairs.Some chairs stamped 'RP' to back of seat rails.Some chairs with later rails 'clad' to the original seat rails to provide structural support (see images).The seat rails and corner stretchers variably replaced, braced and covered in fabric, although a number remain original, and often The upholstery is verdure pattern on woven horsehair filling, with some minor signs of wear.We are unable to inspect areas covered in upholstery and so cannot comment on the condition and originality of these areas we are unable to see. Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 168

A GEORGE III MAHOGANY AND UPHOLSTERED STOOLIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 177044cm high, 57cm wide, 47cm deepCondition Report: Minor old marks, scratches and abrasions, old chips and splits comensurate with age and use. The frame is of solid structure.The damask seat upholstery (later replaced) is quite recent and generally clean and tidy with very few marks. It looks to be an old 'repair' but slender elements of timber appear to have been secured to the tops of the seat rails in order to support the upholstery. There may have been old losses to the tops of the original rails or were deemed not to sit high enough. There is evidence of age to the surface of the elements and has some old worm damage so does not appear to be a recent addition/ replacement. Evidence of old worm damage (as expected for age) , visible mainly only from the underside of the seat rails and blocks. The angled corner brackets of the seat rails are likely to be honest later replacements using the original apertures int he seat rails. The screws securing the 'ear' elements of the leg terminals from the underside are likely old honest additions. No old breaks to legs or feet. No splicing to legs or feet. Excellent depth of colour and patina to the legs. Some signs of later regluing and old use of surface filler to disguise old loss (see images) No old breaks to legs or feet detected. Please refer to the additional images for visual reference to condition.  Condition Report Disclaimer

Lot 197

A GEORGE III MAHOGANY AND GILT BRASS MOUNTED WINE COOLER OR CELLARETIN THE MANNER OF DESIGNS BY CHIPPENDALE THE YOUNGER, CIRCA 1800The top with radiating fluting and berried finial above a brass bound and lion mask mounted body, on well carved lion paw feet70cm high, 86cm wide, 61cm deepA related form of wine cooler was supplied by Thomas Chippendale the Younger to Stourhead, Wiltshire as part of a notable commission completed there. One of the earliest designs for an oval cistern features in the Gillows 1787 Estimate Sketch Book of 1787 (see: L. Boynton, Gillow Furniture Designs 1760-1800, Royston, 1995, fig. 178). A similar wine-cooler was designed by James Wyatt in the 1790s for Henham Hall, Suffolk, seat of the Earls of Stradbroke.  

Lot 120

A MATCHED PAIR OF MAHOGANY STOOLSPROBABLY IRISH, 18TH CENTURYeach 42cm high, 64cm wide, 53cm deepPlease note, following further inspection there are differences between the stools and therefore they should be described as a matched pair; at least one of the stools may be 19th century in date and not as originally catalogued.Condition Report: Following further inspection there are differences between the stools, therefore they should be described as a matched pair, atleast one of the stools may be 19th century in date and not as originally catalogued. Old marks, scratches and abrasions, old chips and splits comensurate with age and use. Some old losses, some old repairs (see images) . Some old worm damage. The frames are of solid structure. There is evidence of later re-gluing and repairs to joints including some later 'peg' joints. (see images) Some old repairs to splits. Three of the legs of one stool (and one foot of one of those legs) have previously been broken and repaired (repairs of varying quality). The same stool has supporting blocks to the corner joints, the other does not. Some repairs are untidy could relatively easily be executed more succesfully prior to re-upholstery.The current seat (later replaced) is only a crudely applied calico type material, therefore this needs finishing fully and chosen material applied etc. Dreweatts cannot guarantee the originality of timber that is underlying the upholstery and not currently visible. Please refer to the additional images for visual reference to condition.  Condition Report Disclaimer

Lot 206

A LOUIS XVI GILTWOOD AND UPHOLSTERED BERGERE BY ADRIEN-PIERRE DUPAIN, CIRCA 1780The underside of the rail stamped 'A.P. DUPAIN+' and 'VF.'96cm high, 65cm wide, 54cm deep overall  Adrien-Pierre Dupain received maître 10 December 1772. Based on the rue de Charonne on the Faubourg Saint-Antoine and working in the neoclassical style, Dupain supplied seat furniture around 1785 to Marie-Antoinette for Château de Saint-Cloud and possibly the Queen's Hamlet built from 1783-1786 in the former Trianon gardens, Versailles. For a closely related pair of stamped painted chairs see Sotheby's, Important Furniture, Paris, 22nd October 2008, lot 98, (Eur150,750). For a set of similar open sided stamped chairs see Sotheby's, Style - Mobilier et Objets d'Art, Paris, 19th November 2020, lot 31. A pair of fauteuils, sold as part of a larger suite, and possibly originally en suite with the bergere is illustrated in Pierre Kjellberg, Le Mobilier Français du XVIIIe siècle, Dictionnaire des Ebenistes et des Menuisiers, Editions de l'Amateur, Paris, 1989.Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: the upholstery has some marks and shows signs of age; the giltwood has knocks and some flaking with some later gilt, the underlying white gesso, terracotta and wood are visible to protruding areas, edges and elsewhere; open cracks and some splits including to the arm joints where they join the back and the arm supports, the back joints and to some legs with later gilding that may be covering repairs; there is small movement to the arms/sides; there is some evidence of worm. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 267

Late Victorian/Edwardian Hepplewhite style mahogany armchair with upholstered seat on sabre style front legs Location:

Lot 461

A Windsor wheel back carver chair with elm seat, turned legs united by H-stretcher, and an early 20th century upholstered mahogany stool on turned legs united by shaped stretchers Location:

Lot 244

A retro white resin stool with a later upholstered swivel seat, 37cm hLocation: LWB

Lot 745

Victorian rosewood rise and fall piano stool, circa 1845, the circular pad seat upholstered in pale green silk embroidered with foliate sprays, over a carved petalled baluster column and three cabriole legs, the seat 32cm diameter, minimum height 47cm

Lot 756

Set of seven mahogany dining chairs (6 + 1), 19th Century, with three acanthus carved and rosette stick backs, fabric upholstered stuffover seats, raised on tapered square section legs, the carver chair having a needlework upholstered seat

Lot 757

Oak joined side chair, early 18th Century, the panel back carved with an acanthus scroll top rail, solid seat, raised on turned baluster and block legs and front stretcher, height 110cm

Lot 755

Pair of walnut and upholstered open armchairs, in the early Georgian style, the back and seat in foliate gross-point tapestry, the forearms carved with eagles heads, raised on cabriole legs with shell carved knees, ball and claw feet, width 71cm, height 90cm

Lot 747

Early Victorian rosewood and upholstered dressing stool, circa 1840, square seat with foliate gross-point needlework pad, on turned legs, width 35.5cm, height 42cm

Lot 752

Reproduction oak joint stool, rectangular seat on baluster turned legs united by a stretcher base, 47cm x 27cm, height 40cm

Lot 703

Set of ten oak dining chairs by Thomas Turner, Manchester, circa 1890, each with shell carved cresting rail, over a leather upholstered pad back and stuffover seat, raised on turned and reeded baluster forelegs with H-stretches and pot castors

Lot 759

Victorian pine box settle, having a four recessed panel back, open arms, box seat with three recessed panel front, width 151cm, height 124cm, depth 57cm

Lot 775

Victorian carved mahogany and upholstered canape, circa 1860, with acanthus and foliate carved cresting rail, upholstered back, seat and arm pads, in a French style floral bouquet tapestry fabric, kidney shaped front raised on carved French cabriole legs with castors, width 152cm, depth 82cm, height 103cm

Lot 5454

Matchbox Models of Yesteryear Code 2 issues (1) MBC05 1928 Mercedes Benz SS Coupe - dark blue with silver side panels, black hood, seat and luggage trunk, chrome 24-spoke wheels, 1 of 35; (2) similar but reverse colour scheme, 1 of 25; (3) similar but with metallic mid blue side panels, 1 of only 10 - Near Mint to Mint in Excellent boxes. (3)

Lot 5042

Matchbox Models of Yesteryear Y12 1912 Ford Model T Vans trial model pair (1) "Ever Ready" - blue body, white roof and type 2 tampo rear doors, black seat, gold parts, 12-spoke wheels, decals to both sides; (2) "Pepsi Cola" - white body, red roof, blue chassis, black seats, chrome parts and wheels and with tampo print to one side only - Excellent to Near Mint unboxed. (2)

Lot 5122

Matchbox Models of Yesteryear Y63 1939 Bedford Type KD Truck - pre-production trial model - bare metal body, black plastic seat and grille, chrome solid wheels, "Y-63 Made in China" on baseplate, no glazing unit - Excellent in a plain white card box.

Lot 5169

Matchbox Models of Yesteryear "Fire Engine Series" Pre-production trial group (1) Mack AC Fire Truck - red, chrome parts and solid wheels, dark brown ladders and with screwed Y23 made in China base; (2) YFE24 1911 Mack Fire Pumper - red body, gold fittings, white tyres, tampo base and fitted with light tan colour trial seat (standard production is dark brown); (3) YFE23 1906 Waterous Fire Engine - metallic silver body, translucent and black parts, white tyres, no tampo to base - Excellent to Near Mint unboxed.

Lot 5072

Matchbox Models of Yesteryear Y19 1936 Auburn Speedster 851 - pre-production trial model - white body, dark green chassis, black seat, chrome windscreen, exhaust and bumpers, black grille and headlights, chrome solid wheels - baseplate with incomplete copyright date and without Y number cast - hole in upper body cast in floor - Excellent unboxed.

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