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A stunning 20th century retro vintage Howard style brown leather three seat sofa settee having a triple bloomed and cushioned backrest with three seat cushion and rolled armrest upholstered in a crackled semi aniline antique leather effect material, all raised on turned front legs and sabre rear leg all raised on castors. Measures; 85cm x 207cm x 108cm
After Charles And Ray Eames - EA117 - Aluminium Group - A contemporary swivel desk / lounge chairs / armchair having the matte steel finish with a ribbed taupe upholstered seat and backrest raised upon a swivel four point star base. Sewn label to the top of the backrest. Measures; 82cm x 58cm x 58cm.
Charles & Ray Eames - Vitra - EA 107 - Aluminium Group - A pair of retro vintage swivel desk / lounge chairs / armchairs having the matt steel finish with a ribbed taupe upholstered seat and backrest raised upon a swivel four point star base. Sewn label to the top of the backrest. Measures; 82cm x 58cm x 58cm.
Charles & Ray Eames - Vitra - EA 115 - Aluminium Group - An original retro vintage swivel easy / lounge chairs / armchairs having the matt steel finish with a ribbed taupe upholstered seat and backrest raised upon a swivel four point star base. Sewn label to the top of the backrest. Measures; 90cm x 62cm x 68cm.
Tom Lupton & John Morton - LM Furniture Ltd of Wallingford - A believed 1960's teak wood dining suite for habitat comprising of a large round dining table with brass banding flat teak top supported by a tapering pedestal raised on a shaped tripod base along with six dining chairs of which are two carvers. The chairs having a simple teak wood structure with cushioned backrest and seat upholstered a black faux leather with beading. LM makers roundel applied to underside of backrests.
Henry Robertson Craig RHA (1916-1984)H.E. Mr. Leopold Senghor, President of Senegal, in Procession in the Champs Elysees, ParisOil on canvas, 60 x 101cm (23½ x 39¾'')Signed; also signed, inscribed and with oeuvre number RC545 on stretcher Léopold Sédar Senghor (1906 - 2001) was a Senegalese poet, politician and cultural theorist who for two decades served as the first president of Senegal (1960-80). Ideologically an African socialist, he was the founder of the Senegalese Democratic Bloc party. In 1983 Senghor was elected as a member of the Académie française, at the 16th seat where he succeeded Antoine de Lévis Mirepoix. He was the first African to sit at the Académie. Although a socialist, Senghor avoided the Marxist and anti-Western ideology that had become popular in post-colonial Africa, favouring the maintenance of close ties with France and the western world. This is seen by many as a contributing factor to Senegal’s political stability: it remains one of the few African nations never to have had a coup, and always to have had a peaceful transfer of power. On 31 December 1980, he retired as President in favour of his prime minister, Abdou Diouf. On news of his death in 2001, Jacques Chirac is quoted as saying “Poetry has lost one of its masters, Senegal a statesman, Africa a visionary and France a friend.”
Documents & Ephemera - Norfolk. 1870-1890's. Quantity of correspondence & documents relating to the Mack family of Paston Hall, trust papers, case papers Mack -v- Postle, papers relating to the Edwinsford Estate & particulars of properties in Carmarthen,1891 Northwold Lodge property & plan, 1892 The Arran Hall & Sigglesthorne Estates in Holderness, East Yorkshire, with valuations for the Mack Trust, letters from Edger Mack at Great Bealings, Woodbridge, etc. Addressed to W. Forsters, Solicitors of Aylsham, Norfolk.Condition report:Very little Welsh element - 1 - A copy letter regarding "particulars of the security offered by our client Sir James Drummond Baronet for a loan....the property is "part of Sir James Estates in the County of Carmarthen where his family seat is".2 - Particulars of lands offered as security for loan of £50,000.00. Edwinsford Estate.
A satinwood and beech framed sofa, first quarter 19th century, with painted detail throughout, the padded rectangular back incorporating pierced elements, flanked by downswept arms, the buttoned loose cushion seat above the bowed frieze painted with patera terminals, on square section tapering legs terminating in brass caps and castors, 88.5cm high, 199cm wide, 75cm deep Provenance: Private Collection, London
A set of eight George III mahogany dining chairs, circa 1790, in the manner of Gillows, to include a pair of armchairs, each top rail with a laurel and bow carved tablet flanked by patera terminals, above the trellis back and bowfronted seat, on turned and reeded tapering legs For related designs of chair back, see Thomas Sheraton. The Cabinet-Maker and Upholsterer’s Drawing Book, 1st Edition, 1793, (Plates XXV, XLIX).
A set of four George III cream painted side chairs, circa 1800, almost certainly designed by Henry Holland and attributed to Francois Herve, each moulded tapering back centred by a caned panel, each conforming shaped seat above moulded square section tapering legs surmounted by carved patera terminals, each stamped 1861 to one seat rail Provenance: Purchased Christie’s, Property from Two Ducal Collections, Woburn Abbey (sale 7013) 21st September 2004, lot 149 (then sold as a set of five).Although Mayhew and Ince supplied 'Six French back Chairs with matted seats Japan'd white & Ornamented in Gold, with cushions border'd & quilted in Linen 9.0.0' to the Duchess of Bedford for the Frontv Drawing Room in December 1789, these chairs display all the characteristics of François Hervé's oeuvre.
A pair George III mahogany of 'wheel back' armchairs, circa 1790, in the manner of Hepplewhite, each wheel back incorporating lappet carving and centred by patera, above the serpentine fronted upholstered seat, flanked by outswept arms, on fluted square section tapering legs, each 91cm high, 57cm high, 55cm deep
A Charles I oak joint stool, circa 1620, the solid seat with a moulded edge, above the moulded frieze incorporating pierced scroll motifs, one side of the frieze impressed with ownership initial 'R', on square section and turned tapering legs joined by peripheral stretchers, 55cm high, 58cm wide, 27cm deep overall For a similar example of stool incorporating pierced scroll motifs to the frieze see Victor Chinnery, Oak Furniture: The British Tradition, Antique Collectors Club, 1979, page 61, figure 2:16.
A pair of George III simulated rosewood and parcel gilt armchairs, circa 1810, in the manner of Thomas Hope, each top rail with a tablet decorated with two sphynx centred by a classical mask, flanked by downswept arms above lioness monopodia supports, centred by a caned seat on outswept tapering and fluted legs to the front, each 89cm high, 59cm wide, 59cm deep
A pair of George IV mahogany armchairs, circa 1825, attributed to Gillows, each moulded top rail and splat above the padded and upholstered seat, flanked by downswept scrolling arms, on reeded turned tapering legs, each 84cm high, 53cm wide, 54cm deep For a closely related pair of chairs, see Susan E. Stuart, ‘Gillows of Lancaster and London, 1730-1840’ Vol. II, Antique Collectors Club, 2008, page 255, Plate B28.
A Regency mahogany metamorphic library armchair, circa 1815, after the design by Morgan and Sanders, the curved and moulded toprail above a similar splat and scrolled arms with applied roundels, the buttoned red leather covered seat and sabre legs, hinged at the front rail to form a set of library steps Provenance: Private Collection, Cheshire The design of this lot is closely related to that of Morgan and Sanders, first published in Ackermann's Repository of Arts, July 1811 (P. Agius, Ackermann's Regency Furniture & Interiors, Marlborough, 1984, p. 60, pl. 29). A chair of similar design and attributed to Morgan and Sanders is in the collection of Trinity College, Oxford (R. Edwards and P. Macquoid, The Dictionary of English Furniture, London, rev. ed., 1954, vol. II, p. 291, fig. 15). For a similar metamorphic library armchair see Susan E. Stuart, Gillows of Lancaster & London 1730-1840, Antique Collectors Club, Vol. II pages 106-107.
An Anglo-Indian green painted and parcel gilt child's armchair, circa 1825, the rectangular top rail centred by foliate detail, above downswept arms on supports modelled as sitting lions or tigers, each support surmounted by a recumbent lion, centred by a caned seat, the seat rails decorated with floral and foliate detail, on turned tapering legs at the front
A Louis Philippe walnut and upholstered armchair, circa 1840, the rectangular padded back with carved cresting rail depicting a maiden, winged cherubs and swans, above the cushioned tapering seat, flanked by downswept padded arms supported by green painted carved dolphin terminals, the carved seat frieze incorporating patera and anthemion motifs, above scroll carved tapering legs and stylise lion paw feet at the front, 109 cm high, 66cm wide, 69cm deep
A William IV mahogany and buttoned leather upholstered library chair, circa 1835, the rectangular slatted back with roundel terminals and loose cushion, above the loose cushion seat, flanked by padded and upholstered arms incorporating roundel terminals, on turned tapering legs terminating in brass caps and castors, 107cm high, 68cm wide, 84cm deep
A Victorian rosewood and buttoned leather upholstered sofa, circa 1860, the yoke shaped back above the serpentine fronted seat, flanked by scrolling arm terminals carved with acanthus, the moulded frieze centred by a stylised rocaille terminal, on squat cabriole legs carved with scrolling acanthus, 92cm high, 245cm wide, 95cm deep overall
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217092 item(s)/page