There are 216352 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeCrescent, items from Children's Hospital and School Days sets: three hospital beds; three bedside tables; two patients; doctor; matron; two nurses; teacher's desk; children's desk and seat; dunce; two school mistresses. Condition varys, some very fatigued. Together with a sofa and two armchairs by unknown maker. (21)
Circle of Alexander Nasmyth (Scottish, 1758-1840) View of Edinburgh from the West with the Castle, Arthur's Seat and Holyrood Palace on the horizon oil on canvas 66 x 88cm (26 x 34in) Provenance: Sherford House, Bromyard, Herefordshire.Lined canvas. Areas of prominent craquelure in the sky, but this is stable. Varnish is dull and slightly yellowed. Scuffs and abrasions in the lower half of the painting. Areas of retouching, mainly in the sky and drying cracks. Black paint on the frame is flaking.
English School (19th Century) Portrait of Mrs Cobbold of Hollywells Park ( Holy Wells) at Ipswich, Suffolk, head and shoulders, in a red dress with gold sleeves, and lace-trimmed bonnet, 1830 oil on canvas, unframed 40 x 36cm (16 x 14in) Provenance: Private collection, Suffolk. Other Notes: Mrs Cobbold may possibly be Elizabeth, an amateur artist and banker's wife of Hollywells, near Ipswich, Suffolk - friends of John Constable. The Cobbolds were a rich Suffolk brewing family and their main seat was Hollywells Park ( Holy Wells) at Ipswich, Suffolk. Penciil sketches were made of some of the Cobbold family by John Constable in 1806.Under the stretcher is the Roberson & Miller stamp. Over half the stamp is under the stretcher, with the stamp running right up the canvas edge - could this indicate it as a re-used canvas which has been cut down? The number on the stamp looks to end in "399" which wouldn't work as a date - it may read "1899" but it really does look like a three to me, and I can't quite see the whole thing under the stretcher. There's no sign of the royal cipher. There are a few pencil inscriptions on the reverse, one reading "London 1830" and another looks to read "Cobbold / Glemham)". Unframed. Old stretcher bar marks can be seen from the front. Inscribed on the reverse "Cobbold, Glemham 1830". The painting appears to have been cut down at the top edge. The stretcher at the top has been reduced. Would benefit in being increased in height. Inscriptions in pencil on the stretcher reads "Cobbold / Glemham" and "London / 1830". Roberson and Miller canvas stamp.
A William & Mary carved walnut framed armchair, the back elaborately carved with S scrolls, upholstered centre flanked by turned column sides, leaf carved open arms to an overstuffed seat, on X stretchered shaped tapering octagonal section legs and bun feet 133 x 68cm (52 x 27in) Evidence of old restoration and strengthening to the crest and back
An 18th century Anglo-Dutch walnut metamorphic chair bed, the arched wing back with leaf carved cresting, upholstered in a silk leopard skin print fabric, cushion seat and bolsters, the back hinged to lie flat and the seat hinging forward resting upon the arms, on cabriole legs with pad feet 133 x 86 x 78cm (52 x 34 x 30in) The condition is very good and the fabric coivering very fresh
THIS BENCH DIFFERS FROM THE ORIGINAL CATALOGUE ILLUSTRATION, ALTHOUGH SIMILAR DOES NOT HAVE A SHAPED BACK AND THE CENTRAL SUPPORT IS NOT ARCHITECTURAL. NEW IMAGE NOW UPLOADED. A weathered composite stone garden seat of curved outline with lion monopodia moulded ends 93 x 175cm (36 x 68in) The bench is in sections and has been dis-assembled for transport
A Victorian oak armchair with mask and dragon carved cresting rail above an acanthus leaf decorated panelled back, acanthus leaf carved arms with mask form terminals, over-stuffed brown leather seat on ‘X’ shaped legs with central depiction of a cherub, on scrolled feet united by turned stretchers. Est £40-60
Loading...
