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Charles Eames (USA), a calico ash DCW (dining chair wood) designed 1945-6, this version c1946-58 by Evans Products, moulded plywood seat and back elements with calico ash veneer, connected to bent spine and legs with rubber shock mount assembly, Evans product label to underside, back height 73.5cm, seat height 44.7cm.
Seven 19th century pot lids, comprising 'A Pair', 10cm diameter, 'The Grand international Building of 1851, For the Exhibition of Art and Industry of all Nations', 13cm diameter, 'Pegwell Bay. Established 1760', 10cm diameter, 'Strathfieldsaye The Seat Of The Duke Of Wellington', 12cm diameter, 'The Seven Ages Of Man, As You Like It Act II Scene VII', 10cm diameter, a scene of a bear pit, 8cm diameter, a scene outside a country tavern, 10cm diameter, (7), a/f
Geo W Archer Rochester NY: a 19th century American walnut framed barber's chair the adjustable padded head rest above an arched padded back padded arms with scrolling swan mask carved terminals and overstuffed serpentine adjustable seat standing on sleigh feet united with carved stretchers 68cm wide 90cm deep 122cm high
James Johnson (1803-1834) Redland Court Bristol Watercolour 13cm x 24cm Provenance: Frost & Reed no. 9466 and framed by them in 1961 Pencil noted to verso 'The following appears on back of the drawing 'Redland Court seat of Richard Vaughan Knight & Alderman James Johnson del 1823'' (unexamined out of frame)
A Louis XV style giltwood suite of settee pair of chairs and coffee table the chairs and settee with foliate carved crest to the padded back above scroll fronted arms and padded seat on cabriole supports settee 114cm high 174cm long the conforming coffee table with replaced marble top 56cm high 95cm wide 53cm deep
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