A George II walnut dining chairIn the manner of Giles GrendeyThe scrolled top rail above a carved and pierced back above a drop-in seat on acanthus leaf carved front cabriole legs and ball and claw feet, together with a late George III mahogany armchair, with a drop-in seat on turned legs, the George II chair: 55.5cm wide x 50cm deep x 99cm high, (21 1/2in wide x 19 1/2in deep x 38 1/2in high) (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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A George II carved giltwood and gesso Gainsborough type armchairPossibly attributable to Paul Saunders (British, 1722-1771)With scrolled acanthus leaf carved uprights above a serpentine seat on scrolled cabriole legs, later gilded and repaired, 71cm wide x 57cm deep x 98cm high, (27 1/2in wide x 22in deep x 38 1/2in high)Footnotes:Paul Saunders was a well-known upholsterer, tapestry-maker and cabinet-maker who supplied furnishings for both London and country house clients in the 1750s and 1760s. In 1757 he was appointed 'Tapestry Maker to the King' and in 1761 he attained the additional role of 'Yeoman Tapestry Taylor' in the Great Wardrobe, both of which positions he held until his death. Similar upholstered chairs sold at Bonhams include Lot 66, London, New Bond Street, Fine English Furniture, Sculpture & Works of Art, 12 June 2013.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Louis IV carved painted and parcel gilt window seat18th centuryWith scrolled arms on moulded cabriole legs, 93.5cm wide x 35cm deep x 64.5cm high, (36 1/2in wide x 13 1/2in deep x 25in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Frederick Samuel Beaumont (British, 1861-1954)Lady Arkwright and her son John Arkwright before a treeSigned and dated 'Frederick Beaumont 1913' (lower left) Oil on canvas 141 x 108cm (55 1/2 x 42 1/2in).Footnotes:Lady Arkwright was born Stephanie Robinson, of Lynhales, Lyonshall in Herefordshire. Her father shared with Jack's a passion for Hereford Cattle. Jack proposed to Stephanie at the end of September 1903, after his sister had reassured him that she found Stephanie 'quite delightful & suited to the part & as beautiful as she was painted.' The deaths of Jack's parents in 1904 and 1905 meant that they did not marry until December 1905. Jack was standing again for Parliament at the time, and the beautiful new Mrs Arkwright helped secure his successful election for the Hereford seat in January 1906. John was born in January 1907, and David in 1911 (see Lot 84).With thanks to Catherine Beale for her historical guidance and research with this lot.Exhibited: Société Nationale des Beaux-Arts, Paris, 1914 according to label on reverse.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
M. H. BAILLIE SCOTT (1865-1945) (ATTRIBUTED DESIGNER) ARTS & CRAFTS FIRESIDE ARMCHAIR, CIRCA 1900 oak, with rushed seatDimensions:61cm wide, 81cm high, 57cm deepNote: Literature: Furniture Made at the Pyghtle Works, Bedford designed by M. H. Baillie Scott, pub. John P. White, p. 25, pl. 39 where a similar chair is illustrated
M. H. BAILLIE SCOTT (1865-1945) (ATTRIBUTED DESIGNER) ARTS & CRAFTS ARMCHAIR, CIRCA 1900 walnut with rush seatDimensions:58cm wide, 110.5cm high, 51cm deepNote: Literature: Furniture Made at the Pyghtle Works, Bedford designed by M. H. Baillie Scott, published by John P. White, where a similar chair is illustrated (No.8)
CHARLES RENNIE MACKINTOSH (1868-1928) FOR MISS CRANSTON’S ARGYLE STREET TEAROOMS CHAIR, 1898 oak, with original drop-in rushed seatDimensions:48cm wide, 99.5cm high, 43cm deepProvenance:Provenance: Private Collection, GlasgowNote: Literature: Billcliffe, R. Charles Rennie Mackintosh: The Complete Furniture, Furniture Drawings & Interior Designs, Cameron & Hollis 2009, pp.62 and 63, 1898.45, ‘Chair with curved top rail for the Argyle Street Tea Rooms’ (with later horsehair seat), illustrated. Note: In 1898, early in the career of renowned Scottish architect Charles Rennie Mackintosh (1868-1928), entrepreneur Catherine Cranston - known simply as Miss Cranston - commissioned him to furnish her new rooms at her tearooms on Argyle Street, Glasgow. Miss Cranston was to be an important patron for the young architect, who came to rely on a relatively small number of patrons throughout his career. The commission afforded Mackintosh a new freedom to experiment, whilst leading to further projects, including the Ingram Street Tea Rooms (1900) and the Willow Tea Rooms (1903). The work at Argyle Street followed on from his previous work at Miss Cranston's new Buchanan Street Tea Rooms, which had been conceived two years earlier in 1896, in collaboration with designer George Walton who designed the furnishings. In this new undertaking, however, Mackintosh found himself in a role reversal, being fully in charge of the furnishings whilst Walton was preoccupied with designing the interiors. Walton had just opened his new offices in London and his involvement with new projects in the south probably curtailed his ability to take on the commission of designing all of the furniture for Miss Cranston's new venture. The furniture Mackintosh designed for these new rooms exhibit a new, more robust evolution of his repertoire and established a style for much of his work up to 1900. Combining English Arts & Crafts and Scottish vernacular design, Mackintosh produced furniture in a bold and simple aesthetic which marked him out from his contemporaries. The distinctive furniture he produced was also employed to define and separate the rooms as designed by Walton. Their collaboration suggested that they were ‘moving away from each other’. The rather delicate refinement of Walton’s scheme was not emulated by Mackintosh, and his furniture for the Argyle Street Tea Rooms demonstrates a far more robust manner. All the pieces are made of oak with an emphasis on broad, unmoulded planes, the timber being clear-varnished or, more usually, dark-stained and waxed as in the present example. The use of broad laths to the backs and subtle tapered elements to the top rail and legs enliven the rectangular blocked outline. Used at one end of the Luncheon Room about twenty chairs of the present design appear in contemporary photographs, of which five are known to survive. Mackintosh went on to develop this chair design for a chair at Ingram Street. Related chairs, probably produced as replacements but with design differences including a kidney-shaped handle, were produced later but it is thought not with Mackintosh’s involvement. The Argyle Tea Rooms closed in 1920, and much of the furniture was dispersed.
WW2 1941 Pattern RAF Aircrew ‘Sidcot Flying Suit Liner’ pre heated liner made from Rayon filled with Kapok. Zips to legs marked with ‘W’ and ‘AM’ and the zips on the cuffs marked with ‘Made in England’ one side and AM with crown in the middle on the other. Main zip pull missing. Good condition overall. Height 5’7” to 5’8”, Brest 34” to 36”, Waist 30” to 32”,Seat 36” to 38”.
AFTER NICHOLAS POCOCK (2)Kings Weston, on the Avon, the seat of Napier Myles; Gorge on Avon, Near Clifton, a pairaquatint with hand colouringeach 25 x 38cm(2)ProvenanceShakenhurst Hall, Cleobury Mortimer. For further information please refer to the Bellmans website article: https://www.bellmans.co.uk/story/bellmans-2
An early Victorian mahogany leather library armchair,with a carved frame and carved mask armrests, raised on front turned supports terminating in brass castors,70cm wide90cm deep97 high, seat 41cm highBuying this antique library chair could save up to 0.16 tonnes of CO2e compared to buying a new armchair.Condition ReportRequires reupholstering. Knocks and wear to the frame but sturdy.
An Aesthetic movement footstool, late 19th century, the upholstered seat raised on tapering turned supports, each joined by two parallel dowels, 33cm square, 28cm high, together with an Art Deco walnut footstool, the upholstered seat raised on a square frame, terminating onto bun feet, 30cm square, 16cm highCondition ReportBoth woth later upholstery. With scuffs and marks to the frames of both.
An oak settle, 18th century and later, with five fielded panels, with a green squab cushion raised on cabriole legs and pad feet, 182cm wide 67cm deep 100cm high, seat 42cm highCondition ReportHas been reworked and strengthened. Some additional timber to the underside. Splits to the legs and possibly re-glued.
A pair of French Empire mahogany elbow chairs,each with downswept arms terminating in carved lions heads on carved parcel gilt supports, square tapering front legs and paw feet,63cm wide90cm high (2)Provenance: The Estate of Sir Jack and Lady Baer.Condition Report1. Replacement veneers to both arms. Old break and repair to one back support. Seat rails re-dowelled, ditto arms.2. Rails and arms re-dowelled. Both with pleasing wear and require re-upholstering.
A Victorian étagère,with three rosewood shelves on turned and grained supports, brass rods to the sides,58cm wide36cm deep81cm high,two bamboo open shelves,50 & 32cm wide94 & 91cm high anda beechwood imitation bamboo elbow chair,19th century, with a rush seat and traces of paint,82cm high (4)Provenance: The Estate of Sir Jack and Lady Baer.Condition Report1. With wear.2/4 Wear and minor losses.3. Later paintwork worn.
A mahogany framed library tub chair,early 19th century and later, the reeded frame with a brass eyelet to support a bookrest, upholstered in red velvet, raised on square tapering supports,66cm wide70cm deep87cm high, seat 45cm highProvenance: The Estate of Sir Jack and Lady Baer.Buying this antique library could save up to 0.16 tonnes of CO2e compared to buying a new armchair.Condition ReportSplit to the front leg. Legs have seen previous repairs. Repairs to the upper part of the frame. Upholstery worn. Knocks and wear to the frame. Old signs of woodworm to the underside, which has seen later corner blocks fitted.
A Regency style mahogany library armchair,20th century, with studded brown leather upholstery, and drop in cushion, over front turned supports and brass caps,69cm wide76cm deep116cm high, seat 43cm highBuying this antique armchair could save up to 0.16 tonnes of CO2e compared to buying new.Condition ReportThe frame is sturdy. Some scuffs and use related fading to the leather. No major holes or tears. Knocks to the supports, predominantly the front. Overall in a good condition with obvious signs of use.
A Victorian mahogany footstool,the upholstered seat on carved, scrolled supports,94cm wide50cm deep39cm high andanother smaller stool,40cm square42cm high (2)Provenance: The Estate of Sir Jack and Lady Baer.Condition Report1. Later upholstered seat requires replacing. Wear and loss to one leg. one corner bracket missing, castors missing.2. Braid to seat requires replacing.
A brown leather library armchair,early 20th century, with a button winged back, studded front sides, raised on an oak frame and with casters, 81cm wide 100cm deep100cm high, seat 43cmBuying this antique armchair could save up to 0.16 tonnes of CO2e compared to buying new. Condition ReportWorn and cracking to the seat and arms. Commensurate with age.Splits to the back edge - appears to have been an attempt at a repair.Back with a tear and loose flap. Undercarriage has been recoved.
Two pairs of cast iron cinema seats,with seats and backs upholstered in red velvet, with curved wooden backrests,104cm wide, 29cm deep closed, 45cm deep with the seats down80cm high, seat 40cmProvenance: The Royston cinemaCondition ReportThe upholstery with wear. Both examples with wear and marks commensurate with age and use. One example with chewing gum to the frame.The dimensions for the chairs are as follows:104cm wide, 29cm deep closed, 45cm deep with the seats down 80cm high, seat 40cm You can sit in them; however, they need to be screwed in and fixed to the floor. They do not stand up on their own.
An ebonised library armchair,19th century, French, the back, arms and seat upholstered in red leather, raised on turned tapering legs,69cm wide69cm deep99cm high, seat 37cm highProvenance: Paolo Moschino, London.Buying this antique armchair could save up to 0.16 tonnes of CO2e compared to buying new.Condition ReportLeather cracked and worn, the ebonising worn in places with timber showing through, old repair visible to back support on right-hand side crack to the back left support casters lacking.
A set of six limed oak dining chairs,attributed to Pierre Lardin, c.1940, each with a tapering upholstered back, an overstuffed upholstered seat, on shaped scroll carved legs upholstered in terracotta linen,47cm wide53cm deep102cm high (6)Provenance: Paolo Moschino, London.Condition ReportAll appear in solid structural order with light knocks and wear commensurate with age and use, the upholstery is clean.
A pair of Egyptian Revival mahogany marquise chairs,19th century, French, the arms carved with sphinx head supports, the square tapering legs terminating in paw feet, each upholstered in green Venezia velvet, the seat cushions with Greek key detail to the edges,92cm wide62cm deep92cm high (2)Provenance: Paolo Moschino, London.Buying these antique chairs at auction could save up to 0.32 tonnes of CO2e compared to buying new.Condition ReportRecently restored, the frames cleaned and re-polished, structurally sound, the upholstery as new, light dents to the timber in places associated with age and use.
A set of six Louis XVI-style painted single chairs,late 19th century, each with a pierced splat in the form of a pair of bows flanking a quiver of arrows, above a square seat covered in leatherette, raised on tapering fluted supports,45cm wide45cm deep96cm high (6)Provenance: Paolo Moschino, London.Condition ReportSome rubbing, chips wear and loss to paint. Joints solid and sturdy. Seat coverings later, with grazes, rubbing, cracks and loose trim. Many of the floral roundels to the seat rails chipped. Small chips and knocks to frames. General surface wear. Seat springs good. The seats 46cm high.
A Queen Anne style sofa,upholstered in a red and floral striped fabric, on Spanish-style feet united by an x-frame stretcher,176cm wide60cm deep122cm high, seat 36.5cm highBuying this second-hand sofa could save up to 0.56 tonnes of CO2e compared to buying new.Condition ReportMarks and stains to the upholstery. Knocks and wear to the feet. No evidence of woodworm.
A George IV walnut library chair, with green button leather upholstery and down-swept arms over a pair of reeded and turned front supports terminating in brass castors, 72cm wide 93cm deep 96cm high, seat 45cm highBuying this antique armchair could save up to 0.16 tonnes of CO2e compared to buying new.Condition ReportOne of the stylised floral motifs is loose but present. Split to the end of the right arm. Knocks and wear throughout. Leather looks like it has been reconditioned, with areas of lighter colour but no large holes. Frame has been repaired to the back legs. Overall, the frame is sturdy and useable.
A button-back settee,late 19th to early 20th century, the lobed back above the over-stuffed seat and cabriole supports terminating in brass castors,165cm wide75cm deep117cm highBuying this settee at auction could save up to 0.56 tonnes of CO2e compared to buying new.Condition ReportAreas of refinishing and repair to supports. Evidence of historic woodworm. Joints generally sound and solid. Upholstery appears in relatively good order. Overall in fairly good usable condition.
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