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PAUL MCCARTNEY USED CHAIR. A Marcel Breuer Cesca chair used by Paul McCartney whilst recording at ICC Studios, Eastbourne in 1987. Chair features plaque to backrest denoting usage. A photo of the vendor with Paul McCartney sat on one of the chairs has been supplied. Measures approx 30" tall x 20" deep x 24" wide. Some standard wear to armrests and small repair to cane on seat.
PAUL MCCARTNEY & RELATED - 7" COLLECTION. Ace collection of 51 x 7" including not often seen overseas picture sleeves. Titles include Mrs. Vandebilt (Dutch p/s), With A Little Luck (Dutch p/s), Letting Go (Dutch p/s), I've Had Enough, rare Danish picture sleeves (please note no records are included) for My Love The Mess (R 5985), Magneto And Titanium Man, Jet, Junior's Farm, Silly Love Songs, Letting Go and Another Day, The Back Seat Of My Car (R 5914), Helen Wheels, Live And Let Die, Band On The Run, Give Ireland Back To The Irish and Only Love Remains. Condition is generally top Ex to Ex+.
AN EARLY 20TH CENTURY MAHOGANY DINING SUITE comprising of a wind out table with moulded edges on large ball and claw feet and ceramic casters, three additional leaves, extended width 299cm, closed width 149cm x depth 122cm x height 76cm, set of eight Chippendale style chairs with leather drop in seat pads including two carvers and a bow front sideboard with rope edging, three central drawers and two cupboard doors on ball and claw feet, width 182cm x depth 67.5cm x height 98cm (winding handle, key) (13)
LATE SEVENTEENTH CENTURY CARVED OAK WAINSCOT CHAIR, the back with central diamond motif and guilloche carved top rail, set over downswept arms and solid flat fronted seat, raised on turned fore legs and tied by square section stretchers, 45 ½" (115.6cm) high, split to the back of one upright
NINETEENTH CENTURY CARVED OAK OPEN ARMCHAIR IN THE SEVENTEENTH CENTURY STYLE, the padded back enclosed by shells, pierced scroll work and figural cresting, enclosed by barley twist uprights and set above downswept arms and a flat fronted drop-in seat covered in green fabric with hand worked floral design, raised on barley twist supports with conforming front stretcher, 49 ½" (125.7cm) high
IMPRESSIVE LATE NINETEENTH/ EARLY TWENTIETH CENTURY CONTINENTAL PROFUSELY CARVED OAK THREE SEATER SETTEE IN THE BAROQUE STYLE, the tall back comprising, three waisted pads, covered in floral pink fabric, tied by heavy turned and carved supports, ornately pierced foliate scroll crestings with masks, set above flat arms with padded rests and lion mask capped scroll supports, flanking a conforming flat fronted seat and raised on four turned, carved and part fluted front supports with white pot castors, tied by floral pierced apron panels, one missing, 57 ½" (146cm) high, 63" x 28" (160cm x 71cm)
A SET OF EIGHTEEN IRISH REGENCY MAHOGANY FRAMED DINING CHAIRS, by Mack, Williams & Gibton, stamped B7180, the curved rail backs with incised line decoration, and middle rail above padded seats, covered in oatmeal tweed cloth and raised on chamfered sabre legs. (16 single and 2 elbow chairs)Provenance: Supplied to Henry Bar, Ballindoolin HouseThe chairs each with a curved bar back and reeded cross rails above a stuff-over seat, raised on front sabre legs, sixteen marked B7180 and a pair of open carvers marked B7180 and all signed in ink M W G.Mack, Williams & Gibton, 39 Staford Street, Dublin (1812-29) was one of the most successful partnerships in the early nineteenth century. The firm received a royal appointment in 1806 as ‘Upholsterers & Cabinet Makers to his Majesty, His Excellency the Lord Lieutenant and His Majesty’s Board of Works’. The firm worked closely with the architect Francis Johnston, then architect to the Board of Works and supplied furnishings to Dublin Castle and the Vice Regal Lodge (now Aras an Uachterain) and other state buildings.Ballindoolin, built in circa 1822 for Humphry Bor, retained up to recently an important collection of furniture supplied by Mack, Williams & Gibton. The firm supplied fine furniture to many Irish country houses including Borris House, County Carlow, The Argory, County Armagh and Lissadell, County Sligo. Indeed the attractive gate lodge in Greek revival style has been attributed to Francis Johnston (O’ Byrne).The country house dining room underwent a change in interior style in the early nineteenth century with a taste for larger tables and chairs, ordered ensuite with sideboard, serving table and wine cooler. As the hour for serving dinner became established at a later hour it was eaten by candlelight and drama was further created with a fashion for darker colours, augmented by candlelight and silver reflecting in large mirrors. The dining room served an important role in a family’s social life and was a centre for mixed gender entertainment, with the ladies being asked to leave while the chaps got sozzled on port!
A NAPOLEONIC PERIOD MAHOGANY FRAMED TUB CHAIR, attributed to George Jacob Desmalter, Paris, with barrel panelled back and outcurved crest rail, drop-in padded seat, the armrest fascias in the form of a pair of dolphins, raised on front animal legs and paw feet, on brass castors. 59cm wide x 80cm highProvenance: Collection of Verrey Naylor; thence to Ronald McDonnell; thence gifted to the current owner.
A GEORGE III MAHOGANY FRAMED CHAIR, in the Chippendale taste, with scroll carved crest rail above a carved and pierced splat back, the channelled side rails carved in bas relief, above a padded bowfront seat and raised on carved chamfered square supports. 59cm wideA similar chair is illustrated in 'English Furniture of the Georgian Period' by Margaret Jourdain and F. Rose, p.74, plate 35 - the illustrated example then in the ownership of The Maharani of Baroda.
An 18th century oak coffer, with carved front and on style feet, 122cm wide, 41cm deep, 63cm high, together with a further modern inlaid coffer, 116cm wide, 35cm deep, 44cm high, and a mahogany drop flap Pembroke table, with shaped top over single drawer, 64cm wide, 51cm deep, 73cm high, together with a solid seat dining chair
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217092 item(s)/page