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Lot 1529

A walnut stool by Harry Davoll, with padded seat stamped marks, 43cm. wide

Lot 1536

An Art Deco streamlined three piece suite, comprising two seat sofa and pair of armchairs, upholstered in silver and black material unsigned 151cm. wide

Lot 1565

A E Kold Christensen PK22 chair designed by Poul Kjaerholm, tan nubuck leather seat, on polished steel frame stamped mark 71cm. high

Lot 1569

A modern Carl Hansen & Son Wishbone chair designed by Hans Wegner, black. lacquered wood frame with strung seat applied label 72cm. high

Lot 1582

A Finmar bent-ply stool designed by Alvar Aalto, circual seat with three bentwood legs, applied Finmar label 44cm. high

Lot 1589

A burnished aluminium office chair designed by Charles & Ray Eames with padded brown textile seat unsigned 110cm. high

Lot 1590

A burnished aluminium office chair designed by Charles & Ray Eames with padded textile seat unsigned 103cm. high

Lot 1591

A polished steel chair designed by Harry Bertoia, with padded leather seat unsigned 77cm. high

Lot 1594

A Swan chair designed by Arne Jacobsen, red textile seat, brushed steel base unsigned 80cm. high

Lot 1600

An Ercol elm and beech studio couch designed by Lucian Ercolani, with propeller back, on four flaring feet, padded back and seat cushions, unsigned 208cm.

Lot 95

A pair of 19th century ebonized spindle back armchairs with cane seats and floral gilt work, along with a 19th century ebonized ladder back open armchair with upholstered seat

Lot 228

A pair of Victorian walnut circular foot stools, each inset with a padded bead work seat, 27cm diameter.

Lot 528

A brass club fender with button upholstered brown hide cushion seat and a folding spark guard.

Lot 965

Pair of 19th Century French style beech framed Tub Chairs painted yellow with pink roses upholstered back seat and side panels (worn)

Lot 1003

An Orkney Chair with woven back, solid arms and seat on square taper supports with stretchers

Lot 1013

A late 17th Century oak Wainscot Armchair having carved diamond panel back, solid seat and lower stretcher

Lot 1022

A Regency mahogany Revolving Piano Stool with woolwork seat on turned column and tripod base with brass paw feet

Lot 1030

A Regency mahogany Hall Chair having gadroon carved back with central shield cartouche, solid seat on ring turned tapering legs

Lot 1033

A 19th Century mahogany Single Chair with scrolled splat back button upholstered stuff over seat on carved cabriole front supports

Lot 1034

A Georgian style mahogany Dressing Stool with upholstered drop-in seat on square tapering legs united by H stretcher

Lot 1055

A 17th Century oak Yorkshire Side Chair with shaped cresting rail, panelled back, solid seat on turned and square front legs

Lot 1078

An Aesthetic movement Armchair, decorative inlaid back and upholstered seat

Lot 1129

A 17th Century style oak Monk`s Chair/Table with adjustable circular top, shaped arms, solid seat with drawer beneath on baluster turned and square supports and square stretchers

Lot 1173

A large mahogany Office Elbow Chair with leather upholstered back, solid saddle seat on turned front legs and casters united by H stretcher

Lot 168

A large George Jones Majolica jardinière, 2nd half 19th century, decorated with sparrows and dragonflies amidst bulrushes and above waterlilies on a deep blue ground, the interior glazed turquoise, some damages, 31cm high. Cf. Robert Cluett, George Jones Ceramics 1861-1951, p.57 for a garden seat of the same design.

Lot 630

Victorian elm and ash high-back Windsor chair, pierced splat, narrow arms, solid seat, Crinoline stretcher.

Lot 631

Reproduction elm ash and beechwood Windsor chair of small proportions, shaped cresting, vase splat solid seat, cabriole legs.

Lot 657

19th century mahogany elbow chair, with a bar-back, drop-in seat, square tapering legs, a matching single chair(2)

Lot 658

Elm and beech kitchen chair, solid seat and a similar painted kitchen chair, (2).

Lot 663

Victorian mahogany elbow chair, broad cresting, scrolled arms, drop-in seat upholstered in Celadon coloured cotton brocade.

Lot 669

Carved oak monk`s bench/table, with carved lion arms, box seat.

Lot 714

Edwardian mahogany bedroom chair, vase splat, cane seat.

Lot 12

WINDOW SEAT, mid 19th century style, with new linen seat and painted legs, 105cm x 50cm x 48cm H.

Lot 22

FAUTEUIL, white, with a carved showframe and cream seat, 67cm W.

Lot 87

BERGERES, a pair, caned back on padded floral seat with ornate cream painted frame, 67cm. (2)

Lot 130

CONVERSATION SEAT, Victorian style, in buttoned gold coloured upholstery with braid detail, three seater, of trefoil form, approx. 150cm W (as found).

Lot 243

WINDOW SEAT, buttoned top, black with cream piping on X framed support, 81cm x 49cm x 51cm H.

Lot 244

WINDOW SEAT, buttoned top, black with cream piping on X framed support, 81cm x 49cm x 51cm H.

Lot 452

AFRICAN ARMCHAIR, of simple joined construction, woven leather seat.

Lot 464

PIANO STOOL, mid-Victorian rosewood with adjustable velvet seat on carved tripod supports and a late Victorian walnut piano stool on turned legs. (2)

Lot 517

DINING CHAIRS, a set of ten, George III design figured mahogany each with curved back and carved bar, tan leather upholstered seat and reeded and turned tapering supports. (10)

Lot 608

NURSING CHAIR, Victorian style, the deep button upholstered back and seat in blue butterfly print cotton on turned front supports.

Lot 609

NURSING CHAIR, Victorian walnut, the mid blue cut velvet upholstered back and seat on turned front supports with castors.

Lot 102

Ceramic elephant seat and collection of Capodimonte Fabar floral displays in two boxes

Lot 410

Barker and Stonehouse traditional three seat settee in turquoise cover

Lot 417

Wesley Barrell two seat settee in green cover with armchair in beige check pattern cover

Lot 419

Traditional large two seat settee in brown with contrasting cushions

Lot 440

Two seat Chesterfield settee in deeply buttoned red leather

Lot 834

Two Royal Worcester leaf jugs and bowl, souvenir spoons, cased cutlery, glass bowl, Torquay pottery teapot and nursing chair with woolwork seat

Lot 102

Ten Pieces of a Second World War Aircraft, possibly from the cockpit area, retrieved from a crash site at Yarnbury, near Grassington, North Yorkshire; Cockpit Instruments, comprising a Type N.1.compass, an Ammeter D.C.2``, a seat belt clasp, a 2 Pole Switch, a Mk.III D* Navigational Computer and a TTR transformer

Lot 341

A Kamba, Kenya Wood Stool, the dished circular seat inlaid with a central flowerhead within a star border in coloured glass beads, on four cylindrical legs, 30cm diameter, split and repaired; a Shona Axe, the fullered triangular blade with upcurved tang set through the diaper carved swollen head of the wood haft, 65cm (2)

Lot 196

Queen Elizabeth’s Saddle on Which She Rode on Her State Visit to Bristol 1574 - An Emerald Green Saddle Cloth Quilted at the Seat, with Gold Lace and Fringe Decoration, Inscribed ‘Queen Elizabeth’s Saddle on Which She Rode on Her State Visit to Bristol 1574 - Afterwards Presented to an Ancestor of the Kington Family’ Mounted For Display, Framed and Glazed, 125cm x 125cm. Provenance: Miles Beresford Kington (13 May 1941 - 30 January 2008) Journalist, Musician and Broadcaster, thence by descent . Queen Elizabeth I visited Bristol in 1574 "Because great honour accrued from rare opportunities to entertain royalty, every effort was made to show the City at its best. During the visit "the mayor and all the council, riding upon good steeds, with footcloths, and pages by their sides” received Her Majesty within Lawford’s Gate, just outside the boundaries of the city”. "At the gate the mayor delivered his mace unto her Grace (thus relinquishing the sign of his authority as her lieutenant) and she delivered it unto him again,” reinforcing her authority over the city and his dependence upon her for favour. After an oration by John Popham, the Recorder, and the presentation of a gift of £100 in gold to her, the queen was escorted through the city in a procession in which "the mayor himself rode nigh before the Queene, betweene 2 serjeants at arms.” This procession, with each rider holding his proper place in relation to the queen and the others in the order of march, set the tone for the military displays that occupied the Queen’s time for the rest of her three-day stay. The Kington Saddle by Miles Kington. A Fax to his Wife. My dear Caroline. I sometimes worry that i may pass on to the other side before i have handed down to you the secret of the KINGTON SADDLE. Ridiculous, i know, as the doctor has said given resonable treatment and a vist to the pub every now and then, there’s no reason why i shouldn’t last another 40 years, but nevertheless i think perhaps the time has come to tell the dread secret of the KINGTON SADDLE. . But it’s just a silly old priceless family heirloom sitting in an old glass case, i hear you laugh. There’s nothing secret about it at all.......Ah, would that be so. But this KINGTON SADDLE has been handed down through eight or nine of, maybe seventeen generations of the Kington family, all of whom are now dead. Yes, every single previous owner of the KINGTON SADDLE is now in another place, and it’s not Saudi Arabia, i’m talking about. Why do you think they were all struck down before they reacched 100? Why do you think nobody ever gets the KINGTON SADDLE out and rides around on it on a horse? Why, above all, do you think nobody even wants to have it in their house, and everyone whispers furtively: "Let’s give it to cousin Laurence..... Let’s put it in a museum.....”?. I’ll tell you. It’s because of the curse of the KINGTON SADDLE. The curse which has scattered the family far afield, from Wrexham to London, from London to Bath, and from Bath to a crazy steam railway between Keighley and Haworth only five miles long, for God’s sake. As a child i remember getting a really nasty sore throat and my father leaning over my bed and saying, "The curse of the KINGTON SADDLE has got him, we must apply the only know antidote, mother, give me a corkscrew” - yes, at the age of ten my life was saved by red wine and i have never looked back since, but that is another story. . I am surprised you have never noticed that none of the Kingtons ever rides a horse. There ia a good reason for this. None of us can ever ride a horse because of the secret of the KINGTON SADDLE, and were any of us to mount a horse, it would mean instant death. For the horse. My grand-father, Major Kington, mounted a horse for the regimental race in 1907. It collapsed on the starting-line and my grand-mother lost a lot of money. My great-great-grandfather Colonel Kington took part in the charge of the Light Brigade, and had not gone 5 yards before his mount keeled over, dead, badly creasing his trousers. My great-great great. CONTINUED SOON. Published with the kind permission of Mrs Caroline Kington.View on dnfa.com

Lot 258

A set of eight modern rush seat kitchen chairs

Lot 76

STEINWAY AND SONS, NEW YORK AND HAMBURG, UPRIGHT PIANOFORTE, iron framed an overstrung, in mahogany case, No. 272919, 5` wide and the mahogany duet stool with box seat (2) EST 1800-2000

Lot 77

NEUMANN, MODERN UPRIGHT PIANOFORTE, iron framed and overstrung in light walnutwood case, 4`10" wide and the matching PIANO STOOL, with box seat on square tapering legs (2) EST 150-200

Lot 93

19th CENTURY ELM HIGH BACK WINDSOR ARM CHAIR, the two part spindle back with pierced splat and turned terminals enclosing a solid saddke seat, raised on turned legs tied by a crinoline stretcher

Lot 99

EARLY TWENTIETH CENTURY OAK REVOLVING CAPTAINS ARMCHAIR, the deep buttoned scroll back and outswept arms, covered in close studded `antique` green hide, above a galleried rail and circular stuff over seat, raised on four downswept supports with brass castors EST 100-150

Lot 102

ATTRIBUTED TO GILLOWS, LANCASTER, PAIR OF WILLIAM IV CARVED MAHOGANY SCROLL BACK HALL CHAIRS, EACH WITH A WAISTED BACK ABOVE A FLAT FRONTED SEAT with moulded border and raised on moulded sabre fore legs tied by a rounded seat rail, (2) one with repair to one of the back legs and additional new cut blocks A near identical pair can be found at the Abbots Hall Art Gallery, Kendal, Cumbria. They are listed on their inventory as numbers 592 and 593, as being manufactured by Gillows of Lancaster, and dated circa 1810. The above information obtained from the Lakeland Arts Trust

Lot 123

VICTORIAN CARVED WALNUT SPOON BACK NURSING CHAIR, THE WAISTED BACK WITH FOLIATE CARVED AND MOULDED SHOW WOOD FRAME, above a stuff over bow fronted seat, covered in brown plush and raised on scroll capped short cabriole fore supports with white pot casters

Lot 146

NINETEENTH CENTURY CONTINENTAL CARVED WALNUTWOOD CORNER ARMCHAIR, the outswept top rail with central putti mask and open mouthed animal mask terminals, above leaf carved and turned uprights and a pair of splats carved with scrolls and bird`s heads, enclosing a drop in seat, covered in green fabric and raised on turned and carved legs tied by shell and scroll carved seat rails EST 150-200

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