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Lot 120

A 1970's retro polished steel twin seat barbers salon waiting chairs - armchairs having green vinyl faux leather seats with ebonised shaped elbow rests raised on brushed polished steel frames. Further pair in lot 81. Measures 85cm high x 115cm wide x 65cm deep.

Lot 130

An original 1950's ' Congo ' chair by Alf Svenssen for Haga Fors of Sweden. The chair made of beechwood having the original ebonised finished.  Stunning panelled seat with original label to underside. Measures 93cm high x 45cm wide x 62cm deep.

Lot 135

A fabulous childrens sized Arne Jacobsen for Fritz Hansen style green egg chair - armchair. The original being designed in 1958, Raised on a four point steel base with fire label still in place having green upholstered seat. Measures 92cm high x 55cm wide x 55cm deep.

Lot 145

A vintage 20th century industrial swivel machinist chair. Raised on four painted  metal tubular feet, adjustable height, red vinyl seat pad and back rest. Applied makers badge to the verso for Form Flite. Measures 80cm high x 36cm wide x 40cm deep.

Lot 19

A stunning original 20th century / 1970's Pieff ' Alpha '  swivel armchair by Tim Bates. The large brown leather and chrome swivel chair being raised on tubular chrome frame with original brown leather cushions raised on pirelli rubber supports. Matching 3 seat sofa settee and armchairs in lot 20 & 21. Measures 78cm high x 85cm wide x 90cm deep.

Lot 199

After Poul Kjaerholm for E Kold Christensen, Denmark. A stunning rare shaped PK31 black leather and polished steel armchair. The polished steel tripod steel base with black leather upholstered angular seat above. Measures 80cm high x 78cm wide x 68cm deep.

Lot 201

A large retro double school desk of French origin having tubular metal frame with slatted seat and hinged desk tops dating to the 1970's. Measures 65cm high x 120cm wide x 83cm deep.

Lot 242

A box containing two circa 1900 glass onion-shaped vases with frilly edges, together with various shells, a punch ladle with shell bowl and various cast metal figures possibly from the Grand Tour to include Ibis, cherub figure, etc CONDITION REPORTS The Lloyd Loom type tub chair - the paint is peeling in various places and there is a split in the back. The upholstered seat has been pinned down and the pins are rusting. Paint is peeling off all over the place. Was re-painted from oink. The other chair upholstery is worn and paint is chipped and peeling in various places. Both have wear and tear conducive with age and use - see images for further details

Lot 401

An oak effect open bookcase and an oak Monks type bench CONDITION REPORTS Bookcase approx 90 cms wide x 180 cms tall. Some light scratches, scuffs, marks etc throughout. Monks bench is approx 91 cms wide at widest point. The seat is 46.5 cms off the floor. Some light scratches and scuffs, some other marks. Seat panel could do with a small amount of attention, some scratches. General signs of wear and tar throughout on both pieces

Lot 414

An oak wainscot carver chair with shaped swan neck pediment and diamond carved panelled back, together with a Victorian mahogany chair with green ground foliate upholstery on cabriole legs and a nest of three walnut coffee tables by Hayes CONDITION REPORTS Chair probably Victorian in construction with mainly Victorian elements. Some elements may be older. Chair is very rickety and all the joints probably need attention. Various marks, scratches, scuffs etc throughout. Large split to the seat in various places. Various general signs of wear and tear throughout. Seat height approx 46.5 cms from ground. Back height approx 110.5 cms. There is also a repair to the back - see images

Lot 428

A mahogany and cross-banded bow front two drawer side table on square sectioned tapering legs, together with an oak joint stool with stretchered base, rasied on turned legs, an oak bookcase of assorted shelves and a mahogany stool with needlework seat

Lot 441

A mahogany framed carver chair with cream ground green leaf patterned upholstered seat, together with a mahogany and inlaid salon chair with green ground upholstery and a rectangular mahogany framed footstool with needlework seat on cabriole legs

Lot 451

A pair of white ground three seater sofas by OKA with loose covers CONDITION REPORTS Height of seat approx 44 cm. Height of back approx 80 cm. Width from arm to arm approx 208 cm. The loose cushions are slightly dirty, some stains. The whole good probably benefit from a good clean. Some miscellaneous loose threads. General signs of wear and tear throughout consistent with age and use.

Lot 488A

A 20th Century mahogany framed boudoir grand piano, the iron-framed over-strung movement by Aeiolian, raised on square tapered supports to castors, together with a mahogany box seat duet piano stool

Lot 537

A mahogany dressing table stool with needlework seat, raised on cabriole legs to claw and ball feet

Lot 597

An Edwardian inlaid mahogany parlour chair with upholstered oval seat, together with another Edwardian inlaid mahogany occasional chair decorated with musical trophies

Lot 198

Quantity of 19th and 20th century ceramics including reproduction miniature Minton garden seat, Masons wares, Shelley trio etc (on two shelves)

Lot 605

A 19th century oak country chair, the turned stick back over a rush seat

Lot 707

An early Victorian walnut deep button backed upholstered gentleman's armchair, padded arms and scrolled arm terminals, having an overstuffed sprung seat, carved frieze and standing on cabriole legs, porcelain castors, 106cm high

Lot 714

A George I joined oak settle, the crest rail carved is scrolled foliage, the back with four raised and fielded panels, downswept arms, rope seat support, turned legs and square moulded stretchers, 113cm high, 184cm wide, 62cm deep

Lot 716

A Charles II and later joined oak settle, circa 1680, the back with six carved panels, carved with intertwined scrolls and lozenge, swept arms, plank seat, raised on turned legs, united by square stretchers, 118cm high, 145cm wide, 40cm deep

Lot 717

A late 19th Century oak swivelling captains chair, padded back, carved back splats, turned arm supports, leather upholstered seat and standing on turned legs, 83cm high

Lot 718

An Edwardian mahogany swivelling captains chair, circa 1905, upholstered in leather, having a deep buttoned back rest, slatted back frame, upholstered seat, padded arms, raised on a circular base and standing on four legs joined by cross-stretchers, 86cm high

Lot 728

A late 19th Century mahogany and gilded window seat, the sides with swag carved and moulded handles, canework seat, standing on scroll carved legs with gilded acanthus carved knees, scrolled feet, 63cm high, 108cm wide, 45cm deep

Lot 738

A George III mahogany corner chair, circa 1780, the curved crest rail with a shaped back rest to centre, the crest rail raised on turned uprights with two shaped and pierced back splats, fitted with a drop-in seat standing on square legs and united by cross-stretchers 82cm high

Lot 750

A George III ash and elm stick back Windsor chair, circa 1800, hooped back, turned arm supports, wide saddle seat and raised on turned legs, united by a crinoline stretcher

Lot 695

A Charles II oak joined Wainscot armchair, circa 1670, the crest rail with a broken pediment and central finial, lozenge carved back panel, down-swept arms, plank seat, standing on turned legs, united by square stretchers, 102cm high

Lot 13

1960s occasional armchair with upholstered seat

Lot 14

Art Deco half moon shaped slatted oak occasional chair with upholstered seat

Lot 8

Reproduction oak Monks bench, two lion carved side handles with hinged seat and back

Lot 104

ANTIQUE MAHOGANY BAR BACK ARMCHAIR ON REEDED LEGS, WITH LEATHER UPHOLSTERED SEAT. HEIGHT: 33 INCHES WIDTH: 20 INCHES DEPTH: 18 INCHES GOOD CONDITION

Lot 73

A Victorian rosewood stool, the serpentine shaped seat on moulded cabriole legs. h. 43 cm, w. 59 cm, d. 47 cm. CONDITION REPORT: Two joints broken. General wear and tear

Lot 90

A Victorian mahogany lovers window seat, the serpentine seat on turned legs. h. 43 cm, w. 126 cm, d. 37 cm CONDITION REPORT: Some joints loose. General wear and tear

Lot 91

A 19th century walnut two seat sofa upholstered in striped silk fabric with shaped and carved top rail over carved arms and serpentine seat on turned legs. h. 106 cm, w. 157 cm, d. 70cm CONDITION REPORT: Small pieces of veneer missing to bottom of frame. General wear and tear

Lot 120

A Victorian mahogany salon chair upholstered in a cut pink button backed fabric, the serpentine shaped seat on turned legs. h. 92 cm, w. 68 cm, d. 90 cm CONDITION REPORT: Dents and markings to surface. Later back castors. Front legs at the wrong angle. General wear and tear

Lot 299

Laws of Bern.- Burnaby (John, English ambassador to Bern 1743-49, 1701-74) Traduction des Loix de Berne, 3 parts in 1, manuscript in French, ?translated from Swiss German, together 499pp., last part page 39 to end tear in lower margins not affecting text, some slight staining to lower margins, vertical folds, ink signature of "J.Burnaby"on front pastedown and autograph manuscript note initialled by Burnaby on front flyleaf, 19th century bookplate of Baggrave Library, contemporary continental tree calf, gilt, rubbed, some surface wear, joints splitting but holding firm, label on spine, spine extensively rubbed, folio, [?Bern, c. 1750]. ⁂ Swiss legal manuscript used by John Burnaby (1701-1774), resident at Bern in the 1740s as British Minister Plenipotentiary to the Swiss Cantons. In French translation, presumably from the original Swiss German, the three different texts are titled "Traduction du Livre Rouge","Traduction des burgher's puncten"and "Instruction substantielle pour les affaires de judicature et de justice" together forming a substantial legal compendium of the laws of Bern. Provenance: John Burnaby's autograph note initialled "JB": "This is a very curious manuscript, obtained with great difficulty. It would be of particular use and even necessary, for any minister the King may think fit to send into Switzerland. It was never suffered to be printed, and there is no copy of it in England, nor is any copy of it to be purchased for money in the canton of Berne itself." Baggrave Hall, Leicestershire, which became the seat of the Burnaby family through the marriage in 1770 of Anna Edwyn (1735-1812) to the clergyman Andrew Burnaby (1732-1812).

Lot 398

An Edwardian Mahogany Window Seat, box string inlay, blue upholstery, raised on tapered legs.

Lot 41

An Antique Wooden Fairground Horse, with leather seat held together with studs, cast iron hand holds.

Lot 162

Four boxed Corgi Toys, 1127 Simon Snorkel, GS24 Commer Constructor set, missing bench seat, and Corgi Classics 9012 and 9032. All appear G in boxes ranging from F to G. (4)

Lot 363

A set of four George III style mahogany dining chairs each with shield back and tapestry seat

Lot 395

A set of four William Morris provincial 19th Century painted ash and rush seat chairs to include two armchairs, each with spindle back and two similar

Lot 458

A pair of early 18th Century style walnut dining chairs each with scrolled toprail, vase splat, drop in tapestry seat and shell carved cabriole legs

Lot 460

An early 20th Century walnut oval stool with tapestry seat on cabriole legs and pad feet bearing plaque 'Tozer 25 Brook Street, London'

Lot 454

George III ash corner chair with pierced vertical splats, shaped seat and square sectioned chamfered legs. Condition report: see terms and conditions

Lot 360

Victorian rosewood framed child's single chair, upholstered back panel flanked by barley sugar twist columns, loose upholstered seat, turned foreleg supports. Condition report: see terms and conditions

Lot 342

Reproduction revolving office chair with ox blood button back and seat Condition report: see terms and conditions

Lot 2784

A Victorian pine form with plank seat and splayed turned legs, length 179cm.

Lot 2799

A 19th century yew wood stickback armchair, with elm seat.

Lot 2802

An early 19th century Penwith stickback armchair, painted green. Condition report: Leg joints slightly loose (flexes), one stick broken, see image. Black worn off on both arms. One spindle missing. Woodworm to seat and stick back.

Lot 2818

A chrome framed chair with green leather slung seat.

Lot 2866

A Robin Nance lath back chair with grass seat.

Lot 2876

An Arts and Crafts elm settle, the bowed back with narrow cedar planks, beneath the seat three elm panels, each cut with heart, each a door onto a compartment.

Lot 191

A Victorian walnut footstool, the beadwork seat decorated with a phoenix on carved cabriole legs, diameter 30cm.

Lot 478

An Oak Framed Orkney Chair With Wooven Back And Rush Seat

Lot 993

2 mid century Robin Day for Hille furniture moulded chairs with mustard yellow seat pads being raised on ebonised tubular legs

Lot 741

Original chippy telephone seat with memory slide and upholstered seat, L: 88 cm

Lot 723

Antique hallway arm chair with upholstered seat and a stool

Lot 789

Heavy oak arm chair with rolled arms , carved back and cushioned seat

Lot 83

1961 Chevrolet Corvette Convertible                                                          - Restored in 2007 and subsequently 'Best American Classic' concours winner at Beaulieu - Detailed history file with numerous invoices for works carried out - Lovely looking example of this all-time American classic Now in its seventh generation, the 'Vette began life in 1953 with the C1 - a model that captivated a generation of American youngsters. It was the work of the legendary Harley Earl and inspired by the great European road/race offerings of the day. It borrowed its name - of French origin - from centuries of small, fast warships. The newcomer was first seen in concept form at the New York Auto Show, and generated sufficient interest for General Motors to hand-build a batch of 300 Polo White Convertibles. Sales, slow at first, had built to no less than 14,000 per annum by the introduction of the C2 10 years later. The C1 received multiple cosmetic updates along the way, the most significant of which came in 1958 when the nose was lengthened and dual headlights introduced. The model was initially only available with a straight-six powerplant, but soon progressed to V8 power units of varying horsepower with various transmission options. According to notes contained in its detailed history file, this former show winner is powered by the 230 bhp 283 cu. in. V8 allied to a three-speed transmission. Restored in 2007 by the previous owner, the engine and gearbox were comprehensively overhauled, the paint stripped back to the fibreglass and the car repainted in eye-catching red with white coves. Parts were sourced from America including carpets and seat covers. Numerous invoices for works carried out accompany the car. Upon completion BMF 802 won 'Best American Classic' at Beaulieu before being added to the vendor's collection in 2012. Since acquisition, this true American icon has been used sparingly and presents extremely well. Offered with Swansea V5 document, it is expected to possess a fresh MoT by the sale.

Lot 93

1947 Bentley MK VI Vanden Plas Drophead Coupe                                            - Supplied new to Sir John William Maxwell "Max" Aitken, 2nd Baronet, DSO, DFC - 1 of just 6 Bentley MK VI chassis to be clothed by Vanden Plas with this particular design of Drophead Coupe coachwork - Factory chalk marks still visible on the chassis side rails and much of the original red leather upholstery retained - Discovered in a farm outbuilding during 2010 and extensively restored over the next five years Introduced in 1946, the MKVI was Bentley's first post-war model. Aimed at the emerging 'owner-driver' luxury car market, the newcomer was closely based on the 1939 MKV (of which only fifteen were produced). Built around a massive cruciform-braced chassis with independent front suspension and a leaf-sprung 'live' rear axle, it was fitted with a freshly developed 4257cc OISE (overhead inlet side exhaust valve) straight-six engine mated to a four-speed manual gearbox. Capable of over 100mph when clad in the factory's understated 'standard steel saloon' coachwork, the MKVI quickly developed a reputation for being a refined yet responsive drive. However, despite the excellence of the 'basic' car, there remained a core of marque enthusiasts who found its styling too anonymous. Conscious of this demand Bentley invited various firms to submit Drophead Coupe proposals for its newcomer's chassis. Vanden Plas' rendering was altogether sleeker and handsomer than that of the factory's in-house coachbuilder Park Ward. However, it was also costlier and more labour intensive to produce. Hence, Vanden Plas are understood to have fitted this particular design of Drophead Coupe coachwork to just six Bentley MKVI chassis. One of the illustrious sextet, chassis B245AJ wears the renowned London cochabuilder's body number 4043 and was supplied new via Jack Barclay Ltd of Hanover Square W1 to Group Captain Hon. Max Aitken DSO, DFC, MP of 39 Albert Court, SW7 on 11th December 1947. A director of the Express Group and later Chairman of Beaverbrook Newspapers, he kept the Bentley until 1950 (the same year he lost his seat in the House of Commons due to an unfavourable boundary change) when it was bought by W.J. Norton Esq. of Sir James Farmer Norton & Co Ltd, Adelphi Iron Works, Salford, Manchester. Acquired by its previous keeper during the early 1970s as a means of making the 'right impression' with wealthy clients, the MKVI was subsequently dry stored in a farm outbuilding for decades. Rescued by the vendor in 2010, the Drophead Coupe was found to be surprisingly sound and sported a sticker for marque specialist Frank Dale & Stepson. It is pure supposition but the seller thinks that Frank Dale & Stepson may well have mechanically overhauled the Bentley because he soon had it running sweetly and even as a professional restorer only found it necessary to replace the brake hoses and seals plus one top front suspension bush! Principally fabricated from aluminium, the elegant coachwork was refurbished as necessary and repainted in Garnet over Silver; a combination which makes the most of its refinished chrome detailing. Pleasingly almost all the original Red leather upholstery proved usable once fed, while other signs that the car had led something of a charmed life included the retention of most of its tools and the original factory chalk marks on its chassis side rails (now varnished over for posterity). The interior woodwork was rejuvenated and the Red mohair hood renewed. Running and driving upon inspection, the Bentley rides on radial tyres which are said to give it notably more positive roadholding. It is not inconceivable that the 26,000 miles currently shown by the odometer represent either the total covered from new or the distance travelled since a major mechanical rejuvenation. The wiring has been checked and repaired and details such as the rear interior lights are in working order as are the more modern stereo and sat-nav power feed. A wonderful example of the coachbuilder's art, this notably stylish and decidedly rare Drophead Coupe still sports its original London registration number 'JLO 942' and factory-fitted engine (number B252A). Worthy of close inspection, it is offered for sale with RREC copy Construction and Test Records and current MOT certificate valid until Valentine's Day 2018.

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