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Lot 2862

"Set of six oak dining chairs, each with an arched back and seat, upholstered in figure and floral decorated fabric, on baluster legs and stretchers "

Lot 2888

"Continental pine stool, bamboo effect legs, bentwood `handles`, rush seat"

Lot 2908

"Pair of George V carved oak open armchairs, each with a spiral twist back and drop in seat"

Lot 2917

"Edwardian style carved beech window seat upholstered in Regency stripe fabric, on reeded turned tapering legs, 118.5cm w"

Lot 2918

"Set of 14 Swiss stained beech dining chairs including 4 with arms, each with a triple pierced splat shield back and a blue Regency stripe dropin seat, on reeded turned tapering legs"

Lot 2919

"Charles II style oak open armchair with a crown and cherub cresting, scroll arms, floral padded back and drop in seat, on baluster legs and stretchers"

Lot 2926

Reproduction mahogany three tread library steps and a mahogany coal scuttle with upholstered seat

Lot 2933

"Charles II style oak joined stool with a rectangular seat, on baluster legs and stretchers, 47cm w"

Lot 810

A Victorian oak hall chair, with shaped back, panel seat and tapered faceted legs

Lot 812

A Victorian piano stool, adjustable screw seat, on ebonised supports

Lot 832

An Oak Gothic revival hall chair, arched design, solid panel seat, tapered legs, stamped D Taylor & Sons, New Bond Street

Lot 844

An Edwardian mahogany armchair, upholstered seat with curved top rail and embelishments to backsplats

Lot 847

A Victorian single chair, upholstered seat, moulded design to top rail and backsplat

Lot 848

An Edwardian beach armchair, upholstered seat with rail backsplat, on casters

Lot 157

* Supermarine ‘Spitfire’. A well built static scale wood model of N3071, finished in all-over duck-egg blue with RAF roundels, rotating three blade propeller, glazed cockpit canopy and windscreen, dummy riveting incised out-line for control surfaces, cockpit detail includes pilot’s seat and control column, with retractable main undercarriage and fixed tail wheel, 9in (22.8cm) wingspan (1)

Lot 354

* ‘The Avroplane’. An important Pioneer and “Daily Mail” Prize-contest design model by Edwin Alliot Verdon-Roe, 1907, a unique exhibition display model of a pioneer flying-machine, created by Alliott Verdon-Roe (the founder of AVRO and Saunders-Roe Aircraft Companies) later knighted for his services to the Aviation Industry, this model, numbered “B2”, is the second maquette for his winning example of two versions submitted for the prize-contest sponsored by the Daily Mail, for a free-flight aeroplane design. Of biplane format utilising pusher-type airscrew powered by a three cylinder Anzani motor, the open-work wire-braced wooden airframe featuring a large forward-mounted lifting-surface, under which was situated the pilot’s control-seat, with dual surface main-planes to the rear, and with additional movable aileron-control surfaces mounted in parallel between the main-planes. The engine mounted centrally behind the pilot, driving the rear-mounted propeller via a long shaft to clear the main flying surfaces. Well fabricated of wood, brass and metal construction, with cotton-thread simulating rigging wires, cream-painted flying surfaces, with black open frame fuselage and silver gravity fuel tank etc, this model represented a sturdy airframe structure with practical application for scaling up to a full-size machine capable of flight, wingspan 12 in, length 7.5in (30 x 19cm), the designer having graduated through engineering via railway and marine practical experience, now turned his attention to aeronautics, and this his first serious design, was subsequently built by Roe in a small rented shed at the newly opened Brooklands Motor Circuit, with its flying field within the central curtilage of the track. The prototype was his first successful aeroplane in a long series of now-venerated machines, produced subsequently by his enlarged enterprise at the Manchester factory where he ultimately relocated. The following year by June 1908, Verdon-Roe had built his first aeroplane to the model-pattern and flew it for a short duration - the first true Englishman to design and build his own heavier-than-air powered machine. A full-size flying replica of this aeroplane was specially re-created to celebrate its centenary in his memory, and is now on display at the RAF Museum at Duxford - a testament indeed to this genius, who laid the foundations of the British Aircraft Industry. The model is contained in his original wooden transit-box, ailerons lacking, and showing some age wear and deterioration to cotton rigging wires. (1)

Lot 416

* WWI Trench Art. A good example by a German aviation artificer of the Great War depicting an early single-seat monoplane, of brass and copper construction from spent bullets & shell-casings etc, well-detailed with rigging wires revolving propeller and wheels etc, with applied decoration of Maltese Crosses to wing-tips, mounted upon the base of an 80mm cannon shell, variously marked, inscribed “ 177 - Polte Magdeburg and dated January 1916”, w/span 7.5in (18cm) (1)

Lot 417

* WWI Trench Art - SE5A c1917. A good example by a British aviation artificer of the Great War representing a single-seat biplane, of brass and copper construction from spent bullets & shell-casings etc, well-detailed with revolving propeller and wheels etc, engraved and inscribed to underside lower wing “Major G.J. Maxwell RFC - SE5A 56 Squadron 1917” and further inscribed with 20 notches, denoting number of “kills” attributed to the pilot, an “Ace” amongst his fellow aviators (1)

Lot 474

* Bristol Type 105 ‘Bulldog’. A well constructed and presented flying scale model of this popular biplane era single-seat fighter, the fabric and wood covered wood airframe with flying control surfaces, on braced undercarriage, the main wheels with rubber tyres, and tail skid, cockpit detail (unfinished) includes seat, rudder pedals, windscreen and control column, the strut braced main planes with bracing wires, the forward fuselage with dummy machine guns and covered with aluminium foil, with dummy Bristol ‘Jupiter’ nine cylinder radial and 18in (45.7cm) diameter wood propeller with spinner, finished in all-over silver and Squadron markings, aircraft number not allocated, 63in (160cm) wingspan (1)

Lot 493

* Fokker EV (DVIII) Parasol Monoplane 157/18. An exceptionally fine flying scale model built by C. J. Redshaw, the scale wooden air frame constructed as per the original aircraft, the two main spars of jelulong wood webbed with balsa and ply at the centre section, the fuselage and wings covered in fine fabric and very thin marine ply, detail includes dummy riveting, cockpit detail with control column, gimbal mounted compass, magneto isolation switch, rudder bar, seat and other controls, the twin dummy Spandau machine guns with ammunition belts and bullet counters, the engine cowling enclosing a dummy Le Rhône J type rotary engine with laminated brasswood and mahogany 27.5in (69.8cm) diameter propeller, the engine bay designed to accept a Lazer 300 V engine, on strutt and wire braced undercarriage with wing-section fairing and rubber tyred main wheels with discs and sprung tail skid, finished in olive-green and lozenge camouflage with national markings of the 1918 period, fitted with a Futaba 6E6S 2.4 Giga Hertz radio system less transmitter, 89.5in (227.4cm) wingspan, together with some spares, all working drawings, documentation, patterns and moulds (1)

Lot 500

* Hawker Siddeley T-AV-8s ‘Matador’. A good desk-top model of this famous Hawker ground attack and fighter aircraft, the composition airframe finished in camouflage with pale blue-white under-surfaces, the main planes and under fuselage with rocket pods and other external stones, cockpit detail includes pilot and ejection seat, on table stand, 6.25in (16cm) wingspan, together with maker’s cardboard box (1)

Lot 505

* Supermarine Swift. A stylish 1950s period desk-top static model, the all-over silver single-seat jet fighter with RAF roundels, 6.25in (15.8cm) wingspan, raised on a serpentine column and polygonal base with stepped stand (1)

Lot 522

Court (William). Power and Glory. The History of Grand Prix Motor Racing, vol. 1, 1906-1951, reprinted, 1988, num. b & w illusts. from photos, orig. boards in d.j., 4to, together with Touch Wood!, By Duncan Hamilton and Lionel Scott (Additional Material by Doug Nye), 1990, num. b & w illusts. from photos, edition de Luxe bound in dark green morocco, 4to, plus Coe (John J.), In the Left-Hand Seat. A Sporting Biography of the Hon. John Dawson-Damer, pub. Sydney, [2001], num. b & w illusts. from photos, orig. boards in d.j., oblong 4to, and Loveridge (Guy and Richardson, Bob), Mintex Man. Behind the Scenes of 1950’s & 1960’s Motor Racing. A Tribute to Lionel Clegg, 1st ed., 2001, signed on title by Guy Loveridge, num. col. illusts. from photos, orig. boards in d.j., oblong 4to (limited edition 920/1000), and others of motor racing and motoring history (2 cartons)

Lot 548

Commer and Karrier. A collection of original manufacturer’s handbooks, spare-parts manuals and instruction books etc., c. 1930-1950s, including “Superpoise” All models (Nov 1947), including lubrication charts, “Commando” 28-32 seat Passenger Coaches (March 1947, including lube-charts and factory letter), Commer Supplement No 304 “Superpoise” models (June 1947), Driver’s Instruction Book 15 & 25cwt Models, Karrier Instruction books for “Cob” and “Cob Junior” models (Jan 1947) KT4 Four-wheel drive Vehicles as supplied to Indian Govt dated contracts Dec 1939-Jan 1940, and Commer 15 & 25cwt Spare Parts list book no. 303 (April 1947) (11)

Lot 592

* Alta single-seat racing car. A scarce diecast toy model by Scamold, c. 1930s, together with original makers promotional leaflets and spares etc., including motorized rear-axle, suspension-springs, starting-handles and wheels etc., together with Morestone AA Motorcycle Scout sidecar patrol outfit (contained in original box), and a pre-war diecast model of an MG sportscar by Hubley etc. (1)

Lot 500

Set of eight plank seat dining chairs including a pair of carvers

Lot 509

An Arts and Crafts inlaid oak box seat decorated with Dutch figures

Lot 138

*Fishing Rods. Three split cane rods, early - mid 20th century, including a Hardy Palakona C.C. De France two piece rod with a choice of two tops, one lacking top eye, approx. 24cm in length, complete with original Hardy canvas rod bag, together with, Ogden Smith Ltd, ‘Royal Sovereign’ rod, two piece split cane rod with a choice of two tops, approx 277cm in length, complete with original Ogden Smith canvas rod bag, with, Hardy split cane ‘Marksman’ sea fishing rod, two piece split cane rod, stainless steel reel seat with tightening spanner housed in pocket in rod bag, approx. 260cm in length, complete with original Hardy canvas rod bag (3)

Lot 295

Estate Plan. A Plan for the Gardens of Greenlaw, The Seat of the Right Honourable the Viscount of Kenmore, n.d. c.1750, pencil, ink and watercolour plan on paper, laid on linen and bordered with silk on vertical margins, upper border secured on a stained, turned wooden batten, lacking lower batten?, some dust soiling, some creasing, closed tears, 665 x 520mm (1)

Lot 340

GEORGE WALTON OAK FRAMED SETTEE, CIRCA 1900 with tapered and upholstered back and arms, raised on upholstered seat, two loose cushions and with eight square tapering legs terminating in brass caps and castors 176cm wide, 121cm high, 67cm deep Literature: Moon, Karen, `George Walton, Designer and Architect`, pub. Oxford 1993, pages 107 and 111, plates 142 and 146 where similar examples are illustrated

Lot 341

GEORGE WALTON UPHOLSTERED EASY CHAIR, CIRCA 1900 the tapering back with outswept upholstered arms and stuff-over seat raised on square tapering legs with brass caps and castors to the front Literature: Moon, Karen, `George Walton, Designer and Architect`, pub. Oxford 1993, page 63, plate 73 where a similar example is illustrated.

Lot 351

SCOTTISH CELTIC REVIVAL OAK STOOL, 1920S the leather upholstered pad seat above shaped apron carved in relief with Celtic knotwork on scrolling legs linked by stretcher 54cm across Provenance: The Estate of the Late Jean Gordon Welsh

Lot 352

SCOTTISH CELTIC REVIVAL OAK FOOTSTOOL, CIRCA 1920 the button upholstered seat supported by curved panels, each carved with entwined beasts raised on chip carved and facetted legs 55.5cm wide

Lot 354

SIR ROBERT LORIMER SET OF FOUR OAK DINING CHAIRS, CIRCA 1910 made by Whytock & Reid, Edinburgh, each of Windsor form, with curved top rail above spindle-filled back and moulded open arms raised above moulded dished seat on turned tapering legs (4) 61cm wide, 71cm high, 40cm deep Provenance: Sir James Morton, Teuthur, Carlisle and by family descent Literature: Morton, J., `Three Generations in a Family Textile Firm`, London: Routledge & Kegan Paul, 1971, pages 312-3 Hussey, Christopher `The Works of Sir Robert Lorimer`, pub. 1931, plate 234B shows a chair with similar moulded arms Note: By 1905 Alexander Morton & Co had expanded their considerable textile empire to Carlisle, setting up Morton Sundour Fabrics in that year in the town. For James Morton Carlisle quickly became the centre of operations and in 1923 he commissioned Sir Robert Lorimer to design and furnish a third house where he could stay mid week from Tuesday to Thursday, hence the name of the house, on Lorimers suggestion, `Tuethur`. The interiors of the huse were panelled in untreated gean or wild cherry wood and all the furniture in the house was designed by Lorimer and made by Whytock and Reid of Edinburgh.

Lot 395

WILLIAM BIRCH, HIGH WYCOMBE OAK ARMCHAIR, CIRCA 1910 the curved back above open arms on rush seat and ring turned legs linked by stretchers

Lot 411

PETER HVIDT FOR FRANCE AND SON, DENMARK TEAK FRAMED THREE-SEAT SOFA, 1960S with upholstered back, seat and arms on turned legs, bears maker`s label 200cm wide

Lot 412

PETER HVIDT FOR FRANCE AND SON, DENMARK TEAK FRAMED TWO SEAT SOFA, 1960S with upholstered back, seat and arms on turned legs, bears maker`s label 137cm wide

Lot 413

PETER HVIDT FOR FRANCE AND SON, DENMARK TEAK FRAMED ROCKING ARMCHAIR, 1960S with upholstered back and seat enclosed by open arms on rocking base, bears maker`s label; also a PAIR OF MATCHING STOOLS by the same maker, 55cm wide (3)

Lot 660

French walnut Louis XV style salon chair , the upholstered waisted back with open arms and stuff over seat on cabriole legs.

Lot 667

Set of eight early Victorian mahogany dining chairs including a pair of carvers, each with a broad top rail and horizontal spar on drop in seat and turned tapering legs.

Lot 12

A CHINESE ELM ANTIQUE ARMCHAIR with splat back, splayed arms, and rattan cane seat, 25" across

Lot 14

A CHINESE HARDWOOD HALL CHAIR with carved back, and solid seat, 21 1/2" across, 19th Century

Lot 24

A CHINESE CARVED HARDWOOD ARMCHAIR with striated marble seat and stylised landscape decoration on a simulated bamboo supports, 24" wide

Lot 39

An early 18th century joined walnut backstool, the open back to a solid seat and on turned column front supports united by peripheral stretchers, and a late 18th century fruitwood side chair, with a vase shape splat. (2)

Lot 81

An easy armchair, with a bowfront seat on beech cabriole legs, one back leg stamped `C.V S.`

Lot 133

A cream and gilt line painted open armchair, the back painted a ribbon tied wreath, with stuffed-over leather seat on brass castors, together with a similarly painted tripod table, 20in (50.5cm) dia, 24.5in (62cm) h. (2) Provenance: Lady Paskin, Great Wishford.

Lot 154

A pair of giltwood fauteuil in Louis XVI style, each with an oval padded back, armrests and seat, the beaded and leaf carved frame to fluted supports. (2)

Lot 184

A pair of Regency mahogany carver armchairs attributed to Gillows, the backs with brass stringing and carved leaf horizontal splat to moulded scroll arms and sabre legs, the seat rail stamped `MS`. (2) Old repairs. The initials probably stand for a Martin Shannon, chairmaker, employed by Gillows and listed between 1802-1818. See Stuart, Susan. Gillows of Lancaster and London, 1730-1840, page 279. Provenance: Bought from A. G. Voss Antiques, Woodbridge, Suffolk in 1975.

Lot 205

Gillows. A set of six Victorian walnut and parcel gilt side chairs, the seat rail stamped `Gillow`. (6)

Lot 333

A 19th century Scottish painted snuff box by George Sliman, Catrine, of rectangular form with an integral hinge cover painted Abbotsford, seat of Sir Walter Scott Bart, to allover leaf and berry decoration, the lined interior stamped `G.SLIMAN CATRINE`, 3in (7.5cm) w.

Lot 343

A mahogany stool, the later upholstered seat on cabriole legs, 16.5in (41.7cm) h, 13in (33cm) w, 12.25in (31cm) d.

Lot 346

A 19th century mahogany tub armchair, the serpentine seat to square tapering legs, brass caps and castors. Repairs.

Lot 443

A set of eight mahogany dining chairs in Sheraton style, each with an arched rectangular back with leaf carved vertical splats, to a stuffed-over serpentine seat on square tapering legs and spade feet, comprising: two open armchairs and six side. (8) Damages.

Lot 21

A 19th century hand painted square longcase clock dial with crescent date aperture and painted corners, also two 18th century twin drum longcase clock movements and a seat board (4) (unmarked, part af)

Lot 215

A late Victorian blue and white toilet pan, marked Giddings & Dacre `The Junction` Manchester, decorated with birds in flight surrounding foliate and flowerheads, complete with wooden seat, height 43cm (af)

Lot 430

A 19th century Meissen style porcelain figure modelled as a neo classical dandy and beau resting on a love seat, raised on relief decorated oval plinth base, with blue crossed sword marks and no.255 to base, height 24.5cm (af)

Lot 1110

An early Victorian mahogany window seat, width 156cm (illustrated)

Lot 1114

A Victorian mahogany framed stool with shabby buttoned red leatherette seat, raised on turned tapered supports

Lot 962

A programme and a ticket for the Henry Cooper v Muhammad Ali World Heavyweight Championship bout at Highbury 21st May 1966, the programme complete with original colour insert, the ticket for a reserved seat in the East Stand, Avenell Road (3)

Lot 992

A gold medal presented to the English cricketer Harry Charlwood on the occasion of the first ever official Test Match that commenced 15th March 1877 at the Melbourne Cricket Ground between Australia and England, the obverse engraved with crossed cricket bats, stumps and a ball, with a cricket field beyond, the reverse inscribed PRESENTED TO, H. CHARLWOOD, BY, GE0. BROWNE C.E., ARCHITECT, M.C.C. GRAND STAND, MELBOURNE, 1877. This exciting discovery of a gold medal offers a unique opportunity to acquire a presentation made on the occasion of the first official Test Match in cricket history, the game between Australia and James Lillywhite`s England side played at the Melbourne Cricket Ground commencing 15th March 1877. Australia won the game by 45 runs, a result that, extraordinarily, was duplicated precisely when Australia and England competed in the Centenary Test Match, played March 12th to 17th 1977 at the Melbourne Cricket Ground. The medal was presented by George Browne, the Melbourne architect, responsible for the Grand Stand built at the MCG for the Test Series against England in 1877. This is the only known extant medal from Browne`s commemoration, but presumably he presented a gold medal to every visiting England player, and perhaps the home team too, as a suitable souvenir of his achievements in developing a ground more than worthy of hosting Test Match cricket. Browne is known to have socialised heavily with James Lillywhite`s English cricketers during the 1876-77 Tour. "The Australasian", Saturday December 2, 1876, p.715 records: … On Saturday last Mr. George Browne, the architect for the grand stand at the M.C.C. ground, drove [the English cricketers] round the city and suburbs in an English drag and six, and entertained them at a sumptuous dinner at Clement`s Cafe in the evening … The present medal was engraved to the Sussex professional Henry Rupert James Charlwood (born Horsham, 19 December 1846 – died Scarborough, 6 June 1888). The right-hand bat played in both the Melbourne Test Matches of 1877. In the historic first match he batted at No.3 for England, scoring 36 in the first innings and 13 in the second innings. During the 2nd Test played March 31st to April 4th, Harry Charlwood batted at No.4 and scored 14 and a duck during England`s 4 wickets victory. In three of his four innings he was the victim of the bowling of Tom Kendall. These were the only two Test maches of H.R.J. Charlwood`s career, that spanned 197 First-Class matches. Harry Charlwood was the mainstay of a poor Sussex county team for several seasons and was noted for his attacking top-order batting style. He was also an occasional lob bowler and a specialist cover fielder, taking 89 career catches. He scored five centuries for, recording a highest score of 155, and scored over 7,000 runs. He later played for Derbyshire and last played in 1882. Returning to the Melbourne Cricket Ground, the first grandstand was a temporary structure erected in 1861 and capable of holding 6,000 spectators. A second, but permanent structure, thereby being referred to as the `First Grand Stand`, was built by George Browne in 1876 in readiness for the visit of James Lillywhite`s England team in 1877. It could seat 2,000 and faced both the ground and the parkland. It was sometimes referred to as the `Reversible Stand` as in the winter the seating could be reversed in order to watch the football games in Yarra Park. The grandstand`s builder was Peter Cunningham and the cost was

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