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* Supermarine ‘Spitfire’. A well built static scale wood model of N3071, finished in all-over duck-egg blue with RAF roundels, rotating three blade propeller, glazed cockpit canopy and windscreen, dummy riveting incised out-line for control surfaces, cockpit detail includes pilot’s seat and control column, with retractable main undercarriage and fixed tail wheel, 9in (22.8cm) wingspan (1)
* ‘The Avroplane’. An important Pioneer and “Daily Mail” Prize-contest design model by Edwin Alliot Verdon-Roe, 1907, a unique exhibition display model of a pioneer flying-machine, created by Alliott Verdon-Roe (the founder of AVRO and Saunders-Roe Aircraft Companies) later knighted for his services to the Aviation Industry, this model, numbered “B2”, is the second maquette for his winning example of two versions submitted for the prize-contest sponsored by the Daily Mail, for a free-flight aeroplane design. Of biplane format utilising pusher-type airscrew powered by a three cylinder Anzani motor, the open-work wire-braced wooden airframe featuring a large forward-mounted lifting-surface, under which was situated the pilot’s control-seat, with dual surface main-planes to the rear, and with additional movable aileron-control surfaces mounted in parallel between the main-planes. The engine mounted centrally behind the pilot, driving the rear-mounted propeller via a long shaft to clear the main flying surfaces. Well fabricated of wood, brass and metal construction, with cotton-thread simulating rigging wires, cream-painted flying surfaces, with black open frame fuselage and silver gravity fuel tank etc, this model represented a sturdy airframe structure with practical application for scaling up to a full-size machine capable of flight, wingspan 12 in, length 7.5in (30 x 19cm), the designer having graduated through engineering via railway and marine practical experience, now turned his attention to aeronautics, and this his first serious design, was subsequently built by Roe in a small rented shed at the newly opened Brooklands Motor Circuit, with its flying field within the central curtilage of the track. The prototype was his first successful aeroplane in a long series of now-venerated machines, produced subsequently by his enlarged enterprise at the Manchester factory where he ultimately relocated. The following year by June 1908, Verdon-Roe had built his first aeroplane to the model-pattern and flew it for a short duration - the first true Englishman to design and build his own heavier-than-air powered machine. A full-size flying replica of this aeroplane was specially re-created to celebrate its centenary in his memory, and is now on display at the RAF Museum at Duxford - a testament indeed to this genius, who laid the foundations of the British Aircraft Industry. The model is contained in his original wooden transit-box, ailerons lacking, and showing some age wear and deterioration to cotton rigging wires. (1)
* WWI Trench Art. A good example by a German aviation artificer of the Great War depicting an early single-seat monoplane, of brass and copper construction from spent bullets & shell-casings etc, well-detailed with rigging wires revolving propeller and wheels etc, with applied decoration of Maltese Crosses to wing-tips, mounted upon the base of an 80mm cannon shell, variously marked, inscribed “ 177 - Polte Magdeburg and dated January 1916”, w/span 7.5in (18cm) (1)
* WWI Trench Art - SE5A c1917. A good example by a British aviation artificer of the Great War representing a single-seat biplane, of brass and copper construction from spent bullets & shell-casings etc, well-detailed with revolving propeller and wheels etc, engraved and inscribed to underside lower wing “Major G.J. Maxwell RFC - SE5A 56 Squadron 1917” and further inscribed with 20 notches, denoting number of “kills” attributed to the pilot, an “Ace” amongst his fellow aviators (1)
* Bristol Type 105 ‘Bulldog’. A well constructed and presented flying scale model of this popular biplane era single-seat fighter, the fabric and wood covered wood airframe with flying control surfaces, on braced undercarriage, the main wheels with rubber tyres, and tail skid, cockpit detail (unfinished) includes seat, rudder pedals, windscreen and control column, the strut braced main planes with bracing wires, the forward fuselage with dummy machine guns and covered with aluminium foil, with dummy Bristol ‘Jupiter’ nine cylinder radial and 18in (45.7cm) diameter wood propeller with spinner, finished in all-over silver and Squadron markings, aircraft number not allocated, 63in (160cm) wingspan (1)
* Fokker EV (DVIII) Parasol Monoplane 157/18. An exceptionally fine flying scale model built by C. J. Redshaw, the scale wooden air frame constructed as per the original aircraft, the two main spars of jelulong wood webbed with balsa and ply at the centre section, the fuselage and wings covered in fine fabric and very thin marine ply, detail includes dummy riveting, cockpit detail with control column, gimbal mounted compass, magneto isolation switch, rudder bar, seat and other controls, the twin dummy Spandau machine guns with ammunition belts and bullet counters, the engine cowling enclosing a dummy Le Rhône J type rotary engine with laminated brasswood and mahogany 27.5in (69.8cm) diameter propeller, the engine bay designed to accept a Lazer 300 V engine, on strutt and wire braced undercarriage with wing-section fairing and rubber tyred main wheels with discs and sprung tail skid, finished in olive-green and lozenge camouflage with national markings of the 1918 period, fitted with a Futaba 6E6S 2.4 Giga Hertz radio system less transmitter, 89.5in (227.4cm) wingspan, together with some spares, all working drawings, documentation, patterns and moulds (1)
* Hawker Siddeley T-AV-8s ‘Matador’. A good desk-top model of this famous Hawker ground attack and fighter aircraft, the composition airframe finished in camouflage with pale blue-white under-surfaces, the main planes and under fuselage with rocket pods and other external stones, cockpit detail includes pilot and ejection seat, on table stand, 6.25in (16cm) wingspan, together with maker’s cardboard box (1)
Court (William). Power and Glory. The History of Grand Prix Motor Racing, vol. 1, 1906-1951, reprinted, 1988, num. b & w illusts. from photos, orig. boards in d.j., 4to, together with Touch Wood!, By Duncan Hamilton and Lionel Scott (Additional Material by Doug Nye), 1990, num. b & w illusts. from photos, edition de Luxe bound in dark green morocco, 4to, plus Coe (John J.), In the Left-Hand Seat. A Sporting Biography of the Hon. John Dawson-Damer, pub. Sydney, [2001], num. b & w illusts. from photos, orig. boards in d.j., oblong 4to, and Loveridge (Guy and Richardson, Bob), Mintex Man. Behind the Scenes of 1950’s & 1960’s Motor Racing. A Tribute to Lionel Clegg, 1st ed., 2001, signed on title by Guy Loveridge, num. col. illusts. from photos, orig. boards in d.j., oblong 4to (limited edition 920/1000), and others of motor racing and motoring history (2 cartons)
Commer and Karrier. A collection of original manufacturer’s handbooks, spare-parts manuals and instruction books etc., c. 1930-1950s, including “Superpoise” All models (Nov 1947), including lubrication charts, “Commando” 28-32 seat Passenger Coaches (March 1947, including lube-charts and factory letter), Commer Supplement No 304 “Superpoise” models (June 1947), Driver’s Instruction Book 15 & 25cwt Models, Karrier Instruction books for “Cob” and “Cob Junior” models (Jan 1947) KT4 Four-wheel drive Vehicles as supplied to Indian Govt dated contracts Dec 1939-Jan 1940, and Commer 15 & 25cwt Spare Parts list book no. 303 (April 1947) (11)
* Alta single-seat racing car. A scarce diecast toy model by Scamold, c. 1930s, together with original makers promotional leaflets and spares etc., including motorized rear-axle, suspension-springs, starting-handles and wheels etc., together with Morestone AA Motorcycle Scout sidecar patrol outfit (contained in original box), and a pre-war diecast model of an MG sportscar by Hubley etc. (1)
*Fishing Rods. Three split cane rods, early - mid 20th century, including a Hardy Palakona C.C. De France two piece rod with a choice of two tops, one lacking top eye, approx. 24cm in length, complete with original Hardy canvas rod bag, together with, Ogden Smith Ltd, ‘Royal Sovereign’ rod, two piece split cane rod with a choice of two tops, approx 277cm in length, complete with original Ogden Smith canvas rod bag, with, Hardy split cane ‘Marksman’ sea fishing rod, two piece split cane rod, stainless steel reel seat with tightening spanner housed in pocket in rod bag, approx. 260cm in length, complete with original Hardy canvas rod bag (3)
Estate Plan. A Plan for the Gardens of Greenlaw, The Seat of the Right Honourable the Viscount of Kenmore, n.d. c.1750, pencil, ink and watercolour plan on paper, laid on linen and bordered with silk on vertical margins, upper border secured on a stained, turned wooden batten, lacking lower batten?, some dust soiling, some creasing, closed tears, 665 x 520mm (1)
GEORGE WALTON OAK FRAMED SETTEE, CIRCA 1900 with tapered and upholstered back and arms, raised on upholstered seat, two loose cushions and with eight square tapering legs terminating in brass caps and castors 176cm wide, 121cm high, 67cm deep Literature: Moon, Karen, `George Walton, Designer and Architect`, pub. Oxford 1993, pages 107 and 111, plates 142 and 146 where similar examples are illustrated
GEORGE WALTON UPHOLSTERED EASY CHAIR, CIRCA 1900 the tapering back with outswept upholstered arms and stuff-over seat raised on square tapering legs with brass caps and castors to the front Literature: Moon, Karen, `George Walton, Designer and Architect`, pub. Oxford 1993, page 63, plate 73 where a similar example is illustrated.
SIR ROBERT LORIMER SET OF FOUR OAK DINING CHAIRS, CIRCA 1910 made by Whytock & Reid, Edinburgh, each of Windsor form, with curved top rail above spindle-filled back and moulded open arms raised above moulded dished seat on turned tapering legs (4) 61cm wide, 71cm high, 40cm deep Provenance: Sir James Morton, Teuthur, Carlisle and by family descent Literature: Morton, J., `Three Generations in a Family Textile Firm`, London: Routledge & Kegan Paul, 1971, pages 312-3 Hussey, Christopher `The Works of Sir Robert Lorimer`, pub. 1931, plate 234B shows a chair with similar moulded arms Note: By 1905 Alexander Morton & Co had expanded their considerable textile empire to Carlisle, setting up Morton Sundour Fabrics in that year in the town. For James Morton Carlisle quickly became the centre of operations and in 1923 he commissioned Sir Robert Lorimer to design and furnish a third house where he could stay mid week from Tuesday to Thursday, hence the name of the house, on Lorimers suggestion, `Tuethur`. The interiors of the huse were panelled in untreated gean or wild cherry wood and all the furniture in the house was designed by Lorimer and made by Whytock and Reid of Edinburgh.
A pair of Regency mahogany carver armchairs attributed to Gillows, the backs with brass stringing and carved leaf horizontal splat to moulded scroll arms and sabre legs, the seat rail stamped `MS`. (2) Old repairs. The initials probably stand for a Martin Shannon, chairmaker, employed by Gillows and listed between 1802-1818. See Stuart, Susan. Gillows of Lancaster and London, 1730-1840, page 279. Provenance: Bought from A. G. Voss Antiques, Woodbridge, Suffolk in 1975.
A gold medal presented to the English cricketer Harry Charlwood on the occasion of the first ever official Test Match that commenced 15th March 1877 at the Melbourne Cricket Ground between Australia and England, the obverse engraved with crossed cricket bats, stumps and a ball, with a cricket field beyond, the reverse inscribed PRESENTED TO, H. CHARLWOOD, BY, GE0. BROWNE C.E., ARCHITECT, M.C.C. GRAND STAND, MELBOURNE, 1877. This exciting discovery of a gold medal offers a unique opportunity to acquire a presentation made on the occasion of the first official Test Match in cricket history, the game between Australia and James Lillywhite`s England side played at the Melbourne Cricket Ground commencing 15th March 1877. Australia won the game by 45 runs, a result that, extraordinarily, was duplicated precisely when Australia and England competed in the Centenary Test Match, played March 12th to 17th 1977 at the Melbourne Cricket Ground. The medal was presented by George Browne, the Melbourne architect, responsible for the Grand Stand built at the MCG for the Test Series against England in 1877. This is the only known extant medal from Browne`s commemoration, but presumably he presented a gold medal to every visiting England player, and perhaps the home team too, as a suitable souvenir of his achievements in developing a ground more than worthy of hosting Test Match cricket. Browne is known to have socialised heavily with James Lillywhite`s English cricketers during the 1876-77 Tour. "The Australasian", Saturday December 2, 1876, p.715 records: … On Saturday last Mr. George Browne, the architect for the grand stand at the M.C.C. ground, drove [the English cricketers] round the city and suburbs in an English drag and six, and entertained them at a sumptuous dinner at Clement`s Cafe in the evening … The present medal was engraved to the Sussex professional Henry Rupert James Charlwood (born Horsham, 19 December 1846 – died Scarborough, 6 June 1888). The right-hand bat played in both the Melbourne Test Matches of 1877. In the historic first match he batted at No.3 for England, scoring 36 in the first innings and 13 in the second innings. During the 2nd Test played March 31st to April 4th, Harry Charlwood batted at No.4 and scored 14 and a duck during England`s 4 wickets victory. In three of his four innings he was the victim of the bowling of Tom Kendall. These were the only two Test maches of H.R.J. Charlwood`s career, that spanned 197 First-Class matches. Harry Charlwood was the mainstay of a poor Sussex county team for several seasons and was noted for his attacking top-order batting style. He was also an occasional lob bowler and a specialist cover fielder, taking 89 career catches. He scored five centuries for, recording a highest score of 155, and scored over 7,000 runs. He later played for Derbyshire and last played in 1882. Returning to the Melbourne Cricket Ground, the first grandstand was a temporary structure erected in 1861 and capable of holding 6,000 spectators. A second, but permanent structure, thereby being referred to as the `First Grand Stand`, was built by George Browne in 1876 in readiness for the visit of James Lillywhite`s England team in 1877. It could seat 2,000 and faced both the ground and the parkland. It was sometimes referred to as the `Reversible Stand` as in the winter the seating could be reversed in order to watch the football games in Yarra Park. The grandstand`s builder was Peter Cunningham and the cost was
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216995 item(s)/page