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A PAIR OF ANGLO-CEYLONESE HARDWOOD TUB CHAIRS BY H. DON CAROLIS & SON, LATE 19TH CENTURY each with a caned back and seat, with a later silk upholstered squab cushion, on turned front legs, one with an applied brass trade label, inscribed: 'H. Don Carolis & Son Colombo, Furnishers to the Queen's House' (2)
λ A SET OF SIX GEORGE IV ROSEWOOD AND PARCEL GILT GOTHIC REVIVAL SIDE CHAIRS ATTRIBUTED TO MOREL AND SEDDON, C.1830 the top rail with an architectural pediment, pierced with a trefoil, with leaf finials, above a band of scrolling leaves, with a padded back and seat, on faceted front legs (6)
A LARGE BRONZE EQUESTRIAN MONUMENT OF EMANUELE FILIBERTO, DUKE OF SAVOIA (1528-1580) BY BARON CARLO MAROCHETTI (ITALIAN 1805-1867) the illustrious nobleman wearing armour and with a drawn sword in his right hand, the base signed 'C Marochetti S. P. T.' and with foundry stamp 'De Braux F. R.' for De Braux D'Anglure 85.5cm high, 87cm long Catalogue Note The present lot is a reduction of the original monument by Marochetti of Emanuele Filiberto, Duke of Savoia, which can be found in the Piazza San Carlo, Turin and was erected in 1838. Emanuele Filiberto, 10th Duke of Savoia (1528-1580), was a soldier and statesman considered one of the greatest Savoyard monarchs. He won a famous victory in 1557 when he led the Spanish invasion of France at St. Quentin. After the Peace of Cateau-Cambrésis in 1559 he was able to regain his duchy and territory from both the French and Spanish, including Turin, which then became the seat of Savoia power. Baron Carlo Marochetti (1805-1867) was an Italian born French sculptor born in Turin. He was a student of Francois-Joseph Bosio and studied in both Paris and Rome. Some of his most famous works include the marble relief of the Battle of Jemappes on the Arc de Triomphe and his equestrian model of Richard the Lionheart, first exhibited at the entrance of the Crystal Palace in 1851 and now found at the Palace of Westminster. The equestrian monument of Emanuele Filiberto, was a gift to the city of Turin and in recognition of this, Marochetti was made a Baron of the Kingdom of Sardinia by Carlo Alberto, King of Sardinia (1798-1849).
A MAHOGANY STOOL IN GEORGE II STYLE BY HOWARD & SONS, LATE 19TH CENTURY the needlework stuffed-over seat above a leaf, shell and eagle's head carved frieze on cobochon cabriole legs and claw and ball feet, stamped '3081 9310' and 'Howard & Sons LTD, Berners St.', 46.7cm high, 68cm wide, 48cm deep
A pair of Louis Quinze style fruitwood framed armchairs, the roll panel back, sides and seat covered in a warm grey velvet material, the exposed frame with reeded and scrolled decoration and raised on turned tapering fluted legs. 83cm wide x 75cm deep x 95cm high (32¾ x 29½ x 37½'') Provenance: With Jorgensen Fine Art, Dublin.
A George III mahogany framed upholstered Gainsborough armchair, the arch panel back, armrests and seat covered in velvet cloth, the armrests with leaf carved scrollwork and reeding, raised on chamfered square supports. 68cm wide x 104cm high x 79cm deep (26¾ x 41 x 31'') Provenance: With Jorgensen Fine Art, Dublin.
A pair of Louis Quinze style stained beech framed fauteuils, the moulded frame surmounted with carved flowers, the padded arch back, armrests and seat covered in salmon ground needlework cloth and raised on foliate carved cabriole legs. 66cm wide x 95cm high (26 x 37¼'') Provenance: With Jorgensen Fine Art, Dublin.
A French 19th century giltwood framed fauteuil, the moulded arch top with surmounted scroll, carved with two shamrocks, the padded back, armrests and seat covered in a pale chocolate velvet cloth and raised on shell capped cabriole legs and scroll feet. 62cm wide x 96cm high (23½ x 37¾'') Provenance: With Jorgensen Fine Art, Dublin.
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217092 item(s)/page