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A Victorian tub armchair, upholstered in floral silk damask, with down swept arms and raised on baluster front supports, one of the rear legs stamped '01341', terminating in brass castors, 75cm wide, 96cm deep, 84cm highCondition report: Upholstery would benefit from a clean. Some stains and marks. Frame solid. General knocks and wear. Castors replaced.The seat all seems o.k, good springs, etc.
Channel Islands School (19th century)Two views of La Moinerie, SerkPen, ink and watercolour, a pairInscribed La Moinerie Serk 18 Juin 1849, and La Moinerie Serk 18 Septembre 1849 respectively, upper centre18.4 x 22cm (7 x 8½ in.) (2)Provenance:Sale, Phillips, London, 5 November 1999, The Joshua Gosselin Collection of Topographical Watercolours, lot 88 (part lot). This and the following lot depict an estate in the north west corner of Sark, the third largest of the Channel Islands. The title La Moinerie, which is middle French for monastery, was established by St. Magloire, Sark's patron saint, who settled on the Island in the sixth century. It was formerly the property of the Seigneur or Feudal Lord of the Island and was one of the forty Sark Tenements established by Helier de Carteret in the fourteenth century. Each Tenement has a seat in the Island's parliament, known as the Chief Pleas. In 1929 the Tenement La Moinerie de Haut passed to the owner of the nearby island of Brecqhou. Although dated 1849, this strikingly modern landscape encapsulates many of the timeless qualities that make primitive art by academically untrained artists so beguiling. The joyful disregard of accepted ideas of scale and perspective inspired many modern British artists from Ben Nicholson onwards. To be sold without reserve The Pinkers Collection of British, American and European Folk Art This charming collection of folk art takes its name from a diminutive 17th Century cottage on the Kent coast where it has hung and grown in size over the last twenty years. It includes watercolours and oil paintings from the 17th to the early 20th Century. Many are in their original frames and in remarkably fresh condition. Despite its rural location and the provincial subject matter of the works it is a truly international collection and many of the lots have come from some of the most important collectors and dealers in folk art on both sides of the Atlantic including Robert Young, Denzil Grant and Charles Plante in England and David Wheatcroft, Joan Brownstein and Austin Miller in America.Folk Art has been described as 'the unselfconscious creativity of academically untrained artists' (Robert Young, Folk Art, 1999) and it is this quality that gives many of the works an immediacy and playfulness that has chimed with generations of collectors. Some of the pictures, by journeymen artists, artisans or amateurs are provincial reinterpretations of more sophisticated works, such as the early 18th Century Yate family portraits (lot 122). Others have a joyful disregard of accepted ideas of scale, perspective and colouring, giving them a timeless quality which draws parallels with 20th Century artists including Alfred Wallis and John Nash, such as View from La Moinerie (lot 120) and the American School Portrait of a girl (lot 103) has an Outsider Art quality reminiscent of the Art Brut movement founded by Jean Dubuffet. Regardless of their origins this unique and varied collection is the manifestation of the vision and passion of a true collector.
Channel Islands School (19th century)A view of La Moinerie, Serk, 1849Pen, ink and watercolourInscribed A View from Le Moinerie 1849, upper centre18.5 x 22cm (7¼ x 8½ in.)Provenance:Sale, Phillips, London, 5 November 1999, The Joshua Gosselin Collection of Topographical Watercolours, lot 88 (part lot), where purchased by the present owner.This and the previous lot depict an estate in the north west corner of Sark, the third largest of the Channel Islands. The title La Moinerie, which is middle French for monastery, was established by St. Magloire, Sark's patron saint, who settled on the Island in the sixth century. It was formerly the property of the Seigneur or Feudal Lord of the Island and was one of the forty Sark Tenements established by Helier de Carteret in the fourteenth century. Each Tenement has a seat in the Island's parliament, known as the Chief Pleas. In 1929 the Tenement La Moinerie de Haut passed to the owner of the nearby island of Brecqhou. Although dated 1849, this strikingly modern landscape encapsulates many of the timeless qualities that make primitive art by academically untrained artists so beguiling. The joyful disregard of accepted ideas of scale and perspective inspired many modern British artists from Ben Nicholson onwards. The Pinkers Collection of British, American and European Folk Art This charming collection of folk art takes its name from a diminutive 17th Century cottage on the Kent coast where it has hung and grown in size over the last twenty years. It includes watercolours and oil paintings from the 17th to the early 20th Century. Many are in their original frames and in remarkably fresh condition. Despite its rural location and the provincial subject matter of the works it is a truly international collection and many of the lots have come from some of the most important collectors and dealers in folk art on both sides of the Atlantic including Robert Young, Denzil Grant and Charles Plante in England and David Wheatcroft, Joan Brownstein and Austin Miller in America.Folk Art has been described as 'the unselfconscious creativity of academically untrained artists' (Robert Young, Folk Art, 1999) and it is this quality that gives many of the works an immediacy and playfulness that has chimed with generations of collectors. Some of the pictures, by journeymen artists, artisans or amateurs are provincial reinterpretations of more sophisticated works, such as the early 18th Century Yate family portraits (lot 122). Others have a joyful disregard of accepted ideas of scale, perspective and colouring, giving them a timeless quality which draws parallels with 20th Century artists including Alfred Wallis and John Nash, such as View from La Moinerie (lot 120) and the American School Portrait of a girl (lot 103) has an Outsider Art quality reminiscent of the Art Brut movement founded by Jean Dubuffet. Regardless of their origins this unique and varied collection is the manifestation of the vision and passion of a true collector.Condition Report: The picture is unexamined out of the frame. The sheet is not laid down. There is a small crease in the lower right quarter, but generally it appears to be in excellent condition. There are two spots of discolouration in the upper left and right corners as well as some other small areas along the lower edge and across the sky. The colours are strong and don't seem to have lost much of their original vibrancy. It is presented in an acid free mount and is behind museum glass, Condition Report Disclaimer
Large sofa with cushioned back and scroll arms, loose cushioned seat, raised on turned legs, 225cm wide, 70cm high, and 100cm deep.CONDITION REPORT: Overall the frame is solid, although there is some movement to the arms. There are chips and scratches to the feet and castors lacking. Requires re-upholstery.
Chinoiserie ottoman of rectangular form with traditional panels, raised on bracket feet, including glass top to convert to coffee table, 66cm wide, 53cm deep, and 44cm high (89cm wide and 79cm deep with glass top).CONDITION REPORT: General scuffs, scrapes, chips as with use and age. Fabric seat later and sagging. Areas have been touched up with black. Sturdy frame. Usable condition.
A Biedermeier carved rosewood library chair with ebonized mouldings. Leather upholstered, with reeded scrolling arms and raised on octagonal supports, 127cm high, seat 41cm high, 65cm wide. Repair to both arms where they join the backrest, small piece missing from one. Other superficial marks and wear.
By Direction of CGG Robertson, this Lot is located approximately fifteen minutes drive from the Colwyn Bay saleroom A LATE 19th CENTURY OAK BOX SEAT SETTLE, the back having a centre panel of three figures making merry, 120cms W and a similar period carved oak side table with rail back, carved corner supports and shell and scroll carved application to the front centre, 129cms W Condition Report: settle - sound but overall, some fading, side table - right hand part of scrolling missing, overall fading
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216352 item(s)/page