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A 1930’s oak six piece dining suite, extendable rectangular table with carved corner mounts to frieze above four facet and ball pillar supports united by a single stretcher finished to a sledge and pad foot, with four conforming side chairs with drop in seat pads and a sideboard with cupboards fitted to upright section, three central drawers flanked by single cupboard to the base.
Collection of 14 MOY mixed vehicles, all mint or very near mint to include Y-4 fire engine “Kent”, white horses, Y-5 Bentley RN5, Y-5, 41/2 litre Bentley RN5, Y-8 Sunbeam motorcycle, black seat, green seat, Y-3 Benz Limousine, cream with green roof, Y-9 Fowler Showman, maroon (dark), Y-10 Mercedes G.P, off white, Y-12 horse drawn bus, Y-13 Daimler 2 models, Y-14 Maxwell copper tank, Y-14 Duke of Connaught, dark green, gold sandboxes, Y-13 “Santa Fe” locomotive, dark green and Y-15 Rolls Royce, common version (x14).
A blue and white pottery water closet/toilet, the rim decorated with vines & grapes, the interior with flowers, fruit, vines & butterflies., complete with original system, with brass & ceramic fittings, & mahogany seat, & casing.Printed mark B.W.M. Cauldon, impressed mark to back possibly Sauldon / Cauldon London
T. Kip Sivell, the seat of Sir Robert Aitkins; Kempsford, the seat of the Lord Viscount Weymouth; The Abbey in Cirencester, the seat of Thomas Master Esq Fairford, the seat of Samuel Barker Esq Badminton in the County of Gloucester, one of the seats of Prince Henry Duke of Beaufort; Amney, the seat of Robert Pleydell Esq Saperton, the seat of Sir Robert Atkyns A Group of seven engravings with hand colouring Various sizes (7)
After L. Knuff Hampton Court in Herefordshire, seat of the Rt. Hon. Thos Lord Coningsby; Melton Constable in the county of Norfolk, the seat of the Hon. Sir Jacob Astley, Kt and Bart; Ragly in the county of Warwick, the seat of Popham Conway Esq; Uppark in Sussex, the Seat of the Rt Hon. Ford Ld Grey, Baron of Werke, Viscount Glendale, Earl of Tankerville A group four engravings by T. Kip each 35cm x 48cm (4)
Sir John Everett Millais-The Crawley family w/c Sir John Everett Millais P.R.A. H.R.I. H.R.C.A. (1829-1896) The Crawley Family monogrammed label inscribed on verso watercolour over pencil 25 x 17.5cm.; 9.75 x 7in. At the end of the last chapter we left Lucy Robarts waiting for an introduction to Mrs Crawley who was sitting with one baby in her lap while she was rocking another who lay in a cradle at her feet. Mr Crawley in the meanwhile had risen from his seat with his finger between the leaves of an old grammar out of which he had been teaching his two elder children. The whole Crawley family was thus before them when Mrs Robarts and Lucy entered the sitting-room... * Painted as an illustration for Anthony Trollope's Framley Parsonage. …Altogether he drew from my tales eighty-seven drawings and I do not think that more conscientious work was ever done by man. Writers of novels know well-and so ought readers of novels to have learned-that there are two modes of illustrating either of which may be adopted equally by a bad and by a good artist. To which class Mr. Millais belongs I need not say; but as a good artist it was open to him simply to make a pretty picture or to study the work of the author from whose writing he was bound to take his subject. I have too often found that the former alternative has been thought to be the better as it certainly is the easier method. An artist will frequently dislike to subordinate his ideas to those of an author and will sometimes be too idle to find out what those ideas are. But this artist was neither proud nor idle. In every figure that he drew it was his object to promote the views of the writer whose work he had undertaken to illustrate and he never spared himself any pains in studying that work so as to enable him to do so… from the autobiography of Anthony Trollope.
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