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A primitive child`s chair Continental, possibly Spanish, late-18th / early 19th century, in chestnut with traces of dull red paint, simple shaped restraints and shaped rectangular seat with circular aperture to the centre, raised on splayed rectangular section legs joined by bar stretchers, 18in. (46cm.) wide x 19in. (48cm.) high.
Mason (R. H.). Norfolk Photographically Illustrated, pub. Mason and Co., London & Norwich, 1865, seventy-seven mounted albumen photographs, on sixty-seven leaves, lacking a few of Lynford Hall (on list of contents), but including view of Lecton Hall, the seat of Colonel Mason (placed after Boyland Hall), most images 24 x 19cm or similar, with some smaller, some foxing to title and prelims., marbled endpapers, t.e.g., contemp. half calf, rubbed and scuffed to joints, some marks to covers, with bookplate of Sir Francis G. M. Boileau to front pastedown, large folio. (1)
A set of eight oak and elm hoop back dining chairs, 19th century, including two carver chairs, each with a narrow hoop and stick back with central pierced splat with disc moulding, over an elm saddle seat on slender turned baluster supports, united by turned H-stretchers, four saddle seats stamped `WW`, two stamped with a cross within a circle and two unmarked (2 + 6)
A yew wood open armchair, circa 1820-30 possibly East Anglian, the chair with pierced disc moulded top rail over two further pierced rails with pierced back side supports and pierced scrolling open arms, over a drop-in square seat above a roundel and pierced carved front seat rail, on turned and tapering front legs, 123cm high, 47cm wide, 44.5cm deep
A late Victorian painted satinwood open armchair, in the manner of Sheraton, the garland painted arched top rail over a vase shaped pierced back splat, between scrolling open arms on slender ring turned tapering supports, above an overstuffed seat and florally painted seat rail, on slender ring turned tapering front supports, 54cm wide, 91cm high, 46cm deep
A late Victorian painted satinwood open armchair in the manner of Hepplewhite, the shield shaped back with pierced bar shaped back splat over scrolling garland painted open arms, above a drop-on seat, on square tapering front legs terminating in a spade foot, bears `ivorine` label to the underside of the front seat rail for `G H Morton and Son, Bold Street Liverpool`, 55cm wide, 98cm high, 47.5cm deep
A late Victorian stained beech aesthetic Eastlake inspired short conversation seat, the half padded back under a line decorated and pierced top rail, over a single open padded arm above an overstuffed seat, on short ring turned tapering legs terminating in castors (recovered in a later gold damask style material), 81cm wide, 94cm high, 53cm deep
[Horn, John]. A History or Description, General and Circumstantial, of Burghley House, the Seat of the Right Honorable the Earl of Exeter, pub. Shrewsbury, 1797, note to front blank and annotation to p. 82 by William Beckford, auction label and bookplate to front pastedown, a.e.g., contemp. half calf gilt, upper cover detached, rubbed, 8voThe annotation reads “Boy & Pigeon unlike any other Boy and Pigeon in the Universe”. This relates to page 82 as it states that the painting of the Boy & Pigeon was done by Guido. This book was lot 150 from the Beckford sale in 1883.. (1)
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217092 item(s)/page