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Lot 103
Duvernet, an Art Deco bronze figure 'Oblivion' on a marble plinth c.1925, engraved signature 'Duvernet' on top of plinth Modelled and cast as the figure of a crouching woman holding an onyx cup (no cover), raised on a tapering marble plinth 48 cm high Bryan Catley, 'Art Deco and other Figures', Antique Collectors Club, Suffolk, 1978, p143 (similar figure illustrated on a different base with an openwork metal cover on the cup) Condition Report:Small split at the front of the arm (left hand side when you look at it) but not obvious from the top and another on the bottom of the back right foot that grows a little up the side. There are some losses to edges, most obviously on the front facing edges of vertical and horizontals elements, some scars and old marks and general wear in keeping with age and use. Some age separation to joins. There is a fine split across the pale wood inlay panel at the back but it isn't obvious. There is some white spotting on the underside.There is a single loss on one strand to rush on both back panels. There are some small chips to the wood of the seat on the corners. The seat rush looks to have been replaced at some point and there a few marks/stains on the rush but no splits or losses.
Lot 113
An Art Deco style daybed (French), in the manner of Andre Arbus Late 20th Century With scrolling ends, uupholstered in cream velvet and silk, with loose seat cushion and two bolster cushions, on giltwood base with fluted ovoid feet 67cm high, 207cm wide, 82cm wide Please refer to department for condition report
Lot 218
Børge Mogensen (Danish 1914-1972), a pair of 'model 3246' club chairs for Fredericia Stolefabrik c.1960, with applied manufacturer’s labels to underside Upholstered in red leather with loose seat cushion, on square section stained oak supports each 89cm high, 62cm wide, 69cm (2) leather with small stains, scuffs and light scratches throughout, the supports with light scratches and some minor indentations
Lot 222
Finn Juhl (Danish 1912-1989), a set of six teak 'model 197' dining chairs for France & Sons, together with a circular teak extending dining table c.1950, each chair with applied metal manufacturer's label to underside The chairs with blue fabric upholstered backrest and seat on teak frame with cylindrical tapered legs, the dining table with circular top and fold out leaf, on rounded straight supports Chairs : 75cm high, 50cm wide, 45cm deepTable : 71cm high, 120cm diameter closed, 180cm wide extended, 120cm deep (7)Please refer to department for condition report
Lot 223
After Ib Kofod-Larsen (Danish 1921-2003), a pair of ‘Seal’ lounge chairs produced by Brdr Petersons Polstermobelfabrik c.2010, manufacturer’s label to underside With tan leather upholstered seat on oak frame with tapered supports 75cm high, 81cm wide (2) Condition Report:Both chairs structurally sound and sturdy. Leather with small stains throughout and some minor scuffs, oak frames with scuff marks, light scratches and general surface wear throughout, one chair with visible restoration to one arm.
Lot 225
After Marcel Breuer (Hungarian 1902-1981), a set of eight 'Cesca' chairs for Knoll c.2015, impressed mark to frame - 'Knoll Studio Marcel Breuer' Of cantilever form, with grey upholstered backrest and black upholstered seat on tubular chromed steel frames 82cm high, 47cm wide, 54cm deep (8)Please refer to department for condition report
Lot 226
After Marcel Breuer (Hungarian 1902-1981), a set eight 'Cesca' armchairs for Knoll c.2015, impressed mark to frame - 'Knoll Studio Marcel Breuer' Of cantilever form, with beech and caned backrest and black upholstered seat on chromed steel tubular frame82cm high, 57cm wide, 54cm deep (8)Please refer to department for condition report
Lot 232
After Jean Prouvé (French 1901-1984), a 'Direction' armchair for Vitra c.2010, with applied label to underside, 'Fauteuil Direction, Design: Jean Prouvé, 1951, Vitra' With two tone grey upholstered seat on white powder coated steel frame with oak armrests83cm high, 65cm wide, 62cm deepPlease refer to department for condition report
Lot 233
After Jean Prouvé (French 1901-1984), a pair of 'Salon' armchairs for Vitra c.2010, with applied label to underside, 'Fauteuil de Salon, Design: Jean Prouvé, 1939, Vitra' With two tone blue and beige upholstered seat on black powder coated steel frame with oak armrests83cm high, 67cm wide, 80cm deep (2)Please refer to department for condition report
Lot 243
Piero Fornasetti (Italian 1913-1988), a set of five 'Capitello Corinzio' chairs Two chairs numbered and dated - '7/50/90', the remaining chairs numbered and dated - '4/50/90', '42.100.89' and '39/60/89', all chairs with paper labels to underside - 'Fornasetti, Milano, Made in Italy' In lacquered wood, the shaped backs lithographically printed with Corinthian capitol design, over black lacquered seat on splayed and tapering legs 94cm high, 41cm wide (5)Please refer to department for condition report
Lot 247
Warren Platner (1919-2006), a Platner dining table and four Platner armchairs for Knoll c.1980, with Knoll fabric to underside of seatThe dining table with circular glass top, on nickel rod base, with four matching armchairs having fawn coloured velvet upholstered armrest and seat cushions Dining table : 70cm high, 135cm diameterArmchairs : 76cm high, 73cm wide (5)Please refer to department for condition report
Lot 249
Charles and Ray Eames (American), a '671' ottoman for Herman Miller c.1976, with ‘Herman Miller’ label to underside and stamped '25 Jun 1976' The rosewood shell, with black leather upholstered seat, on aluminium swivel base42cm high, 64cm wide (2) Note: This lot is sold with an Article 10 License no. 595794/02Please refer to department for condition report
Lot 264
Jasper Morrison (British B.1959) a pair of 'Park' armchairs for Vitra c.2000, each with fabric manufacturer's label Upholstered in brown leather with loose back and seat cushion, on chromed cylindrical legs with disc feet76cm high, 76cm wide, 85cm deep (2)Please refer to department for condition report
Lot 265
Jasper Morrison (British B.1959) a pair of 'Park' armchairs for Vitra c.2000, each with fabric manufacturer's label Upholstered in brown leather with loose back and seat cushion, on chromed cylindrical legs with disc feet76cm high, 76cm wide, 85cm deep (2)Please refer to department for condition report
Lot 28
A stained beech 'Thebes' stool with upholstered seat c.1900, unmarked, possibly a variant retailed by Liberty & Co The seat frame with reeded edge having a concave upholstered seat, raised on four turned and shaped legs, united by turned stretchers 42.5cm high, seat 48.3 cm squareCondition Report:Front left openwork strap at the bottom is loose - screw is still there but has possibly lost the bolt on the inside. There are four small drilled holes on the face, in the corners, but it is unclear if this is intentional or if something else should have been there.Rubbing to high pints of the decoration and the dial. The patina is irregular and uneven. Overall natural wear. Of the bun feet two are slightly loose and the screws/bolts oxidised.The oak back has some natural wear and there is a scratch were the catch moves across the back.Please note Rosebery's do not guarantee the working condition, duration or timekeeping of clocks offered for sale.
Lot 29
Liberty & Co (British), a graduated matched trio of mahogany ‘Thebes’ stools c.1900 Each seat of dished form and slatted construction, on rectangular supports with plain, straight and angled stretchers 47.5 cm high, 46 cm long, 37.5 cm wide; 45 cm high, 39 cm long, 35 cm wide; 37 cm high, 35 cm long, 31.3 cm wide respectively (3) Literature: Daryl Bennett, Liberty’s Furniture 1875-1915, Antique Collectors’ Club, 2012, p.97 (similar constructed stool illustrated)Condition Report:The large stool is missing one vertical stretcher and one is broken off but present. Other stretchers are in poor condition and are repaired and glued and with small slithers missing. Age separation to joins is pronounced. Old marks wear and indentations to all elements including the seat. Some scrapes and scars to corners and seat.Middle stool is slightly different colour, possibly later stained. There are two metal straps screwed to the underside of the seat - presumably to secure seat slats. Age separation to joins. Old marks wear and indentations to all elements including the seat. Some scrapes and scars to corners and seat.Smallest: One of the vertical stretchers has partly come out of one 'hole', a few others are loose. Age separation to joins. Old marks wear and indentations to all elements including the seat. Some restoration to the seat. Some scrapes and scars to corners and seat.
Lot 32
E.G. Punnett (British), and Art & Crafts inlaid oak and rush seated arm chair made by William Birch of High Wycombe c.1901 The oak top rail and back inlaid with ebony stylised floral motif and inset rush panels, having a drop-in rush seat, with broad arms and plank supports united by stretchers 85.5 cm high; 71 cm at its widest, approximately 50 cm deep Literature: John Andrews, Arts and Crafts Furniture, Antique Collectors’ Club, 2005, p.225 (similar model illustrated) The Victoria & Albert Museum have a similar chair in their collection. Property from a Private London Collection. Condition Report:Small split at the front of the arm (left hand side when you look at it) but not obvious from the top and another on the bottom of the back right foot that grows a little up the side. There are some losses to edges, most obviously on the front facing edges of vertical and horizontals elements, some scars and old marks and general wear in keeping with age and use. Some age separation to joins. There is a fine split across the pale wood inlay panel at the back but it isn't obvious. There is some white spotting on the underside.There is a single loss on one strand to rush on both back panels. There are some small chips to the wood of the seat on the corners. The seat rush looks to have been replaced at some point and there a few marks/stains on the rush but no splits or losses.
Lot 482
A Victorian style mahogany dining suite, including a large pullout dining table, rectangular top with flame pattern, rounded corners, moulded edge, plain frieze, turned and fluted legs, on brass casters, the top minimum length 154cm, three addition leaves each 74cm, (total 376cm / 12.3"), width 136cm, height to top 76.5cm, height to frieze 63cm, and a set of fourteen dinig chairs, shaped cresting, pierced and scrolled back, dropin upholstered seat, square moulded legs joined by H stretchers, including two elbow chairs, width 68cm, height 101cm, height to seat 46cm and twelve single dining chairs.
Lot 150
A pair of Regency white and gilt painted single chairs of Gothic design CONDITION REPORT: Condition of caning split to one seat at side, gap in joints at front legs on one chair, same chair missing roundel at back and noticeable chipping to paint work. Back of same chair with repaired leg, rocks on floor. Other chair with split to splat, chipping and rubbing to legs, clusters also chipped.
Lot 221
Gerald Mynott (British, born 1957)/View of Ham House/signed/watercolour and gouache, 30cm x 23cm/Note: Ham House is the ancestral seat of the Tollmache family but latterly a branch of the Victoria and Albert Museum when Sir Roy Strong was director. Always notorious for being haunted, a ghost flits across the composition. It is now wholly a property of the National Trust CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
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216352 item(s)/page