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A Pair of Stylish Upholstered Wing Armchairs. The high backs with raised back-swept scroll crests and out-swept wings, covered in a natural heavy weave ecru fabric edged in piping. The carved oak bases adorned with crested waves of foliage and shell motifs centring the seat rails and heading the short cabriole legs on Briganza feet, 47 ins (120 cms) high, 31½ ins (80 cms) wide.
A Fine Regency Irish Mahogany Settee. The long sprung seat and padded back re-upholstered in a deep golden cream sculpted plush fabric of bold foliate design. The turned & reeded top rail having a wrythen centre section spiralling clockwise & counter clockwise enriched with brass strings. The outswept open arms with similarly turned & reeded end rails and gilt brass rosette embellishments. Standing on tapering reeded legs with brass castors 84 ins (214 cms) wide, 42 ins (107 cms) high and 24 ins (81 cms) deep.
A Knoll Settee. The Upholstery covered in an ochre ground fabric woven with small crimson repeated floral motifs and having heavy tasselled cords looped around covered post finials securing the hinged side, and three large feather-filled seat cushions, 87 ins (20 cms) wide, 43 ins (110 cms) high and 35 ins (90 cms) deep.
A Set of Four Important Elizabethan Revival Chairs in the manner of Anthony Salvin dating from the first half of the 19th century and assumed to be commissioned by William Crawshay the Second for Cyfarthfa Castle, Wales. Each of the architectural style chairs having a semi-circular arch of pollard oak above the top rail containing a relief carved English Mastiff surmounting a pile of canon balls. The pollard oak panel backs centred by the Crawshay family crest & coat of arms within deep cavetto moulded strap-work flanked by half column pilasters with domed anthemion carved finials. The solid oak seats having incised moulding and turned ebony roundels adorning the seat rails raised on curved X-form legs united by floral stretchers. Each screw hole concealed with a wooden plug. Accompanied by a folder of correspondences and relevant information from Cyfarthfa Castle Museum who borrowed the chairs to exhibit them in the library in April 2006.
C19th Oak Carolean Style Carver Chair with candy twist stretchers, carved front supports with carved seat mouldings, barley twist arm supports, part upholstered arms with carved terminals, Barley Twist uprights, cresting rail carved with interwoven leaves, oval upholstered back panel carved with grapes & leaves approx. 50"H, feet approx. 26 1/2"W
Fred Baier, England 'Sphube', table to seat six, 2005 Unique work, the top of ipe (South American Ironwood) veneered onto an aluminium honeycombed substrate used in aircraft construction, the inlay a Sinusoidal Projection developed to show both poles of the globe, steel levelling feet Provenance: Private collection Exhibited; Originally exhibited by Liberty & Co., London in the 2005 exhibition 'Spirit of Liberty'.
A pair of late 19th century satinwood elbow chairs in the Hepplewhite taste, the pierced and shaped backs with Prince of Wales feather and linen drape decoration above swept open arms with floral medallion decoration above moulded supports with harebell carvings, the drop in seat with serpentine front rail raised on square tapered and collared legs united by stretchers, stamped to the underside of seat "JM Bristow" (Provenance: Drawing room of Abney Hall, Cheadle, Cheshire, home of Sir James Watts circa 1870-1890)
An early 19th century Dales ash chair, the shaped ladder back with turned and ringed wings above swept arms on baluster turned supports to the rush seat, raised on turned and ringed front legs united to the chamfered back legs by turned stretchers, raised on pad and ball feet on plain rockers
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217092 item(s)/page