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Lot 337
A Regency Green Painted and Parcel Gilt Three-Seater Sofa, early 19th century, with later squab cushion above a single-cane seat, the chair backs decorated with anthemion, scrolls and acanthus leaves above downswept scrolled arms, the painted seat rail on turned and tapering forelegs with brass-capped feet and castors135cm by 60cm by 79cmMain seat is worn and needs replacing (see photograph). Structurally the framework is reasonable. Various losses to the paintwork including the gesso (see images). The brass-capped feet need attention. The central support underneath the seat is loose, this just needs re-gluing. Some old wormholes - mainly around the seat rail. With various flaking of paint throughout (see images).
Lot 336
A George III Hepplewhite Period Mahogany Open Armchair, covered in worn pink floral fabric, with padded arms, carved hand grips and moulded frame, the serpentine fluted seat rail between husk decorated tapering forelegs with block feet60cm by 47cm by 96cmMovement in arm joints. The rear legs with some old repair (see images). Traces of previous upholstery/nail marks. The uprights to the back support with traces of repair?
Lot 334
A George I Walnut Side Chair, early 18th century, recovered in geometric fabric, with close-nailed seat, on scrolled cabriole forelegs with flattened pad feet62cm by 60cm by 99cmSome old decay mainly around the rear-left foot (see image). Some minor wormholes visible around the framework (see images). Structurally the legs and the frame are sound. Some deep scratches and bruising to the legs consistent with age.
Lot 324
A George II Style Walnut Dressing Stool, 19th century, covered in yellow and floral needlework fabric, with overstuff seat, scrolled cabriole legs and feet joined by a curved flattened stretcher56cm by 48cm by 40cmStructurally sound. Some opening to the joints on the stretcher but no movement. Upholstery in fair condition. Superficial marks to the frame. Crack to one foot.
Lot 363
A Victorian Walnut-Framed Four-Seater Conversation Sofa, circa 1870, recovered in red floral buttoned velvet, the serpentine overstuffed seats with a carved and moulded seat rail, on scrolled cabrioles with castors138cm by 95cmThe upholstery is generally good with the exception of a patch (as photographed). The framework is reasonable in that it has been previously restored/coloured. Small losses to the carved decoration and small repairs. The sofa is structurally sound.
Lot 279
A Set of Eight (6+2) Queen Anne Style Mahogany Dining Chairs, early 20th century, with scrolled top rails above solid splats, with pink velvet drop-in seats, the plain seat rails on shell-carved cabriole legs with pad feet joined by a turned H stretchersingles 54cm by 54cm by 98cmcarvers 64cm by 62cm by 100cm
Lot 340
A George III Mahogany Hepplewhite Period Humpback Sofa, late 18th century, recovered in yellow floral silk damask, with moulded arm supports above a serpentine shape seat, on cabriole forelegs143cm by 62cm by 90cmThe central leg has been repaired by a restorer, therefore the framework is structurally sound. The legs are generally good. The seat rail has some old worm holes. The upholstery is soiled and stained particularly around the seat area.
Lot 364
A Pair of George III Chippendale-Style Carved Mahogany Open Armchairs, early 20th century, covered in duck egg blue and gold silk fabric, with moulded and scrolled arm supports above a close-nailed serpentine seat and carved seat rail, on acanthus carved cabriole forelegs with scrolled toes68cm by 60cm by 92cm
Lot 344
A 1920's Regency-Style Gilt and Chinoiserie Painted Open Armchair, with single-cane back support and seat above outswept arms with turned spindle supports, on turned and tapering forelegs59cm by 50cm by 99cmThe chair is slightly weak, particularly the front arm. No signs of breakage. Some wear to the decoration. Some minor natural gaps/fine split on the seat frame (see images). Framework good.
Lot 326
A Carved Mahogany Window Seat, late 19th/early 20th century, recovered in duck egg blue and gold striped silk fabric, the moulded show frame with turned and acanthus leaf carved tapering legs130cm by 40cm by 69cmUpholstery recently done - so in excellent condition. The framework and legs have some general scuffing and small losses consistent with age. Structurally sound. Small repair to arm.
Lot 271
A Set of Eight (6+2) Chippendale-Style Mahogany and Marquetry-Inlaid Dining Chairs, early 20th century, with brown leather drop-in seats, the scrolled top rails above ribbon and acanthus-decorated pierced splats, the moulded seat rails on cabriole forelegs with claw and ball feetsingles 56cm by 50cm by 104cmcarvers 67cm by 50cm by 107cm
Lot 372
A Set of Twelve (10+2) George III-Style Carved Mahogany Dining Chairs, circa 1900, two single chairs covered in green leather, the remaining in worn close-nailed tan leather, the acanthus-caved top rails above C scroll pierced splats and overstuffed serpentine-shape seats, on carved cabriole forelegs joined by turned and block H stretcherssingles 58cm by 55cm by 93cmcarvers 63cm by 55cm by 93cmHeight of the seat is 47cm. All chairs are structurally sound with the exception of one single chair which has some slight movement. The seats are heavily worn, torn and faded throughout. The chairs also vary in colour. Some scuffs around the legs and with some small losses to the carved details consistent with age. However, three of the chairs have further losses to the rail (see images).
Lot 1089
Thomas Faed RA, RSA (1826-1900)"Faults on Baith Sides"Signed, oil on canvas, 26.5cm by 19.5cm Provenance: Bourne Fine Art, EdinburghCleaned and revarnished. Relatively fine retouching along top edge. Retouches through the man's hat/cap. Retouches to background up and right of the gentleman. Sporadic retouches to his left lapel. Strengthening to the leaves of the rose, the knot of the wood, the crack of the wall to upper right hand corner has been strenghtened. Some general infilling, presumably to old craquelure, within the shadow behind the seated lady and is more concentrated running down towards the seat of her chair. Further sporadic less notable retouches elsewhere. Paint a little thin in places. Areas of varying sized craquelure.
Lot 41
A blue cased cylinder vase with tapered base, (h 23cm x 8.5cm) and a London silver weighted flower tube with scalloped top, (h 11.5cm x 4cm) a treen carved Indian elephant with mahout and tiger to base, (20cm x 8cm) and a miniature oak rush seat back Orkney style armchair, (h 11.5cm x 5cm) (4)
Lot 22
Arthur Reginald Smith (British 1872-1934): 'The Wharfe and Simon's Seat', watercolour signed, titled on exhibition label verso 36cm x 54cm Provenance: exh. The Fine Art Society London, May 1934, label versoCondition Report:Very good condition, well presented in quality frame and washline mount - ready to hang
Lot 171
18TH CENTURY WORCESTER comprising teapot and cover printed in puce with 'Ruin by the Cliff', the reverse with 'Two Bridges', also finely coloured by hand, Zorensky Collection label to base, circa 1764, 14cms high, together with Worcester plate printed in black with 'Milking Scene no. 1', depicting a gentleman leaning against a tree talking to a milkmaid milking a cow, finely coloured by hand within a puce scrolled border, circa 1768, 18cms diameter (2)Provenance: ex Zorensky CollectionAuctioneer's Note: Illustrated by Simon Spero and John Sandon, The Zorensky Collection (1996), p.373. The print on the plate, by Robert Hancock, derives from 'A View of Woobourn In Surry, the seat of Philip Southcote, Esqr.', a print published by Luke Sullivan in 1759. See Joe Handley '18th Century English Transfer-Printed Porcelain', no.2.24, pp.70-1. 'The Two Bridges' print derives from an engraving by F Vivares after Patel, see Handley, op cit, p.177. For the other print see no.5.9, p.152.Comments: 2 chips to rim of spout, firing crack to spout, chip to footring of plate, wear to enamel decoration commensurate with age, plate rim warped, viewing encouraged
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216995 item(s)/page