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Lot 825
E W Godwin (attributed), an Aesthetic Movement Anglo Japanesque mahogany chair, circa 1880, five horizontal back stretchers, gridded into two levels of four sections, over bisected and vacant tiers, all with incised channel borders and ring motifs, on turned, incised and knopped front legs united by a single stretcher, supporting an overstuffed seat, 47cm high to seat, 83.5cm high overall
Lot 511
An 18th Century John Boot Jnr of Sutton (Sutton in Ashfield, Nottinghamshire) 30 hour long case clock with a 10" brass dial sad mouth calendar mask spandrels Single train movement striking on a bell, with single hand Contained in a oak case with long trunk door Hood has applied columnsNote John Boot Jr was the son of John Boot (Sr) and Elizabeth Boot working from 1750 to 1780 at King Street Sutton in AshfieldDimensions 77" x 19" x 10"Condition report. Some scratches and minor marks. Backboard could be a later replacement. Seat-board looks to be in the Boot style. With weight pendulum and trunk door key.
Lot 165
A pair of George III, late 18th-century mahogany hall chairs, with caved sunflower, arched cresting the waisted back with recessed shield panels painted with the letter "C", over a solid seat, supported by square tapering legs. 90 cm high x 45 cm overall width, 46 cm height to the seat.Qty: 2
Lot 169
A Louis XVI style gilt wood fauteuil, 20th century, with cameo back and ribbon carved outline, acanthus capped arms and stuff over upholstery, supported by turned and fluted legs. Together with a gilt wood Louis XV style stool, both 20th century. 62cm overall width x 64 cm overall depth x 94 cm overall height, 45 cm height to the seat (the chair).Qty: 2A private estateGenerally sound and in good decorative order.
Lot 161
A pair of 'mid-century vintage' Italian tubular chrome cantilever armchairs, 1970s (?) with tan patchwork and buttoned, suspended cushions and arms. 100 cm long x 70 cm wide x 95 cm overall height, 46 cm to the front of the seat squab.The condition is generally good with only very slight tarnish to the chrome plating. The hide is nice and mellow and dry it could do with a good hide food. The back squabs are held on with tied leather strips that go through the cushion and tie off around the rear uprights, this area looks a little ragged but it could just be a constructional thing.Please see the extra images for clarification.
Lot 166
A pair of James Schoolbred, Edwardian mahogany bergere club armchairs, with guilloche carved frames and double cane panelled arms, and an upholstered seat and back cushions, supported by turned legs with brass swivel castors. Bearing circular ivorine trade labels, 66 cm wide x 77 cm deep x 72 cm high, 44 cm height to the squab.Both chairs has a small amount of play in the top rails and one has a crack across the short grain. The frames are good but could do with firming up slightly, one chair has an old repair to the back leg.All castors are present and still roll and swell as they should, the chairs are well over 100 yrs and show knocks and dings and the cane is slightly punctured in the arm panels and one back panelPlease see the extra images that illustrate the above points
Lot 1
In the manner of Liberty and Co ebonised arm chair, with elongated vertical splats and rush seat, 102cm high overallWear to the ebonised finish throughout, most notably to the arms and parts of the back. Some stains and dirt to the rush seat, consistent with age and use. Some joints loose, chair is slightly wobbly as a result.
Lot 23
Evertautindustrial factory stool or chair, marked 'Pat no 972.460' 'Pat nos 752215, 839143' behind bracket on the back of the seat, adjustable screw to the back of the chair marked 'Evertaut', 88cm highUpholstery very worn, would possibly need replacing. Overall wear, scratches and signs of wear. Small hole to the seat. Wear to the metal mounts.
Lot 84
In the manner of William Morris (1834-1896) and Ford Maddox Brown (1821-1893) for Morris & CoSussex style low armchair with rush seat and lattice panel back, stained beech, unmarked, 86cm high x 46.5cm wide x 38cm deep overall, the top of the seat measures 31cm highWith signs of wear and use. Some discolouration and aging to the rush seat. Minimal signs of old woodworm. Some old repairs. Slightly wobbly but takes weight. Some scratches and scuffs to lower legs, edges and corners as expected.
Lot 57
Edith Hipkins (British, 1854-1945)The window seat in Townshend House, 1885 signed 'Edith Hipkins' (upper right), indistinctly inscribed on reverseoil on panel81.5 x 18.5cm (32 1/16 x 7 5/16in).Footnotes:ProvenanceSale including the contents of 17 Grove End Road, Hampton & Sons, London, 11 June 1913.With The Fine Art Society, London.The Irish News Collection (acquired from the above.)IllustratedElizabeth Prettejohn & Peter Trippi, Lawrence Alma-Tadema, At Home in Antiquity, London, 2017, no. 98, p. 85.LiteratureRudolph de Cordova, 'The panels in Sir Lawrence Alma-Tadema's Hall', The Strand Magazine, Vol. XXIV, 1902, pp. 615-630, ill. p.621.Edith Hipkins was the daughter of the musician and musicologist, Alfred James Hipkins. The Hipkins family were part of a social set that included painters, writers and musicians and were particularly close to the Tadema family. Her work was much admired (Burne-Jones offered to mentor her) and she was a proficient portrait painter who exhibited several times at The Royal Academy. Her portrait of her father is in the permanent collection of the National Portrait Gallery and is referred to in correspondence between Alfred Parsons and Alfred Hipkins: 'At the Royal Academy today, I saw an excellent likeness of you by Miss Hipkins.'1. Both Edith and her father acted as models for Tadema, and The Royal College of Music also hold several large albums in their collection which include sketches, anecdotes and letters that shed an interesting light on the social circle in which she moved. The current lots shows the hallway at Townshend House with some of the remaining pieces Tadema's extensive collection of blue and white porcelain that had survived the blast of 1874. 1Edith Hipkins, Collection of British Artists' Letters, University of California, Riverside.This lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 31
A Charles II oak backstool, Cheshire/Lancashire, circa 1680 The back panel carved with a single rose stem and frilly-leaves, the tall arched cresting with a single tulip stem, paired four-petal flowerheads and matching leaves, back uprights with urn-turned finials, boarded seat, run-moulded seat rails, on baluster-turned front legs, joined by a conforming fore rail and plain side and rear stretchers, 46.5cm wide, 115cm high, seat height 45.5cm
Lot 68
A Charles I oak joint stool, in the Elizabethan manner, Derbyshire, circa 1640Having an ovolo-moulded top, the rails each with a geometric punched-decorated run-moulding, and dentilated lower edge, on ornate baluster-turned legs, joined all round by robust plain stretchers, 48cm wide, 28cm deep, 53cm highThe seat rails to this joint stool can be directly compared to the seat rails found on the chair, Lot 65, again from a Derbyshire workshop.
Lot 16
A rare Elizabeth I oak open armchair, Gloucestershire, circa 1580The back panel with an applied guilloche-carved arch, with matching pillars and scroll-carved spandrels, below a deep arched cresting, carved with paired scrolls, hung with foliage, atop addorsed dragons, the back uprights with ash split-baluster mouldings, boarded seat and run-moulded seat rails, scroll-ended downswept open arms on baluster-turned front supports, on inverted-baluster and ball-turned legs, joined all round by plain stretchers, good untouched surface, 66.5cm wide, 117cm high, seat height 48.5cmProvenance: Purchased in North Wales, early 1970s
Lot 22
A rare Elizabeth I walnut and upholstered armchair, circa 1580 The rectangular back, squab-cushion and seat upholstered in crimson velvet, with crimson and gold silk knotted and tassel fringe, the rectangular back uprights with large ball finials, downswept scroll-over open arms on elegant inverted-baluster over reel-turned supports, on parallel-baluster over reel-turned front legs, joined all round with plain stretchers, 54.5cm wide, 113cm high, 60.5cm deep Provenance: John Fardon Collection. Provincial auction house sale, prior to the Christie's, London, Fardon collection series of dispersal sales
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217092 item(s)/page