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![A Swedish early 20th century stick back penny seat with scroll arms. Possibly made by Ibex. Seat height 40]H:42cm](https://cdn.globalauctionplatform.com/b4894f26-122a-4cb2-8320-ae22014ef792/a49529dd-0d9d-4f4c-b6d7-ae220172f7fc/468x382.jpg)
Lot 1
An impressive and good Charles II joined oak and inlaid double panel-back open armchair, South-West Yorkshire, circa 1670 Profusely and boldly carved, typically having a narrow back panel (inlaid), over a large panel carved with stylized foliage, the large cresting rail carved with paired leafy-scrolls and leafy-buds, carved ears, the uprights unusually extensively foliate carved and with cross-hatched detail, the downswept arms with scroll terminals, on flattened-ball front supports, wrap-around boarded seat, run-moulded seat rails, the front legs again ball-turned and joined all round by plain stretchers,, 56cm wide, 49cm deep, 122cm high An extremely similar chair, almost certainly from the same Yorkshire workshop, formerly in the Gene and Sally Foster Collection and illustrated Victor Chinnery, ‘Oak Furniture: The British Tradition’ (2016), p. 434, fig. 4:132, sold Bonhams, London, 28 March 2018, Lot 148, (£21, 250)Simonini collection
Lot 116
William & Mary joined oak panel back settle, circa 1700, the rectangular back with four arched-fielded panels spaced by corbels, the downswept open arms on baluster-turned front supports, rope seat, on three conforming turned front legs, joined all round by plain stretchers, 69cm deep, 182cm wide, 108.5cm high
Lot 127
Charles II oak backstool, Derbyshire, circa 1670, having a pair of arched splats, each profusely chip-carved, with a smooth top and scalloped inner edge, adorned with turned pendants and finials, scroll-terminals to each upright, the solid panelled seat on block and ball-turned front legs, joined by a ball- turned fore-rail and multiple plain stretchersSimilar chair in the Haddon Hall Collection, DerbyshireSimonini collection
Lot 128
Charles II joined oak backstool, Derbyshire/Yorkshire, circa 1670, having two arched splats, each gauge chain-carved with smooth top and cusped lower edge, centred by a stylized tulip and embellished with ball finials and pendants, the uprights with circular boss and split bobbin-mouldings, panelled seat, on block and ball-turned legs, joined by a ball-turned fore rail and multiple plain side and rear stretchersSimilar backstools in the collections at Aston Hall, Birmingham and the Chapel, Hardwick Hall, Derbyshire
Lot 158
Charles II oak panel-back open armchair, Welsh, circa 1670, the back formed from two panels, the upper panel carved with interlaced concentric circles, atop a plain panel, the scroll-profiled cresting carved with matching lunettes and set below the run-moulded back uprights, the round-ended open arms on square-section supports, the boarded seat above matching lunette-carved aprons, on square legs joined all round by plain stretchers52cm wide, 53cm deep, 102.5cm high
Lot 200
A rare Charles I joined oak closed-back side chair, Salisbury, and the surrounding area, circa 1630, the back panel carved with a large single lozenge, carved with fleur-de-lys to the cardinal points and centred by a stylized flowerhead and two small hearts, the boarded seat with ovolo-moulded edge, on columnar-turned front legs with paired rings, joined all round by plain stretchers, 51cm deep, 48cm wide, 94cm highProvenance: Grade I listed mid-16th century Manor House, Wiltshire
Lot 275
James I oak armchair, Salisbury, circa 1620, the back panel with a raised reserve centred by a carved triple-petal quatrefoil, set between cable-carved horizontal rails, beneath a leafy-carved scroll and lunette centred cresting, the bold downswept arms on slightly bulbous and ring-turned columnar-turned supports, with matching front legs, boarded seat and gauge-carved seat rails, 59cm deep, 67.5cm wide, 59cm deep
Lot 296
Charles I joined oak panel-back open armchair, Yorkshire, Circa 1670, having an impressive tall arched and floral carved cresting and a single back panel carved with a leafy-stem, flanked by further foliate carved uprights and S-scroll carved ears, the boarded seat with chip carved edge, scroll-ended arms on inverted-baluster turned supports, baluster-turned front legs joined all round by plain stretchers, 58cm wide, 43cm deep, 116cm high, the seat 41cm highSimonini collection
Lot 297
An impressive Charles I oak open armchair, probably Yorkshire, circa 1640, the arched and scrolling leaf-carved cresting atop a tall back panel, carved with a flowering plant with a large daisy flower and paired pomegranates enclosed with a carved arcade, with floral carved ‘ears’ , the boarded seat wrapped around baluster turnings supporting a pronounced curved downswept arms with prominent scroll-carved ends, on addorsed-baluster turned front legs joined all round by plain stretchers, 62cm wide, 44cm deep, 118cm high, the seat 50cm high Simonini collection
Lot 339
Elizabeth I oak Glastonbury-type armchair, circa 1600, the shaped top rail with a central carved flower flanked by two star bursts, the back panel with the remains of a carved reserve, almost certainly originally carved with a date/initials, flanked by high and wide downswept arms, and X- frame legs joined by a central stretcher, 62cm wide, 59cm deep, 87cm high, the seat 42cm highThe generic name 'Glastonbury Chair' is believed to originate from a chair reputedly made for John Arthur Thorne, the last Treasurer of Glastonbury Abbey, executed in 1539, the year the Abbey was dissolved. A carved Latin inscription to the cresting rails reads - John Arthur, Monk of Glastonbury, may God save him, Praise be to God, Lord give Peace. The inscription would suggest that the chair was most likely made in Thorne's memory, post 1539. This chair is now in the Bishop's Palace, Wells, Somerset. Tobias Jellinek, Early British Chairs and Seats (2009), p. 117, suggests there may be as few as thirteen genuine 'Glastonbury' chairs recorded. All have the same basic form, suggesting the chairs were produced in one region, with many of the recorded examples having links to the West Country. Although a Glastonbury chair has the appearance of a folding-chair, it cannot fold. Instead, it is constructed with removable pegs and designed to be taken apart, in the manner of campaign furniture. Simonini collection
Lot 434
19th Century elm and yew wood child's Windsor armchair, circa 1830 North East Midlands, Nottinghamshire, the hooped back with a pierced central splat flanked by spindles above the solid seat and arched arms, on turned legs united by stretchers, 37cm wide, 28cm deep, 65cm high, the seat 29cm highFootnote: For similar full size chairs see Bernard Cotton, The English Reginal Chair, pages 189 and 190
Lot 436
19th Century child's ash and polychrome painted Windsor chair, West Country, circa 1820, the hooped spindle back with a naturally twisted mid-section causing the arm to have a twist, above a saddle seat and turned legs united by stretchers, the front legs with original chamfered front, traces of the original paint remain, 32cm wide, 60cm high, 25cm deep, the seat 21.5cm high
Lot 6
Charles II oak backstool, Yorkshire, circa 1670, having an arched splat with cusped upper edge, carved with scroll and centred by a carved mask, with ball pendants, atop a lunette-carved horizontal rail, the panelled seat on turned legs united by a turned fore rail and multiple plain stretchersSimonini collection
Lot 1002
A LOT OF SEVEN TEXTILES, QING DYNASTYChina, 1644-1912. Executed in Peking knot (also known as forbidden stitch) and silk stitch with gold thread decorations, including two collars, three sleeve bands and a seat ornament. (7)Condition: Excellent condition with minor wear, some soiling, creasing, minimal losses.Provenance: German private collection.Dimensions: Size 54.5 x 43 cm (the largest)一組七件刺綉，清代中國，1644-1912。京綉（也称宮綉），并用金线装饰，包括两个领子，三个袖带和一个座位装饰。品相：状况极佳，磨损小，有些脏污，起皱，輕微缺損。來源：德國私人收藏尺寸：最大的刺綉54.5 x 43厘米
Lot 698
A set of four circa 1900 French carved walnut framed salon chairs with aubusson style tapestry upholstered backs and seats raised on acanthus carved moulded cabriole legs to scroll feet 57 cm wide x 50 cm deep x 103 cm high together with a 19th Century French mahogany bar back carver chair 53 cm wide x 81 cm high, a painted and carved framed prie dieu chair with upholstered top panel back and seat on turned and fluted legs 45 cm wide x 89 cm high, a stained beech framed bergere desk chair on turned and fluted legs to peg feet 61 cm wide x 85 cm high
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216995 item(s)/page