VICTORIAN CARVED MAHOGANY LADY?S CHAIR, the moulded and waisted back with floral cresting, enclosing a deep buttoned back and serpentine fronted stuff over eat, covered in multi-coloured floral fabric, and raised on short moulded cabriole front supports with brass castors, tied by a conforming seat rail with carved centre C/R- re upholstered, now foam, the seat with stains and marks, the lower joints to the back beginning to open and with play to the back joint with the seat, heavy rubbing to the back of the top rail
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SET OF FIVE EARLY VICTORIAN MAHOGANY BAR BACK SINGLE DINING CHAIRS, each with flame cut top rail, flat fronted stuff over seat, covered in blue, red and pink pattered fabric, and raised on turned and reeded front legs, together with a SIMILAR BUT LATER CARVER ARMCHAIR, upholstered to match, (6) C/R- 2 with plugs to the back, in-line with the side seat rails, another with minor damage loss to the top of the back of one of the uprights at the joint with the top rail, three with some play to the back joint with the seat, upholstery feels soft and with minor marks to the covers, the carver with upholstery and cover in similar condition and the back of the uprights with plugs to both sides in line with the joints to the top rail and tops of the arms, touched-in but showing dark against the polish
PAIR OF EARLY NINETEENTH CENTURY CARVED BEECH SINGLE DINING CHAIRS, GRAIN PAINTED AS ROSEWOOD, each with floral carved back rails over a flat fronted, caned seat, and raised on turned and reeded front legs, together with a MAHOGANY SINGLE DINING CHAIR of similar age, (3) C/R- rubbing to the grain painting, mainly to the highlights on the carving, re caned and intact, one chair with re glued split to the top of the front left leg and both with old woodworm holes, the other chair with re glued joint split to the top rail varnish applied over the original finish, appears patchy and with orange peel type fault to the top rail, back/ seat joint with play, drop on seat reupholstered with calico cover, does not sit quite flat
EARLY TWENTIETH CENTURY AFRICAN CARVED HARDWOOD NARROW STOOL CARVED WITH THE NAME ?ROBERT GRAY, DUALA?, the traditional shaped seat with central old gold plush pad, above the carved front with the name and the back with a snake and mongoose?, raised on a removable base, 19? (48.2cm) high, 22? x 9 ½? (55.9cm x 24.1cm) Footnote: DOULA, rather than DUALA is the chief port in Cameroon C/R- seat worn, the removable, stained fruitwood base is probably later, minor splits to the carving, otherwise good
ARTS AND CRAFTS CARVED MAHOGANY AND STAINED FRUITWOOD OCCASIONAL/ NURSING CHAIR, the low back with radiating spindled and pierced scroll work, set above downswept arms with pierced scroll terminals and a broad, flat fronted stuff over seat, covered in floral fabric, and raised on turned and reeded front supports with gilt metal castors, 30? (76.2cm) high, 27? (68.6cm) C/R- upholstery and cover heavily worn, two spindled replaced to the back, splits to the pierced scroll work on the back, back right lag repaired and with screw head visible, right arm loose at the joint with the seat
EARLY NINETEENTH CENTURY MAHOGANY BERGERE EASY ARMCHAIR, the square, moulded show wood frame with elbow pads and turned terminals to the flat arms, enclosing loose red cushions to the single caned sides, back and seat, and raised on turned front legs with brass castors, 40 ½? (103cm) high, the seat 21 ½? (54.6cm) wide C/R- the canework appears intact, the seat slightly mis-shaped and the back with damp/ white spots, the left and right arms both re-glued in places, losses to the veneer to the seat rails and two nails to the front left leg in-line with the seat rail, both sides with a row of tack holes to the inner edge of the seat rails, the back of the uprights with fillets and filler let in to hide the cane holes and then touched in, noticeable
VICTORIAN MAHOGANY ROCKING CHAIR, the moulded show wood frame with buttoned, padded back and serpentine fronted seat, enclosed by downswept arms with scroll terminals and raised on turned front supports and square section rockers, together with an ASSOCIATED STAINED BEECH OBLONG FOOTSTOOL, with acanthus capped cabriole supports with claw and ball feet, upholstered to match, (2) C/R-both re polished and recently re upholstered, the rocking chair with tack holes visible to the back, down the inner edge of both uprights and across the upper edge of the seat rail
QUEEN ANNE PERIOD, PROBABLY BLACK WALNUT (juglans nigra) SINGLE DINING CHAIR with rounded uprights and vase shape splat, cartouche shaped drop-in seat, standing on cabriole forelegs ending in pad feet and rounded and out-swept rear legs united by a turned 'X' stretcher joining the rear legs C/R some replaced veneer to the seat rail, one spliced and repaired rear leg
VICTORIAN BLACK LACQUERED, GILT PAINTED AND MOTHER OF PEARL INLAID SPOON BACK OCCASIONAL CHAIR, the downswept arms enclosing a padded back and drop in seat, covered in pink plush and raised on cabriole front legs C/R-the front with minor crazing and rubbing, mainly to the gilt, recently re upholstered
VICTORIAN BLACK LACQUERED, GILT PAINTED AND MOTHER OF PEARL INLAID BEDROOM CHAIR, the open waisted back above a bow fronted caned seat and raised on turned and splayed front legs, tied by a conforming stretcher C/R-seat joints beginning to open, rubbing to the gilt, touched in in places, possibly hiding repairs?
NEAR PAIR OF EARLY TWENTIETH CENTURY CAROLEAN STYLE CARVED OAK SINGLE DINING CHAIRS, each with vine carved backs and barley twit uprights, flat fronted seats, one caned, the other with padded seat covered in close-studded brown hide, and block and turned front supports, tied by conforming stretchers, (2) C/R- play to the back joints, cane seat good but feels slightly soft, usual rubbing to the polish and joints slightly open to the splat part of the backs, hide seat recent, very clean
NINETEENTH CENTURY CARVED OAK SETTLE, the three panel back well carved with stylised foliage, flanked by mask capped downswept arms with mythical mask carved terminals and short turned supports, enclosing a solid seat and raised on turned supports tied by square sectioned stretchers, 45? (114.3cm) high, 67? x 27? (170cm x 68.6cm) C/R-joint splits to the seat and light wear, otherwise good
Five ash ladderback chairs, with strung seats, by Robin Nance of St Ives, unlabelled, 46cm wide42cm deep105cm high, seat 46cm, and a round coffee table,labelled 'Robin Nance Woodworker St Ives C. priced £2.10.0',61cm diameter49cm high (6)Condition report: Seats worn. Table discoloured and tacked repairs to the edge.
Six Robert 'Mouseman' Thompson oak dining chairs,c.1930, each with a solid back, replaced tan leather seat, raised on octagonal turned supports, united with plain stretchers,four with two mouse signatures, on the front left legs and the top of the backs, two with mouse signatures on the front right legs, all inscribed in different places with 'H',45cm wide50cm deep114cm high, seat 46cm high (6)The chairs were bought by the present owner's father in 1958. The chairs, along with lot 110, were bought at auction, the family understands, from the estate of Sir Peter James Cunliffe Horlick, 3rd Bt (1908-1958). Interestingly, all the chairs have the 'H' initials carved into the frames in different places - was this perhaps for guests to find at the dinner table?Condition report: #1 - One split to back, chip to upright on left side beneath mouse, carved 'H' to front left leg, a few chips to stretcher on left.#2 - Split back, stains to the front of the chair seat, split to front right leg, some water staining to base of feet 'H' to base left leg.#3 - Split to back, staining down back on front, 'H' to back left outside leg.#4 - Split to back, 'H' to inside leg, one mouse to left front leg, inside.#5 - Split to back of seat, repair to back right upright at base, one mouse 'H' to back left upright.#6 - Two splits to back, two mouse signature, stained to seat 'H' to left stretcher.
A pair of Art Deco oak reclining armchairs,each with bar adjustable backs, shaped arms over latticed sides, with carved leaf details, the front supports fluted and the seat bar with a dog-tooth frieze, 61cm wide88cm deep86cm high, seat 37cm high (2)Condition report: Seats worn, some staining to the frames. Knocks to the edges of the frames. Used condition. One owner from new.
An Art Deco burr maple and walnut dressing table,with a triptych of bevelled glass mirrors, flanked with three drawers, on an inverted stand,125cm wide58cm deep168.5cm high,together with a stool, with a re-covered tan leather seat,59.5cm wide40cm deep50.5cm high (2)Condition report: Needs some work, chips to the veneers, and edges. Finish on the stool worn. No traces of woodworm appear evident. Mirror plates in good condition. Additional images uploaded.
An Art Deco-style maple duet stool,with a cream suede seat on splayed supports,115.5cm wide45cm deep48.5cm highCondition report: Seat good, stand overall good, it has been restored and in good overall conition - a few areas to the feet where the veneer has been restored and replace. A nice lot.
A Danish 'banana' settee,1940s, with green upholstery, raised on turned supports,168cm wide79cm deep79cm high, seat 40cm highCondition report: Right end of the seat with stain, right end of backrest with orange line/mark. One button missing from the backrest, legs with general scuffings. Additional images uploaded.
A cast iron bench, designed by Thomas Jekyll (1827-1881) for Barnard, Bishop, Barnard in 1878, cast with Seigaiha wave designs, the sides with Japanesque pierced panels, with birds and foliage, cast 'BBB' logo, 180cm wide58cm deep90cm high, seat 43.5cm highFor a similar design, see Barnard, Bishop, Barnard's catalogue 1884, no. 435.Condition report: Missing wood slats. Braced at the back, one split to the back. Additional images uploaded
An Art Deco burr walnut dining table,of rectangular form, raised on twin pedestals, with a glass top,184cm wide92cm deep75cm high, and six dining chairs, with tan leather drop-in seats and veneered backs,47.5cm wide55cm deep90.5cm high, seat 47cm high (7) Condition report: Seats recovered. The table and chairs are bleached throughout - some veneer lifting and loss to all. Brushed in areas to the veneers.
A painted three-piece suite,designed by Le Corbusier, the frames in salmon pink, with peach and yellow cushions,settee 170cm wide68cm deep64cm high, seat 45cm high approximately,armchairs 98cm wide68cm deep64cm high, seat 43cm high (3)Condition report: Distressed and flaking frames, colour loss to the cushions, some of the zips broken. No stamped marks to either piece.
Jules Leleu (French, 1883-1961),six mahogany chairs, (4+2)armchairs 56cm wide60cm deep100cm high, seat 47cm high,singles 47.5cm wide56cm deep100c high, seat 47cm high (6)Condition report: General scuffing around the legs. One chair with notable scratch on the inside of the frame. One chair with notable dent to the frame of the backrest. Upholstery with staining in places. Carvers with litght scratches to the armrests. One with small veneer loss. All upholstered in silk fabric. Additional images uploaded.
A pair of walnut armchairs,after a design by E W Godwin, possibly for Liberty, London, each with recently reupholstered drop-in seats, moulded backs and arms, with ring turned supports and stretchers, 53cm wide53cm deep80.5cm high, seat 36cm high (2)For a similar design see 'Pictorial Dictionary of British 19th Century Furniture Design' Antique Collectors Club p.261Condition report: Arms slightly loose, drop in seat recently reupholstered. Usual knocks and wear through age.
An Ercol dressing table,with an easel back mirror, over three drawers,114cm wide47cm deep124cm high,a low back stool,42cm wide41cm deep62cm high, seat 42cm high, and a side table, with a single drawer,68.5cm wide47cm deep74cm high (3)Condition report: General wear and scuffs all over. Side table with stain. Front drawer of dressing table with scratch. Chair with a few nicks to the backrest. Additional images uploaded.
A Liberty walnut side chair,of tapering form, with a carved back rail, spindle supports over a drop-in seat, with spiral turned front legs with a shaped and pegged stretcher, labelled 'Allen & Appleyard Artistic Furnishers Liverpool', 51cm wide49cm deep100.5cm high, seat 39cmCondition report: Good overall condition - other than a few knocks to the left front edge of seat and knocks to the edges and uprights. Seat good.
A set of four BA23 chairs, designed by Ernest Race in 1946, each with a cast aluminium frame, original pad seat and back, cast 'BA23 Regd Design No.848794' and with remnants of labels (4)Condition report: Overall the seats and backs are worn, need sorting out - tears and losses. Additional images uploaded.
A pair of Danish teak and rattan corner settees,designed by Peter Hvidt and Orla Mølgaard-Nielsen for France and Sons, Denmark, two labels on one, one on the other, each with cushions and bolster backs,each settee 154cm wide77cm deep63cm high, seat 40cm high,together with a teak and glass two-tier Minerva corner table en suite, with a glass undertier, two labels, 74.5cm wide64cm high (3)
A pair of Italian armchairs,attributed to De Pas, D’Urbino and Lomazzi, each with mustard-coloured fabric cushions, with ebonised cut frames, 90cm wide80cm deep70cm high, seat 45cm high (2)In 1966, a design collective was co-founded by architects Jonathan De Pas (1932-1991), Donato D’Urbino (b.1935), and Paolo Lomazzi (b.1936), the threesome having met while studying architecture at Milan’s Polytechnic University.The group focused on architecture (industrial and residential buildings), urban development, and industrial design. During the 1960s and 1970s, they developed a specific interest in developing furniture and temporary buildings featuring avant-garde signs, materials and industrial technologies.Condition report: Some retouching to the frames, covers a little worn and discoloured.
A pair of 'Wassily' armchairs,modern, designed by Marcel Breuer in 1925, each with chrome tubular supports and tan leather strung arms, seat and back,78cm wide69cm deep73cm high, 40cm seat high (2)Condition report: Some scratches to frames. Leather slightly marked, some discolouring. Not stamped. Not wobbly. Stitching fine. These are modern.
A Danish three-seater settee in green velvet velour upholstery,180cm wide82cm deep80cm high, seat 40cm highCondition report: Scuffing and wear to the legs - one button is missing from the back, one button loose. Middle cushion with stain to the back. Additional images uploaded. The colour is more aligned with the product photography. The lighting in the additional pictures are the result of a phone camera and the lighting in the warehouse.
A pair of 'Cité' armchairs,designed by Jean Prouvé, with slung canvas seats, leather armrests, and headrests, 68cm wide86cm deep83cm high, seat 33.5cm (2)Originally designed for the student residence halls at Cité Universitaire in Nancy, Prouvé also used this comfortable, expansive armchair with powder-coated steel runners and leather belt armrests in the living room of his own home.Condition report: Scratches along the base. Further images uploaded.
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216352 item(s)/page