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Lot 63

A Fine George II Style Carved Mahogany Settee, upholstered in needlework tapestry. The rectangular back depicting a central landscape with two female figures resting beside a fountain, one with a gentleman bathing her feet. The long seat and outswept C-scrolling arms woven with undulating foliage. Standing on three front cabriole legs enriched with ornamental scrolls & foliage descending to scroll knop feet, with raked-back rear legs. 38 ins (96½ cms) high, 63 ins (160 cms) wide, 30 ins (76 cms) deep.

Lot 67

A George II Upholstered Walnut Armchair. The high winged back, out-swept scroll arms, bow-front seat and swab cushion covered in old golden/salmon pink damask. Standing on walnut cabriole legs with carved shell motifs to the knees, a turned H-form stretcher and pad foot terminals raised on castors, 48 ins (122 cms) high, 33 ins (84 cms) wide.

Lot 69

A Fine Early 18th Century Carved Walnut Armchair, Circa 1700. The high pierced back elaborately carved and surmounted by a fan of crested acanthus. The moulded out-swept arms enriched with further acanthus sprays to the scrolled terminals. The upholstered seat covered in cut crimson plush fabric edged in brass studs and standing on swept foliate carved legs united by a moulded wavy X-frame stretcher with a reeded finial to the centre. 58 ins (148 cms) high, 27 ins (69 cms) in width.

Lot 84

A Fine Mid 17th Century Joined Oak Caqueteuse Armchair of good, rich colour and patination. The domed broken-arch cresting rail having a moulded edge and boldly carved initials K H centred by a small whorled boss raised against a recessed ground. The back panel ornamented with a row of moulded reeds below branded ownership initials AB. The flat swept arms pierced through by the tenons of the baluster arm posts, leading down to a splayed seat on turned legs united by low peripheral stretchers, 42 ins (107 cms) high, 26½ ins (67 cms) wide.*

Lot 99

An Impressive 17th Century Joined Oak Form (believed to have originated from another Derbyshire Hall before being installed in Padley). The long plank seat pierced through with twin tenons of the three bold baluster turned legs on sledge feet, 22 ins (56 cms) in height, 122 ins (310 cms) in length.*

Lot 187

Dan Breen, The Politician for Tipperary Breen (Dan) 1894 - 1969. A good A.L.s from Mountjoy Gaol, 12.8.23, on the regular lined prison paper, 1pp, to 'Alcie' (probably a relative). 'I see by the papers that I am selected as [Republican] candidate for Tipperary. I don't fancy the job in the least but I have no option but go, so I must make the best of it.' He asks her to arrange nomination of the Republican candidates, and suggests some local business people who may be prepared to act as nominators. As a m/ss., w.a.f. (1) * Dan Breen was present at the action at Soloheadbeg, January 1919, which marked the start of the War of Independence, and had a British bounty of £10,000 on his head at one point. He opposed the Treaty, but took part in efforts to avoid a Civil War. He was elected to the Dail while a prisoner in Mountjoy, and was released after a series of hunger strikes. He was the first Republican to take his seat in Dail Eireann, later joined Fianna Fail, and was a T.D. for than 30 years. SEE LOTS 76 & 77.

Lot 338

Irish National Aid & Volunteers Dependent's Fund [Collins (Michael)] A Collection Book for Irish National Aid and Volunteers Dependents Fund Issued to Miss May Joyce of Edgeworthstown, Co. Longford, 21st Sept. 1917, Signed by Michael Collins as Secretary (undoubtedly his signature), and with 4pp listing donations from named contributors. Laid in are a receipt for five shillings signed by Siobhan Bean an Phoraigh [Jennie Wyse Power] dated 3.5.18, and three various signed notes, one dated 27 Sept. 1917, saying 'It is very sad about poor Ashe, another (3.5.1917) saying 'I am very glad that things are going on so well for Mc Guinness' [a prisoner candidate for Westminster seat]. In fine condition. As a m/ss, w.a.f. (1) * Michael Collins was arrested after the G.P.O. surrender in 1916 and sent to Frongoch. Soon after his release with other detainees, Tom Clarke's widow Kathleen chose him to be Secretary of the Volunteers Dependents' Fund which she had established on Clarke's instructions - an ideal position for Collins, which enabled him to reorganise what remained of the I.R.B. Documents linking him to the Fund are surprisingly scarce.

Lot 537

EASTER 1916, HARRY CLARKE, AND CARAVAGGIO THE LEA-WILSON COLLECTION   A Collection of Personal Belongings, letters, photographs and other memorabilia of Captain Percival Lea-Wilson, RIC (1887-1920) and his wife Dr Marie (Monica) Lea-Wilson, née Ryan (1887-1971).  Includes his RIC helmet and a magnificent illuminated address by Guy's of Cork.   Captain Lea-Wilson makes a mercifully brief appearance in the narrative of Easter 1916: In the aftermath of the Rising, apparently drunk and out of control, he abused and humiliated Republican prisoners in his charge at the Rotunda Gardens.  Four years later, in retaliation for this spiteful behaviour, he was shot dead on the orders of Michael Collins. But there was much more than this to the Lea-Wilson story.   Percival ("Val") Lea-Wilson was born at Brompton, Kensington, in 1887, of upper middle-class English Protestant stock.  His father, a stockbroker, was killed in a carriage accident when he was only seven; his mother, a sister of the architect Charles Fitzroy Doll (designer of the dining-room of the Titanic), remarried in 1912.  An ancestor, Samuel Wilson, had been Lord Mayor of London in 1838/9 and the family home was Village Place in Beckenham. "Val" was educated at Winchester College - a leading public school noted for its solid grounding in the Classics and the spartan lifestyle of its inmates - and New College, Oxford, where he graduated in 1909.   In 1910 he enrolled as a cadet in the Royal Irish Constabulary, and in 1911 was appointed a District Inspector; he served successively at Charleville, Co. Cork, Woodford, Co. Galway, and Dunshaughlin, Co. Meath.  While in Charleville he fell in love with Marie Monique Eugenie ("Monica") Ryan, the daughter of a local (Catholic) solicitor, Patrick Ryan of "The Turrets".  On being posted to Dunshaughlin he wrote her a series of letters expressing his undying love, regretting the hostility of her father, and grumbling about his job.  The following - written from the Fingall Arms Hotel on 13 October 1913 - is typical:   This place is horrid, dirty, miserable.  ……             I am very worried about you.             Your loving Val.   The Collection includes:   ·      Lithograph of "Village Place the seat of Samuel Wilson Esq., Alderman of the City of London", from a drawing by T.J. Rawlins, 1838 ·      Photographs and other memorabilia of Lea-Wilson's years at Winchester and Oxford ·      Illuminated address by Guy's of Cork congratulating Lea-Wilson on his marriage and signed by the rector and RC curate of Charleville, praising "your strict impartiality towards all creeds and classes, your sympathetic manner in the discharge of your duties, and your courage and tact in the presence of difficulties." ·      Letters from "Val" Lea-Wilson to Monica in 1913, prior to their marriage, mostly from Dunshaughlin, and from France in 1917. ·      Snapshots of central Dublin immediately after the Easter Rising ·      Photographs (some framed) of Lea-Wilson's funeral ·      Mounted photo of Lea-Wilson with illuminated border and text of funeral oration, recalling "his abounding overflowing vitality, his infectious gaiety, his unfailing kindliness, his openhanded generosity, his large-hearted tolerance, his cheery and unflinching courage," and denouncing his death "at the hands of a gang of cowardly assassins; a murder most foul; as foul as any of those dastardly crimes which of late have brought black dishonour upon our land." ·      RIC helmet in original tin container bearing his name ·      Some letters re Harry Clarke's window in Gorey commemorating Lea-Wilson ·      5 receipts for moneys paid by Mrs Lea-Wilson, Westmount, Gorey, to James Hicks, cabinet manufacturer, collector and restorer, Dublin, 19 June 1922 to July 1924, includes "1 large oil painting (Betrayal of Christ) £20.0.0." ·      Several letters to Dr Monica Lea-Wilson from Dr McQuaid, President of Blackrock, mostly 1938-39, and one from Marie McQuaid thanking Monica for the kindness shown to her while they were in France; also several photos of Monica with Dr McQuaid and his sisters. ·      Letters to Monica from W. Sullivan 1922-28, her sister Adeline (wife of Lord Muskerry), and others ·      Letters to Monica Lea-Wilson in later life re her medical work, employees, students whose post-primary education she had funded, etc. ·      Documents re an aunt of Monica's who had gone to Russia as governess and apparently gone missing during the Revolution; includes letters from Cecil Harmsworth (Under Secretary of State for Foreign Affairs) to Captain W.A. Redmond, and Charlotte Knollys, Private Secretary to the Queen Mother. ·      Musical score, with illustrated title page, of "The Fireman's Polka" by Charles S. Macdona, with illustrated title page depicting a horse-drawn fire engine thundering past the statue of Daniel O'Connell and onto O'Connell Bridge.  "Dedicated to Captain Boyle, Fire Brigade, Dublin" (Boyle died in 1898). ·      A large number of letters and postcards sent to Monica, many in French from the art historian Paul Biver, on religious topics    ** FOR FULL DESCRIPTION SEE PDF ON WEBSITE OR CONTACT OUR OFFICE

Lot 540

THE 1916 PROCLAMATION: THE GPO COPY POBLACHT NA H EIREANN. The Provisional Government of the IRISH REPUBLIC to the PEOPLE OF IRELAND. Irishmen and Irishwomen .. An original copy of the Proclamation of the Irish Republic, believed to be the copy which hung in the General Post Office in Dublin during the 1916 Rising, with guaranteed provenance to Dr. James Ryan, Medical Officer to the GPO Garrison, later a Fianna Fail Minister. (1) Dimensions: 30 ins x 20 ¼ ins, length of line 18 3/8 ins, as required, with the various typographical peculiarities identified by Bouch, evidently printed in two portions, the lower portion slightly at an angle. On the usual greyish paper, with two central oval holes in the paper, 2 ins x 1 in and 1 ½ in x 1 in approx, a third smaller hole upper left, missing segments of type supplied in manuscript. These holes appear consistent with the document being fixed to a wall or surface and pulled away. Frayed at top with minor loss to the first line of type, vertical and horizontal folds with some fraying and partial loss to a few letters, otherwise generally a good copy of this rare and fragile document. Provenance: Given by Dr. James Ryan to his brothers' family home, in Wexford, and understood by family tradition to be a copy which Dr. Ryan removed from the GPO during or immediately before its evacuation in 1916; later sold privately by Michael Ryan (nephew of Dr. James Ryan) to the present vendor in a transaction facilitated and administered by Fonsie Mealy, Auctioneer. We are thus in a position to guarantee this provenance, for which there is documentary evidence in our possession (which we can discuss with intending purchasers on a confidential basis if desired). As is now well known, the Proclamation was printed in Liberty Hall on Sunday 23 April 1916 by printers appointed by James Connolly, under an armed guard of the Irish Citizen Army. Because of a shortage of type, it was necessary to compose the document in two portions and to print it in two passes, with each sheet passing through the machine twice. The gap between the two sections (after 'among the nations') varies slightly from one copy to another. The print order was 2,500 copies, but the vast majority of these appear to have perished in the fires and bombardments of Easter Week. Our best estimate is that up to 50 original copies now survive, mostly in institutional collections from which they are unlikely to emerge. A very few copies are personally linked to participants in the Rising - one signed by Sean T. O'Kelly, now in Leinster House, and one or two more - but this may be the only copy which can be identified with reasonable probability as being in the GPO itself throughout the week of the Rising. James Ryan (1891 - 1970), from Taghmon in Co. Wexford, was a final year medical student in 1916 and a member of the Irish Volunteers. He was appointed medical officer to the GPO garrison, and in that capacity he assisted in carrying the wounded James Connolly from the burning building. Before doing so it appears that he removed the present document from its place in the GPO, folded it quickly and stuffed it in a pocket or in his shirt. After the Rising he was arrested and interned in England and Wales, but was released in time to sit his final medical examinations in 1917. In the 1918 United Kingdom general election he was elected Sinn Fein MP for Wexford South, sat in the First Dail, and later became Dail TD for Wexford, holding his seat for 47 years. A close colleague of Eamon De Valera, he opposed the Treaty, joined Fianna Fail on its foundation, and held senior Ministerial posts including Agriculture (1932-47) and Finance (1957-65). He died in 1970. His papers are mostly in UCD and the National Library. A very desirable copy of this rare document.

Lot 549

Constance Gore Booth, The Artist [Markievicz (Ld. Constance)] A printed Admission Card from University College, London addressed to Miss Constance Gore Booth to the Class of Fine Art, 1st Term Session 1893 - 94, and signed by the professor. (1) * Countess Markievicz, revolutionary of Anglo-Irish stock wishing to become a painter she joined the Slade School in 1893 in London, studied in Paris from 1898 to 1900 where she met her future husband, Count Casimir Duncan - Markievicz. She became an accomplished artist but in 1908 she entered Nationalist politics, joining Sinn Fein and Inghinide na h'Eireann with Maud Gonne. In 1909 she founded Na Fianna. She was involved in the 1916 Rebellion and imprisoned. Afterwards became the first woman ever elected to the British Parliament, but refused to take her seat. She died in 1927 aged 59 years.

Lot 1110

An Adam style green painted barback elbow chair (sprung seat a/f)

Lot 1132

A reproduction mahogany and crossbanded Regency style twin pedestal dining table, having single extra drop-in leaf; together with a set of eight reproduction mahogany Heppelwhite style dining chairs, having upholstered drop-in padseats (one seat missing) (6+2); and a walnut headboard (10)

Lot 1186

An early 20th century panelled oak mirror inset hall seat, having hinged boxseat base

Lot 1205

A 19th century fruitwood Sheraton style elbow chair, having upholstered stuffover seat

Lot 1234

An early 20th century barleytwist oak upholstered music seat, having single end drawer AND A joined oak side table (2)

Lot 1248

An antique elm panelled seat rocking side chair

Lot 1270

An Edwardian low relief carved walnut hinge-top music seat

Lot 1322

A pair of French style beech and blue upholstered pad back and seat dining chairs

Lot 1391

A set of four Victorian mahogany panelled seat barback dining chairs

Lot 1394

A 19th century elm seat, barback open elbow chair

Lot 1395

An early 20th century chip carved oak panelled seat open armchair

Lot 1401

A stained pine and oak long panelled pub bench, having upholstered seat

Lot 1404

A set of four 17th century style oak framed and studded brown leather pad back and seat dining chairs

Lot 1407

A set of three Cromwellian style oak framed and studded upholstered pad back and seat dining chairs (2+1)

Lot 1419

A set of four early 20th century elmseat and beech stickback kitchen chairs, each stamped ER VIII (these chairs appear to have been made during the brief reign of Edward VIII) Condition Report / Extra Information Height of seat 45.5cm

Lot 1427

An Edwardian walnut music seat of shaped X form

Lot 1438

An eastern hardwood carved and pierced folding cake stand, together with a rush seat stool (2)

Lot 1443

An early 20th century line carved oak fold over twin panelled monks bench, having typical hinge box seat base

Lot 497

A near set of ten Regency and William IV mahogany dining chairs, each having a carved scrolled bar back and carved horizontal splat and drop in seat, to include a pair of open armchairs

Lot 7013

A 19th Century and later Mendlesham chair with typical ball back, dished seat, over altered turned legs

Lot 7268

A circa 1860 spoon-back mahogany armchair the scroll ended arms over a serpentine front seat on turned legs and brass cup castors

Lot 7284

A Victorian carved oak settle the high back over mythical beast carved arms on turned supports, the box seat base with hinged lid over stile feet

Lot 7326

Circa 1840 a walnut open armchair, the carved floral crested spoon back with buttoning over a bow front seat and pierced scroll arms on foliate cabriole legs and white ceramic castors

Lot 7328

An early Victorian mahogany spoon back open armchair the button back over a serpentine front seat on turned legs and white ceramic castors

Lot 1009

19th century Mahogany Dentist's Chair with adjustable back and head cushion and green leather studded back panel and seat

Lot 916

Ercol Stickback Elbow Chair with Padded Arms and Cushion to Seat and Back

Lot 924

French Style White Painted Spoon Back Bedroom Chair with Blue Upholstered Back and Seat

Lot 925

Pair of 19th century Oak Solid Seat Hall Chairs together with a Georgian Oak Elbow Chair

Lot 930

Late 19th / Early 20th century Nursing Chair with Bergere Seat and Back

Lot 931

Two 19th century Prie Dieu Chairs, one with needlework upholstery to back and seat

Lot 933

Late 19th / Early 20th century Mahogany Inlaid Tub Chair with Turned and Reeded Supports, Padded Back Rail and Seat together with an Oak Low Elbow Chair with String Seat

Lot 60

A late Victorian scumbled and painted pine part suite of bedroom furniture comprising washstand with three quarter gallery, a pot cupboard, a towel rail and a bedroom chair with cane seat (4).

Lot 175

A camel stool with leather seat.

Lot 87

A late 19th Century French Louis XVI style walnut open armchair, with tapestry covered padded back and arms and stuffover seat, the back with foliate crest carved with a quiver of arrows flanked by columns, the scroll arms and supports carved with acanthus, on tapering fluted front legs,

Lot 139

A 19th Century elm stool, the rectangular seat pierced with a handle on splayed turned supports united by an H stretcher together with two teak boarding ladders (3).

Lot 21

A reproduction mahogany Regency style chair, with green leather brass studded drop in seat and button back, on sabre legs.

Lot 86

A late 19th Century French beech open elbow chair, with turned spindle back and tapestry covered padded seat.

Lot 184

An early 20th Century beechwood and ash childs chair, with solid elm seat and a carpet beater (2).

Lot 20

A William IV mahogany bar back dining chair with faux leather stuff over seat on fluted forelegs,

Lot 370

A mahogany Queen Anne-style carver armchair, with tapestry upholstered, drop-in seat on cabriole forelegs and pad feet.

Lot 425

A set of five Victorian balloon back dining chairs, each with carved pierced vertical splat, serpentine fronted over-stuffed seat on cabriole forelegs.

Lot 428

A mahogany framed gentleman's club chair with button hide upholstered back, solid seat, on heavy turned tappering supports united by a crinoline stretcher.

Lot 436

A Victorian mahogany hall chair, the back set with ceramic tile over solid seat on ring turned tapering forelegs.

Lot 460

A pair of Edwardian oak hall chairs, each having pierced Gothic back, solid seat on ring turned tapering forelegs.

Lot 464

A 1920's oak work table and contents, two cane seated stools and an early 20th century armchair with shield shape cane back, serpentine fronted over-stuffed seat on cabriole forelegs.

Lot 479

A set of eight Victorian mahogany balloon back dining chairs, each having leaf carved rail, serpentine fronted, over-stuffed seat on moulded cabriole forelegs (all standard).

Lot 1794

An elegant mid 19th c. Oak Corner Chair having carved rail back, on two carved splats and three turned supports with nailed leather seat and standing on turned legs.

Lot 1796

A 19th c. Ash and Elm Ladderback Country Carver Chair with a six graduated shaped bar back, swept arms and rush seat, on turned legs with stretchers; and another similar Ladderback country Carver Chair with five rung shaped bar back, swept Elm arms, rush seat, on turned legs with stretcher

Lot 1800

A reproduction French Empire style Elbow Chair with ornate cream painted crackle finish show frame, button upholstered back and pad arms and seat in pink velvet, standing on carved shoulder cabriole style legs.

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