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Click here to subscribeSet of five Queen Anne style dining chairs Mahogany, with studded leather seat cushions, on cabriole legs, 108cm high overall (5)Provenance: The property of a Gentleman, from a period Winchcombe Town House. With signs of wear consistent with age and use. Armchair with a loose frame and would benefit from repair. One chair wobbles on floor.
A 19th century mahogany open armchairin the George III styleWith a cartouche shaped back, the scrolled channelled and scroll carved arm terminals above a serpentine seat frame, on square section and fluted tapering front legs headed by flowerhead roundels, with splayed rear legs, approximately 67cm wide x 71cm deep x 94cm high, (26in wide x 27 1/2in deep x 37in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A set of ten Regency simulated rosewood and brass inlaid dining chairsCirca 1810, each with a spiral reeded and ring turned baluster toprail above a horizontal tablet splat inlaid with stylised foliage and honeysuckle flanked by part-spiral reeded stiles, with a drop-in seat, on splayed legs, with beech frames, each approximately: 47cm wide x 51cm deep x 85cm high, (18 1/2in wide x 20in deep x 33in high) (10)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late George II or early George III mahogany open armchairin the Chippendale Director tasteCirca 1760, with a shaped C-scroll and scrolled acanthus carved toprail above a pierced interlaced and 'gothick' arched splat, with scrolled arms, above an 18th century gros-point needlework upholstered drop-in seat, on square section legs, with splayed rear legs and an H-stretcher, 72cm wide x 60cm deep x 101cm high, (28in wide x 23 1/2in deep x 39 1/2in high)Footnotes:ProvenanceThe present lot previously formed part of the collection of Murray Adams-Acton, an esteemed furniture and architectural historian, academic and author, who was arguably most renowned for a work entitled Domestic Architecture and Old Furniture, first published in 1928. The offered chair thereafter passed by descent within the family.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A set of three Italian 18th century painted and parcel gilt armchairs or fauteuilsProbably VenetianEach decorated with scrolled stylised foliage and acanthus, the cartouche shaped panelled back joined by shaped and scrolled arms, above a serpentine and scrolled moulded seat frame centred by a shell, on cabriole legs, probably largely refreshed or re-decorated during the 19th century, each chair approximately: 69cm wide x 65cm deep x 105cm high, (27in wide x 25 1/2in deep x 41in high) (3)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A mid-18th century oak box settleThe back with four fielded panels, the out swept arms with baluster supports, the seat with two hinged lids above a triple panelled base raised on a plinth, 183cm wide x 52cm deep x 130cm high, (72in wide x 20in deep x 51in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Regency or George IV mahogany bergere1820-1825, with a reeded seat frame below conforming scrolled arm terminals headed with roundels, on ring turned baluster and reeded tapering front legs, with square splayed rear legs, terminating in brass castors, 70cm wide x 64cm deep x 94cm high, (27 1/2in wide x 25in deep x 37in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A set of six Regency simulated rosewood, brass mounted and inlaid dining chairs by John GeeCirca 1815, each with a curved and dished channelled toprail with stylised foliate incised and rosette carved ends, above a twin addorsed C-scroll splat centred by a tablet, on splayed legs, each chair stamped: 'GEE', three chairs also stamped: 'CH', each approximately: 49cm wide x 55cm deep x 83cm high, (19in wide x 21 1/2in deep x 32 1/2in high) (6)Footnotes:A very similar dining chair, albeit with more brass inlay to those of the present lot, which is stamped: 'J.GEE', appears illustrated in C. Gilbert, Pictorial Dictionary of Marked London Furniture, 1700-1840, 1996, Leeds, fig. 385, p. 220. This comparable is one of a set of eight dining chairs of almost identical form to the offered examples.John Gee is listed as chairmaker and turner 1779-c.1824. See Ibid, pp.'s 217-221 for other seat furniture by Gee, some of which is stamped with the same monogram device. The presence of various stamped single initials are thought to denote particular journeymen in the workshop.Gee entered into partnership with Benjamin Compton 'Turner in Ordinary to George III' in 1779 and by 1787 he was himself sworn in as a 'turner' jointly with his partner Thomas Aycliffe, who descended from a family of Royal turners. Gee was recorded from 1799 at 49 Wardour Street, Soho. Gee's son Thomas Aycliffe Gee joined the firm and they were awarded a Royal Warrant in 1804 and were occasionally referred to as Gee & Sons.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
1979 Ryder Cup Greenbrier U.S Golf Collection (4) to incl golf cap with embroidered Ryder Cup crest and 2x marble desk paperweights with mounted enamel medallions inscribed 1979 Ryder Cup Matches The Home of The Greenbrier and Greenbrier Ryder Cup Blue and white Shooting stick with folding seat (bottom ground rest broken off) Note: From The Estate of The Late Tommy Horton MBE, Former Ryder Cup Player and PGA Captain
THREE BOXED UNBUILT MODEL CAR KITS , to include a FPP Models Matra MS80 1969, 1:24 scale, Jackie Stewart, Fernando Pinto Portugal, car no. 2 in blue, a FPP Models Ferrari 158 F.1 N.A.R.T 1964, 1:24 scale, Fernando Pinto Portugal, both signed to the box FPPMODELOS, and a Rail-Roadmodels 1:8 E Type Jaguar1:8 scale Leather seat upgrade kit, with dashboard and stickers, contents not checked but features sealed sprues, some parts are loose, instructions included, all have some wear on corners and some panels
Lane (Theodore) Theatrical Pleasures, the set of six, engravings with full original hand-colouring, on cream wove paper with full margins, without watermarks, each platemark approx. 275 x 225 mm (10 3/4 x 8 3/4 in), plate 1 with some faint stains, otherwise minor surface dirt, "Newton" bookplate to front pastedown, polished calf, gilt, by Riviere & Son, spine split, rubbed and scuffed corners with stains to upper cover, [Bobins 869], 4to, published by the artist, [circa 1820-1828].⁂ Including: "Crowding to the Pit"; "Contending for a Seat"; "Snug in the Gallery"; "Taken Places Occupied"; "Feasting in the Saloon"; "Turning out half satisfied".
Ferneley (John) Count Sandor's Exploits in Leicestershire, the set of 10 fine hand-coloured aquatint plates heightened with gum arabic on india paper by Edward Duncan after Ferneley, neatly tipped into album, later red half morocco, gilt, gilt-lettered red morocco label to upper cover, [Bobins 775; Siltzer 121], oblong folio, R.Ackermann Junior, 1833⁂ A bright and clean example of this rare set. Count Sandor was a Hungarian nobleman who spent a season at Melton Mowbray on a visit to Lord Alvanley. His daring horsemanship and mishaps were the subject of much merriment over the Melton dinner tables at the time and long afterwards. The prints are based on ten oil paintings which the Count commissioned from Ferneley and took back to his seat at Bais in Hungary.
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