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A pair of George III ebonised and painted open armchairs, circa 1780, in the manner of Gillows, decorated throughout with flowers and neoclassical motifs, each rectangular back with vertical and stylised 'ribbon tie' splats, flanked by downswept arms, each caned seat above turned tapering legs at the front
GEORGE III MAHOGANY ARMCHAIR 18TH CENTURY with a straight toprail over a pierced vase splat and open scrolled arms, the stuff-over seat covered in flame stitch upholstery by Lady Jean Crichton-Stuart at Dovecot studios, raised on square legs joined by stretchers(74cm wide, 97cm high, 45cm deep)Footnote: Note: The tapestry seat cover on this chair was woven at the Dovecot Studios of the Edinburgh Tapestry Company to a design by Lady Jean Crichton-Stuart
GEORGE IV OAK LEATHER UPHOLSTERED ARMCHAIR, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the acanthus carved curved crest rail centred by a cut out hand-hold, above a wide seat and part padded open arms, in button-upholstered brown leather, on turned and tapered legs(70cm wide, 109cm high, 52cm deep)
TWO AMERICAN CHILD'S ROCKING CHAIRS 19TH CENTURY to include an AMERICAN HITCHCOCK STYLE ROCKING CHAIR, parcel-gilt, ebonised, and simulated rosewood with a caned seat and needlework seat pad depicting a cat; and a LINCOLN TYPE ROCKING CHAIR with a caned back and seat with a tapestry needlework seat pad depicting a thistle(45cm wide, 65cm high, 50cm deep; and 41cm wide, 76cm high, 64cm deep)
PAIR OF VICTORIAN CARVED PARROT COAL BOOTS 19TH CENTURY modelled as tall heeled boots with later red ribbon laces(26cm wide, 20cm high)Footnote: Note: Parrot coal, also known as cannel coal appears to get its name from the sound it makes when burning, a crackling similar to that of a parrot's beak clicking. It was used during the 19th century to make furniture and works of art, due to its similar characteristics to marble. Unlike household coal, it can be carved. Thomas Williamson, a stonemason from West Wemyss, Fife is known for the parrot coal pieces he created during the mid-1800s, including a table, chairs and a toilet mirror, all within the collection at Kirkcaldy Galleries. A garden seat by Williamson was acquired by Prince Albert, and exhibited at the Great Exhibition in 1851, which is now at Osborne House.
South West interest, a collection of six 19th century prints, all in mounts, to include 'The Grange, Devonshire', 11x14.5cm; 'Buckland Filliegh, Devonshire', 11x14.5cm; 'Coryton, Devonshire', 'Mount Radford College, Exeter', 12x16.5cm; 'Mamhead, Devonshire', 12x13.5cm; 'Belvedere House, The Seat of Sir Sampson Gideon Bar', 12x20cm (6)
Make & Model: Seat Toledo Eco S TDI CRDate of Reg: SA64 AUYColour: Silvercc: 1598MoT: 22-07-2021Fuel Type: DIESELMileage: 127kTransmission: MANUALSummary: 2 Registered keepers. 2 Keys (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=123660
James Gillray (British, 1756-1815)Patriotic Regeneration,-viz.-Parliament Reform'd, a la Françoise, -that is-Honest Men (I.E.-Opposition.) In the Seat of Justice (BM 8624) Etching with hand-colouring, 1795, on laid, published by H. Humphrey, London, with margins, 312 x 422mm (12 1/4 x 16 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Two early nineteenth century blue and white transfer-printed pearlware dinner plate, c. 1825. Comprising of: a Brameld Returning Woodman plate and a Ridgway Angus seat series plate. Both: 25 cm wide. (2)Condition: All good overall condition. Small foot rim chip and rim chip to the Brameld plate. Provenance: From a private collection.
A group of mid-nineteenth century Staffordshire figures, c. 1840-45.The first depicts Queen Victoria on the throne, one of Queen Victoria and the Princess Royal and the final of a seat Prince Albert. 17 - 18 cm tall. (3)Condition: Princess Royal figure with restored crown, a restored chip to the Victoria base and to Albert's right hand.
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