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Lot 279
A Queen Anne walnut and marquetry side chair, circa 1715, scrolled top rail united with serpentine sides flanked by baluster splat, marquetry decoration of foliage, heraldry type and campaign throughout, serpentine form, raised on cabriole legs and padded feet. 102cm H x 50cm W x 44cm D; another early Victorian rosewood salon chair, circa 1850, kidney back united with carved rail, serpentine seat, raised on carved cabriole legs. 80cm H x 44cm W x 40cm D (2)
Lot 285
An Art Deco seating suite comprising Sofa and two chairs; burr maple exposed wood extending from arms with curved base, the front with exposed burr maple, one chair with casters, upholstered in contemporary fabric. Chairs Height 71 cms, Width 90 cms, Width of seat 59 cms, Depth 97 cms. Sofa: Length 180 cms, Depth 97 cms [3]
Lot 329
Two early 20th century oak captains chairs, one with an upholstered back (Damaged and in need of repair A/F), the arms with carved supports, upholstered studded seat raised on tapering legs and spade feet, united by an H-stretcher 83cm H x 56cm W x 56cm D; the other with a shaped stick back, shaped bow fronted seat, raised on cabriole legs (A/F), 85cm H x 60cm W x 52cm D (2)
Lot 1416
A MAHOGANY TELEPHONE TABLE/SEAT (this item does not comply with the Furniture and Furnishings fire Safety Regulations 1988 and for this reason it should not be used in a private dwelling) a mid-century teak magazine rack and a swing mirror, and a vintage black finish traveling trunk, width 92cm x depth 52cm x height 51cm (4)
Lot 619
* ANNE REDPATH OBE RSA ARA LLD ROI RBA (SCOTTISH 1895 - 1965),CABBAGE AND KALEoil on board, signed, titled label versoimage size 51cm x 61cm, overall size 64cm x 74cm Framed. Handwritten artist's label verso.Label verso: Stone Gallery, Newcastle Upon Tyne.Provenance: Sold by Sotheby's, London, 29th August 1995 lot 954.Note: Anne Redpath was born in Galashiels, Scotland, in 1895, the first daughter of a textile designer. She went on to study at the Edinburgh College of Art, where she was described as the most promising student of her year and won a travel scholarship to Italy. Her time in Italy was to have a profound influence on her career. Having spent her early years as an artist immersed in the respectable Calvinist tradition, the opulent sense of the divine in Roman Catholic art proved to be a revelation, with the religious tranquillity of the early Renaissance masters informing her subsequent paintings. In 1920 she moved to France with her husband, an architect, and her art took a back seat as she focused on raising three sons. She did not revisit painting in earnest until she returned to Scotland when the relationship ended in 1934. When she did so, however, it was with renewed vigour. From 1942 onwards, as her confidence in her abilities returned, her palette became more vibrant. She was a central figure in the group of painters known as The Edinburgh School, sometimes described as the heirs to the Scottish Colourists. Redpath was a habitual traveller in her later years, her journeys across Europe becoming the subject of her work; she was well-known for her landscapes, still lifes and pictures of church interiors. Anne Redpath was president of the Scottish Society of Women Artists from 1944-47, working tirelessly to promote the paintings of women who had been ignored by the British establishment. In 1952 she became the first woman artist to be elected to the Royal Scottish Academy as an Academician. UK Public Collections boast 116 examples of Redpath's work including at The National Galleries of Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Hunterian, The Fleming Collection, The Tate, Kelvingrove, The National Trust and at Edinburgh, Aberdeen, Kirkcaldy, Manchester and numerous others.
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