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Lot 1
A French ivory painted beech three-seat canape, mid-19th century, in Louis XV style, the fluted undulating frame with serpentine back and outscrolled arms, carved with leaves, shellwork and flowers, the deep double serpentine seat rail and scroll legs conforming, upholstered in striped cut velvet, loose seat cushion, 206cm wide
Lot 1
A pair of beech fauteuils, late 19th-early 20th century, in Louis XVI style, the arched rectangular backs, scrolling open arms, undulating seat rails and slender cabriole legs carved with flower sprays, classical leafage and guilloche, upholstered in natural silk with scattered sprigs and insects
Lot 1
A mahogany bergere sofa, late 19th - early 20th century, in Regency style, the back carved with ribbon-tied swags and drapery above three axehead canework panels, the panelled downswept double caned arms with baluster supports above panelled tapering square legs, carved with rosettes, fruits and acanthus, stuffed-over seat and loose cushions in natural ground tapestry of chinoiserie design, 184cm wide, 88cm deep
Lot 1
A French substantial beech framed bergere, late 19th - early 20th century, in Regence style, upholstered in brass nailed green velvet, the winged arched back above padded shaped arms and serpentine seat with loose cushion, the frame carved with acanthus, flowers and scaling, the conforming cabriole legs joined by curving stretchers
Lot 1
An Irish rosewood Killarney marquetry nursing chair, mid-19th century, the tall back with pierced leaf carved cresting and spire finials above spirally turned pillars, the broad arbutus splat inlaid and engraved with stag at lodge and oval medallion of Muckross Abbey within a leafy border and shamrock surround, stuffed-over serpentine seat in rose dralon, leaf carved apron and scroll legs, 99cm high
Lot 1
An Edwardian mahogany Sheraton revival desk chair, early 20th century, the semi-circular back inlaid with stringing and harewood fan patera, padded lozenge seat, the slender tapering legs joined by turned cross-stretchers; a pair of late Victorian mahogany salon side chairs, the padded backs with pierced splats, inlaid with leafy arabesques on a rosewood ground (3)
Lot 1
John Gee, a pair of Regency decorated side chairs, each with turned top rail above an abacus rail and caned seat, standing on turned tapering legs, both stamped JG to rail, 45cm wide, 42cm deep, 83cm high (2) John Gee is first recorded in 1779 when he entered into partnership with Benjamin Crompton, Turner in Ordinary to King George III. In 1787 Gee was appointed turner to the King, and although he retired from active business around 1824, he retained his royal warrant for a further seven years. In addition to his work for the Crown, Gee undertook commissions for such distinguished aristocratic patrons as the Earl of Wilton, for whom he supplied a set of chairs for the celebrated circular Music room at Heaton Hall, Lancashire, in 1790. See Christopher Gilbert, Pictorial Dictionary of Marked London Furniture, 1700-1840, Leeds, 1996
Lot 1
A pair of 17th century Italian style walnut sgabelli, each with shell and C-scroll carved top rail above an armorial cartouche flanked with carved mythical Chimera above a solid shaped seat supported on similarly carved and pieced solid front supports, both bearing label to rear reading 'This pair of chairs was carved by Pompinoli - a carver to the Vatican. Centre on back - Vatican lion - below Medici pills (pawnbrokers) Mary Anne Shelley purchased these circa 1853', 40cm wide, 48cm deep, 113cm high (2)
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