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Lot 57
A Coalbrookdale Oak and Ivy pattern cast iron seat circa 1870 fully stamped C B Dale and with registration number and model number 155cm.; 61ins wide The original design, number 119253, was registered and patented by the Coalbrookdale Iron Foundry at the Public Record office on 8th March 1859, and is seat number 30 in their 1875 Castings Catalogue. It was designed by the sculptor John Bell, one of Coalbrookdale’s principal designers, whose famous Deerhound Centre Table was exhibited at the 1855 Universal Exhibition, and which is now in the Iron Bridge Gorge Museum, Shropshire.
Lot 59
A Coalbrookdale Lily of the Valley pattern seat circa 1870 fully stamped unusually this seat also has 5ft on the back denoting its size 158cm.; 62ins wide This design, number 171578 was registered and patented at the Public Records Office on the 8th February 1864 by Coalbrookdale and was seat number 36 in their castings catalogue of 1875.
Lot 991
A late 19th / early 20th Century American walnut rocking chair, with turned uprights, the back and seat upholstered in black leather, on trestle base and a mahogany armchair of Georgian design, with scrolled crest rail and pierced splat, curved arm terminals, the drop in seat upholstered in brown cloth, on square front legs
Lot 23
James Mac Carthy (b.1945) GIRL READING, 1986 bronze with green patina on wooden base (no. 3 from an edition of 6) signed [MAC] and numbered on seat 10 by 5 by 5in. (25.40 by 12.70 by 12.70cm) Dimensions of base: 6.5 by 5.5 by 1ins. This work was cast by the artist in Dunmanway, Cork in 1986 and sold to the present owner the following year. We are grateful to the artist for his assistance in cataloguing this lot. Jim O`Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond and Pat Connor. He was an early supporter and friend of Tony O`Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented here, although some, for example those by Patrick Collins and Gerard Dillon, come from an earlier generation. This outstanding collection represents the powerful imprint of a true collector who was guided not only by his trained eye for quality but by a passion for interesting and authentic artworks. (£320-£490 approx)
Lot 92
Letitia Marion Hamilton RHA (1878-1964) ST. EDMUNDSBURY ON THE LIFFEY AT LUCAN, COUNTY DUBLIN oil on Windsor and Newton "Rathbone" canvas board 12 by 16in. (30.48 by 40.64cm) Provenance: Gift from the artist to Mrs Fitzherbert; Thence by descent to a private collector in Navan, Co. Meath; HOK Fine Art, Dublin; Private collection, Belfast (with a letter of provenance from HOK on reverse); Whyte`s, 21 September 2004, lot 95; Private collection Built early in the 19th century as the seat of Thomas Needham, St Edmundsbury was later sold to one William Moran, who added the balustraded roof parapet and double storey oriental style wings. At the end of the 19th century it was purchased by Dean Swift’s St Patrick’s Hospital and was converted by them into a convalescent home. (£3,240-£4,050 approx)
Lot 448
A George II mahogany dining chair the shaped back with a solid vase form splat carved with paper scrolls, over a drop in tapestry seat depicting a lion and unicorn beneath an oak tree with pennant, within a moulded seat rail, raised on foliate capped cabriole front legs with pad feet, united by turned side and rear stretchers. See Illustration.
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