A GEORGE III OAK EIGHT DAY LONGCASE CLOCK ROBERT TRIPPETT, LONDON the 31cm brass dial with wheatear border, signed on the chapter ring Robert Trippett LONDON, with matted centre, ringed winding holes, date aperture, subsidiary seconds dial and associated arch, having cherub and crown and dolphin spandrels, in associated case with breakarched cornice and brass mounted and fluted pillars, the trunk with moulded door on reduced base and later bracket feet, 209cm h, c1820++Dial somewhat worn from polishing and with polish residue, the arch long associated to the dial, the movement apparently original to the dial, the seat boards old but slightly packed and probably associated to the case. The case with a number of old modifications and repair. Sold with two weights, one of which is brass sleeved and a pendulum with brass bob
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A GEORGE III OAK EIGHT DAY LONGCASE CLOCK THOMAS RADFORD, LEEDS the 31cm brass breakarched dial signed to the centre on scrolling banners T RADFORD LEEDS, with date sector and subsidiary seconds dial having mask and dolphin spandrels, in crossbanded case with segmental pediment and pillars to the hood, on panelled base and bracket feet, 225cm h, c1780 Provenance: Purchased George P Henzell Esq from the Leeds trade on March 6th 1945 for £29. 8. 0.; thence by descent to the present vendors.++Dial with old polish residues especially in the spandrels but thought to be original to the movement, the movement apparently complete, on later seat board, the cheeks not packed and some minor old structural repairs and slightly specked with paint. Sold with two weights and a pendulum with brass bob. Restored for the late owner in 1985 by Kenneth Chapelle of Glasgow
A SCOTTISH GEORGE IV MAHOGANY EIGHT DAY LONGCASE CLOCK, ROBERT CRAIG, KILMARNOCK the 31cm engraved brass breakarched dial with ringed winding holes, date aperture and subsidiary seconds dial, signed on a convex disc to the arch Robt Craig KILMARNOCK, having mask and dolphin spandrels, the case with rudimentary swan neck pediment and spiral fluted pillars, the trunk with fluted pilasters, 215cm h, c1830 Provenance: Purchased from Jean Megahy of Glasgow on 26th August 1961 for £22.0.0.; thence by descent to the present vendors.++Dial with old polish residues and lacking one hand, original to the movement, the movement reasonably clean and complete, the plates to the movement with outset `feet`, the seat board old, possibly original, the cheeks packed with various pieces of old and wormed wood, the hood with modifications and probably associated to the trunk. Sold with two weights and pendulum with brass bob. Painted to the inside of the trunk door are a number of old newspaper cuttings and a photograph. The lower part of the trunk slightly speckled with white paint. Restored for the late owner by Kenneth Chapelle of Glasgow in October 1985.
A MAHOGANY EIGHT DAY LONGCASE CLOCK the 33cm breakarched and painted dial with date sector and subsidiary seconds dial, the later line inlaid case with swan neck pediment and brass mounted and fluted pillars, 240cm h,19th c++The early 19th c movement and dial original and apparently complete, on old seat board, the case largely of later 19th c date incorporating some earlier elements. Repolished many years ago, structurally sound and sold with two weights and a pendulum
A PAIR OF GEORGE II WALNUT CHAIRS with interlaced splat and crisply carved acanthus leaves and scrolls, having shells to the cabriole legs, c1740 Provenance: Property of the late Georgiana Wilhelmina, Countess of Buckinghamshire (1867-1937) sold on the premises, Camperdown House, Dundee, 14-17 July 1941, when bought by John Bell of Aberdeen from whom bought by George P Henzell Esq on 5 August 1941 for £55.0.0.; thence by descent to the present vendors.++Blocks replaced, probably in 1941 and presumably also lightly cleaned. One chair lacking one of the blocks. One chair stamped inside the seat rail III, the other IV
A SET OF FOUR ITALIAN IVORY INLAID EBONY VENEERED AND EBONISED HALL CHAIRS probably Milan in the manner of Ferdinando Pogliani, inlaid throughout with ivory and penwork baroque revival decoration of courtly figures, putti, masks, birds, fruit and flowers, stamped I, II, IIII and V, 117cm h, c1870 A similar chair and two tables, one of which is labelled by Pogliani, are illustrated Payne (Christopher) Nineteenth Century European Furniture, second edition, 1985, figs 1183, 1184 and 1197++First chair finial broken off and restuck. Second chair, some worming in one seat rail and part of another. All four chairs in good overall original unrestored condition. The seat covering old maroon fabric replacements that are worn and dusty
A Chinese elm rectangular top dining table, with pierced apron, raised on circular section legs, together with a set of eight yoke back dining chairs, the back rest flanked by turned bamboo supports over a solid seat, raised on circular section legs, jointed by stretchers, to include two carvers, table 85 x 200 x 100cm. (9)
A late 17th Century Walnut cased Verge 30-hour Wall mounted Clock with pull repeat, Christopher Gould, circa 1695, the lift-off hood with overhanging cornice, surmounted by a moulded caddy top and fitted with a gilt Brass pine cone finial, to a glazed dial and side panels, mounted on a carved floral and foliate bracket to a 6? engraved square Brass dial, signed ?C H R Gould Londini Fecit?, with cast and applied cherub spandrels enclosing a silvered Roman and Arabic chapter ring with outside minute track and inside quarters track, to a matted centre and fitted with carved pierced and blued steel hands, to a movement with plates united by four baluster columns and a verge escapement and short bob pendulum and with strike on two graduated bells and also a self- powering pull repeat to the base, height 16? (published ?Old English Master Clockmakers ? Cescinski? page 85) Condition:Hood - Missing finial. Some lifting to veneer/knocks to woodwork and may have some replacement veneer to right side, crack to left hand side seat mount.Movement - Requires cleaning. Bell appears replaced. (please see attached images)*****Viewing Recommended*****Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
A Regency period simulated Rosewood Bergère Chair with single Cane back and seat, moulded frieze and raised on ring turned front supports with Brass caps and castors Condition:* Crack to frame at back* Cane work with some damage on back* Non matching castors on feet* Broken roundel decorationPlease note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition. All items are sold strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
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217092 item(s)/page