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Lot 257
WW2 Relics. Flying Office Allan R Wright DFC Signed Signature Cutting With Manufacturers Plate and Seat Cover From Heinkel 111/2592 that Was Shot down by Wright on Wednesday 14th August 1940 at 6. 05pm when it Crashed at Canns Farm nr Puriton, Where 4 Germans were Captured and made POW. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 653
A Chippendale style mahogany double chair back Settee with scroll carved and pierced splats, outswept arms, stuff over seat on scallop carved cabriole legs, having ball and claw feet, 4ft 1in W Slight split where the two chair backs join. Back of settee has faded. Fairley solid and sound. Small piece of veneer missing from back. Upholstery is badly stained.
Lot 317
An oak chair with five legs the design attributed to Dr Christopher Dresser for retail at Liberty & Co, hexagonal seat above five turned legs, with turned bobbin rail, the back with turned columns, pad back and seat unsigned, 115cm. high ProvenanceChristie's 2nd May 1996, lot 30. (pair)The Property of the Late Lord Parmoor, Woolley and Wallis Auctioneer's, 24th February 2009, lot 172.Private collection LiteratureDr Christopher Dresser, Principles of Decorative Design, page 57, Dresser discusses the design of chairs stating 'There is no reason whatever why a chair should have four legs'.
Lot 11
A Martin Brothers salt-glaze stoneware garden seat by Robert Wallace Martin, the foot and body cast in relief with foliate bands, pierced cylindrical body and circular top, glazed blue, brown and green on a buff ground, impressed RWMartin Southall to side of base, minor damage to base, 41cm. high ProvenanceArts and Crafts Woolley and Wallis Auctioneers, 18th June 2008, lot 22.The Redstone collection.
Lot 10
A Martin Brothers salt-glaze stoneware garden seat by Robert Wallace Martin, the foot and body cast in relief with foliate bands, pierced cylindrical body and circular top, glazed blue and green on a buff ground, incised to the side of the foot R W Martin Southall 2-1876, minor damages, 40cm. high ProvenanceThe Redstone collection.
Lot 332
A rare oak side chair designed by Charles Francis Annesley Voysey, the oak frame back with extended uprights to the arched top, with carved grove , the back splat with carved heart-shaped motif, over square legs joined with stretchers, drop in rush seat, paper exhibition label C.18 Dining Chair (Vic Soc),102cm. high ProvenanceThe Victorian SocietyExhibitedBlackwell House, The Arts and Crafts House, Windermere, on loan from 2001.LiteratureWendy Hitchmough C.F.A Voysey, page 130 no.26 for a comparable example illustratedThe Best of British Design from the 19th and 20th Centuries- Paul Reeves The Auction, Sotheby's London, lot 109 for a comparable chair.Karen Livingstone C.F.A Voysey, Arts and Crafts Designer, V&A Publications, page 197 catalogue number 251 for an example of this chair design from The Crabtree Collection illustrated. The maker attributed to F C Nielsen. Page. Catalogue number 250 for a comparable chair illustrated in the Library at Garden Corner, 13 Chelsea Embankment.Blackwell The Arts and Crafts House, page 34 for this chair illustrated in the bedroom.
Lot 1042
PROVASI: A PAIR OF BLACK WALNUT FRAMED SQUARE BACK SIDE CHAIRS (2)With sphere mounted back panels, 60cm wide; 109cm highCondition report: Inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age.Notably scuffs and scratches to the legs especially to the edges. Some wear, dirt and dust to upholstery commensurate with use and age, one with more of a mark to the seat. Dust sheets present.
Lot 1158
A SET OF SIX WILLIAM IV BRASS INLAID ROSEWOOD DINING CHAIRS (6)On tapering reeded supports, 46cm wide; 87cm highCondition report: One chair with a missing brass gadrooned finial. Two with badly damaged seats where the caning is loose and wood worm evident to the seat frame .Will both require restoration. The caning has been renewed at some point.Some wear to the brass inlay, tarnishing but no obvious pinging out. General discolourationn. inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age.see images.
Lot 949
A pair of 19th century country made hoop back elm dining chairs with square bent wood backsThe upper intersection is dowelled in each chair. One chair has been repaired at this point. They pair very nicely and they do seem to be all original - the back of one seat has a vertical crack but otherwise they appear in original condition with no replacement pieces.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provIde any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
Lot 813
A 1930s Tri-ang wooden dolls' house DH/3, white painted and brick façade, central front door set back into an arched porch with seat either side, five large windows, balustraded and pillared balcony running across the entire front, paper tiled roof, front opening to reveal four rooms, hall, stairs and landing, some original papers, three wooden fireplaces and dresser, dressed for Christmas, furnishing including three Caho dolls, painted bisque headed gentleman, lead wireless receiver, tinplate and cardboard range 32in. (81.5cm.) wide x 30 3/4in (78cm.) high x 18 1/4(46.5cm.) deep (repainting to white work and wear) - please note that the dinning room set featured in the interior photograph is now in the following lot
Lot 777
A Continental silver dolls’ house neoclassical sofa with Foreign London import marks 1900, the three seater with lyre and scrolling foliage decorated back, the seat with flower heads in a grid with mask faces on legs —3in. (7.5cm.) wide, impressed with a R over crown, WM for William Moering importers mark, lion passant, e, F and lion mask, approximately 42 grams
Lot 1326
Doll’s furniture, a pair of grey satin upholstered and buttoned chairs with turned ebonised legs —6 3/4in. (17cm.) high (old repair); a green painted bench (missing back of seat), a larger embonised chair with remains of cane seats; a soft metal picnic basket; a recent gilt painted chair; and a cloth covered book ‘L’Amour Provencal’
Lot 356
Five Valentine cards, a 1906 pop-up Valentine Railway with couple on back seat of tram, in original enveloped addressed to Miss Ada Eshlemann, Columbia (US) franked for FEB 14 1906 —8 1/2in. (22cm.) high (two tears); a 19th century card with paper lace and hand painted flowers; another pop-up card; a card with two googly eyed children and another
Lot 47
An armorial sealed 'Cylinder' wine bottle, dated 1791 Of olive-green tint, the narrow body with a slightly tapering neck and applied string rim, the side dominated by a large oval seal moulded with the Chadwick crest of a talbot dog's head pierced through the neck with an arrow, the collar charged with the arms of Handsacre, within the inscription 'JUXTA SALOPIAM/ 1791', the base with a deep 'kick-up', 26.8cm high Footnotes: Provenance Glass Works Auctions, 18 October 1999, lot 650 A C Hubbard Jr Collection Literature Ward Lloyd, A Wine Lover's Glasses (2000), p.115, pl.177 David Burton, Antique Sealed Bottles (2015), pp.1400-1 The date on this bottle relates to the Chadwick crest, which derives from the ancient crest of Malveysin granted to John Chadwick (1720-1800) on 1 August 1791 by Sir Isaac Heard, Garter Knight. The embellishment on the collar of the dog's head alludes to Sir William Handsacre, who was killed at the battle of Shrewsbury in 1403 by Sir Robert Malveysin, who was also killed at the same battle. The seat of the Chadwick family was Healey Hall in Rochdale, Lancashire, until John Chadwick's death. It then moved to Mavesyn Ridware in Staffordshire with his son, Charles Chadwick (1753-1829). As the Chadwick coat of arms is not incorporated into the seal, it suggests that John was probably not the owner of this bottle and that this is more likely to have been his son Charles. Burton records at least two other examples. This lot is subject to the following lot symbols: * * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. For further information on this lot please visit Bonhams.com
Lot 446
An important Pinxton porter mug by William Billingsley, circa 1796-99Of cylindrical form with a strap handle, turned bands below the rim and above the foot, painted with a view of 'Chatsworth Derbyshire', scattered cornflower sprigs to either side below a blue border, 12.7cm high, script mark and cursive P mark in redFootnotes:Illustrated by C Barry Sheppard, Pinxton Porcelain 1795-1813 (1996), p.76, fig.63. This rare mug belongs to a small group painted with views of Chatsworth and Brookhill Hall, the seat of John Coke, all attributable to William Billingsley. A yellow ground example from the Viscount St Davids Collection with a view of Brookhill Hall was sold by Phillips on 6 June 2001, lot 412. Another mug with the same view of Chatsworth in sepia monochrome, also attributed to Billingsley, is illustrated by Nicholas Gent, The Patterns and Shapes of the Pinxton China Factory (1996), p.43, fig.45. The source is a print by M A Rooker after Paul Sandby, published by G Kearfly in February 1775.For further information on this lot please visit Bonhams.com
Lot 19
A rare sealed 'Bladder' bottle, dated 1725 Of dark olive-green tint, the large bulbous body with an elegant tapering neck applied with a string rim, the broad face applied with a seal inscribed 'P/ Baftard/ 1725' within a lined border, with a basal 'kick-up', 18.2cm high Footnotes: Provenance With Neil Willcox, 4 October 1999 A C Hubbard Jr Collection Literature Roger Dumbrell, Understanding Antique Wine Bottles (1983), p.77, fig.94 and p.235 Ward Lloyd, A Wine Lover's Glasses (2000), p.112, pl.169 David Burton, Antique Sealed Bottles (2015), pp.609-10 The seal on this bottle is for Pollexfen Bastard (1696-1733), who inherited the estate of Kitley in Yealmpton, Devon, upon the death of his father in 1704. Kitley had become the seat of the Bastard family in the 17th century when William Bastard of Gerston Manor (1667-1704) married Anne (1666-1724), the heiress to Edmund Pollexfen of Kitley. Pollexfen was subsequently adopted as a forename for William and Anne's only son. The date on this bottle is the year after Pollexfen inherited Kitley from his mother. This lot is subject to the following lot symbols: * * VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium. For further information on this lot please visit Bonhams.com
Lot 405
A leather 'Maralunga' sofa, designed by Vico Magistretti for Cassina, with adjustable headrests, with single footstool made to match, both reupholstered in berry-red leather, applied labels, sofa width 244cm, depth 81cm, height 72cm.Qty: 2Condition report:Very little wear, some light scratching on the seat cushions and softening to the padding of the arms and head rests. No tears or rips, some small random patches of dirt.
Lot 138
White painted and gilt window seat, 20th Century, with scroll ends, on cabriole legs, with yellow upholstery, 85cm high x 111cm wide x 41cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
Lot 149
Pair of Chippendale style mahogany dining chairs, late 19th/20th Century, with pierced splats and foliate carved back, above drop in seat, on square legs, 97cm high (2). Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
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217092 item(s)/page