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Lot 1

Edward IV (1461-1470), First Reign, Light Coinage, York Mint, silver Groat, mm sun, quatrefoils at neck, E on breast (S. 2012); Henry VII (1485-1509), York Mint, Archbishop Savage, Halfgroat, mm martlet, keys at neck (S. 2214): Profile Issue, Groats (2), mm gross-crosslets and pheon, crowned bust right (N. 1747; S. 2258). First two fine, later two very fine. (4)

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OGILBY (John) Britannia Volume the First, 1939 reproduction, cloth, col. maps, oblong, 4to.

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STATON (Frances M.) & LOCKE (George H.) A Bibliography of Canadiana, Toronto 1934 plus BOYLE (Gertrude M) & CAMPBELL (Henry C) A First Supplement, Toronto 1959, both uniform cloth, 8vo plus bibliographies for Brasil, South Africa, China, America, New Zealand and others. (14)

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MODERN FIRST EDITIONS and related books, quantity. (2 boxes)

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William Lionel Wyllie, RA (1851-1931),Shrimpers, Sea Reach, etching first state, signed within the plate in pencil lower left, (old Rembrandt Gallery, Liverpool label verso), 20 x 25cm

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First World War Victory medal awarded to W Mee, A.B.R.N.; and accompanying defence medal; also life saving medals; and a swimming medal (7)

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Postcard album, Edward VII to George V, including many First World War

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Six Victorian china fairings: 'The Wedding Night', 'The Last in Bed to Put Out the Light', 'Shall We Sleep First or How?', 'Returning at One O'clock in the Morning', 'Three O'Clock in the Morning', 'Twelve Months After Marriage', some damage and restoration

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C Dixon, Game Birds & Wildfowl 'Game Birds & Wildfowl', published by Pawson & Bramsfield, Sheffield, this edition with colour plates (rebound, minus the first seven pages)

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*A FIRST PERIOD WORCESTER BOWL painted with famille rose floral sprays in panels divided by a mon on a gilt diapered solid iron red band, 6in. (15.5cm.) dia.

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*A FIRST PERIOD WORCESTER BLUE SCALE MUG the slightly tapering cylindrical body painted with mirror and vase shape cartouches of flowers, blue square fret mark, 3 1/4in. (8.5cm.) high

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A FIRST PERIOD WORCESTER SAUCER DISH painted in colours with a floral spray, within a gilt border on a dark blue ground, blue capital W mark, 7 1/2in. (19cm.) dia.

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A FIRST PERIOD WORCESTER JUG the wrythen almost cylindrical body decorated with gilt stiff leaves on a dark blue ground, 6 3/4in. (17cm.) high

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A WORCESTER FIRST PERIOD BLUE AND WHITE BOWL painted with a root pattern, open crescent mark, 4 3/4in. (12cm.) dia.

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A FIRST PERIOD WORCESTER BLUE AND WHITE TEAPOT AND COVER the globular body painted with floral sprigs, 5 1/2in. (14cm.) dia.

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A FIRST PERIOD WORCESTER BLUE AND WHITE BUTTER BOAT the leaf shaped dish painted with flowering plants, blue painters mark, 3 1/4in. (8cm.) wide

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A FIRST PERIOD WORCESTER BLUE AND WHITE BUTTER BOAT the leaf shape body painted with flowering plants, pseudo Chinese painters mark, 3 1/4in. (8cm.) wide

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A FIRST PERIOD WORCESTER BLUE AND WHITE MUG the slightly wasted cylindrical body painted with A Walk in the Garden, together with the knarled tree, blue painters mark, 3 1/4in. (8.5cm.) high

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STAMPS AND FIRST DAY COVERS. Stamp Albums, Packs and First Day Covers.

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W** H** WESLEY (Fl.c.1890-1915) BLEA TARN AND THE LANGDALE PIKES, WESTMORLAND; EASHING BRIDGE, SURREY; COTTAGES; VIEW IN THE MOUNTAINS; FIGURES BY A WOODLAND PATH Five, each signed with initials and dated 1897-1912, the first signed and inscribed verso, watercolour and pencil, various sizes The largest 55.5 x 38.5cm. (5) ++ Some with slight fading, principally in the sky; good overall.

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English School (mid 19th century), Portrait of a lady, wearing a burgundy silk dress trimmed with lace, seated before a landscape, watercolour on ivory, 9.5 x 7.5 cm, in a leather case,. And. After Sir Joshua Reynolds (1723-1792), Self portrait wearing a velvet cap; Portrait of the artist's mother, each watercolour on ivorine, the first oval 8.5 x 7 cm, the second oval 8 x 6 cm, each inscribed verso with artist's name, the second inscribed with titles

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English School (19th century), Portrait silhouette of a gentleman in profile, papier colle heightened with bronze, 8.5 x 6.5 cm,. And English School (19th century), Portrait silhouette of an elderly lady in profile; Portrait silhouette of a young lady in profile, each papier colle heightened with bronze, each 9 x 7.5 cm,. And English School (19th century), Portrait silhouette of a elderly gentleman Rev. Edward ** Adam, papier colle, oval 9 x 7 cm, inscribed verso with date 1862 and details of sitter, F**A** Halliday, 'Small boy'; portrait silhouette of a young boy in profile; First jacket, watercolour, 9.5 x 6.5 cm a plaster silhouette, a pencil drawing of an old man, a lithographic silhouette of a lady and an overpainted print

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THE FIRST SET, a stevengraph in its original captioned mount, slight crease to silk, colours bright, framed and glazed, 232.5 cms x 17 cms.

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GREAT BRITAIN TOUR TO AUSTRALIA 1954, programmes for the First and Third Test Matches, (2).

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GREAT BRITAIN TOUR TO AUSTRALIA 1946, programmes for the First and Third Test Matches, (2).

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NEW ZEALAND v WALES match programme for the First Test at Lancaster Park 31 May 1969, signed in ink to the centre pages by 20 of Wale and 18 of New Zealand, together with three other signed programmes, (4). *** Signatures include Jarrett, John, Edwards, Davies, Taylor, McCormick, Thorne, Lochore, Meads and Gray.

Lot 1

Two Spode reference books: S.B. Williams, "Antique Blue & White Spode" (Batsford, first edition 1943, with laminated dust jacket); and Leonard Whiter, "Spode" (Barrie & Jenkins, 1970, with dust jacket, signed by the author)

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Two Spode bone china breakfast cups and saucers in Mandarin 2 and Dragons Second patterns (P605-2, P627): the first of Bute shape with gilding, saucer diameter 16.0cm, printed lower-case marks; the second of tall porringer shape, saucer diameter 16.0cm, printed upper-case marks

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Two Spode Trophies-Dagger pattern plates (P630-1, P630-3): a circular earthenware dessert plate in the first variant, diameter 21.8cm, printed and impressed upper-case marks; and an octagonal bone china plate in the third variant, width 21.4cm, printed lower-case mark (the latter cracked, small filled rim chip)

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Spode bat-printed tea wares (P200 series, S43): comprising a saucer dish (P227), a Bute shape breakfast cup and saucer (P244, P252), and a Bell shape cup (P254, cracked), first three items marked with pattern number 557

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The Hester Savory part tea and coffee service of Spode bat-printed wares (P200 series, S7), comprising Old Oval shape cream jug, slop basin, saucer dish, eleven Bute shape teacups, twelve coffee cans and eighteen saucers, first three items with painted pattern number 557 (saucer dish with hair crack, some other damage); sold together with assorted documentation.

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Six assorted plain jelly glasses, the funnel bowls with everted rims and supported on rudimentary stems, first quarter 19th century

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A set of four green wine glasses, the conical bowls supported on annular lower sections, capstan stems and conical feet, 13cm high, first quarter 19th century

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A fluted toddy-lifter, of typical form with a neck ring, 18cm long; and two flat-cut clear bonnet glasses with ogee bowls, 7.5cm high, first quarter 19th century

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An amethyst pedestal sugar bowl, on a domed and folded foot, 11.5cm diameter; and a baluster jug with a loop handle, 13cm high (worn inscription), first quarter 19th century

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An olive green wine bottle, of 'onion' type with string rim, 15.5cm high, first quarter 18th century (oxidised, neck cracked and repaired)

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Two engraved rummers, comprising: a rummer with ogee bucket bowl and capstan stem, engraved with a foliate band, 11.5cm high; and an example with a funnel bowl engraved with a bird and a flower, 11.5cm high, first quarter 19th century

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Two similar ale flutes, the funnel bowls engraved with hops and barley, on flattened knop stems and conical feet, 14.5cm high, first quarter 19th century

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A Stourbridge oviform clear vase, moulded in relief with poppy seed pods and supported on knop stem and conical foot with stylised leaves, 18cm high, first quarter 20th century

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A selection of First Period Belleek porcelain, comprising: a 'Shell' jug with coral handle, pale yellow interior, 12cm high; a 'Shell' sugar bowl with coral base, 17cm in length; and four artichoke-leaf moulded cups and saucers, printed black marks, 1863-1891

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An English delft blue and white two-handled bowl and domed cover, possibly Bristol, painted in the Transitional style with figures in landscapes, the interior with a pierced strainer, 25cm wide, first quarter 18th century (some chips)

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Three Pratt multi-colour printed plates: comprising "The Truant" after T. Webster (Ball 413), "The Hop Queen" after W.F. Witherington RA (Ball 414), and "The Bully" after W. Mulready RA (Ball 415), all with malachite green borders, diameters around 24cm, the first two with printed title marks, mid-19th century ("The Truant" cracked); also a Copeland china mug printed and painted with a cat seated on a cushion (chips)

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BRITISH LIONS TOUR TO NEW ZEALAND 1983, match programmes for the first four Test Matches.

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MANCHESTER UNITED v SHEFFIELD WEDNESDAY match programme for the first game after the Munich Air Cash, 19 February 1958, slight vertical crease.

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A pair of late 19th century Chinese fabric textiles, the first on a blue-grey ground depicting dragons and immortals, the second on a pink ground depicting a man being brought before an elder.

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Two Welsh quilts the first with tobacco brown ground woven with cerise and cream woven design, the second on a black and white flecked ground with turquoise squares and rust motif decoration.

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A Belleek iridescent glazed porcelain oval frame with basket work pattern body and bead borders, the whole encrusted with ribbon and lily-of-the-valley, 6.25ins x 5ins (black printed first period mark to rear of frame)

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Two matching Sehna mats, north west Persia about 1900, 2ft.11in. x 1ft.11in. 0.89m. x 0.58m. and 2ft.9in. x 1ft.11in. 0.84m. x 0.58m respectively. ++Both even wear overall, the second heavier and the first with slight staining.

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Complete Tibetan saddle set, early 20th century, the under-saddle rug (makden) 2ft.1in. x 3ft.9in. 0.64m. x 1.14m., the over-saddle rug (maksho) 2ft.5in. x 1ft.11in. 0.74m. x 0.58m. ++The first with knee wear either end, the second slight kink in centre. And a damaged and separated Tibetan makden, about 1930.

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Two Ersari Turkmen chuvals, both probably north east Afghanistan end 19th century, 3ft.6in. x 4ft.9in. 1.07m. x 1.45m. and 3ft.6in. x 4ft.2in. 1.07m. x 1.27m. ++The first with overall even wear, small damaged areas at top, small damaged area and worn kink base elem; the second slight wear in field, small patch into centre of base elem.

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Two Baluchi rugs, both Khorasan, north east Persia or west Afghanistan, about 1900, 7ft.11in. x 5ft.4in. 2.41m.x 1.63m. and 7ft. 10in. x 5ft. 2.39m. x 1.52m. ++Both with slight wear, the first reduced in size by vertical cut down left side with original border joined.

Lot 1

Bokhara suzani, Uzbekistan first half 19th century, in silk tambour stitch on fine cotton ground with its original block printed cotton backing, 7ft.1in. x 5ft. 2.16m. x 1.52m. ++Holes, patched and restored; a comparison of normal length to width ratios of such suzani suggest that this may have lost between 6 and 12 inches (16 to 32 cm.) from its original width.

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Two silk embroideries, both depicting floral sprays, the first with flowers in a curved horn in raised work, both on cream silks grounds. Both English, late 18th-early 19th century, 18.25in. x 12.75in. 46. 5cm. x 32.5cm. and 12in. x 10in. 30.5in. x 25.5cm. ++Both time stained, the latter with small splits to ground. The former in original bird's eye maple frame, the latter in original gilt wood frame with black and gilt glass mount, both glazed.

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Santa Cruz; a shell breast ornament of traditional form, pierced tortoiseshell stylized bird ornament laid on a white tridacna shell disc, attached with fibre binding, 5.875in diameter; together with another similar breast ornament, 5.75in diameter, probably first half of the 19th century. (2)

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A Samoan hand club, fa'aloufa'i, of angular flaring form with deeply notched serrated blade and pointed head, terminal pierced for attachment, side notch on head lacking, red-brown patina, first half of the 19th century, 28in long.

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A Fiji Islands 'gunstock' club of slender form, crested blade with hatched inner face, cylindrical shaft and domed butt, red-brown glossy patina, first half of the 19th century, 37in overall.

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An Arab flintlock musket, walnut stock decorated in floral silver wirework, ring and dot patterned olivewood butt, silver mounted angular lock plate and wirework barrel with Arabic proofmark, native ramrod, first half of the 19th century, 74in overall length.

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A Tibetan Thanka, depicting 'Green Tara' the embodiment of infinite compassion, wearing the five leaf crown, dhoti scarf and body jewellery, sitting in Lalitasana upon a lotus throne, her right hand resting on her knee, her left raised and holding the stem of a lotus flower, painted in colours on cotton, 15.75in x 10.5in, bordered with crimson silk damask, 36in x 19.75in overall, some wear, first half of the 19th century or earlier.

Lot 1

LEWIS, C. S. The Lion, The Witch, and the Wardrobe. Illustrations by Pauline Baynes. First edition. 1950. 8vo, original cloth in d.w. Spine and edge faded, the d.w. somewhat soiled and edge-chipped, tear. Indentations to d.w. on lower cover. Name on endpaper.

Lot 1

[SIR EDWIN SANDYS (1561-1629) Statesman & Treasurer of the Virginia Company] - MANUSCRIPT MEDICAL & COOKERY RECEIPTS: A volume of upwards of 300 very detailed receipts in various hands; at the commencement of the 55th-page the volume being inscribed "Hear begins my Lady Sandys her receipts". There follows a further 136-pages of receipts; all these and those in the first section are fully indexed at end. Following "my Lady Sandys" receipts are a further 16-pages of receipts ; the volume is thus comprised of three sections. Many of the receipts in the first give their source, e.g. "My Lady de la fountaine", "Dr. Diodati" [Theodore Diodati 1574-1651?], "goodwife Cutt", "Sr Ric. ffords lady", "Sr William Ryders Lady", "Mr Lawrence the apothecary", "My Lady Waterman", "My Lady Anderson", "Mr Rogers had it from old Dr. Rugely", "Aunt Frances", "Mrs Robinson the midwife", "Mrs Lewes of Putney" etc. Only a few give their source in the "Lady Sandys" section, e.g. "My Cousen Sam Sandys", "Mary Spencer", & "Sir Theodore Mayherne" [1573-1655; physician] etc. The medical receipts include "To kill wild fire", "A water for the consumption and surfeit, alias the admirable and most famous snaile water"," The great plague water", "A gentle purge to be taken at any time without dainger. Good to free the liver from obstructions and stoping of the cause of most diseases in women, good against the dropsy and green sicknes, good for an ague after the third fitt, all writers call Rhubarb the life of the liver", "A most excellent anti Pestilentiall cordiall", "A powder to clear the heart and to drive Malencholly from the vital spirits about the heart....which is the mother of most diseases", "The great mistry in nature that Maxemilian the Emperor sent to his sister of Spaine", "Lucatellos Balsam","A writ for a madd dogg" [9 words to be "written upon any thinge the dog will eat"], "This balme cures all wounds through the flesh, all scaldings, heat or burne with the fier", "A receipt for the Gripes or Purgin.......it cured sister Kitty" and "Doctor Carays receipt for consumsion.....this cured my sister Pen" etc. The culinary receipts include "conserve of Cowslips", "Currant Wyne", "To make a lettis pie with a pudding in it", "To make a pudding about a Carpe", "To make flesh jelly", "To boyle larks in broath" etc. Closely written on 212-pages, small 4to, old leather boards now detached, lacking backstrip; first few leaves detached. Approximately 60% of the receipts are medicinal. *Circumstantial evidence within indicates, perhaps, that "my Lady Sandys" is the wife of Sir Edwin Sandys (1561-1629) the Jacobean statesman, member of the Council for Virginia 1607, and Treasurer of the Virginia Company 1619-20; perhaps his 4th wife Catherine (b.1583) whom he married c. 1604 and who bore him 12 children. There are references to "My cousen Sam Sandys" [his 2nd cousin Samuel (d.1651) ?], to "Aunt Frances" [his father, Edwin (1519-1585) Archbishop of York's sister ?], "Mary Spencer" [his daughter Mary who married Richard Spencer ?] and, in the 3rd section, perhaps a continuation by his daughters, references to "sister Kitty" & "sister Pen"[ his children Catherine and Penelope?]. The volume is however undated and only further research may positively establish a connection.

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