Tim Mara (1948-1997), Limited edition print on paper, 'Castles In Spain', Signed, titled and dated 1993 lower right, numbered 13/50, 27.5cm x 27.5cm, Framed and glazed, Biography from tate.org.uk: Tim Mara was born in Dublin and studied art at Epsom, Wolverhampton and the Royal College of Art. He was Professor of Printmaking at the Royal College from 1991 until his death. He had his first solo show of prints in 1974 This lot may be subject to ARR, Artists Resale Rights, percentage on the hammer price. Please see our terms and conditions.
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A dolls house modelled as an accurate representation of 10 Downing Street, the exterior with black brick effect facade, removable railings and policeman, access to the interior through front opening walls, the interior with Cabinet Room, stair gallery with Prime Ministers' portraits, first floor dining room and Prime Minister's private apartment, all with correct furniture and decoration, with documents from the Prime Minister's office confirming the accuracy of the model For condition information please view this lot on our website HERE
Two Kulah Khud type helmets, the first with a sliding nose bar, spike finial and chain link neck guard, cast in relief with foliate panels and embellished with gilt, upon a turned oak stand, the second with sliding nose bar and chain link neck guard upon a similar turned oak stand (2) For condition information please view this lot on our website HERE
BLYTON, Enid. Child Whispers. J. Saville & Co, London, 1923 1 st hardback edition. In original brown publisher’s cloth with gilt titling to front board. With partial dust wrapper, designed by Phyllis Chase. This was Enid Blyton’s first book. Together with BLYTON, Enid, Billy-Bob Tales, Methuen, London, 1942 3 rd edition, lacking wrapper and Ten Minute Tales, Methuen, London, 1942 4 th (School) edition, lacking wrapper. [3]Condition report: Child Whispers is a very clean copy Minor spotting to front endpaper, named in red ink to top of endpaper. Wrapper has significant area of loss to back panel, area of loss to top of front panel affecting text. Further area of loss at base of spine. Billy Bob Tales has a stain on front board. Minor marking on endpapers. Ten-Minute Tales is worn, has many Sellotape repairs to pages. Library stamp to front endpaper.
John Lennon, In His Own Write, Jonathan Cape 30 Bedford Square London, early edition, signed by John Lennon to the opening page in blue ink, the opposing side inscribed in another hand 'Foyles Luncheon, Dorchester Hotel 23rd April 1964'. Note: This whimsical book of surrealist poems, drawings and short stories was the first solo endeavour by any of The Beatles. Originally published in March 1964, it was a huge success – reportedly selling 50,000 copies on the first day of its release in England. To celebrate the books success, Lennon was invited to a literary luncheon hosted by Foyle’s at the prestigious Dorchester Hotel in London, for which he took a break from filming A Hard Day’s Night. Also in attendance were the Earl of Arran, Arthur Askey, Harry Secombe, Mary Quant, Helen Shapiro and a crowd of press people amongst others. Unfortunately, Lennon was not aware that he was expected to make a speech or that the event was anything more than a casual lunch; and according to his wife Cynthia they were both painfully hungover. When the moment arrived, with the press and attendees waiting with bated breath to hear from the ‘intelligent’ Beatle, a terrified John Lennon stood and said "Er, thank you all very much, and God bless you." Apparently the disappointment was palpable and it was seen as a typical Lennon snub of the establishment, but he tried to make up for it by signing copies of his book – including this volume for a relative of the current vendor who was in attendance.
A pair of Royal Worcester porcelain figurines depicting Liberty and Captivity, each holding a dove, embellished in gilt, impressed and printed backstamp, circa 1900, h.41cmCondition report: No apparent cracks, chips or restoration. Gilt good. Very minor wear to plinths. First class examples.
John Pace of Bury St Edmunds - a rare year-going skeleton timepiece, mid-19th century, the arched chamfered plates with five turned pillars, gilt Arabic chapter ring above interlaced rings for weeks of the year and date, shaped blue steel hands, the twin chain driven fusees each with two spring barrels, anchor escapement, five and six spoke wheels, all raised on an oval plinth engraved 'John Pace Bury St Edmunds' to the front, h.40cm, all upon an ebonised oval stand with glass dome (dome cracked). Notes: John Pace (1783-1867) was born in Whitechapel and hailed from an eminent Quaker family of clock and watchmakers who had been registered as working in the area from at least the 1630s. By 1804 he is recorded as working in Bury St Edmunds, and later more specifically in Abbeygate Street (No.19) from 1823 until 1855. In a town bristling with renowned clockmakers, Pace managed to rapidly gain a good reputation for his inventiveness as well as for the quality of his work. His ingenious nature led to him patenting an illuminated ‘night timepiece’ (No.6506) in 1833, and creating elaborate skeleton clocks such as this example. However, Pace was clearly happy to work on all manner of clocks, watches and barometers, and formed a strong working relationship with Bury St Edmunds gunsmith and clockmaker Benjamin Parker – sharing design and precision work between them to produce excellent pieces. During this time he married Frances Rebecca Hancock of Mitcham with whom he had four children. Pace was also a leading figure in the Bury St Edmunds Society of Friends and was secretary of the local Quaker meetings between 1827-1832. He is also recorded as being Alderman for the North Ward in 1843 and secretary of the Mechanics Institution which was based in Crown Street from 1824. By the 1850s Pace was at the peak of his powers, and as such exhibited three examples of his work at the Great Exhibition of the Works of Industry of All Nations held at the Crystal Palace in 1851. This comprised of two clocks and a barometer; one of these being a skeleton clock which ran for three years on just one winding. He is referred to in the Exhibition catalogue as “ Pace, J. Bury St Edmunds, - Inventor, Designer & Manufacturer ”. Pace moved to Chelmsford after the death of his wife, where he himself died in 1867. His obituary in the Norwich & Bury Post describes him as being “ widely esteemed outside the boundaries of the religious community to which he belonged, at a time when members of the Society of Friends suffered in various ways …”. It also demonstrates how Pace’s scientific mind didn’t stop at timepieces, as he is remembered as being the first shopkeeper in Bury “ to substitute gas-light for the dimness of former days ”. Such was his reputation, that even by the end of the 19 th century his clocks were still considered highly desirable. The auction at Hengrave Hall in 1897 included “ A fine old early English striking clock… made by John Pace, Bury ”. Two silver watches by Pace are also included in the world-famous Gershom Parkington timepiece collection on display at Moyse’s Hall Museum in Bury St Edmunds. This particular clock found its way into the collection of Joseph Maumus Meraux (1922-1992), a major landowner in Louisiana, whose collection of ‘Rare and Unusual’ clocks were sold at Sotheby’s on 28 th June 1993; this lot being No.396.Condition report: In running order. The steel hands all appear original, no breaks, some minor pitting to metal only. All three dials good, with some minor surface scuffing only. Some tarnishing to edges of both date and week dials. Chains all good. Backplate with several small dents to outside edge on one edge (see extra image). Two unexplained holes to either side of base of pendulum (possibly to secure pendulum), and a single hole near foot (see extra images). Bob to pendulum possibly replacement. Base with several small areas of surface wear and very fine surface scratches where it has been over-polished. Blue steel screws all good, but most with some minor areas of wear. Ebonised plinth possibly associated, as shape is elongated compared to base of clock. Glass dome cracked. In summary, appears in good and generally original condition with some modest age wear.
A pair of white metal Alexander Ritchie enamelled Viking longship cufflinks stamped AR Iona, and a silver Alexander Ritchie Iona ICA Viking longship ring, size O Condition Report: Provenance; private owner. Cufflinks;- one, losses to the enamel by the rigging on the ship, looks dark in photo as its tarnished, more minor losses to the other side, more from the enamel being too thick and has pinged off rather than being banged etc, overall tarnish, stamped simply A.R Iona no silver mark. Two better than first cufflink, more minor losses to the other side, from the enamel being too thick and has pinged off rather than being banged etc, overall tarnish, stamped simply A.R Iona no silver mark. Overall medium general wear. Ring;-Stamped CAI A.R Iona with silver hallmarks for Birmingham 1931, overall tarnish and medium general wear, losses to the pattern on the shoulders but the ship is ok. Slightly bent out of shape, easy fix.
A George III silver sauceboat and a George III silver cream-jug, the first by William and James Priest, London, 1768, the second maker's mark worn, London, 1810, the sauceboat of typical form on three shell-capped pad feet, the cream-jug oblong and on ball feet, 15cm wide and smaller, 8oz 19dwt (2)
A collection of silver, including: a George V silver-mounted timepiece, by Adie Brothers, Birmingham, 1928; four various napkin-rings, one by Henin & Cie, Paris, first quarter 20th century; a five-bar toast-rack; a place-card holder in the form of a wishbone; a circular dish with a double head eagle; a silver candlestick, filled, and a silver propelling pencil, 9oz 6dwt (qty)
A George II silver marrow-scoop and a George III silver marrow-scoop, the first by Elias Cachart, London, 1754, the second maker's mark rubbed, London, 1767, each of typical form, the bowl of the first with shell heeled bowl, worn, the second engraved with initials, 22cm long and smaller, 2oz 4dwt (2)
Assorted textiles including white linen sheets and cloths, knitted bed cover, small book of lace, crochet edged cloths, kid gloves, unframed sampler by Hannah Wiggleworth 1848, two feather fans, etc (two boxes) There are three linen sheets in this lot. the first 225cm by 263cm and in good order, the other two 251cm by 205cm and 253cm by 200cm respectively, both with damp staining.
A First/Second World War Gallantry Group of six medals, awarded to 110568 GNR.A.MARRIOTT, R.F.A., comprising Distinguished Conduct Medal, British War Medal and Victory Medal, 1939-45 Star, France and Germany Star and War Medal, with posthumous award 1939-45 medal slip and ribbons, in box of issue (6)
dating: First half of the 19th Century provenance: Southern Italy, Wide, single-edged blade, with hollow tip, chiselled with birds, lion and other animals in relief at the base and along the back. Thin, central groove. Grip in horn disks of various colors, with yellow metal staves and mounts. Small parts missing. length 43 cm.
dating: Third quarter of the 19th Century provenance: Austria, First model. Round, rifled, 14 mm cal. barrel, with fore-sight, fix rear sight, remains of stamps at the base. Forward spring lock with imperial stamp and date '858'. Wooden, full stock. Iron mounts. Stamp 'CP' on the butt and barrel. Brass-tipped iron ramrod. Socket-bayonet (length 56 cm). length 105,4 cm.
dating: first quarter of the 19th Century provenance: France, Round, smooth-bore, 18 mm cal. barrel, with clutch for a bayonet, octagonal breech. Tang with model caption. Lock with remains of marking 'Manuf. R.le de ...' (not clearly readable, probably Maubeuge). Brass pan. In working order. Wooden, full stock (repair in the central segment, restored woodworm holes and other small restores). Iron mounts, muzzle ring with brass fore-sight. Modern strap. Iron ramrod. Socket-bayonet. length 152 cm.
dating: First half of the 19th Century provenance: France, Round, smooth-bore, 19 mm cal. barre, with clutch for a bayonet, remains of marking and numbering at the base. Lock with flat plate and roundish tang, remains of marking 'St. Etienne' and brass pan. In working order. Wooden, full stock (some repaired block). Iron mounts, muzzle ring with fore-sight. Iron ramrod. Modern, leather strap. Socket-bayonet. length 140,5 cm.
dating: first quarter of the 19th Century provenance: England, Round, smooth-bore, 18 mm cal. barrel, with fore-sight, breech with remains of British stamps. Tang marked 'GR 2B GC S'. Lock with slightly roundish plate, with crowned monogram 'GR', crowned Broad Arrow and marking 'TOWER'. Wooden, long stock (restored woodworm holes) with remains of numbering. Brass mounts, iron ramrod. Modern, leather strap. length 139 cm.
dating: first quarter of the 19th Century provenance: England, Round, smooth-bore, 18 mm cal. barrel, with fore-sight, breech with remains of British stamps. Tang with sight. Lock with slightly roundish plate with crown surmounting monogram 'GR', crowned Broad Arrow stamp and marking 'TOWER'. Long, wooden stock (restored woodworm holes and repair in the front part). Brass mounts, iron ramrod. Modern, leather strap. length 128 cm.
dating: first quarter of the 17th Century provenance: Northern Europe, Straight, double-edged blade, ribbed in the center at the tip, then of hexagonal section and with fuller at the forte; remains of marking inside '...IACOP ...ACH ME FECIT' on one facet, '...COP ...ACH SOLINGEN' on the other. Remains of cross-mark. Ricasso with facets with fuller. Iron hilt with two shell-guards, pierced and chiselled with petals, with fretwork flowers and birds inside of them. The two shell-guards joined to the rings by finely braided arms, shaped as a snake's head, to shape a wide sword-shell together with the shell-guards. Counter-curved quillons, of square section and slightly enlarged at the ends, joined also to the pas d'ane rings. Three loop-guards. Mushroom-pommel, adorned with braided bands in relief on a ground with thin, longitudinal raisers. Grip with iron moor's heads and wire binding. length 129,5 cm.
dating: 17th Century provenance: Germany, Straight, double-edged blade with central fuller, first part engraved with inscription 'für gott und das vatterland' on one side and coat-of-arms and trophy on the other, short tang. Iron hilt with lower ring-guard and loop-guards, straight, ribbed quillons, enlarged outwards, the ends with a button. Faceted pommel. White metal, spiral grip. Remains of silver decorations. length 103.5 cm.
dating: first quarter of the 17th Century provenance: Northern Germany, Straight, double-edged blade of lenticular section, with slight fuller at the forte and traces of outlines at the tag. Iron hilt. Two shell-guards, pierced (some detachment and small parts missing), joined to the ring-guards with two, short, curved arms. Counter-curved quillons, slightly enlarged at the ends. Two loop-guards, the third is missing. Grip with moor's heads and spiral of iron wire bindings. Iron, faceted mushroom-pommel, with button shaped as a truncated cone. In patina. length 114 cm.
dating: 18th Century provenance: Holland, Straight, double-edged blade, first of hexagonal, then of lenticular section (pitting), remains of markings at the forte, only partially readable '...KALVERSTRAET TO...'. Brass hilt, heart-shaped sword-shell. Quillon block, pommel and grip carved with spirals, smooth guard. Leather scabbard with brass mounts. length 97 cm.
dating: 18th Century provenance: Germany, Straight, single-and half-edged blade, first half with fuller, the second of lenticular section, remains of small engraved trophies and flowers at the forte. Some pitting. Brass hilt with shell-guard carved with rocaille. Counter-curved quillons. Quillon block, guard and long ring-nut carved with grooves and outlines. Deer horn grip. Big, brass, mushroom-shaped cap, carved with leaves in relief. length 88,2 cm.
dating: 19th Century provenance: Turkey, Typical, slightly-curved, single-edged blade with double groove at the back; the first part decorated with gold writings and floral motifs on a blue ground; metallic, gilded hilt decorated with filigree, with big, cabochon corals and glass stones; walrus-ivory grip scales. Wooden scabbard with iron mounts and brass wire binding. length 75 cm.
dating: First half of the 20th Century provenance: Turkey, Strong and elegant, curved, single-edged blade in finest damask wootz, with flat facets, a cartouche at the forte on the right side, chiselled with Arabic inscriptions and hemmed with gilded frame. Silver hilt, with Turkish type mounting, cross-quillon with langets, an engraved rosette in the center, quillons with raisers, ending in faceted cusps. Central band of the grip in silver, decorated with flowers and leaves in relief. Brown horn grip scales with very big pommel, curved on one side and provided with a small, central hole, hemmed in silver. Fine scabbard, completely covered with silver foil, decorated in bass-relief with floral motifs, flag trophies and rocaille on both facets. The two bands, in silver as well, with relieved flowers and dotted ground, both provided with an articulated and cusped loop. length 96 cm.

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