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Lot 1866
1977 Triumph T140v Bonneville Queens Silver Jubilee Limited Edition - The final phase of the Triumph twin's development began in 1972 with the first appearance of the new 750cc version of the Bonneville. Other improvements included a new ten-stud cylinder head, triplex primary chain, stronger transmission, and a disc front brake. A five-speed gearbox was standard equipment on the 750. In 1977 Triumph introduced a special, limited edition Bonneville to celebrate HM Queen Elizabeth II's Silver Jubilee. This was basically the standard Bonnie enhanced by a red, white, and blue on silver finish, coachlined cycle parts, and a chromed timing cover and primary chain case. This example of one of the more collectible of later Bonnevilles, having recently benefitted from full restoration the bike is offered with V5, Keys and some historic paperwork
Lot 345
Late 19th century albumen photograph print depicting a man with a cane posing in front of the Great Sphinx and the Great Pyramid of Giza, ca. 1857-59.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 1/2 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 334
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th century albumen photograph print depicting figures camels posing atop the Great Sphinx with the Great Pyramid of Giza in the background. Signed along the lower right in negative.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 7/8 in x width: 10 1/8 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 153
Akiko Hirai (Japanese, b. 1970). Group of two studio ceramic tea bowls or yunomi cups, 21st century. Stoneware with kaolin glaze and thin white slip decoration likely applied after the first firing, reminiscent of biscuit or bisque pottery. Each cup is signed along the underside.(Smaller) height: 3 1/2 in x diameter: 3 1/2 in. (Larger) height: 3 3/4 in x diameter: 3 1/2 in.Condition: There are no major cracks, losses, or restorations to either cup. Crazing along the interior; some firing flaws along the exterior. Light wear along the footrims.
Lot 324
Late 19th century albumen photograph print depicting a partially excavated Great Sphinx of Giza with pyramids in the background, ca. 1890. Ink inscription along the lower margin reading "The Sphinx."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 11 1/8 in x width: 8 1/2 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: The sheet is toned. It is affixed to a board backing. There is a slight undulation to the sheet. Light wear along the edges. No visible tears, creases, or losses. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 264
Ludwig Mies van der Rohe (German-American, 1886-1969) for Knoll, United States. One mid-century modern "Barcelona" model lounge chair, first designed in 1929. With a stainless steel frame and tufted volo leather seats. The "Barcelona" model was initially designed for Van der Rohe's German Pavillion at the World's Fair International Exhibition in Barcelona.Height: 30 1/2 in x width: 30 in x depth: 30 in.Condition: The chair is structurally sound and stable. There are no visible breaks or losses. The leather appears to have been replaced and restored. Light wear along the feet. Dust and debris gathered throughout, especially along the recessed areas within the frame and the tufted leather cushions.
Lot 298
Adelphoi Zangaki, Greece. Late 19th to early 20th century albumen photograph print depicting the Karnak Temple Complex and a pond. Inscribed in negative along the lower margin "No. 988 Vue generale du temple et de luc sacre Karnak." Signed in negative along the lower left.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 in x width: 10 1/2 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 291
Antonio Beato (Italian/British, ca. 1832-1906). Late 19th century albumen photograph print depicting a statue of a queen in the Temple of Abu Simbel. Captioned along the lower margin "Nubia, Exterior of the Temple of Absamboue." Signed in negative along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 1/2 in x width: 7 1/4 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no tears, losses, or restorations. The sheet is toned, more so along the edges. Undulation throughout. Pencil inscription along the verso matching the pen inscription along the matboard. Foxing and toning to the matboard. Three tears to the matboard. The matboard appears to be somewhat brittle and has the potential to tear or damage easily. The photograph is loose and not glued down. Not framed.
Lot 294
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th century albumen photograph print depicting hieroglyphics. Depicting bas-reliefs of Seti I offering incense to Osiris at Abydos, Egypt. Inscribed along the lower margin "7729 Abydos: temple de Seti [illegible]."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 3/4 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 326
Late 19th century albumen photograph print depicting ruins in front of the Great Sphinx and the Great Pyramid of Giza, ca. 1860. Ink inscription along the lower margin reading "Le Sphinx et la Pyramide de Cheops."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 in x width: 10 3/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: The sheet is toned. It is affixed to a board backing. There is a slight undulation to the sheet. Light wear along the edges. No visible tears, creases, or losses. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 266
Ludwig Mies van der Rohe (German-American, 1886-1969) for Knoll, United States. One mid-century modern "Barcelona" model lounge chair and ottoman, first designed in 1929. With a stainless steel frame and tufted volo leather seats. The "Barcelona" model was initially designed for Van der Rohe's German Pavillion at the World's Fair International Exhibition in Barcelona.(Chair) height: 30 1/2 in x width: 30 in x depth: 30 in. (Ottoman) height: 15 in x width: 24 in x depth: 21 1/2 in.Condition: The chair and ottoman are both structurally sound and stable. There are no visible breaks or losses. The leather upholstery of each piece appears new and may have been restored. Light wear along the feet. Dust and debris gathered throughout, especially along the recessed areas within the frame and the tufted leather cushions.
Lot 102
Gunnar Nylund (Swedish, 1904-1997) for Rorstrand, Sweden. Small ceramic "Igloo" vase of a robust and rotund form with a ribbed recessed neck and footrim, 1965. Stoneware with a mottled teal-green glaze. The "Igloo" series of vases, such as the vase featured in this lot, is one of the most iconic designed by Nylund and produced by Rorstrand. Stamped initials, Rorstrand first quality maker's mark, and "Sweden" along the underside. Additionally, there is a stamped miniature igloo above the Rorstrand mark indicating its model.Gunnar Nylund is a prominent figure in illustrious 20th-century Swedish ceramic design. He served as the artistic leader at the Rorstrand factory during the 1940s and 1950s. His work is represented in the Swedish National Museum of Art and Design.Height: 5 in x diameter: 4 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim.
Lot 344
Late 19th century albumen photograph print depicting figures posing on the partially exposed paws of the Great Sphinx and the Great Pyramid of Giza, ca. 1886-1890. Depicting the Sphinx after the first clearance. The Dream Stele can be seen between the paws of the Sphinx.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 1/2 in x width: 7 3/8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears or restorations. The colors are slightly faded. Light to moderate creases throughout. Spots of soiling or toning along the upper half. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 299
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th to early 20th century albumen photograph print depicting an interior view of The Hypostyle (Great) Hall of the Karnak Temple Complex. Inscribed in negative along the lower left "817 Karnak: Gd. temple: Salle Hypostyle (interior)." Signed in negative along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 1/2 in x width: 7 7/8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 107
Carl-Harry Stalhane (Swedish, 1920-1990) for Rorstrand, Sweden. Ceramic faceted vase featuring a crosshatch pattern along the shoulder and a striped motif along the neck, 20th century. Stoneware pottery with a lovely variegated brown-grey glaze. Incised "CHS-e," "Atelje," first quality Rorstrand maker's mark, and "Sweden" along the underside.Carl-Harry Stalhane is one of the most celebrated figures of 20th-century Swedish ceramic design. He is best known for his role as the artistic leader at Rorstrand during the 1960s. His name has become synonymous with exceptional ceramic quality, stunning creative design, and outstanding craftsmanship. Stalhane's work is represented in the Swedish National Museum of Art and Design.Height: 8 1/2 in x diameter: 4 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim.
Lot 342
P. Peridis (act. late 19th c). Late 19th century albumen photograph print depicting two women posing in front of the Great Sphinx of Giza. Two pyramids can be partially seen in the background.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 1/4 in x width: 8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. There are two pinholes along the upper left quadrant. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 301
Adelphoi Zangaki, Greece. Late 19th century albumen photograph print depicting hieroglyphics in the Karnak temple complex near Luxor, Egypt. Inscribed "Zangaki N.960 Karnak Inscription murale de spand temple" in negative along lower margin.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 3/4 in x width: 8 1/4 in. Matted: height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 314
Late 19th century albumen photograph print depicting bas relief hieroglyphics along a wall in Egypt. The left-most figures depict the gods Horus and Hathor.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 1/2 in x width: 7 1/2 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light creases throughout. Creases in all four corners. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 297
Adelphoi Zangaki, Greece. Late 19th century albumen photograph print depicting the Great Hall and obelisk at the Karnak Temple Complex. Inscribed illegibly and numbered 108 along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 1/2 in x width: 11 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. The photograph is toned. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 338
Late 19th century albumen photograph print depicting three figures atop camels posing in front of the Great Sphinx and the Great Pyramid of Giza.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 6 1/2 in x width: 8 3/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 328
Abdullah Freres (Ottoman). Late 19th century albumen photograph print depicting a partially excavated Great Sphinx of Giza with pyramids in the background, ca. 1890.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 1/2 in x width: 7 1/2 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. The photograph is slightly faded. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 329
Late 19th century albumen photograph print depicting two figures atop camels posing in front of the Great Sphinx and the Great Pyramid of Giza.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 6 1/2 in x width: 8 3/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears or restorations. The colors are slightly faded. Light to moderate creases throughout. A few small spots of skimming along the upper edge. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 265
Ludwig Mies van der Rohe (German-American, 1886-1969) for Knoll, United States. Pair of mid-century modern "Barcelona" model lounge chairs, first designed in 1929. With a stainless steel frame and tufted leather seats, possibly upholstered with Knoll's signature "Ojai" volo leather or "Botany Bay" acqua leather colors. Label along the underside of the seat reading "Knoll Associates, Inc." This chair was initially designed for Van der Rohe's German Pavillion at the World's Fair International Exhibition in Barcelona.(Each) height: 30 in x width: 30 in x depth: 30 in.Condition: The frames are sturdy and sound. There are scuffs and scratches and wear to the feet as expected from use. All leather components to both the chairs are worn with age which includes cracks, brittleness, and flaking losses. One of the bottom straps of one chair has broken. The chair requires repair to prevent further breakage. Dust and debris gathered within the recessed areas.
Lot 304
Possibly Antonio Beato (Italian/British, ca. 1832-1906). Late 19th century albumen photograph print depicting hieroglyphics. Depicting the Poem of Pentaur within the temple complex of Karnak.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 5/8 in x width: 10 3/8 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 295
Late 19th century albumen photograph print depicting bas relief hieroglyphics in the Temple of Kom Ombo. The scene depicts a sacred moment from the interior walls of the Temple of Sobek and Haroeris.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 in x width: 7 1/2 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. Small creases along the lower edge. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 105
Carl-Harry Stalhane (Swedish, 1920-1990) for Rorstrand, Sweden. Stoneware pottery vase with a lovely variegated brown-grey glaze and delicately textured exterior, 20th century. Initialed "Ch-Se" and incised "Atelje," first quality Rorstrand maker's mark, and "Sweden" along the underside.Carl-Harry Stalhane is one of the most celebrated figures of 20th-century Swedish ceramic design. He is best known for his role as the artistic leader at Rorstrand during the 1960s. His name has become synonymous with exceptional ceramic quality, stunning creative design, and outstanding craftsmanship. Stalhane's work is represented in the Swedish National Museum of Art and Design.Height: 8 1/2 in x width: 6 in x depth: 5 in.Condition: There are no chips, cracks, losses, or restorations. There is a minute firing flaw along the upper third of one side. Light wear to the footrim. Spot of adhesive residue/old label affixed to the underside.
Lot 290
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th to early 20th century albumen photograph print depicting an exterior view of the Abu Simbel Temples. The temples were built by King Ramesses II around 1260 BCE. Inscribed in negative along the lower left "948 Abou-Simbel Temple (Facade) Nubre." Signed in negative along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 1/2 in x width: 10 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. There are minute creases along the extreme edges. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 99
Gunnar Nylund (Swedish, 1904-1997) for Rorstrand, Sweden. Ceramic mid-century modern "ARL" model "alphabet" vase, ca. 1950s. Stoneware pottery of a handled pitcher form with a rare mottled green and cream glaze. Incised initials, first quality Rorstrand maker's mark, model "ARL," and "Sweden" along the underside.Gunnar Nylund is a prominent figure in illustrious 20th-century Swedish ceramic design. He served as the artistic leader at the Rorstrand factory during the 1940s and 1950s and his iconic "alphabet" vases were produced in limited editions making them rare, important, and highly sought after. Nylund's work is represented in the Swedish National Museum of Art and Design.Height: 8 in x width: 3 1/4 in x depth: 3 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim. Dust gathered along the interior.
Lot 339
Late 19th century albumen photograph print depicting a large group of figures posing in front of the Great Sphinx and the Great Pyramid of Giza. Illegibly inscribed along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 3/4 in x width: 10 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 321
Antonio Beato (Italian/British, ca. 1832-1906). Late 19th century albumen photograph print depicting the Ramesseum with the Osiride Pillars. Inscribed with ink along the lower margin "Rameseum and the Broken parts of a phitpendous pyenite statue which weighed over 800 tons." Signed along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 1/8 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: The sheet is toned. It is affixed to a board backing. Some creases throughout; there is a small, deep crease along the lower left. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 336
Maison Bonfils (France). Late 19th century albumen photograph print depicting The Great Sphinx and The Great Pyramid of Giza, ca. 1890.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 3/8 in x width: 10 1/2 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Some spots of soiling along the upper half. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 110
Carl-Harry Stalhane (Swedish, 1920-1990) for Rorstrand, Sweden. Bulbous ceramic "SBC" model "alphabet" vase with a tall, narrow neck and rotund body. Stoneware with a caramel-brown glaze and delicately textured exterior, ca. 1950. Incised initials, first quality Rorstrand maker's mark, "Sweden," and "SBC" along the underside.Carl-Harry Stalhane is one of the most celebrated figures of 20th-century Swedish ceramic design. He is best known for his role as the artistic leader at Rorstrand during the 1960s. His name has become synonymous with exceptional ceramic quality, stunning creative design, and outstanding craftsmanship. Stalhane's work is represented in the Swedish National Museum of Art and Design.Height: 5 1/2 in x diameter: 4 1/2 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim.
Lot 108
Carl-Harry Stalhane (Swedish, 1920-1990) for Rorstrand, Sweden. Ceramic bottle vase with with a handsome incised feather motif along the exterior, 20th century. Stoneware with a variegated brown glaze. Incised first quality Rorstrand maker's mark, "Atelje," "CS," and "Sweden" along the underside.Carl-Harry Stalhane is one of the most celebrated figures of 20th-century Swedish ceramic design. He is best known for his role as the artistic leader at Rorstrand during the 1960s. His name has become synonymous with exceptional ceramic quality, stunning creative design, and outstanding craftsmanship. Stalhane's work is represented in the Swedish National Museum of Art and Design.Height: 8 in x diameter: 2 3/4 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim.
Lot 343
Adelphoi Zangaki, Greece. Late 19th century albumen photograph print depicting the Great Sphinx and two of the pyramids of Giza, ca. 1860. Figures stand on the Sphinx while their camels rest in front of it. Inscribed along the lower right "No. 161 Le Sphynx et Pyramides"Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 7/8 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears or restorations. The colors are slightly faded. Light to moderate creases throughout. Several deeper creases along the upper left corner. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 318
Antonio Beato (Italian/British, ca. 1832-1906). Late 19th century albumen photograph print depicting the colonnade and statues in the courtyard of Ramesses II in the Temple of Luxor. Signed in negative along the lower left.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 in x width: 7 5/8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. There are light creases and some handling marks along the upper edge. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 315
Maison Bonfils (France). 19th century albumen photograph print depicting bas-reliefs at the Temple of Dakka. Sometimes spelled as Dakke or Dakkeh, the site was dedicated to Thoth, the god of wisdom.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 1/4 in x width: 8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light creases throughout. Creases in all four corners. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 333
Late 19th century albumen photograph print depicting four figures atop camels posing in front of the Great Sphinx and the Great Pyramid of Giza.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 6 1/2 in x width: 9 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 306
19th century albumen photograph print depicting hieroglyphics on the Medinet Habu (Mortuary Temple of Ramesses III) along the West Bank of Luxor, Egypt.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 1/4 in x width: 8 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 327
Maison Bonfils (France). Late 19th to early 20th century albumen photograph print depicting The Great Sphinx and the Pyramids of Giza, ca. 1890-1900. Signed in negative along the lower right quadrant; inscribed in negative along the lower left "1439 Le Sphinx et les Pyramides de Cheffren et de [illegible]."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 1/4 in x width: 10 1/2 in. Matted; height: 14 1/8 in x width: 18 1/8 in.Condition: There are no visible tears, losses, or restorations. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 303
Late 19th to early 20th century albumen photograph print depicting an interior view of The Hypostyle (Great) Hall of the Karnak Temple Complex. Inscribed in negative along the lower margin "2054 Karnak salle hypostyle, 20."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 3/4 in x width: 8 1/4 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 293
Maison Bonfils (France). Late 19th to early 20th century albumen photograph print depicting the Gateway of Ptolemy III, the entrance to the Temple of Khonsu. The temple is located within the precinct of Amun-Re at Karnak in Luxor, Egypt. There is a penned inscription along the verso reading "Bonfils 1850-55"Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 3/4 in x width: 10 1/2 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no major tears, losses, or restorations. The sheet is toned. There are light creases throughout and two deeper creases along the upper corners of the photograph. Affixed to a board backing. Housed between two nonacidic mats. Not inspected out of the matting.
Lot 320
Adelphoi Zangaki, Greece. Late 19th to early 20th century albumen photograph print depicting the statue of Ramesses II at the Luxor Temple. Signed in negative along the lower left. Inscribed in negative along the lower right "No. 968 Louseor Statue de Ramses III."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 3/8 in x width: 8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Creases in all four corners. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 116
Carl-Harry Stalhane (Swedish, 1920-1990) for Rorstrand, Sweden. Rare and experimental tall ceramic vase depicting nude female figures, winged beasts, and mythological creatures in relief enveloping the exterior, 1946. Stoneware pottery with a rich, matte blue glaze. Incised signature, first quality Rorstrand maker's mark, and dated "'46" along the underside.Carl-Harry Stalhane is one of the most celebrated figures of 20th-century Swedish ceramic design. He is best known for his role as the artistic leader at Rorstrand during the 1960s. His name has become synonymous with exceptional ceramic quality, stunning creative design, and outstanding craftsmanship. Stalhane's work is represented in the Swedish National Museum of Art and Design.Height: 11 1/4 in x diameter: 2 1/2 in.Condition: There are no major cracks, losses, or restorations. Fleabite chip to the glaze along the rim. Light wear to the footrim, including a small chip. Faint crazing to the glaze throughout.
Lot 109
Carl-Harry Stalhane (Swedish, 1920-1990) for Rorstrand, Sweden. Very unusual and unique small stoneware ceramic bowl or vase with a speckled blue and faintly green matte glaze, ca. 1950s. Impressed first-quality Rorstrand three-crown maker's mark, "Sweden," and signature along the underside; numbered 65 to the right of the maker's mark and incised "CA88" along the footrim.Carl-Harry Stalhane is one of the most celebrated figures of 20th-century Swedish ceramic design. He is best known for his role as the artistic leader at Rorstrand during the 1960s. His name has become synonymous with exceptional ceramic quality, stunning creative design, and outstanding craftsmanship. Stalhane's work is represented in the Swedish National Museum of Art and Design.Height: 5 1/2 in x diameter: 6 1/2 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim.
Lot 66
Group of four Nordic and Scandinavian pottery vessels including:Sylvia Leuchovius (Swedish, 1915-2003) for Rorstrand, Sweden. An unusually shaped tall and cylindrical unique ceramic "unik" vase with a recessed neck and pastel blue and green glazes, 1967. Incised signature and first quality Rorstrand maker's mark along the underside; numbered 454D.Rorstrand, Sweden. Ceramic high glazed cobalt blue toothpick holder, 20th century. Etched first quality Rorstrand maker's mark along the underside.Sven Hofverberg (Swedish, 1923-1998). Small ceramic bowl with a surreal, mottled green and iridescent blue glaze, mid-20th century. Impressed initials and illegible mark along the underside.Ove Thornblad (Swedish, 20th c.) for Hoganas Keramik, Sweden. Bulbous stoneware ceramic vessel with a mottled oxblood glaze and recessed neck, 1975. Incised signature, "Vasby," "Hoganas," and year along the underside.Height ranges from 2 in to 9 in; diameter ranges from 2 1/2 in to 6 1/2 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrims. Crazing to the glaze throughout the tallest vase; four felt tabs affixed along the underside. Some accretions along the exterior of the oxblood vase.
Lot 346
Maison Bonfils (France). 19th century albumen photograph print depicting The Great Pyramid of Giza with the Sphinx and the ruins of the Temple of Khafra, ca. 1870. The Great Pyramid is in the background. Ink inscription along the lower margin reading "Caire. Le Temple de Haffra, Le Sphinx et la Grande Pyramide."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 3/4 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: The sheet is toned. It is affixed to a board backing. Light wear along the edges. No visible tears, creases, or losses. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 300
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th century albumen photograph print depicting hieroglyphics. Depicting reliefs at the Karnak Temple complex. Inscribed along the lower margin "831 Karnak Gd. temple: Apparlement de granit les barques Sacrees." Signed along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 in x width: 10 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. Light creases throughout including all four corners. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 111
Carl-Harry Stalhane (Swedish, 1920-1990) for Rorstrand, Sweden. Ceramic haresfur drip glazed stoneware bowl with a delicately textured interior, mid-20th century. Incised first-quality Rorstrand maker's mark, "Sverige," "Made in Sweden," and initialed along the underside.Carl-Harry Stalhane is one of the most celebrated figures of 20th-century Swedish ceramic design. He is best known for his role as the artistic leader at Rorstrand during the 1960s. His name has become synonymous with exceptional ceramic quality, stunning creative design, and outstanding craftsmanship. Stalhane's work is represented in the Swedish National Museum of Art and Design.Height: 3 1/4 in x diameter: 10 1/2 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim including minute scuffs.
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