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Lot 79

Boccaccio (Giovanni) - The Modell of Wit, Mirth, Eloquence, and Conversation, [The Decameron], 2 vol. in 1, vol.1 second edition in English, vol. 2 first edition in English, woodcut titles and illustrations, vol.1 lacks initial blank, vol.2 several leaves of The Table at beginning misbound, a couple of burn-holes in text with slight loss, one marginal tear, some water-staining at end, old calf, rebacked, rubbed and repaired, spine labeled "First English edition", [Pforzheimer 72 and 71; STC 3173 and 3172], folio, by Isaac Jaggard, 1625-20 .

Lot 84

Plot (Robert) - The Natural History of Oxford-shire..., first edition , imprimatur leaf, engraved title-vignette, large folding engraved map with border of coats-of-arms, 16 engraved plates, with errata leaf and final blank, a little browned, map foxed and soiled with short tear, contemporary calf, rubbed, rebacked, [Wing P2585; Nissen 3192], folio, Oxford, at the Theater, [1677].

Lot 87

Dictionary.- - A New Canting Dictionary: Comprehending All the Terms, Antient and Modern, Used in the Several Tribes of Gypsies, Beggars, Shoplifters, Highwaymen, Foot-Pads, and all other Clans of Cheats and Villains, first edition, modern mottled sheep, spine gilt, 12mo, 1725.

Lot 88

Observations upon the prophecies of Daniel, and the Apocalypse of St ( Sir Isaac) Observations upon the prophecies of Daniel, and the Apocalypse of St. John , first edition , small worm trace to inner margins of a few ff., occasional spotting, 19th century speckled calf, gilt, joints rubbed, [Babson 224], a good copy with wide margins, by J.Darby and T.Browne, 1733. 'This ingenious work is characterized by great learning, and marked with the sagacity of its distinguished author' (Sir David Brewster, The Life of Sir Isaac Newton, 1831).

Lot 95

The Fortunes of Nigel, 3 vol., 4pp. advertisements at start of vol ( Sir Walter) The Fortunes of Nigel, 3 vol., 4pp. advertisements at start of vol.1, Italian bookseller's label, Edinburgh, 1823; Kenilworth, 3 vol., half-titles with ink ownership inscriptions, bookplate of Hugh Walpole, ink inscription to vol.1 pastedown, vol.2 & 3 covers detached, Edinburgh, 1821; Woodstock, 3 vol., ink ownership inscriptions to titles and pastedowns, bookplate of John Sparrow, contemporary labels and ink inscriptions to upper covers, vol.1 upper cover becoming loose, slip-case, Edinburgh, 1826, first editions, half-titles, original boards, spines chipped, a little bumped ; and 9 others, early 19th century novels in original boards, 8vo (18)

Lot 96

[Upham (Edward)] - Rameses, an Egyptian Tale, 3 vol., first edition, half-titles, bookplate of H.Bradley Martin, pencil note ¾lleur Copy' to front free endpaper, original boards, paper labels to spines, slight creasing to spines, minor bumping to spine ends, but a near-fine set overall, 8vo, 1824.

Lot 97

Dickens (Charles) - Oliver Twist, 3 vol., first edition , first issue , half-titles to vol.1 and 2, 25 etched plates by George Cruikshank, vol.1 with 4pp. undated advertisements at end, vol.3 with 2pp. advertisements at beginning, most plates browned, some foxing and soiling throughout text, vol.1 titles slightly torn, hinges weak, original purple ribbed cloth with arabesque design stamped in blind, spines lettered in gilt but without publisher's name at foot (denoting earlier state), rubbed and spine ends chipped, [Smith I pp 28-37; Gimbel A27; Eckel pp 59-61], 8vo, Richard Bentley, 1838. First issue with the "fireside" plate at the end of volume 3. The second issue appeared within a week of the first and "Boz" was replaced by the author's name on the title-pages. This copy does not have the list of illustrations in volume one suggesting, as with the binding, that this is of the earlier state, though no formal precedence appears to have been given.

Lot 98

Dickens (Charles) - Master Humphrey’s Clock, 3 vol., first edition, 3 engraved frontispieces, 2 plates, illustrations, 1840-41; Memoirs of Joseph Grimaldi, 2 vol., first edition, second issue, engraved frontispieces and plates by George Cruikshank, some scattered foxing to endpapers and half-titles, 1838; American Notes for General Circulation, 2 vol., second edition, slight shelf-lean, light ring-mark to vol.1 upper cover, 1842, original cloth, spines lightly faded, spine ends and corners a little bumped, but generally in excellent condition overall ; and 7 others by the same, 8vo (14)

Lot 99

Dickens (Charles) - Little Dorrit, first edition in book form, etched additional title and 39 plates by H.K. Browne, most spotted and browned to margins, occasionally offsetting to text, original green cloth, spine browned and ends worn, 8vo, 1857.

Lot 128

Fernandes Monterey electric guitar, wine red finish, sustainer neck pickup and Di Marzio type pickup to the bridge, electrics appear to be in working order, suspicious finish patch to the neck around the first and second frets, semi-hard case, condition: fair

Lot 167

Fender 'Dan Smith' Stratocaster electric guitar, made in USA, circa 1982, ser. no. E213053, black finish, electrics in working order, condition: as new *This guitar arrived within its original sealed shipping packaging and comes with tags, lead, strap and tremolo By the end of the 1970s Stratocasters, these once wonderful instruments, had developed a shocking reputation for poor quality. CBS recognised they were in trouble and hired a team of top people from Yamaha to turn the ship around, including Dan Smith who was put in charge of production. His first move was to get back to basics, cutting quantities right down and completely revamping production to restore quality levels to those of the glory days. The result was the 1982 'Dan Smith' USA Stratocaster - the last design ever to be made on the original jigs as the factory was relocated very shortly afterwards

Lot 168

Fender 'Dan Smith' Stratocaster electric guitar, made in USA, circa 1982, ser. no. E217808, Olympic white finish, electrics in working order, condition: as new *This guitar arrived within its original sealed shipment packaging and comes with tags, lead, strap and tremolo, the inspection tag for this guitar is stamped D. Smith By the end of the 1970s Stratocasters, these once wonderful instruments, had developed a shocking reputation for poor quality. CBS recognised they were in trouble and hired a team of top people from Yamaha to turn the ship around, including Dan Smith who was put in charge of production. His first move was to get back to basics, cutting quantities right down and completely revamping production to restore quality levels to those of the glory days. The result was the 1982 'Dan Smith' USA Stratocaster - the last design ever to be made on the original jigs as the factory was relocated very shortly afterwards

Lot 169

Fender 'Dan Smith' Stratocaster electric guitar, made in USA, circa 1982, ser. no. E212394, cherry sunburst finish, electrics in working order, condition: as new *This guitar arrived within its original sealed shipment packaging and comes with tags, lead, strap and tremolo By the end of the 1970s Stratocasters, these once wonderful instruments, had developed a shocking reputation for poor quality. CBS recognised they were in trouble and hired a team of top people from Yamaha to turn the ship around, including Dan Smith who was put in charge of production. His first move was to get back to basics, cutting quantities right down and completely revamping production to restore quality levels to those of the glory days. The result was the 1982 'Dan Smith' USA Stratocaster - the last design ever to be made on the original jigs as the factory was relocated very shortly afterwards

Lot 170

Fender 'Dan Smith' Stratocaster electric guitar, made in USA, circa 1982, ser. no. E215343, black finish, electrics in working order, condition: as new *This guitar arrived within its original sealed shipment packaging and comes with tags, lead, strap and tremolo By the end of the 1970s Stratocasters, these once wonderful instruments, had developed a shocking reputation for poor quality. CBS recognised they were in trouble and hired a team of top people from Yamaha to turn the ship around, including Dan Smith who was put in charge of production. His first move was to get back to basics, cutting quantities right down and completely revamping production to restore quality levels to those of the glory days. The result was the 1982 'Dan Smith' USA Stratocaster - the last design ever to be made on the original jigs as the factory was relocated very shortly afterwards

Lot 339

Jose Ramirez Clase 1A guitar, 1975, labelled Constructor de Guitarrs, Jose Ramirez, Concepcion Jeronima no. 2 1882 Madrid, 1975, no. 8656, signed, sold with an album containing correspondence between Jose Ramirez and the first owner regarding the original purchase and shipping, hard case

Lot 341

Hermann Hauser I Segovia model guitar, 1924, labelled Herm. Hauser, Lautenmacher in Munchen, signed H. Hauser, A.D. 1924, case *This guitar is one of the first Segovia models made by the famous luthier Hermann Hauser I and is signed with 'manu propria.' This is a very special detail, according to the dynasty's third-generation builder, Hermann Hauser III. Hauser I added the handwritten 'manu propria', which is a Latin expression meaning "by own hand", to the labels of some of the guitars that were very personal to him and were made by himself, without any help from his shop assistant. This guitar is in very good condition and fully playable. The top is made of very fine spruce and is framed by brown and light purflings. The top has only a fine hair-crack beside the fretboard, which does not influence the guitar's sound. There are some professionally repaired cracks on the back of the guitar, one is located just behind the label and has been reinforced with a cleat from the inside. The sound hole is richly decorated with mother of pearl and dark and light rings in between where rectangular and fishbone-like inlays can be found. The one-piece back, as well as the sides, are made of excellent Madagascar rosewood. The guitar is supplied with a certificate of origin from Hermann Hauser III which reads "This certified Hermann Hauser I guitar built in 1924 m.p. is one of the first Segovia models ever built. The spruce top which has its origin from Bavarian Alps came from the stock of his father Josef Hauser. At the time of manufacture the spruce top was then stopped for about forty years. Back and sides are made of Rio-Madagascar/Africa and was stopped at that time for around five years. The varnish is of Shelleck. Signed Hermann Hauser III, Reisbach, 12.5.2014" This Hermann Hauser I Segovia model is in performance-ready condition. Playability is ideal for both right and left hands. A truly remarkable and rare instrument from one the most important luthiers.

Lot 964

Joseph Roda - Bows for Musical Instruments of the Violin Family, library edition no. 2387/3000, 1959 first edition

Lot 967

G. Hart - The Violin & Its Music, rare large first edition, published 1881

Lot 969

W. Henry Hill, Arthur F. Hill, F.S.A. & Alfred E. Hill - Antonio Stradivari, His Life & Work (1644-1737), first edition in original quarter leather binding, containing five newspaper cuttings from between 1929 & 1936 attached to the inner cover

Lot 378

John Mallard BROMLEY (1858-1939) Watercolour ‘The Island from Porthmeor beach St Ives’ Signed 19.5” x 29.25” (49.5cm x 74.3cm) Provenance: Exhibited tour exhibition, Penzance, Lincoln, Doncaster, Hereford, Sunderland & Newport Literature: Creating a Splash First 25 Years of St Ives Society of Artists, by D. Tovey, Published 2003 & Illustration 38

Lot 454

Baragwanath KING (1864-1939) Watercolour ‘First Boats In’ – Plymouth fishing boats returning under sail Signed 11” x 20.75” (28cm x 52.7cm)

Lot 473

BLEK LE RAT (b.1951) (a.k.a Xavier Prou) A set of 4 limited edition screenprints in red, green, blue & yellow ‘Dream But Don’t Sleep’ Each numbered 20/30 & signed in pencil 19.5” x 19.5” image size (49.5cm x 49.5cm) Note: First graffiti street artist of Paris & known the ‘Father of stencil graffiti’

Lot 557

Book: ‘Ruben Chappell Pier Head Painter’ by Robert Jones. Published First Light Gallery 2006 (New)

Lot 60

Sir Samuel Luke FILDES (1843-1927) Oil on canvas ‘Portrait of Winifred Ellerman’ (1894-1983) (aka Annie Winifred Ellerman whose pen name was Bryher  Inscribed in black ink on the backing board  Signed and dated 1914  41” x 31” (104cm x 78.7cm) Note: The sitter was the daughter of Sir John Ellerman (1862-1933) shipping tycoon and  financier who  was the richest man in the United Kingdom at the time of his death. Winifred  was 20/21 years old at  the time the portrait was completed. It was probably commissioned for  her ‘coming of age’.  Note on the artist: Sir Samuel Luke Fildes originally produced illustrations for ‘The Graphic’  magazine but gave up working for the magazine in 1870. He turned his full attention to oil  painting. He took rank among the ablest English painters, with The Casual Ward (1874), The  Widower (1876), The Village Wedding (1883), An Al-fresco Toilette (1889); & The  Doctor (1891), all now in Tate Britain. He also painted a number of pictures of Venetian life and  many notable portraits, among the best known being portraits commemorating  the coronation of King  Edward VII and Queen Alexandra. He was elected an Associate of  the Royal Academy (A.R.A.) in  1879, and a Royal Academician (R.A.) in 1887; and  was knighted by King Edward VII in 1906. In  1918 he was appointed as Knight Commander of the Royal Victorian Order by King George V. Provenance: Exhibited Royal Academy 1915 No.27 Illustrated Annie Winifred Ellerman was born in September 1894 in Margate to the shipping magnate and financier John Ellerman who at the time of his death was the richest Englishman who ever lived.  He lived with Winifred’s mother, Anna Glover, but did not marry her until 1908, 14 years after Winifred’s birth.  John Ellerman had little interest in public recognition and his lifestyle was unostentatious. As a child, Winifred travelled widely to France, Italy and Egypt and the Mediterranean and on occasions on family holidays to the island of Bryher one of the Scilly Islands. She later used the pseudonym ‘Bryher’, her favourite island, as her pen name. This name she used for the remainder of her writing career as well as everything else she participated in to free herself from the bonds and obligations on what it was meant to ‘be an Ellerman’. During the 1920’s Bryher was an unconventional figure in Paris and among her circle friends was Ernest Hemingway, James Joyce, Gertrude Stein, Sylvia Beach and Berenice Abbott. Her wealth enabled her to give financial support to struggling writers including Joyce and Edith Sitwell. She also helped with finance with Sylvia Beach’s book shop ‘Shakespeare and Company’ and certain publishing ventures.  She started a film company ‘Pool Group’ and provided funds to purchase a flat in Paris for the destitute Dada artist and writer Baroness Elsa von Freytag-Loringhoven. Another member of this group was Hilda Doolittle the celebrated imagist poet known as H.D who became Bryher’s life-long partner for more than 40 years, until her death in 1961. Bryher helped to raise H.D’s daughter, Perdita, (who became Mrs John Schaffner of New York), later Bryher’s adopted daughter and heir. Although she married twice, Winifred had no questions about her sexuality and explored that aspect of life to the fullest.  On a trip to America in 1921, she married her first husband Robert McAlmon to escape the control of her parents. At that time she moved with H.D. to Switzerland with H.D’s daughter. In 1927 Bryher divorced McAlmon and married Kenneth Macpherson who was also H.D’s lover. They adopted H.D’s daughter, Perdita. Together Macpherson, H.D. and Bryher not only founded the film company ‘Pool Group’ but also the advant-garde cinema journal ‘Close-Up’. Bryher herself appeared in a film ‘Borderline’ in 1930. In 1933 Bryher wrote an article in the ‘Close-Up’ ‘What Shall we do in the War?’ where she wrote about the situation of Jews in Germany, urging readers to take action. Her home in Switzerland became a receiving station for refugees and she helped more than 100 people from Nazi persecution, before being forced to flee herself in 1940. They included intellectuals, analysts, artists and their families. She also established the Hanns Sachs Training Fund for refugee analysts arriving in the US. During the Second World War she lived in London. Bryher wrote poems and literary criticism but is better known for historical novels. The first of these she wrote 1952 when she was 58 years old. Most are set in Britain during various eras including the Roman. They are considered to be well researched and vivid set in times of turmoil and scenes from a perspective of a young man. They were acclaimed in her own time and in recent times have been re-discovered and re-printed In summary: - Selina E. Kusch wrote in the ‘The Bryher Chronology’ in 2014 - “Bryher was an avid supporter and vocal advocate of international film, psychoanalysis, political freedom, anti fascism, progress in myriad forms and just plain modernity”.  A remarkable woman of her time a corner stone of modernism as an artistic movement who cared little for normal social conventions. 

Lot 92

Sark interest - an inscribed silver cigarette box William Neale & Son Ltd., Birmingham 1932, rectangular form, inscribed 'S.C.S. [Sark Cattle Show] Butter Making First Prize 1938', 3 3/8 x 3in. (8.5 x 7.5cm.).

Lot 251

A 19th century Chinese fan painting in watercolour on silk, exhibiting four separate studies of fan designs, the first depicting an avian subject amongst flowering stems, the second a scalloped edged mountainous lake scene, the third of fan form with ridged upper edge depicting floral subjects, the fourth depicting a serpent and lizard with various moths, 50¼ x 22in. (127.6 x 55.8cm), signed lower right.

Lot 270

Chiang Kai-shek, Madame (Mayling Soong Chiang) China in Peace and War, Kelly and Walsh, 1940, red cloth boards with hand sewn cloth spine, selections from the writing of the author, printed on Chinese paper made by hand from bamboo fibre, crown quarto. Condition: Pencil gift inscription to first page, bumped and creasees to top front corner, foxing to edges, interior subject to sporadic foxing.

Lot 410

Two 9ct yellow gold and garnet rings the first of pierced bark design, set with three oval cut garnets, ring size O, the second of bark design with a seed pearl and garnet floral cluster, ring size L. (2)

Lot 45

Two mid-18th century air twist wine glasses circa 1750, the first with ogee bowl engraved with rose in bud and bird in flight, on multi spiral opaque twist stem consisting of six ply spiral bands outside multi ply corkscrew, on conical foot, 15cm. high; the second with bell bowl decorated with bird, trailing vine and grapes, unusual tear decor to base of bowl, multi spiral opaque twist stem consisting of pair of heavy spiral threads outside lace twist, on conical foot, 18.5cm. high. (2) Condition: 1. Ogee bowl: Chip and nibble to foot. 2. Bell bowl: Small chip to foot.

Lot 52

Two mid-18th century air twist glasses circa 1750, the first a wine glass with ogee bowl on multi spiral opaque twist stem consisting of three spiral threads outside three spiral bands, conical foot, 15cm. high; the second an ale glass with very tall drawn funnel bowl with slightly everted rim, on multi spiral opaque twist stem consisting of spiral tapes outside two spiral bands, on conical foot, 21cm. high. (2) Condition: 1. Wine: Three chips to foot. 2. Ale: Two large chips to foot.

Lot 542

Rosalba Carriera (Italian, 1673-1757) Portrait of a gentleman, possibly a member of the Wade family Pastel on paper, held in an 18th century gilt wood frame 22 x 16½in. (56 x 42cm.) * Provenance: By descent from the Wade family. This recently discovered portrait is a fine example of Rosalba Carriera's work; the pose being quite typical, with the composition overall reflecting other known works finished during the mid 1720s - though she never appears to have signed, and rarely dated, any of her pastels. Previously unrecorded it has passed by descent through the same family since the 18th century. The identity of the sitter has traditionally been thought to be that of Field Marshal George Wade (1673-1748), but this cannot be possible given various factors most obviously the youth of the sitter and the proposed dateline of the work. Wade died unmarried but left four illegitimate children, including two sons George (1721-1799) and John (1720-1799) both of whom became soldiers. The date proposed for this portrait suggests, however, that it cannot represent either son and is therefore perhaps a record of a more distant relative to the Field Marshal, with an extensive branch of the family having originated from Ireland. Rosalba found great popularity amongst the visiting British gentry and nobility to Venice in the first half of the eighteenth century. Increasingly in demand her studio became a favourite haunt for many Grand tourists who eagerly required their likenesses to be recorded during their time in Italy, perhaps most notably Horace Walpole and Henry Fiennes-Clinton, later 2nd Duke of Newcastle. * CONDITION: Has been examined out of frame - frame had not been disturbed for many decades. No inscriptions or writing to back. Reverse of stretcher lined with cloth to dust proof but paper not laid down. Nail heads around edges of stretcher rusted and have caused small stains and holes to paper above each nail. Right hand margin of paper has white chalked numbers running from bottom to top (1 to 9). Condition overall good and no restoration visible - faults as follows: Vertical 2¼in scratch just before left hand shoulder. Very faint smudge lines across pastel at a 45 degree angle to top of right arm extending into dark background (approx. 3in long). Two very faint 1in. scratch lines at top of right cheek (barely visible). Tiny white dot (possibly mould, possibly a pastel fleck) to right arm, just above robe. There is a pink discoloured band (approx. 1cm. deep) across very bottom margin (not visible when in frame). Faint dark stretcher lines at top left and lower right corners (each approx. 4in long).  No other damage, defects or restoration noted.

Lot 577

Newell, Peter 'The Hole Book', first edition, Harper and Bros, New York, 1908, pictorial paste down on blue cloth, contains watermelon page, later removed from other editions. Condition: Cloth boards loose, bumped to spine and corners, inscription to first page also torn, rest of interior in good condition

Lot 592

Aldrich (Henry) The Elements of Civil Architecture, 2 parts in 1 [Latin and English], first edition in English, stipple-engraved portrait after Kneller, list of subscribers, 55 engraved plates at end, later half calf with marble boards, 8vo, Oxford, 1789.

Lot 623

A Egyptian Ushabti figure in turquoise faience, holding a hoe and flail and with hieroglyphs to the front, mounted upon a section of petrified wood, the Ushabti 4½in. (11.5cm.) high. * With handwritten folded note beneath, which reads 'This figure was found in the Coffin of a mummy in Egypt, and intended to denote the quality of the person interred. The petrified wood on which it stands was from the Land of Goshen - not known what kind of wood it is - Both brought home & given by the Son of Dr. ..?.. of Sark to aunt P. G.G.' Condition: The Ushabti is glued onto the petrified wood. It also has an old glued repair just above the foot. The note is folded in four, and the first fold has split, so 3/4 is detached.

Lot 653

A Jaques Staunton pattern weighted boxwood and ebony chess set early 20th century, the white king stamped 'Jaques London', in the original mahogany box, the kings 8.8cm. high, the pawns 4.3cm. high, complete, some losses. Condition: Vertical mark to stem of one white pawn, mark to globe of same pawn, small impact mark to base of one pawn, cross from white king missing, Jaques mark slightly rubbed, tiny indent to one of Queen's crown prongs, wear to top of Bishop's knops, crack to base of three of black pawns, pronounced crack to base of black pawns as well as 9mm semi circular chip to everted collar, a third of everted collar missing from one pawn, everted collar badly damaged to two black pawns, one replaced pawn, minute chip to first collar of King, pin prick indent to base of black King, 10mm portion of black Queens crown missing, also split to base, chip to ear of one of black Knights, chips to both ears of second Knight, face also badly split, 2mm chip to turret of one black rook, tiny chip to first ring above base on black rook. Mahogany box has splits to back of lid, and no maker's label. No key.

Lot 675

A WWII telescope of Scouting interest three draw brass scope, the first draw engraved 'TEL. SCT. REGTS. MKII, HGP, O.S. 126.G.A., REGD No 22504, 1945', the main tapered barrel leather clad with sliding sun shade, 31in. (79cm.) long extended, 10½in. (26.5cm.) long closed.

Lot 192

A William III shilling, dated 1696, F-VF, with first bust, overall good

Lot 194

A William III shilling, dated 1697, F-VF, with first bust and C, overall good

Lot 230

A George IV full sovereign, dated 1821, with first bust with laurette and St George & Dragon, VF-EF

Lot 447

A group of nine George IV farthings, five with First busts, dated 1821, two 1822, 1823 & 1825, and four with Second busts, most VF, one F (9)

Lot 449

A collection of twelve Victorian farthings, all with First Young Heads, with examples dating from 1839 through to 1857, most VF (12)

Lot 453

A George III Three Shillings Bank Token, dated for 1811, with first bust, VF-EF

Lot 471

A collection of first half 20th century British bank notes, with a Warren Fisher £1 and a ten shilling, several Peppiatt examples, a Mahon ten shilling and others, approx 12 (12)

Lot 332

Vintage Palitoy Star Wars Darth Vader's Tie Fighter in first box.

Lot 355

25 x Exclusive First Editions 1;72 scale buses. Various liveries, together with Corgi omnibus & small quantity of unboxed buses. (Total in lot 42) All G in G boxes.

Lot 396

30 x Exclusive First Editions 1;72 scale buses. Various liveries. All G in G boxes.

Lot 407

33 x Exclusive First Editions 1;72 scale buses. Various liveries. All G in G boxes.

Lot 652

Royal Doulton Pair Of Coasters The Rt. Hon. Mrs Thatcher, First British Woman Prime Minister

Lot 1082

Five Royal Doulton figures comprising 'Tender Moments', HN 3303, 'Pretty Ladies First Waltz', HN 5093, 'Fair Lady' HN 2832, 'Bells Across the Valley', HN 4300 and 'Congratulations to You', HN 4306. (5)

Lot 3409

Eagle Comic, First year, complete No. 1-52 inclusive, bound in single volume without defacing comic

Lot 453

A cased silver Man's First Moon Landing commemorative medal No. 2189 of 2500 from Alec Brook Ltd of London, with certificate, makers mark WJD, Birmingham 1969 71 grams approx

Lot 485

A first edition 1909 (no dust cover) 'Peter Pan's Post Bag' letters to Pauline Chase - who played J.M. Barries Peter Pan, illustration by Albert Rotherstein, London, William Heineman

Lot 512

Charles Dickens & Son Ltd - 1848 Bradbury & Evans 1st edition - half leather (loose board) and some rubbing, frontispiece and engraved titles page and illustrations by Hablot K Browne, first edition points include 'capatin' for captain on page 324, together with Christmas Books published 1853 and Adventures of Oliver Twist published 1855 and a boxed set of Charles Dickens works (25 books) published by British Book Ltd

Lot 622

A postcard album containing a collection of assorted embroidered First World War cards, various others, some 1950s, etc Donald McGill, approx 120 cards

Lot 630

A limited first edition leather bound book, C.H. Underhill 'Here and There' 21/35 signed by the author, in original presentation box, October 1980 - interest re Burton on Trent/Tutbury

Lot 1263

A boxed Spode limited edition plate Brigadier Gerard....Winner of 17 races from 18 starts, No. 111 of 250, with certificate; together with a boxed Spode limited edition 'The First St. Leger Plate...' No. 743 of 1000, with certificate (2)

Lot 2273

A painting by the Canadian artist 'The Art of Golf - The First Tee' - Glen Green.

Lot 3010

Parker Vacumatic Debutante First Generation, grey marble fountain pen, date code 1948 Q3, rhodium trim, brassing to cap bands, lock down filler, undamaged, double broad nib

Lot 5039

Great Britain - 2008 (29 Sep) Country Definitives First Day Coin Cover with £1 coin.

Lot 5041

Great Britain - 2009 (1 Mar) RMS Titanic Centenary Collection. Benham First Day Covers.

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