John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints period 66 x 65cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
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John TUNNARD (1900-1971) A printing block from the Imprints period 28 x 28cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A sketchbook Possibly dating from 1932 this book includes two unrecorded self-portraits and a few other figure studies (several loose) including a seated man titled KynanceSee John Tunnard His Life and Work (Peat and Whitton) number 27 A work titled Kynance CoveThe internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries from the estate of John Tunnard's executor and close friend Neil Treseder.
David ANDREW (1934) Falmouth Oil on card34cm x 30cmAn internationally renowned artist, represented by Messums, David Andrew received enormous encouragement from the august Ben Nicholson during his lifetime. He was born in Redruth, and initially trained at the Falmouth School of Art and later at the Slade in London in 1958/59. During this period, he drew inspiration from artists like Ben Nicholson and Piet Mondrian and delved into the psychology of perception.He had his own personal connection with Nicholson; although Nicholson was not associated with Falmouth School of Art but, he became David's most important mentor, mainly during his fourth year at Falmouth, and his first year at the Slade. This good fortune came about when he sent Nicholson a copy of an essay which he had entered for a competition on 20th Century Painting, - in which David had referred to Nicholson. Ben invited David to his house, and with the brio of youth, he asked if he might bring a painting of his own along to show him. Nicholson, once shown David's work, talked obliquely around painting, making associations with expressive hand movements, influencing him more by enthusiasm for the “feeling” he valued in paintings, than by any facts or theories attaching to them. David found Nicolson’s energy and enthusiasm were as inspiring as his paintings, which stayed with him over the course of his lifetime.From time to time, Nicholson would drop David a card out of the blue, inviting him to come and see what he had been doing. He always asked for David's comments. He was never dismissive, whatever thoughts David happened to express about what he, Nicholson, was doing. He reciprocated with critical feedback on the paintings that David had lugged along with him on his motorbike.Following his student years, David taught at Bournemouth and Portsmouth Colleges of Art while spending summers painting in the vibrant Mediterranean light and along the coasts of the USA and Canada, using a converted recreational vehicle as a mobile studio. In 1971, he assumed a teaching position at Queen's University in Canada, where he served as Associate Professor until 1995.In 2004, David Andrew returned to Cornwall, where he continued his artistic pursuits in Mousehole. This unsigned piece is in excellent condition and attractively framed. It has come directly from a descendant of the artist.
Sven BERLIN (1911-1999) River at Vouvray (1960) Ink on paper, monogrammed, inscribed and dated '60, 29 x 38cm. 46 x 56cm framed. The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antique fairs and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.
Daphne MCCLURE (1930-2023) Renoir's House Mixed media on card, signed and inscribed, further signed and inscribed to verso, 18 x 25cm. 30.5 x 26.5cm framed.The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.
John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints periodImprints signature, 66 x 66cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A hand-blocked wool scarfImprints signature, 64 x 65cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) Hand-blocked wool scarfImprints signature, 68 x 68cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A large hand-blocked wool scarf (c.1943)Imprints signature, 93 x 94cm, 116 x 116cm framed.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
Dame Laura KNIGHT (1877-1970) Pavlova & Mordkin, 1914 Limoges enamel plaque Initialled LK and dated 1914 to verso, 5.2 x 3.8cmProvenance - From the Estate of Ella Naper, thence by family descent, the estate of Maryella Pigott, niece of Ella Naper, Trewoofe House, Lamorna. Catalogue note: This is one of two very similar black and yellow enamels that Knight made depicting the Russian dancers Anna Pavlova (1881-1931) and Mikhail Mordkin (1880-1944). The other was given to her friend and patron Marjorie Averill in 1958 (sold Bonhams 2017). In an accompanying letter to Mrs Averill, dated 7 April, Knight writes 'At Last! I do hope you will like it. The enamel is Limoges, it is one of about eight I did in the year 1914 with the help of the jeweller, Mrs Ella Naper.'Ella Naper was Laura's friend and near neighbour at Trewoofe, just above the Lamorna Valley in Cornwall. As well as modelling for Laura (she was the model in Knight's seminal 1913 work 'Self Portrait with Model') she was a talented jeweller who had studied under Frank Partridge. Naper and Knight collaborated on a number of enamels, notably themed with dancers and the ballet, which Laura adored. Knight was an avid admirer of the prima ballerina Pavlova, who she became good friends with in later life. It is likely that Knight first saw Pavlova and Mordkin dance together at the Palace Theatre in London in 1910. As with Diagalev's 'Ballet Russe' the following year, they took London by storm; ‘Anna Pavlova and Michael Mordkin, "Russia's acknowledged greatest dancers and the famous leaders of the Imperial Russian Ballet," who made their debut at the Palace Theatre last night, are the last word in the art of dancing. The perfection of their art cannot be disputed.' Wrote the Daily Mail. It is not surprising that they made a strong impression upon Laura, so much so that in 1914, when draconian rules prevented artists particularly in coastal areas, from sketching or painting outdoors, she used them as inspiration for creativity in a new medium. These gorgeously jewel-like little works are a testament to Knight’s versatility. Enamel is a notoriously difficult medium to master and yet under Naper’s skilful guidance, Laura has created these beautifully expressive pieces, which fully capture the elegant grace of Pavlova’s lithe figure and the exuberant movement and fluidity of both dancers.Naper made a particularly fine, stone-set piece, the central jewel of which was one of Naper and Knight's enamels depicting a ballerina, which is most likely to represent Pavlova in her most famous role Le cygne (The Swan). This enamel has been bequeathed to Penlee House.
John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints period 66 x 66.5cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A printing block from the Imprints period 30 x 30cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
John MILLER (1931-2002) West Penwith Gouache on paper, signed and inscribed, inscribed by Michael Truscott to verso, 23 x 20.5cm. 51.5 x 47.5cm framed.The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.
John BEDDING (1947) Bottle Vase Ceramic, impressed personal and Gaolyard Studios seals to base, height 20cm. The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts. A number of small chips can be found on the rim of the piece, together with a small chip which can be found in the lower centre of the piece (please see additional images).
John TUNNARD (1900-1971) A hand-blocked wool scarf Imprints signature, 68 x 67cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) Two printing blocks from the Imprints period The largest measures 20 x 18cm (irregular). (2)The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
Naomi FREARS (1963) Pocket Paradise Oil on boardSigned, titled and dated 2007 to the verso19cm x 27cm, 39cm x 46.5cm The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts. Good condition.
John TUNNARD (1900-1971) A printing block from the Imprints period 34 x 35.5cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) Hand-blocked wool scarf Imprints signature, 68 x 68cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
Bridget DRAKEFORD (1946) Vase height 25cm. Together with a second vessel by the same hand, 8cm in height and 19cm in diameterThe estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.
Janet LEACH (1918-1997) Bowl with Twin Cylinder Handles Ceramic, impressed personal and Leach Pottery seals to base, height 5cm, diameter 13cm.The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.Excellent condition with no signs of damage or restoration. The piece has been examined under UV light.
John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints period 67 x 67cmThe internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
Mary PEARCE The End of Smeaton's Pier, St Ives Oil on board, 29 x 34cm. Mary Pearce gave the painting to her friend Mrs Anne Kemp (of St Ives) in the 1960s. It has hung of the walls in the family home ever since pass first to her son and then grandson. Overall this delightful piece is in good condition. There are some minor creases to where the canvas has been laid on to board.
John WARD (1938) Vessel Ceramic, impressed seal to base, height 17cm.The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.This piece is in excellent condition with no issues.
John TUNNARD (1900-1971) A printing block from the Imprints period 30 x 29cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
Troika Pottery(XX) Early bowl (1963) Ceramic, by Benny Serota, incised Troika St. Ives and trident mark to base, height 9cm, diameter 27cm.The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.This important, early work is in excellent condition with no issues.
Dame Laura KNIGHT (1877-1970) Dancers of the Ballet Russe Limoges enamel plaque, 5.3 x 4.9cmProvenance - From the Estate of Ella Naper, thence by family descent, the estate of Maryella Pigott, niece of Ella Naper, Trewoofe House, Lamorna. Catalogue note: This is one from a series of enamels that Knight made depicting the dancers of Diagalev's 'Ballet Russe'. The Russian ballet troupe had first performed in Paris in 1909 to rapt audiences. Their exoticism was unlike anything Western Europe had seen before; culturally, they influenced everything from dance, music and fashion to interior design. This plaque is likely to depict The Polovtsian Dance from Prince Igor, which Knight would have seen when the Ballet Russe performed in London in 1911.In 1958 Knight gave one of her enamels to her friend and patron Marjorie Averill (sold Bonhams 2017). It depicted Pavlova and her partner Mikhail Mordkin. It is a very similar work to lot 16 in this sale. In an accompanying letter to Mrs Averill, dated 7 April, Knight writes 'At Last! I do hope you will like it. The enamel is Limoges, it is one of about eight I did in the year 1914 with the help of the jeweller, Mrs Ella Naper.'Ella Naper was Laura's friend and near neighbour at Trewoofe, just above the Lamorna Valley in Cornwall. As well as modelling for Laura (she was the model in Knight's seminal 1913 work 'Self Portrait with Model') she was a talented jeweller who had studied under Frank Partridge. Naper and Knight collaborated on a very small number of these enamels, all themed with dancers and the ballet. Knight adored the spectacle of the ballet and particularly the ballerina Pavlova, who she wrote about extensively about her in her autobiography:'I first saw Pavlova dancing with Mordkin. During another season, at the Palace Theatre, when her partner was Novikov, so thrilled was I, I never missed a show; she held me to such a degree that I became almost completely absorbed in her art. I knew her every step and gesture in every dance she did.' They made such a strong impression upon Laura it is not surprising that in 1914 when draconian rules prevented artists particularly in coastal areas from sketching or painting outdoors, she used them as inspiration for creativity in a new medium. These gorgeously jewel-like little works are a testament to Knight’s versatility. Enamel is a notoriously difficult medium to master and yet under Naper’s skilful guidance, Laura has created these beautifully expressive pieces, which fully capture the elegant grace of Pavlova’s lithe figure and the exuberant movement and fluidity of both dancers.Naper made a particularly fine, stone-set piece, the central jewel of which was one of Naper and Knight's enamels depicting a ballerina, which is most likely to represent Pavlova in her most famous role Le cygne (The Swan). This enamel has been bequeathed to Penlee House Museum & Gallery. This historic enamel has multiple fine cracks. These are likely to be part of the creative process. The frame is likely to date from the date of the plaque. It is of three-ply and wormed to the back.
John MILLER (1931-2002) St. Michael's Mount Gouache, facsimile signature, inscribed by Michael Truscott to verso, 19 x 35cm. 52 x 66.5cm framed. The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts. This watercolour is in good condition but for a single spot (see image). It has not been examined out of the frame
Robin WELCH (1936-2019) Large Conical Vase (1986) Ceramic, impressed personal seal and dated '86 to base, height 30cm. The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antique fairs and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts. This pot has no damage and no restoration
John TUNNARD (1900-1971) Two printing blocks from the Imprints period The largest measures 13 x 25cm (irregular). (2)The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
Bowl and Spherical Form Two raku-fired works Each unsignedEach 10cm tall The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts. There are two chips located to the base of the bowl (please see additional image). The spherical form is in excellent condition.
An early 19th century oak serpentine fronted gentleman's dressing chest, having four drawer front, the first having various compartments and hinged foldable mirror to centre on easel back, when upright revealing drawer and compartment. The others being empty. The top drawer having pull over writing area with felt (more modern) top. The borders and trim being satin wood, all drawers having circular brass ring pull handles. On tapered legs. Approx. 65cm high x 88cm wide x 58cm deep. Further Details: Some scratching, wear and slightest loss to areas, age related nibbles, wear, some signs of slight stains/marks commensurate to age, possible replacement mirror, new handles, possibly new locks, lots of internal compartment dividers broken off/missing but lots of pieces detached in one compartment.
Two pairs of carved jade clip-on earrings; the first comprising a pair of carved and pierced jadeite plaques, depicting a butterfly underneath a flowerhead, 2.1 cm in diameter; together with another pair of round jade cabochons, carved with floral motifs and set within a diamond surround, 2.3 cm in diameter; both fitted with omega clips marked '750', total weight of items 25.9 grams. (2)
* ANGUS MCEWAN PRWS RGI RSW (SCOTTISH b. 1963), ANCIENT STANDING STONE watercolour on paper, initialled and dated '96mounted, framed and under glass.image size 25cm x 18cm, overall size 48cm x 39cmNote: in 2022 Angus McEwan was elected President The Royal Scottish Society of Painters in Watercolours (RSW).Note 2: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown Award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, in Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as a special guest and in Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.
* SIR MUIRHEAD BONE HRSA (SCOTTISH 1876 - 1953), MOUNTAIN LANDSCAPE oil on board, signedframed image size 17cm x 22cm, overall size 29cm x 32cm Note: Bone was a Painter, draughtsman and etcher. Born in Glasgow to a family which produced a number of artists, writers and critics, his son was Stephen Bone, 1904-58 (q.v.). Initially he was apprenticed to an architect 1890-94 and attended Glasgow School of Art, studying printmaking, 1898. Moved to London 1901, having his first solo exhibition at the Carfax Gallery in 1903 and was a founder member of the Society of Twelve. Member of the New English Art Club and the Glasgow Art Club. He was appointed the first Official War Artist in 1916 (and subsequently appointed by the Admiralty in 1940 during WWII). He was a trustee of the Tate Gallery, National Gallery and Imperial War Museum. Knighted 1937. Close friend of Campbell Dodgson, keeper of Prints and Drawings, British Museum. He died in Oxford in 1953. Memorial exhibitions held in Manchester and organised by the Arts Council, 1955. His work is held by the Tate Gallery., Imperial War Museum as well as the British Museum.
Entertainment, Sabrina (Norma Ann Sykes, 1936-2016) and Arthur Askey (1900-1982), two b/w press photos, both signed & dedicated in blue ink, one showing three-quarter length image of Sabrina only with clear ink signature, press details to reverse, 85cm x 57cm, the other showing Arthur Askey at piano with Sabrina perched on top with clear ink signatures of both, 20cm x 25cm with press details to reverse (both gd/vg) (2). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Cricket, Pakistan, two official autograph sheets for the Pakistan Cricket Touring Team to England, 1978 (19 signatures) & 1979 (15 signatures), both fully signed with original ink signatures inc. Wasim Bari, Asif Iqbal, Imran Khan, Sadiq Mohammad, Zaheer Abbas etc (gd) (2). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Postcards, Rail, a mixed age and mixed collection of approx. 230 railway cards, inc. RPs of railway staff (8); LMS Turnberry Hotel, with LMS dividend request on reverse (hole punch); GCR Hotel Grimsby; RPs of Waterloo station (3), London Daily Mail advert, railway comic, miniature rail (mostly RH & DR), postal train, disaster at Brighton (Stoats Nest) RP, cutting the first sod by Mollie Harford Lampeter & Aberavon Railway, LB & SCR officials, Barking level crossing, Hampton Ferry (Dover). Also locos, trains, rolling stock, stations and other officials (mixed condition)
Soccer Rookie Card, Briggs football shield, Arthur Wharton, PNE & Darlington, World Record holder, shaped card, 'Play Up Darlington' showing 100 yards Amateur Running Champion & Darlington goalkeeper Arthur Wharton. This is believed to be one of the earliest known football cards and it also portrays the first black player to appear on a card. Issued in the 1880's this is an iconic card as Wharton was a World Record sprinter and renowned goalkeeper. He later became a member of the Preston North End Invincibles side of 1888/89 and who would have probably played for England had it not been for the colour of his skin. A scarce opportunity to obtain a real piece of football history!. From the McGregor Bonner Collection. (some light creasing around edges, gen. gd) (1)
Autograph album, an album compiled in the 1980's containing a range of original signatures, many politicians, also entrepreneurs, authors, Military & Union leaders etc. Noted Jeffrey Archer, Frederick Forsyth, Margaret Thatcher, Valentina Tereshkova (First woman to fly in space), Neil Kinnock, Richard Branson, David Frost, Michael Foot, Alan Sugar, Kiri Te Kanawa, Ian Paisley, Robin Day, Bob Geldof, Kingsley Amis & many more. Album size 11cm x 16cm (gd). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Cricket, West Indies Touring Team, 1976, a British Sportsman's Club Luncheon Menu card in honour of the West Indies Cricket Touring Team held at the Savoy Hotel, London on 10 May 1976. Signed to front cover by special guest Edward Heath MP and with multiple signatures inside (approx. 20) inc. Michael Holding, Alvin Kallicharran, Collis King, Roy Fredericks etc. Sold with Table Plan. Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Golf, James Braid (1870-1950), British Open Champion 1901, 1905, 1906, 1908 & 1910, a typed letter on Walton Heath Golf Club official headed paper dated 23 February 1950 giving thanks for birthday wishes and providing autograph for collection. Signed in blue ink 'James Braid' (some age toning, gd) (1). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Pioneer & Inventor, Barnes Wallis (1887-1979), English Scientist, Engineer & Inventor. Best known for inventing the bouncing bomb used in the Dambusters Raid on the Ruhr Valley during WW2. A card signed in blue ink 'With all good wishes from Barnes Wallis, Feb 1967'. 8cm x 11.5cm (gd) (1). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Cricket, 50th Anniversary Dinner Tribute to Sir Leonard Hutton, held on 21 July 1988 at the Queen's Hotel, Leeds. A fold-out menu card signed to the front by Hutton and with 12 additional signatures to back inc. Don Bradman, Doug Walters, Ray Lindwall, Alec Bedser, Tom Graveney etc (vg) (1). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Cigarette cards, a large collection of approx. 1,800 cards in sleeves, mostly part sets & odds, many different issuers & series inc. Gallaher Useful Hints Series (77), Interesting Views (Coloured, set), Mitchell's Money (24/25), Hill's Inventors & Their Inventions (21-40, 18/20), Churchman's Sectional Cycling Map (34), Wills Transvaal Series (Black border, 18), (White border, set, 66 cards), Churchman's Boy Scout Series A Series (39) 2nd Series (41), 3rd Series (15, mixed backs), Phillips First Aid Series (set), Player's (Overseas) Butterflies (Girls) (33) & much more (very mixed condition, poor/gd)
Tennis, Susan Lenglen (1899-1938), French Tennis player and inaugural World Number 1, 1921-1926. Winner of six Wimbledon titles, including five in a row 1919-1923. Full length boar mounted b/w photo with black ink signature, 23cm x 17cm (glue staining to back where removed from album otherwise front vg) (1). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Cartoonist & Illustrator, W. Heath Robinson (1872-1944), address headed letter 'Hascombe, 20 Shepherds Hill, Highgate N6' with hand written message 'With very best wishes for the New Year from W. Heath Robinson, 1930-31' with sketch image of gentleman with umbrella in the rain. 18cm x 13cm (light fold, gd) (1). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Autograph album, an album mostly compiled in the late 1990's containing a good range of original sports signatures from Olympics, Cricket, Golf, Football, Boxing, Tennis etc. Noted Mark Spitz, Tanni Gray, Roscoe Tanner, Prince Nassem Hamed, Nobby Stiles, Nick Faldo, Clive Lloyd, Jonah Lomu, Ille Nastase, Lennox Lewis, Nikki Lauda, Frankie Dettori & others. Mostly on single pages, back to back, album size 15cm x 11cm (gd). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Cricket, Prudential World Cup, England, 1983, India v West Indies, 25 June match programme signed by 10 Indian players each against picture & biographical details inc. Kapil Dev, Gavaskar, Madan Lal, Shastri, Vengsarkar, Srikkanth etc. Sold with two unsigned programmes from England v Pakistan 13 June & Australia v West Indies 18 June, all games played at Lord's. Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Golf, J.H. Taylor (1871-1963), British Open Champion 1894, 1895, 1900, 1909 & 1913, a hand written blue ink letter on private address headed paper dated 18 January, 1956, addressed to Mr. Bland acknowledging his letter, signed 'Sincerely Yours J.H. Taylor' and with written details of all major successes. (gd) (1). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Boxing, Joe Frazier (1944-2011), World Heavyweight Boxing Champion, a postcard size colour promotional card showing portrait of Frazier, signed in blue ink (vg) (1). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
Football, Football Writers Association, Footballer of the Year Annual Dinner, 3 May 1973, a menu card with multiple signatures to front inc. Alf Ramsey, Denis Law, Rodney Marsh, Tom Finney, Martin Peters, Joe Mercer & others, typed list of those identified included (gd). Lots 1088 to 1137 have been consigned by a relative of a private collector who is now deceased. They form the first part of a vast collection of signatures amassed over 50+ years of collecting which we will be selling in this and future auctions. Many signatures were gained in person from boyhood days at sports venues, theatres & other locations and continued through to later years with auction purchases and exchanges of correspondence. Some additional information is included on our website.
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