We found 596780 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 596780 item(s)
    /page

Lot 215

LE CARRÉ, John (1931-2020). The Spy Who Came In From the Cold. London: Victor Gollancz Ltd., 1963.8vo. Original blue cloth, gilt-lettered on spine (spine very slightly leaned); original dust jacket (some very slight soiling).  FIRST EDITION   WITH LE CARRÉ'S SIGNATURE on a booklabel laid in. Le Carre's third novel won the Crime Writers' Association 1963 Gold Dagger award   for "Best Crime Novel," and was the basis for the film directed by Martin Ritt released in 1965, starring Richard Burton, Claire Bloom, and Oskar Werner. A FINE COPY.  

Lot 216

LEWIS, Sinclair (1885-1951).  Free Air. New York: Harcourt, Brace and Howe, 1919.  8vo. Original blue cloth stamped in light blue; pictorial dust jacket (chipping and a few tears with occasional cello tape repairs verso, some minor soiling).    FIRST EDITION. The novel follows Claire Boltwood as she drives from New York to the Pacific Northwest, where she falls in love. It was adapted into a silent film in 1922.   Pastore 6. RARE IN THE DUST JACKET: We find only two copies sold at auction in the last 40 years.  

Lot 217

LEWIS, Sinclair (1885-1951). Babbitt. New York: Harcourt, Brace and Company, 1922.8vo. Original blue cloth stamped in orange (small gouge to spine); original dust jacket (restored with small portions recolored, soiling and creasing, small hole in spine panel).FIRST EDITION, FIRST ISSUE with "Purdy" and "my fellow" on p.49. In middle-aged, middle class, middle-management title character George Follansbee Babbitt, Lewis identified a new American type. The term "Babbitt"   can be found in most dictionaries.   Webster's defines it as "a person and especially a business or professional man who conforms unthinkingly to prevailing middle-class standards." Pastore 8.  

Lot 218

LEWIS, Sinclair (1885-1951). Elmer Gantry. New York: Harcourt, Brace and Company, 1927.8vo. Original blue cloth stamped in orange (some light rubbing, spine slightly faded); dust jacket (losses to spine ends, a few chips including a 1/2-in. portion of the head of spine torn away but present, with some very slight soiling).  FIRST EDITION, FIRST STATE of the binding with the "G" resembling a "C." Lewis's satirical treatment of evangelism in America created public outcry when the book was published, prompting evangelist Billy Sunday to call Lewis "Satan's cohort." Pastore 13.  

Lot 219

LEWIS, Sinclair (1885-1951). Dodsworth. New York: Harcourt, Brace and Company, 1929.8vo. Original blue cloth stamped in orange; dust jacket (a few tiny chips to corners, spine slightly soiled, otherwise bright).   FIRST EDITION. FIRST ISSUE OF THE DUST JACKET without reviews on the front flap. Lewis' novel juxtaposes European high culture with American commercialism and values during the early 20th-century. In 1929, the year following the publication of Dodsworth, Lewis became the first American to win the Nobel Prize in Literature. Pastore, p.171. A FINE COPY.  

Lot 22

ALGREN, Nelson (1909-1981). A group of 6 works by or about Algren, comprising:  The Man with the Golden Arm. Garden City, NY, 1949. -- Chicago: City on the Make. Garden City, NY, 1951. -- A Walk on the Wild Side. NY, 1956. PRESENTATION COPY, INSCRIBED BY ALGREN to Herb Yellin. -- Another copy. -- Who Lost an American? NY, 1963.   SIGNED BY ALGREN. -- DONAHUE, H. E. F. Conversations with Nelson Algren. NY, 1964. -- Together, 6 works in 6 volumes, 8vo, in original bindings, FIRST EDITIONS, condition generally fine.  [With:] ANS ("Nelson"), to publisher William Targ.  1 page, on a postcard, in pencil. Sharing a contact telephone number.

Lot 220

LEWIS, Sinclair (1885-1951). A group of 11 works by Lewis, comprising:  Our Mr. Wrenn. NY, 1914. -- The Job. NY, 1917. -- Babbitt. NY, 1922. In d/j. SIGNED BY LEWIS. -- Main Street. NY, 1920. -- Arrowsmith. NY, 1925. In d/j. -- The Man Who Knew Coolidge. NY, 1928. With d/j. -- It Can't Happen Here. NY, 1935. In d/j. -- Jayhawker. NY, 1935. In d/j. -- Another copy. -- Gideon Planish. NY, 1943. -- Kingsblood Royal. In slipcase. NY, 1947. Limited edition SIGNED BY SINCLAIR. -- Together, 11 works in 11 volumes, 8vo, in original bindings, FIRST OR LIMITED EDITIONS, condition generally fine.  

Lot 223

[LITERATURE ADAPTED TO FILM]. A group of 7 works, comprising:  DICKEY, James. Deliverance. Boston, 1970. -- LEROUX, Gaston. The Phantom of the Opera. NY, 1911. Second issue without imprint at foot of copyright page. -- McMURTRY, Larry. Terms of Endearment. NY, 1975. -- McMURTRY, Larry. Texasville. NY, 1987. -- MICHENER, James A. Tales of the South Pacific. NY, 1947. -- SAROYAN, William. The Human Comedy. NY, 1943. FIRST EDITION. -- WOUK, Herman. The Caine Mutiny. NY, 1951. -- Together, 7 works in 7 volumes, 8vo, all in original cloth, most with unrestored unclipped dust jackets, ALL FIRST EDITIONS, condition generally fine.  

Lot 224

[LITERATURE ADAPTED TO FILM]. A group of 7 works, comprising:  KESSERLING, Joseph. Arsenic and Old Lace. NY, 1941. -- RAPHAELSON, Samson. The Jazz Singer. NY, 1925. -- WEBB, Charles. The Graduate. NY, 1963. -- WELLES, Orson. Mr. Arkadin. NY, 1956. -- WEST, Mae. Babe Gordon. NY, 1930. -- WEST, Mae. She Done Him Wrong (Diamond Lil). NY, 1932. -- WEST, Mae. The Constant Sinner. NY, 1949.  -- Together, 7 works in 7 volumes, 8vo, original cloth and unrestored dust jackets, ALL FIRST EDITIONS, condition generally fine.  

Lot 225

[LITERATURE ADAPTED TO FILM]. A group of 8 works, comprising:  CORMAN, Avery. Kramer versus Kramer. NY, 1977. -- DICKEY, James. Deliverance. Boston, 1980. -- GRISHAM, John. A Time to Kill. NY, 1993. SIGNED BY GRISHAM. -- IRVING, John. Cider House Rules. NY, 1985. -- LEONARD, Elmore. Get Shorty. NY, 1990. SIGNED BY LEONARD. -- MADDOW, Ben and John HUSTON. The Asphalt Jungle. IL, 1980. Later edition. -- MANN, Patrick. Dog Day Afternoon. NY, 1974. -- SPIELBERG, Steven. Close Encounters of the Third Kind. NY, 1977. -- Together, 8 works in 8 volumes, 8vo, original cloth and unrestored dust-jackets, ALL FIRST EDITIONS, condition generally fine.  

Lot 226

LOOS, Anita (1893-1981). Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady. New York: Boni & Liveright, 1925.  8vo. Half-title, illustrated. Original red cloth gilt (some spotting to edges of text block, a few tiny stains); in unrestored unclipped dust jacket (ca 1 x 3/4-in. loss to foot of spine, some soiling, tears and chipping).  FIRST EDITION, FIRST ISSUE with "Divine" for "Devine" on title-page. Loos' story about Lorelei Lee, a young flapper, and her exploits in New York City, was an immediate success, selling out the day it was released in book stores.   It was adapted by Edgar Selwyn to a Broadway stage play, and was adapted to film twice: in 1928 as a silent film, and in 1953, in a technicolor film starring Marilyn Monroe.  

Lot 227

MAILER, Norman (1923-2007). Marilyn. A Biography. [New York]: Grosset & Dunlap, Inc., 1973.4to. Illustrated with color and black-and-white reproductions of photographs of Monroe by Avedon, Capa, Newman, Arnold, and others. Publisher's white blind-stamped cloth, navy blue lettering on spine (tiny stains to front cover); publisher's clamshell case with mounted photographic reproduction (a few minor scuffs, some adhesive remnants to lower board).FIRST EDITION, LIMITED ISSUE, SIGNED BY MAILER AND SCHILLER, the producer.

Lot 228

MAILER, Norman (1923-2007). A group of 13 works , including:The Naked and the Dead. 1948. FIRST ISSUE, IN FIRST ISSUE DUST JACKET. -- Another copy (jacket price-clipped). -- Barbary Shore. 1951. -- The Deer Park. 1955. -- The White Negro. 1957. Original pictorial wraps. FIRST ISSUE. -- Deaths for the Ladies and Other Disasters. 1962. -- Another copy in original printed wrappers. PRESENTATION COPY, INSCRIBED BY MAILER. -- The Deer Park A Play. 1967. REVIEW COPY with typed letter and card from the literary editor of the Dial Press laid in. -- Why are we in Vietnam? 1967. Second issue. -- Marilyn: A Biography. 1973. FIRST TRADE ISSUE. -- Ancient Evenings. 1983. Original slipcase, shrinkwrap present. LIMITED EDITION, number 267 of 350 copies, SIGNED BY MAILER. -- Tough Guys Don't Dance. 1984. Original slipcase. LIMITED EDITION, number 143 of 350 copies, SIGNED BY MAILER. -- Huckleberry Finn, Alive at 100. 1985. LIMITED EDITION, number 40 of 250 copies, one of 50 in boards. -- And 2 others. Together, 13 works in 15 volumes, most published in NY, various 4to and 8vo sizes, a few illustrated, all in original bindings, most FIRST EDITIONS, EACH WITH MAILER'S SIGNATURE on a slip laid in, condition generally fine.   Complete list available upon request.

Lot 229

MAUGHAM, W. Somerset (1874-1965). Of Human Bondage. New York: George H. Doran, 1915.8vo. (Slight chipping to fore-edge of a few leaves, some slight browning.) Contemporary green morocco gilt, preserving old endpapers (endpapers slightly browned); cloth folding case.FIRST AMERICAN EDITION, SIGNED BY MAUGHAM on front free endpaper: "W. Somerset Maugham / Chicago. October 1920". Second issue, without the misprint "help him" in line 4 of page 257. Maugham's masterpiece, considered to be at least partially autobiographical, was ranked among the 100 best English-language novels of the 20th century by The Modern Library.  

Lot 23

ANDERSON, Sherwood (1876-1941). Winesburg, Ohio. New York: B.W. Huebsch, 1919.8vo. Half-title. Original mustard cloth, printed label on spine, top edge stained yellow (some light soiling, spine slightly leaned); cloth slipcase. Provenance: Claude, Bridgewater, Connecticut (booklabel).FIRST EDITION, FIRST ISSUE, with "lay" in line 5 on p.86, and broken type in line 3 on p.251.   Anderson's short story cycle centers around the life of protagonist George Willard, and owing to its emphasis on the characters' psychological insights is considered one of the earliest works of Modernist literature. Sheehy & Lohf 9.

Lot 230

MAUGHAM, William Somerset (1874-1965). The Trembling of a Leaf. New York: George H. Doran Company, 1921.8vo. Half-title. Original brown cloth; in unrestored unclipped dust jacket (some chipping, a few short tears and minor soiling).  FIRST AMERICAN EDITION, IN THE VERY RARE DUST JACKET. The American edition of Maugham's work, which includes the first appearance of his most famous short story "Rain," precedes the English edition by fewer than three weeks. RARE: We trace no copies of the American edition in dust jacket at auction.  

Lot 231

MAUGHAM, William Somerset (1874-1965). The Razor's Edge. Garden City, New York: Doubleday, Doran & Co., Inc., 1944.8vo. Original red cloth gilt, gilt label on spine, top edge gilt, others uncut (spine slightly sunned, minor chipping to spine label); original board slipcase (slightly worn). Provenance: Gordon C. Coombs (signatures on paste-down and slipcase).     FIRST EDITION, LIMITED EDITION, number 589 of 750 copies SIGNED BY MAUGHAM.   The novel, which follows protagonist Larry Darrell after his return from World War I, takes its name from the epigraph: "The sharp edge of a razor is difficult to pass over; thus the wise say the path to Salvation is hard."

Lot 232

MCCOY, Horace (1897-1955). They Shoot Horses, Don't They? New York: Simon and Schuster, 1935.8vo. Original cloth, top edge stained red (a few pale stains, spine slightly leaned); in unrestored unclipped dust jacket (some chipping, a few short tears, some pale staining).FIRST EDITION OF McCOY'S FIRST BOOK about a grueling dance marathon and murder trial, which was widely read in existentialist circles in Europe, and which is among the best examples of absurdist existentialism in American fiction.  They Shoot Horses, Don't They? was adapted to a film of the same name in 1969, starting Jane Fonda and Michael Sarrazin.  

Lot 233

McMURTRY, Larry (1936-2021). The Last Picture Show. New York: The Dial Press, 1966.  8vo. Half-title. Original cloth (minor spotting along top edge of text block); in unrestored unclipped dust jacket.  FIRST EDITION, SIGNED BY McMURTRY on front flyleaf. McMurtry's third novel,  The Last Picture Show was adapted to film in 1971, starring Timothy Bottoms, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, and Cybill Shepherd.  

Lot 234

McMURTRY, Larry (1936-2021). A group of 6 works, comprising:Horseman, Pass By. Harper & Brothers, 1961. -- Leaving Cheyenne. Harper & Row, Publishers, 1963. FIRST ISSUE DUST JACKET. -- Somebody's Darling. 1978. SIGNED BY McMURTRY. -- Another copy. -- Texasville. 1987. SIGNED BY McMURTRY. -- Another copy. -- Anything for Billy. 1988. SIGNED BY McMURTRY. -- Another copy. -- Buffalo Girls. 1990. -- Together, 6 works in 9 volumes, all published in New York, most by Simon and Schuster, various 8vo sizes, all in original bindings, ALL FIRST EDITION, ALL SIGNED OR WITH McMURTRY'S SIGNATURE on a slip laid in, condition generally fine.

Lot 235

MEAD, Margaret (1901-1978). A group of 3 works, comprising:Coming of Age in Samoa a Psychological Study of Primitive Youth for Western Civilisation. 1928. -- Growing up in New Guinea a Comparative Study of Primitive Education. 1930. [With:] A review slip tipped-in. -- Male and Female a Study of the Sexes in a Changing World. 1949. PRESENTATION COPY, INSCRIBED BY MEAD. -- Together, 3 works in 3 volumes, all published in New York by William Morrow & Company, various 8vo sizes, illustrated, all in original cloth with unrestored and unclipped dust jackets, ALL FIRST EDITION, condition generally good.  

Lot 236

MILLER, Arthur (1915-2005). All My Sons. New York: Reynal and Hitchcock, 1947.  8vo. Half-title. Original green cloth; in unrestored unclipped dust jacket (some minor chipping and a few short tears to spine ends repaired on verso).    FIRST EDITION of Miller's three-act play, which opened on Broadway at the Coronet Theater on 29 January 1947.   Running for 328 performances, Miller's play was directed by Elia Kazan, the dedicatee, and won the New York Drama Critics' Circle award, and Tonys for Best Author and Best Direction of a Play. MILLER'S SIGNATURE on a slip laid in.

Lot 238

MILLER, Arthur (1915-2005). A group of 13 works, MANY SIGNED BY MILLER, comprising:A View from the Bridge. NY, 1955. SIGNED. -- After the Fall. NY, 1964. Slipcase. LIMITED EDITION, one of 499 copies for sale. SIGNED. -- Incident at Vichy. NY, 1965. SIGNED. -- The Price. NY, 1968. ADVANCE REVIEW COPY with slip laid in. SIGNED. -- Poetry and Film. NY, 1972. SIGNED. -- The Creation of the World and other Business. NY, 1973. SIGNED. -- In the Country. Morath INGE. NY, 1977. PRESENTATION COPY, SIGNED BY BOTH MILLER AND MORATH. -- Playing for Time. [NY], 1981. SIGNED. -- Salesman in Beijing. NY, 1984. SIGNED. -- Timebends. NY, 1987. ADVANCE COPY with letter laid in. -- A REVIEW COPY. SIGNED. -- The Ride Down Mount Morgan. [NY], 1992. ADVANCE COPY. -- Homely Girl. [NY], 1992. ADVANCE COPY. -- A published copy. SIGNED. -- Echoes Down the Corridor. NY, 2000. SIGNED. -- Together, 13 works in 15 volumes, various 4to and 8vo sizes, most in original printed wrappers or cloth with unrestored and unclipped dust jackets, ALL FIRST EDITION, many REVIEW COPIES or ADVANCE COPIES, many SIGNED BY MILLER, condition generally fine.  

Lot 240

MILLER, Henry (1891-1980). The Rosy Crucifixion Book One: Sexus. Paris: The Obelisk Press, 1949.2 volumes, 8vo. Original green cloth (a few pale stains, light spotting to edges). FIRST LIMITED EDITION, number 1,167 of 3,000 copies. PRESENTATION COPY SIGNED BY MILLER in vol.I: "For John Rich Henry Miller." ADDITIONALLY SIGNED by Miller in vol.II.[With:] MILLER. The Rosy Crucifixion Book Two: Plexus. Paris: The Olympia Press, 1953. 2 volumes, 8vo. Original brown printed wrappers (some minor rubbing to extremities). FIRST LIMITED EDITION, number 666 of 2,000 copies. Two works in 4 volumes, comprising the first and second installments of the Rosy Crucifixion trilogy which draws its title from his own Tropic of Capricorn: "All my Calvaries were rosy crucifixions, pseudo-tragedies to keep the fires of hell burning brightly for the real sinners who are in danger of being forgotten."

Lot 241

MILLER, Henry (1891-1980). A group of 9 works, comprising:Obscenity and the Law of Reflection. Yonkers, NY, 1945. -- Le Sourire au pied de l'echelle. The Smile at the Foot of the Ladder. Paris, 1953.   FIRST BILINGUIAL EDITION. PRESENTATION COPY, INSCRIBED BY MILLER to Richard Du Brau, with a photograph of both tipped in. -- Nights of Love and Laughter. Signet Book, 1955. FIRST ISSUE. -- The Waters Reglitterized. 1973. Number 157 of 285 copies. SIGNED BY MILLER. -- Mother, China, and the World Beyond. 1977. Number 169 of 250 copies. SIGNED BY MILLER. -- My Bike & other Friends. 1978.   SIGNED BY MILLER. -- Joey a Loving Portrait of Alfred Perles together with some Bizarre Episodes Relating to the other Sex. 1979. Number 26 of 250 copies. SIGNED BY MILLER. -- The World of Lawrence a Passionate Appreciation. 1980.   Number 240 of 250 copies. SIGNED BY MILLER. -- Crazy Cock. NY, 1991. UNCORRECTED PROOF. -- Together, 9 works in 9 volumes, most published in Santa Barbara by Capra Press, various 8vo and 12mo sizes, many illustrated, all in original bindings, most FIRST OR LIMITED EDITIONS, most SIGNED BY MILLER, condition generally fine.  

Lot 242

MITCHELL, Margaret (1900-1949). Gone with the Wind. New York: Macmillan, 1936.  8vo. Original grey cloth; in unclipped dust jacket (a few light chips and tears, with a few old cello tape repairs to foot of spine and verso).  FIRST EDITION, FIRST ISSUE, with the May 1936 date. FIRST ISSUE of the dust jacket, with Gone with the Wind listed in the second column of Macmillan's publications. Mitchell's epic Civil War novel was a huge success; it won the Pulitzer Prize for fiction, has sold more than 8 million copies, and has been translated into at least 18 languages.  

Lot 244

NABOKOV, Vladimir (1899-1977). Lolita. New York: G. P. Putnam's Sons, 1955.  8vo. Half-title. Original black cloth-backed boards, top edge stained red (one corner bumped, very slightly leaned); in unrestored unclipped dust jacket (a few tiny chips and tears, some soiling to extremities, tiny pencil note on rear flap  FIRST AMERICAN EDITION, IN THE FIRST ISSUE dust jacket without "Complete Unexpurgated Edition" on front panel.   Nabokov's controversial novel was initially rejected by American publishers, and was first published by the avant-garde Olympia Press in Paris in a two-volume edition in 1955. Lolita is ranked fourth on the Modern Library's list of 100 Best Novels of the 20th Century.  

Lot 245

O'HARA, John (1905-1970). Butterfield 8. New York: Harcourt Brace and Company, 1935.  8vo. Half-title. Original black cloth lettered in gold on spine; in unrestored unclipped dust jacket (some minor rubbing to spine ends and extremities). FIRST EDITION, SIGNED BY O'HARA on front flyleaf. Butterfield 8, O'Hara's second novel and one of his best, a roman à clef loosely based on the life of Starr Faithfull, a socialite and flapper whose mysterious death in 1931 became a tabloid sensation. The novel was the basis for the 1960 movie starring Elizabeth Taylor, Laurence Harvey, Eddie Fisher and Dina Merrill.

Lot 246

O'NEILL, Eugene (1888-1953). Thirst, and Other One-Act Plays. Boston: The Gorham Press, 1914.  8vo. Original cloth-backed boards, printed paper labels to upper cover and spine; in unrestored dust jacket (a few short tears, some soiling). Provenance: Edward Frank Pritzlaff (bookplate); sold The Milwaukee Bookshop (small bookseller's label on pastedown)   FIRST EDITION OF O'NEILL'S FIRST BOOK, RARE IN THE DUST JACKET. One of 1,000 copies printed, including the plays "Thirst," "The Web," "Warnings," "Fog," and "Recklessness."  

Lot 248

O'NEILL, Eugene (1888-1953). The Hairy Ape. Anna Christie. The First Man.  New York: Boni and Liveright, 1922.8vo. Half-title. (Some light spotting primarily to fore-margin.) Original cloth-backed black-lettered boards (some rubbing to extremities). Provenance: Edward Auerbach (presentation inscription).FIRST EDITION, PRESENTATION COPY, INSCRIBED BY O'NEILL: "For Edward Auerbach with all good wishes Eugene O'Neill." Atkinson A20-I-1.  

Lot 249

O'NEILL, Eugene (1888-1953). Days Without End. New York: Random House, 1934.  8vo. Title printed in blue and black. Original blue leather, spine gilt, uncut. Provenance: Kate Felton Elkins (presentation inscription).  FIRST LIMITED EDITION, number 136 of 325 copies. ADDITIONALLY INSCRIBED BY O'NEILL: "To Mrs. Kate Felton Elkins - again, with all good wishes! Eugene O'Neill Sea Island, Ga. July 1934." Felton Elkins attended Princeton with O'Neill. Atkinson A34-I-1.a.  

Lot 250

O'NEILL, Eugene (1888-1953). The Iceman Cometh. New York: Random House, 1946.8vo. Half-title, title printed in blue and black. Original blue cloth; in unrestored unclipped dust jacket (some browning, primarily to spine, some minor chipping, tiny abrasion lower spine fold).  Provenance: Dixie French (presentation inscription). FIRST EDITION. PRESENTATION COPY, INSCRIBED BY O'NEILL on the front free endpaper: "For May Davenport Seymore, with all good wishes. Eugene O'Neill. Oct., 1946."Dixie French was the company manager for the Broadway run of The Iceman Cometh, which played at the Martin Beck Theater from 9 October 1946 to 15 March 1947.   Inscribed works by O'Neill are uncommon in this late period of his career due to the effects of Parkinson's disease.   After receiving the Nobel Prize in Literature in 1936, O'Neill wrote three of his most autobiographical works.   The first of these,  The Iceman Cometh, restored him to Broadway.   Laid in is a request for seats to the show, with two caricatures, to Dixie French from cartoonist "Cheerio." Atkinson A35-I-I.a.

Lot 252

O'NEILL, Eugene (1888-1953). A group of 24 works, including:Thirst. Boston: Gorham Press, 1914. -- The Moon of the Caribbees. 1919. FIRST ISSUE. -- Another copy. -- Gold. 1920. -- The Emperor Jones. Cincinnati: Stewart Kidd Company, 1921. FIRST SEPARATE EDITION. SIGNED BY O'NEILL. -- All God's Chillun Got Wings and Welded. 1924. -- The Words of Eugene O'Neill. 1925-1927. 5 volumes. Mixed editions. -- Strange Interlude. 1928. -- Another copy. -- Dynamo. NY: Horace Liveright, 1929. LIMITED EDITION, number 485 of 750 copies. SIGNED BY O'NEILL. -- Another copy (not Limited edition). -- Nine Plays. NY: Liveright, Inc., 1932. -- Ah, Wilderness! 1933. -- Days Without End. 1934. -- A Moon for the Misbegotten. 1952. -- And 12 others. Together, 24 works in 30 volumes, most published in New York by Random House or by Boni and Liveright, various 4to and 8vo sizes, all in original cloth or quarter cloth or printed wrappers, most in unrestored and unclipped dust jackets, most FIRST EDITION, condition generally good. Complete list available upon request.

Lot 253

ORWELL, George (1903-1950).  Nineteen Eighty-Four. London: Secker & Warburg, 1949.  8vo. Half-title. Original green cloth, red-lettered on spine (some offsetting of jacket to boards, spine slightly faded, erased pencil mark on endleaf); in unclipped green dust jacket (a few small chips and tears with occasional repairs on verso, slight rubbing to folds).  FIRST EDITION of Orwell's last novel, published just a year before his death, written with "particular feeling and clarity"; "even the political arguments are never dull. In fact they are worked out with passionate logic. 'Double Think', 'Newspeak', 'Big Brother' now form part of the language. It is a warning against totalitarianism under any disguise -- left or right" (Connolly, The Modern Movement 99). Fenwick records two variant states of the dust jacket, one green and one red, with no priority. Fenwick A12a.  

Lot 254

ORWELL, George (1903-1950). Animal Farm. New York: Harcourt, Brace and Company, 1946.8vo. Half-titles. (Minor even toning.) Original black cloth, spine gilt-lettered; in unrestored and unclipped dust jacket (minor soiling, very minor wear to extremities). FIRST AMERICAN EDITION. Fenwick A.10d.  [With:] The Road to Wigan Pier. London: Victor Gollancz Ltd., 1937. 8vo. Photographic plates. Original limp orange cloth (some creasing, possible dampstaining, light scuffs to printed lettering). FIRST EDITION, FIRST ISSUE referred to as the "Left Book Club Edition" on the front board, issued 3 months before the first public edition. Fenwick A.5a.  [Also with:] The English People. London: Collins, 1947. 4to. 8 color plates and 11 black and white illustrations. (Occasional spotting.) Illustrated green paper on boards (slight warping, a few brown spots); in unrestored and unclipped dust jacket (toned, occasional spotting, light wear at extremities). FIRST EDITION, FIRST ISSUE. Fenwick A.11a.  

Lot 255

PINTER, Harold (1930-2008). A group of 9 works by Pinter, comprising:  The Caretaker. L, [1960]. -- Landscape. L, 1968. Limited edition SIGNED BY PINTER. -- Poems. L, 1968. Limited edition SIGNED BY PINTER. -- The Proust Screenplay. L, 1978. SIGNED BY PINTER. -- Poems and Prose 1949-1977. L, 1978. SIGNED BY PINTER. -- The French Lieutenant's Woman. Boston, 1981. Limited edition SIGNED BY PINTER AND JOHN FOWLES. -- One for the Road. L, 1984. SIGNED BY PINTER. -- The Dwarfs. NY, 1990. Uncorrected proof. -- The Dwarfs. L, 1990. Limited edition SIGNED BY PINTER. -- Together, 9 works in 9 volumes, various 4to and 8vo sizes, in original bindings, FIRST OR LIMITED EDITIONS, many SIGNED, most with PINTER'S SIGNATURE on a slip laid in, condition generally fine.  

Lot 256

PINTER, Harold (1930-2008). A group of 8 works by Pinter, comprising:  The Birthday Party. L, 1959. -- Poems. L, 1971. Limited edition SIGNED BY PINTER. -- Five Screenplays. L, 1971. Limited edition SIGNED BY PINTER. -- Monologue. L, 1973. Limited edition SIGNED BY PINTER. --   No Man's Land. L, 1975. Limited edition SIGNED BY PINTER. -- Betrayal. L, 1978. Limited edition SIGNED BY PINTER. -- Poems and Prose 1949-1977. NY, 1978. -- Dwarfs. L, 1990. Limited edition SIGNED BY PINTER. -- Together, 8 works in 8 volumes, 8vo, in original bindings, FIRST OR LIMITED EDITIONS, many SIGNED, each with PINTER'S SIGNATURE on a slip laid in, condition generally fine.  

Lot 257

RAND, Ayn (1905-1982). For the New Intellectual: The Philosophy of Ayn Rand. New York: Random House, 1961.8vo. Publisher's black cloth, top edge stained yellow; in unrestored dust jacket (price-clipped, a few tiny scuffs, spine slightly soiled).FIRST EDITION, SIGNED BY RAND on half-title of Rand's first non-fiction work. Rand viewed the work as a "cultural commercial" for her novels which helped increase sales of recently-published paperback editions of Atlas Shrugged and We are the Living.

Lot 258

RAND, Ayn (1905-1982). The Romantic Manifesto. A Philosophy of Literature.   New York and Cleveland: World Publishing Company, 1969.  8vo. Half-title. Original blue cloth (tiny stain to lower rear corner); in unrestored unclipped dust jacket (short tear and minor crease to rear panel). Provenance: William W. Stanhope (presentation inscription from the author).  FIRST EDITION, PRESENTATION COPY, INSCRIBED BY RAND: "To William W. Stanhope - - Cordially - Ayn Rand 12/20/74."   In this series of essays, Rand argues that an artist cannot create art without imbuing it with his or her own personal philosophy, causing the audience to come away with a sense of a philosophical message colored by their own personal values.  

Lot 259

RAND, Ayn (1905-1982). A group of 8 volumes, comprising: We the Living. NY, 1936. (Lacking dust jacket.) --Night of January 16th. NY et al, 1936. Original printed wrappers. --The Fountainhead. Indianapolis & NY, 1943. Later edition dust jacket priced at $3.00 with Bobbs-Merrill on rear panel. [With:] Two other copies. --Anthem. Los Angeles, 1946. Original printed wrappers. FIRST AMERICAN EDITION. [With:] Another copy. Caldwell, Idaho, 1953. (Dust jacket price-clipped.) --Philosophy: Who Needs It. Indianapolis & NY, Inc., 1982. FIRST ISSUE. -- Together, 8 works in 8 volumes, various 12mo and 8vo sizes, all in original cloth, most in unrestored and unclipped dust jackets, most FIRST EDITION, condition generally good.

Lot 260

[ROBIN HOOD]. Robin Hood: A Collection of All the Ancient Poems, Songs, and Ballads, now extant, relative to that celebrated English Outlaw. London: Printed for T. Egerton and J. Johnson, 1795.2 volumes, 8o. Contemporary red straight-grained morocco gilt, edges gilt (extremities a little rubbed). Provenance: "J.C.B." (engraved bookplates); John C. De Kimberley (bookplates). Donald G. Drapkin (bookplates; his sale, Christie's New York, 29 June 2005, Sale 1631, Lot 320.  FIRST COLLECTED EDITION, edited by Joseph Ritson, the first in-depth publication regarding the legendary Robin Hood character, and the basis for all the subsequent related versions in print and film.

Lot 262

SALINGER, J. D. (1919-2010). Raise High the Roof Beam, Carpenters and  Seymour an Introduction. Boston & Toronto: Little, Brown and Company, 1959.  8vo. Half-title. Original gray cloth (very slight fading to spine ends); in unrestored unclipped dust jacket (very slight fading to spine panel).FIRST EDITION, FIRST STATE without the dedication page. Salinger's novellas were first published in  The New Yorker. The present edition was the first appearance of either novella in book form, which was the third best-selling novel in 1963 according to Publisher's Weekly.   A FINE COPY.    

Lot 265

SARTRE, Jean Paul (1905-1980).   La Nausee. Paris: Gallimard, 1938.8vo. Original printed wrappers; original glassine (some browning, small stain to front free endpaper). FIRST EDITION, ordinary issue, of SARTRE'S FIRST NOVEL, a canonical work of existentialism. La Nausee was "on the whole well received by the critics and the success of Sartre the novelist served to enhance the reputation he had started to enjoy as a writer of short stories and philosophical texts, mostly on perception" (David Drake,  Sartre, p.42).  

Lot 266

SARTRE, Jean Paul (1905-1980). Group of 9 works published by Gallimard, comprising:  L'être et le neant. 1943. Common issue. -- Les Mains Sales. 1948. No. CLXXVI of 210 copies on alfa mousse Navarre. -- La mort dans l'âme. 1949. No. LXVI of 105 copies on Lafuma Navarre. -- Saint Genet Comedien et Martyr. 1952. No. 51 of 162 copies on Lafuma Navarre. -- Kean. Edited by Sartre. 1954. No. 178 of 160 copies on Lafuma-Navarre. -- Nekrassov. 1956. No. 105 of 210 copies on Lafuma Navarre. -- Critique de la raison dialectique. 1960. Common issue. [Laid in:] "Notes sur la conference de Jean-Paule Sartre 'Marxisme et Existentialisme,'" 23 April 1958. Notes by A. Lacocque. Typescript document, 4pp. -- Les Sequestres d'Altona. 1960. No. 112 of 210 copies on Lafuma-Navarre. -- Les Troyennes. Translated by Sartre. 1965. No. 31 of 2255 copies on Lafuma-Navarre.Together, 9 works in 9 volumes, all 8vo, all in original wrappers printed in black and red, most with original glassines, ALL FIRST EDITIONS, condition generally fine.  

Lot 267

SARTRE, Jean Paul (1905-1980). A group of 11 works, including:L'Imagination. 1936. -- Le Mur. 1939. Contemporary black boards. LIMITED EDITION, 910 of 1000. -- Morts Sans Sepulture. Lausanne, 1946. -- La Putain Respectueuse. 1946. LIMITED EDITION, 403 of 500. -- L'Existentialisme est un Humanism. 1946. In unrestored and unclipped dust jacket. LIMITED EDITION, 364 of 500. -- Reflexions sur la Question Juive. 1946. LIMITED EDITION, one of 3000. -- Portrait of the Anti-Semite. NY, 1946. FIRST AMERICAN EDITION. -- Les Jeux Sont Faits. 1947. LIMITED EDITION, 150 of 500. -- L'Engrenage. 1948. LIMITED EDITION, 32 of 500. -- Sketch for a Theory of the Emotions. London, 1962. Original cloth; in unrestored and unclipped dust jacket. FIRST EDITION IN ENGLISH. -- LAUROT, Edmar de. Typed document. Np., 1952. 215 pages, 4to, bound by 2-holes in commercial binding, some toning. Unpublished English translation of Sartre's The Devil and God Almighty. -- Together, 11 works in 11 volumes, most published in Paris, various 4to and 8vo sizes, most in original printed wrappers, many in glassines, ALL FIRST EDITION, many LIMITED EDITIONS, condition generally good.  

Lot 269

SHAW, George Bernard (1856-1950). Cashel Byron's Profession. [London:] The Modern Press, 1886.  Tall 8vo (235 x 147 mm). Blank leaf at end. (Some spotting.) Original blue printed wrappers (some minor losses to spine ends and one corner, a few repairs to spine, some soiling); red quarter morocco slipcase.FIRST SEPARATE EDITION OF SHAW'S FIRST SEPARATELY-PUBLISHED WORK. Laurence's smaller variant issue, with the blank at the end: "the size of bigger copies is due to the fact that they reproduced not only the type but the format of To-day. But the booksellers objected that in this form it occupied too much room to be displayed on their stalls and counters. It was probably cut down as far as the margins would allow to meet his objection" (Laurence, quoting Shaw).   Cashel Byron's Profession first appeared in the periodical To-Day, and by the end of 1886, two U.S. pirated editions of the work had already been printed. Laurence A3a.  

Lot 270

SHAW, George Bernard (1856-1950).  The Quintessence of Ibsenism. London: Walter Scott, 1891.  8vo. Original blue gilt-lettered cloth (slight wear to extremities, some minor soiling). FIRST EDITION, AUTHOR'S COMPLIMENTARY COPY, with slip tipped to front free endpaper. "In the spring of 1890, the Fabian Society...was compelled to make shift with a series of papers put forward under the general heading 'Socialism in Contemporary Literature.'...I consented to 'take Ibsen"...William Morris, asked to read a paper on himself, flatly declined but gave us one on Gothic Architecture...my paper on Ibsen...was duly read at the St James's Restaurant on the 18th July 1890, under the presidency of Mrs. Annie Besant, and which was the first form of this little book" (Preface, pp.v-vi). Laurence A12. [With:] SHAW. Misalliance, The Dark Lady of the Sonnets, and Fanny's First Play. With a Treatise on Parents and Children. London: Constable and Company Ltd., 1914. 8vo. Original green gilt-lettered cloth, uncut. FIRST EDITION, SIGNED BY SHAW on half-title: "To A.W. Evans from G. Bernard Shaw."    

Lot 271

SHAW, George Bernard (1856-1950).  The Perfect Wagnerite: A Commentary on the  Ring of the Niblungs. London: Grant Richards, 1898.  8vo. Half-title; 2p. publisher's advertisements at end. (Some very slight soiling and spotting to a few leaves, a few tiny marginal pencil marks.) Original blue cloth-backed linen, gilt-lettered on spine (some light soiling and wear); cloth slipcase.  FIRST EDITION, written by Shaw "for the assistance of those who wish to be introduced to the work on equal terms with that inner circle of adepts...The reason is that its dramatic moments lie quite outside the consciousness of people whose joys and sorrows are all domestic and personal, and whose religions and political ideas are purely conventional and superstitious" (Preface, p.[v]). Laurence A31.  [Tipped in:] SHAW. Autograph note signed ("G. Bernard Shaw"), to an unnamed recipient, 1 June 1924. In full: "You seem to be possessed by the demon that formerly possessed Southey. Exorcism is the only remedy I can suggest."  

Lot 272

SHAW, George Bernard (1856-1950).  The Apple Cart: a Political Extravaganza. London: Constable and Company Ltd., 1930.8vo. Half-title. (Some minor spotting.) Original green cloth, gilt-lettered on spine, uncut; in unrestored unclipped dust jacket (some very slight chipping to spine ends). Provenance: Joan Noel Anderson (presentation inscription from Shaw).FIRST ENGLISH EDITION, HUMOROUSLY INSCRIBED BY SHAW ON THE HALF-TITLE: "Well, just to spite your Eldest Sister and you Extraordinary Mother who won't let you read St. Joan (she has evidently not read it herself) here goes! G. Bernard Shaw for Joan Noel Anderson 16th May 1931." The Apple Cart, first published in German in 1929, and was first performed in Warsaw in Polish. The play is a "comedy in which a King defeats an attempt by his popularly elected Prime Minister to deprive him of the right to influence public opinion through the press and the platform: in short, to reduce him to a cipher" (Preface, p.v). Laurence A195b.

Lot 273

SHAW, George Bernard (1856-1950). A group of 20 political works, including:The Impossibilities of Anarchism. London, 1893. -- Fabianism and the Empire a Manifesto by the Fabian Society. London, 1900. -- Novels of His Nonage NO. 4: Cashel Byron's Profession... Newly Revised. London, 1903. Third English edition. -- An essay on Going to Church. Boston, 1905. -- How to Settle the Irish Question. Dublin et al, 1917. -- Peace Conference Hints. London, 1919. -- Ruskin's Politics. London, 1921. Glassine. -- The Intelligent Woman's Guide to Socialism and Capitalism. London, 1928. FIRST ENGLISH EDITION. -- The League of Nations. London, 1929. -- What I Really Wrote About the War. NY, 1932. FIRST AMERICAN TRADE EDITION. -- Where Stands Socialism To-Day? London, 1933. -- The Adventures of the Black Girl in Her Search For God. NY, 1933. FIRST AMERICAN EDITION. -- Another copy. -- Shaw on Stalin. London, 1941. -- Sixteen Self Sketches. NY, 1949. -- And 6 others. Together, 20 works in 22 volumes, various 8vo and 12mo sizes, all in original cloth or printed wrappers, most in unrestored dust jackets, most FIRST EDITION, condition generally good. Complete list available upon request.

Lot 274

SHAW, George Bernard (1856-1950). A group of 20 works, including:Man and Superman. Westminster, 1903. -- The Common Sense of Municipal Trading. Westminster, 1904. -- The Irrational Knot. 1905. -- The Sanity of Art. London, 1908. -- John Bull's Other Island and Major Barbara. 1911. -- The Doctor's Dilemma, Getting Married, & The Shewing-up of Blanco Posnet. 1911. -- The Quintessence of Ibsenism. 1913. -- Androcles and the Lion, Overruled, Pygmalion. 1916. -- Heartbreak House, Great Catherine, and Playlets of the War. 1919. -- Back to Methuselah. 1921. -- Saint Joan. 1924. -- Translations and Tomfooleries. 1926. -- Too True to be Good, Village Wooing & On the Rocks. Three Plays. 1934. -- Short Stories, Scraps and Shavings. 1934. -- In Good King Charles's Golden Days. 1939. -- Another copy. -- And 5 others. Together, 20 works in 21 volumes, most published in London, most published by Constable and Company Limited, various 4to and 8vo sizes, most in original cloth with spines gilt-lettered, most in unrestored and unclipped dust jackets, most FIRST EDITION, condition generally good. Complete list available upon request.

Lot 275

SHAW, George Bernard (1856-1950). A group of 13 works, comprising:Plays: Pleasant and Unpleasant. 1898. 2 volumes. -- Love Among the Artists. 1900. Custom chemise and slipcase. -- Three Plays for Puritans. 1901. -- The Irrational Knot. 1905. -- The Author's Apology from Mrs. Warren's Profession. 1905. -- Dramatic Opinions and Essays. 1906. 2 volumes. Provenance: Leroy Arthur Sugarman (stamps). -- Cashel Byron's Profession. 1906. -- Misalliance, The Dark Lady of the Sonnets, Fanny's First Play with a Treatise on Parents and Children. 1914. -- Heartbreak House, Great Catherine, And Playlets Of The War. 1919. -- Back to Methuselah. 1921. -- Saint Joan: a Chronicle Play in Six Scenes and an Epilogue. 1924. -- The Intelligent Woman's Guide to Socialism and Capitalism. 1928. -- Another copy. -- The Apple Cart: a Political Extravaganza. 1931. -- Together, 13 works in 16 volumes, all published in New York by Brentano's or in Chicago/New York by Herbert S. Stone and Company, various 8vo sizes, all in original cloth or printed wrappers, some with unrestored and unclipped dust jackets, ALL FIRST EDITION or FIRST AMERICAN EDITION, condition generally good.  

Lot 276

SIMON, Neil (1927-2018). A group of 23 works, including:Come Blow Your Horn. Garden City, NY, 1963. WITH SIMON'S SIGNATURE on a slip laid in. -- The Odd Couple. 1966. Provenance: Herb Vigran (1910-1986), American character actor (signature). -- Sweet Charity. 1966. -- The Star-Spangled Girl. 1967. SIGNED BY SIMON on laid in card. -- Plaza Suite. 1969. -- Promises, Promises. 1969. -- Last of the Red Hot Lovers. 1970. -- The Gingerbread Lady. 1971. -- The Prisoner of Second Avenue. 1972. -- The Sunshine Boys. 1973. -- The Good Doctor. 1974. -- God's Favorite. 1975. SIGNED BY SIMON on laid in card. -- California Suite. 1977. -- Chapter Two. 1979. -- They're Playing our Song. 1980. -- I Ought to be in Pictures. 1981. SIGNED BY SIMON on laid in card. -- Fools. 1981. -- Biloxi Blues. 1986. Original printed wrappers. ADVANCE REVIEW COPY, UNCORRECTED PROOFS with slip pasted to cover and letter laid in. -- Another published copy. -- Broadway Bound. 1987. -- Rumors. 1990. SIGNED BY SIMON. -- Lost in Yonkers. 1991. -- Jake's Women. 1994. SIGNED BY SIMON. -- Laughter on the 23rd Floor. 1995. -- Together, 23 works in 24 volumes, most published in New York by Random House, various 8vo sizes, most in original cloth or quarter cloth, most in unrestored dust jackets (most unclipped), ALL FIRST EDITION, many FIRST ISSUE, condition generally fine.  

Lot 277

SINCLAIR, Upton (1878-1968). The Jungle. New York: The Jungle Publishing Co., 1906.8vo. 3pp. publisher's advertisements. Original green pictorial cloth (rubbed, particularly at extremities).  FIRST EDITION, WITH SUSTAINER'S EDITION LABEL. SIGNED BY SINCLAIR on blank leaf.    Sinclair's novel portrays the harsh conditions faced by exploited immigrant workers in Chicago. Originally published serially, five publishers rejected the work as too shocking.   As he was about to self-publish a version of the novel in the present Sustainer's Edition, Doubleday, Page agreed to publish the book, and the Doubleday edition was published simultaneously with Sinclair's, which appeared under "The Jungle Publishing Company" imprint with the Socialist Party's emblem on the cover.

Lot 278

SINCLAIR, Upton (1878-1968). Oil! New York: Albert & Charles Boni, 1927.8vo. (Some light spotting.) Original maroon cloth decorated in yellow (spine slightly leaned and faded, some light rubbing, otherwise bright).  FIRST EDITION of Sinclair's work loosely based on the life of oil tycoon Edward L. Doheny, which was the basis for the 2007 film  There Will be Blood.  

Lot 279

SINCLAIR, Upton (1878-1968).  Dragon's Teeth. New York and Pasadena, CA: Published by the Author, 1942.8vo. Original red cloth lettered in silver; in unrestored pictorial dust jacket (small hole in spine panel, some rubbing, soiling and minor losses). Provenance: Betty (presentation inscription from Sinclair).FIRST EDITION, PRESENTATION COPY, INSCRIBED BY SINCLAIR: "To Betty with love Upton Sinclair." This issue published for private distribution by Sinclair is similar to the first trade edition published by Viking, but without the Viking logo on the front cover or spine, and with a different title page imprint. Sinclair's novel, which describes the Nazi takeover of Germany in the 1930s, won him the Pulitzer Prize for the Novel.  

Lot 28

[ARTIST'S BOOK]. REMINGTON, Frederic (1869-1909). Remington's Frontier Sketches. Chicago, Akron, OH and New York: The Werner Company, 1898.Oblong 4to. Pictorial title-page, 15 half-tone plates, printed tissue guards. (Some minor chipping and spotting.) Original pictorial beveled boards, edges gilt (some soiling, slight wear to extremities).    FIRST EDITION of Remington's work. "His are no fancy sketches. They deal with subjects which he has studied close at hand, in the wigwam, on the plains, in the arroyos... Remington's admirable pictures will abide, preserving for all time his unique likeness in a setting true to nature and worthy of the subject" (Introduction). Dykes, Fifty Great Western Illustrators 327; Merle Johnson, p. 426; Howes R-206.

Lot 280

SINCLAIR, Upton (1878-1968). A group of works by Sinclair, comprising:The Metropolis. NY, 1907. -- Samuel the Seeker. NY, 1910. -- Jimmie Higgins. Pasadena, CA, 1919. -- 100% The Story of a Patriot. Pasadena, CA, 1920. In d/j. -- Oil!. NY, 1927. In d/j. Later printing. -- Roman Holiday. Pasadena, CA, 1931. In d/j. -- The Flivver King. A Story of Ford America. Emaus, PA, 1937. In d/j. -- Together, 7 works in 7 volumes, 8vo, in original bindings, ALL FIRST EDITIONS, condition generally fine.  

Lot 281

SMITH, Betty (1896-1972). A Tree Grows in Brooklyn. New York: Harper & Brothers Publishers, 1943.8vo. Half-title. Original green cloth, printed label on spine (fading to spine, some minor fading); unclipped dust jacket (some minor restoration along edges, a few short tears).  FIRST EDITION, with codes "8-43" and "D-S" on copyright page. In the second(?) issue dust jacket priced $2.75 with "5338" and "5339" on the front and rear flap respectively, and with "How the Tree Grew" essay by Smith printed on verso. Smith's semi-autobiographical coming of age novel about an adolescent girl growing up in Williamsburg Brooklyn was the basis for Elia Kazan's first feature-length film, released in 1945, starring James Dunn, Dorothy McGuire, Joan Blondell, and Peggy Ann Garner.   Garner won a Special Academy Award for Outstanding Child Actress for her role.  

Lot 283

SPILLANE, Mickey (1918-2006). I, the Jury. New York: E. P. Dutton & Company, Inc., 1947.  8vo. Half-title. Original red-lettered black cloth (corner slightly bumped). In unrestored unclipped dust jacket (some light chipping, rubbing, and minor soiling). Provenance: Dollie Sullivan MacGregor (bookplate).  FIRST EDITION, WITH SPILLANE'S SIGNATURE on a slip laid in. SPILLANE'S FIRST NOVEL, which includes the first appearance of private investigator Mike Hammer. By the time Spillane's novel was adapted to film in 1953, it had sold over 3.5 million copies.

Loading...Loading...
  • 596780 item(s)
    /page

Recently Viewed Lots