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Lot 90
ARTHUR WILLIAM HEINTZELMAN (AMERICAN 1891 - 1965), LA VIERGE ET L'ENFANT JESUS (Smith 155) drypoint etching on cream laid paper, 1929; edition of 70, signed in pencil 30cm x 23cm Mounted, framed and under glass Note: Born in Newark, New Jersey, Arthur William Heintzelman was a painter, etcher, copyist, teacher, and curator. Raised in Providence, Rhode Island, he first studied art at the Rhode Island School of Design, where he subsequently taught, and also in Europe. In 1921, the Heintzelmans moved to Paris and made their home in France, subsequently moving to Switzerland in 1931 and remaining there until 1934, when they returned to the United States. Already widely respected as a printmaker prior to his departure for Europe, he became internationally famous during his years abroad and was - and is - regarded as one of the greatest etchers of the Twentieth Century. During his years in Paris, Heintzelman met Eugène Delatre, who became his printer for the remainder of his stay in Europe, and who taught Heintzelman the intricacies of fine art printmaking for which his atelier was justly famous. In appreciation for his contribution to French art and culture, Heintzelman was named to the Legion of Honour by the French government. Following his return to the United States, Heintzelman became the first Keeper of Prints at the Boston Public Library and served there from 1941 to his retirement in 1960. Thanks to his close relationship with the Delatre family, Heintzelman coordinated the gift of the comprehensive collection of prints by both Auguste and Eugène Delatre to the Boston Public Library. He was succeeded as Keeper of Prints by Sinclair Hitchings. Heintzelman also headed the Fine Arts department of the Rhode Island School of Design. He was awarded numerous international prizes for his etchings, and his works are found in museum collections through the US and Europe. Heintzelman belonged to numerous professional associations both in the US and abroad. He lived and worked in Boston, Marblehead, and Rockport, Massachusetts and in New York City. He died at Rockport, Massachusetts. The works of Heintzelman are documented in The Prints of Arthur Wm. Heintzelman, the catalog raisonné compiled by Donald Eugene Smith and published by the Boston Public Library (USA) in 2004.
Lot 165
A Meissen (outside decorated) model of a Pug with a blue and gilt bell collar, another Meissen example and a pair of Continental porcelain Meissen-style models of Pugs with blue and gilt bell collars, all late 19th century, blue crossed swords, cancellation marks to first, press nummern and incised numerals (damages and losses), the first 18cm high (4)
Lot 215
Charles Dickens; Little Dorrit, Bradbury and Evans, 1857, first edition (issue not stated), half calf; The Mystery of Edwin Drood, Chapman and Hall, 1870, first edition (issue not stated), half calf; Christmas Books, Chapman and Hall, 1852, first edition thus (issue not stated), original cloth (3)
Lot 220
A collection of British Commemorative Coins and Medals consisting of: 2 x George V, 1935 'rocking horse' CuNi crown. Extremely Fine. 3 x George VI, 1951 'Festival of Britain' proof CuNi crowns. Extremely Fine, 2 in Royal Mint presentation boxes. 2 x Elizabeth II, 1953 'Coronation' CuNi crown. Extremely Fine. Elizabeth II, 1966 'Churchill' CuNi crown. Extremely Fine. 4 x Elizabeth II, 1977 'Silver Jubilee' CuNi crown. Extremely Fine. Elizabeth II, 1980 'Queen Mother' CuNi crown. Extremely Fine. Elizabeth II, 1982 silver proof twenty pence. Proof FDC, in Royal Mint presentation box with certificate of authenticity. Elizabeth II, 1999 'Millennium' CuNi crown. Extremely Fine. 'Farewell' pre-decimal coin set comprising crown, halfcrown, florin, 2 x shillings, sixpence, silver and brass threepences, penny, halfpenny and farthing. Various Years, Very Fine - Extremely Fine. Elizabeth II, 1970 proof 8-coin set comprising halfcrown, florin, 2 x shillings, sixpence, threepence, penny and halfpenny. Proof FDC, in Royal Mint display case. Elizabeth II, 1971 proof 6-coin set comprising fifty pence, ten pence, five pence, twopence, penny and halfpenny. Proof FDC, in Royal Mint display case. Victoria, 1887 golden jublilee medal in ''white metal''. 16.39g, 39.5mm. Edward VIII, 1902 silver coronation medal. 12.8g, 31.1mm. Obv: Crowned bust of Edward VII right. Rev: Crowned bust of Queen Consort, Alexandra. Extremely Fine. 1974 silver proof medal commemorating Constantius (father of Constantine the Great) entering the London in 296 A.D. 38.88g, 44.6mm. 1965 silver proof medal by N&T Ltd. .925 silver, 24.6g, 38.1mm. Commemorating the 900th anniversary of Westminster Abbey. 1973 United Nations silver proof 'stop drug abuse' medal first day cover. 1973 United Nations silver proof 'disarmament decade' medal first day cover. Also included in this lot is a: Vatican City, Pope John Paul II circulating coin set consisting of: 4 x 50 lira, 3 x 100 lira, 200 lira and 500 lira. Uncirculated, in original presentation wallet. USA, 1964, Philadelphia mint 'Kennedy' half-dollar. Some contact marks otherwise Uncirculated. St. Helena, 1973 CuNi proof crown commemorating the 300th anniversary of the granting of the Royal Charter to the East India Company in 1673. FDC, in Royal Mint display box of issue. Canada, 1981 silver proof one dollar. Some handling marks, Extremely Fine, in Royal Canadian Mint presentation box.
Lot 236
Bolingbroke (Henry St. John) A Letter to Sir William Windham. II, Some Reflections on the Present State of the Nation. III, A Letter to Mr. Pope, A. Millar, 1753, first edition, portrait frontis, contemporary calf; [idem], Letters on the Spirit of Patriotism: On the Idea of a Patriot King: and on the State of Parties and the Accession of King George the First, A. Millar, 1749, contemporary calf (2)
Lot 239
A framed oil on canvas study of motor racing, signed SCH Davis lower left (55cm x 70cm) together with framed and glazed watercolour study 'Chalk Hills, Kent' by C Wilkinson signed and dated lower left and one further framed and glazed watercolour study 'Tereglio' by C Wilkinson and signed and dated 02 lower left (25.5cm x 36cm) (3)Condition Report: The condition of the oil painting is pretty good overall, no major problems. There is a little bit of dribbling of the oils when it was first painted and some discolouration to the back of the canvas, on the whole there is no major problems with this lot.
Lot 43
A pair of cut-glass silver-mounted scentsCondition Report: The first scent - the silver mount on the collar looks good, the hallmarks are clear. The bodies are hobnail cut glass, the stopper looks good. The second scent - the hallmarked silver collar is in good condition and there is a half matchhead sized bubble which has burst underneath the foot (naturally occurring during its manufacture). The stopper looks good with a very minor depression visible under a glass.
Lot 45
A pair of cock-fighting glasses (approx. 19.5cm high)Condition Report: Both the glasses stand around 19.25cm high. One is engraved with the two cock birds fighting. The other glass has two cock birds with one on top injuring the other. The first glass has a nice ring to the bowl and appears in generally good order with no damage chips or restorations visible. The second glass has an equally nice ring to the bowl and appears to be good condition with no issues visible.
Lot 48
Seven decanters (two pairs measuring 23cm and 30cm high) and a carafe, 18th and 19th centuryCondition Report: The two smaller Georgian mallet-shaped decanter is probably 1830s or so. The target stoppers are both damaged although the decanters themselves appear in reasonable condition. The two taller, late 19th century globe and shaft decanters has a damaged stopper on the inside with only the half of the plug actually available, the other stopper is also chipped to the bottom. The first globe and shaft decanter appears in OK condition, the second one (with the poorer stopper) also appears OK. There is one smaller 19th century decanter of squat globular form has some rim fritting (no stopper). Three further decanters - one in Neo Classical-style (later) and sketched and circa 1900 appears OK - the stopper for this does not appear to be original. Two other 19th century decanters with trefoil-shaped tops are in reasonable condition.
Lot 85
Three hallmarked silver, four-division toast racks; together with a Georgian-style silver sauce boat and a cream jug with reeded base (5)Condition Report: The marks on the sauce boat are rubbed and the handle is a little off-centre and a couple of the feet are slightly bent otherwise no major problems. The small cream jug with the lobed sides good condition save for two or three slight dents to the oval foot rim to the underside. Three toast racks....first OK condition, second toast rack is slightly bent and the third/last has damage where the end stretcher has come away from the main body.
Lot 87
A cased pair of early 20th century hallmarked silver hat pins, assayed Chester 1912 and maker's mark CH (probably for Charles Horner)Condition Report: The first pin appears in good order save for some tarnishing approximately 4cm down from the end. The second pin appears the same - good general overall condition but some tarnishing to the actual stem. The box appears to be generally very good.
Lot 66
Red sandstoneIndia, (185 BC - 220 AC) Uttar Pradesh, Mathura area , Kushan periodDimensions: Height 67 cm by 25 cmWeight: 32.600 gramsSculpture belonging to the "Mathura art" of the Kushan period depicting a nobleman or monarch with the headdress and jewellery typical for that period.The "Mathura art" refers to a particular school of Indian art, which survived almost entirely in the form of sculpture, beginning in the 2nd century BC, and which concentrated near the city of Mathura, in the middle of northern India, at a time when Buddhism, Jainism flourished together with Hinduism in India.Mathura is considered the first artistic centre to produce sculptures for all three religions and was until the Gupta period the centre of the pre-eminent religious artistic expression in India. It was India's most important artistic production centre from the second century BC, with its highly recognisable yellow-speckled red sandstone statues.During the early Buddhist Kushan sculpture the anthropomorphic iconographic shape of the Buddha figure was developed,and for this draw upon the basic concept of "the characteristics of a large and noble being", the "mahapurusha lakshana", whose base is the very old representation of the forest spirit "yaksha",This monarch is therefore depicted as an upright strong figure, holding the end of his robe or dhoti in his left hand and holding a cord (possibly the Hindu "brahmin cord") in his right hand. The sculpture was part of the parapet of a stupa and as such was also sculpted at the rear. The holes on the sides served to connect the sculpture with wooden or stone beams with other sculptures of the parapet.Provenance: The statue was part of a British private collection since 1950 and was acquired by the current seller's family at an auction of Christie's in London in 1985
Lot 3090
Album of cigarette and trade cards of military interest including Players Aircraft of the RAF, Senior Service (Pattreiouex) Flying, RAF Badges, American War Bulletin cards, Battle Weapons of WW2; over one hundred early 20th century and later predominantly comic postcards of naval interest; and an album of paper ephemera including First Day Covers etc. From the collection of the late Leslie Benson. - Condition Report
Lot 102
Four Turkoman pattern rugs including antique rug- possible Ersari, with design of seven guls in two rows, 163 by 91cms, and three 20th century small rugs (4) Condition Report: First worn- tired and has suffered from heavy use Three smaller- fair condition- typical minor wear from use Condition Report Disclaimer
Lot 103
Three rugs including an antique Caucasian Kuba small rug, black/brown field with repeating flowerhead trellis design, hatchwork borders, 127 by 79cms; an Persian small rug of Zaronim size, woven with twin diamond lozenge pattern in the Shiraz manner, 91 by 66cms; and a small rug in the Daghestan style, central yellow ground with repeating flowerhead trellis, 134 by 92cms (3) Condition Report: First- corrosion to brown/black, ends tired, sides worn, localised footfall wear including several areas with deep wear (see images) Second- fair to good, ends trimmed, dirty Third- main ground worn fairly flat- borders/guards with deeper pile- dirty- ends trimmed Condition Report Disclaimer
Lot 115
Silver plated trays including a twin handled tea tray, rectangular gadroon border with leafy scroll corners on conforming legs roll-chased leafy scroll centre gadroon leaf and shell handles, 75cms wide; another of shaped rectangular form, with reeded border leaves to the corners reeded leaf handles; a French tray and a Christofle tray in the Malmaison pattern (4) Condition Report: All showing some signs of wear from use, the first with rubbing exposing copper notably to raised edges Christofle tray 64cms wide, 42cms deep. surface wear and small ding together with a faint crease mark Condition Report Disclaimer
Lot 126
CH Field Haviland Limoges- porcelain coffee set, white with gilt chequered banding and comprising; 11 cups; 12 saucers; 1 coffee pot; 1 milk jug; 1 sugar bowl and cover; and an unmarked French tea service, blue with gilt vermicelli decoration and comprising; 10 cups; 9 saucers; 2 tea pots; 1 sugar bowl and lid; 1 slop bowl; 1 milk jug (quantity) Condition Report: First generally good- some mild wear to gilding, second more pronounced wear to edges and overall decoration Condition Report Disclaimer
Lot 135
Y A Victorian silver plated kettle lamp and stand, maker's mark of Beddington and Hay, body embossed with scrolls and engraved with leafage, bird finial, fixed handle, the four scroll legged stand with shell feet, 44cm high; and a Victorian silver plated three piece tea set by Martin Hall and Company, teapot with ivory insulator discs, 19cms high (4) Condition Report: First some tarnishing and rubbing to plating notable to extremities, pin to base present but detached. Tea set slightly tarnished, possibly re-silvered? Ivory discs very worn Condition Report Disclaimer
Lot 15
A 19th Century Sevres style 'jewelled' cabinet cup and saucer, painted with an oval portrait of a lady holding a teathered dove, pseudo Sevres marks, cup 7.5cm high; another with agricultural implements to the saucer; and a 19th century Nove cup and saucer, painted with a Da Vinci style portrait of a lady, various marks (3) Condition Report: First with gilding particularly to rim, some mild rubbing to raised enamels of saucer. Second with some small losses to 'jewels.' Third with rubbing and irregularities to gilding throughout. Condition Report Disclaimer
Lot 256
λ Colin Sealy (British 1925-1976) Abstract Composition, No. 3 Gouache 35 x 26.5cm (13¾ x 10¼ in.) Provenance: Michael Parkin Fine Art Ltd., London (stock no. 4219) Private Collection, Gerald Levin (1934-2020) (acquired from the above in 1985) Exhibited: London, Michael Parkin Fine Art Ltd., Cornwall 1925-1975, no. 103 Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Condition Report: Under glass, unexamined out of glazed frame. Slight undulation to the sheet. Surface dirt and slight fading throughout. Condition Report Disclaimer
Lot 257
λ Michael Sandle (British b. 1936) Study for The Rescue of the Royal Mail paddle steamer, Isle of Man Pen, pencil and wash Signed, dedicated and dated 2002 lower left 23 x 32.5cm (9 x 12¾ in.) Provenance: Gifted by the artist Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Condition Report: Generally good Condition Report Disclaimer
Lot 258
λ Eduardo García Benito (Spanish 1891-1981) Princesse Lointaine Wood engraving with hand-colouring 37 x 27cm (14½ x 10½ in.) Provenance: Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Condition Report: Faded and slightly browned Condition Report Disclaimer
Lot 259
λ Langlands & Bell (20th century) Chair seat inset with floor plan of the National Gallery, Basement Beech wood and glass Signed and dated 86 to the underside Height 93cm (36 5/8in.) Provenance: Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Condition Report: White painted surface has worn to extremities from use and handling- see additional images- will benefit from a clean. Condition Report Disclaimer
Lot 267
J R Mackrell after John Frederick Herring Pyrrhus the first Engraved print 38 x 50.5cm (14¾ x 19¾ in.) Condition Report: Browned and faded from original hand colouring. Legend below has been cut out and pasted in- residue of paste alteration visible around the margins, framed and glazed Condition Report Disclaimer
Lot 28
A George III style mahogany and satinwood crossbanded urn table, two end slides, 54cms wide, 63cms high, 34cms deep; and a 20th century French floral marquetry inlaid two tier occasional table 72cms wide and high, 44cms deep (2) Condition Report: First incorporates some period timbers- heavily repolished and refinished. Some shrinkage cracks to frieze- one leg loose Second incorporates mahogany and mixed woods to top- beech legs. Shrinkage throughout- some veneer losses to frieze Condition Report Disclaimer
Lot 56
Two modern Egyptian papyrus pictures, of large proportions, framed and glazed, the first recreating a tomb scene, 86cms x 109cms overall, the second depicting a souk scene, 102cms x 186cm overall (2) Condition Report: The first generally good, the second has warped and cracked horizontally noticeably to the right hand side Condition Report Disclaimer
Lot 71
A modern globular moulded glass and chrome ceiling light, the sphere approximately 50cm high including suspension, 30cms diameter; and a 20th century gilt metal and glass hanging light, hung with prismatic drops on a stepped frame, 53cms drop, 26cms wide (2) Condition Report: First; Modern decorative generally good Second- lacking some drops ELECTRICAL GOODS. These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
Lot 72
A pair of gilt metal twin light wall appliques in late 18th century taste, mid-20th century, the ribbon tied backplates with central paterae and issuing scrolled arms cast with flowerheads terminating in electrical fitments, 68cm high, 33cm wide, 22cm protuberance; and a pair of gilt metal twin light wall appliques in Adam taste, 20th century, 38cm high (4). Condition Report: First pair paint splashes all over, slightly bent, dirty. Second pair extensive paint splashes, loose wiring, dirty. ELECTRICAL GOODS. These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
Lot 82
A mid-19th Century Sevres style porcelain cabinet cup and saucer, with painted panel depicting a cherub; unmarked, cup 6cms high; and a modern Limoges blue and gilt cup and saucer (2). Condition Report: The first generally fair condition but saucer showing areas of loss to exterior of gilded rim through out, second saucer cracked, some gilding rubbed. Condition Report Disclaimer
Lot 93
A late 19th century French silver oil and vinegar frame, Paris circa 1880 maker's mark of "p.a.t" in lozenge, 18cms high, 21oz; another with rectangular base, Paris circa 1860 maker's mark of "a.c." in lozenge, 12.6oz; and an unusual silver plated eight bottle cruet frame, stamped 'Reg. design 1878' (3) Condition Report: all in fair to good condition however- The first- glass bottles probably associated and lacking two fittings. second, 27.5cm high, bottles probably associated- lacking fittings. Stoppers chipped Third 42cm high. Bottle recesses slightly uneven and the bottom vine leaf supports are weak and shows stress fractures. Whilst the bottles all match- it's possible from the fact that they don't sit properly in the frame that they are later. Condition Report Disclaimer
Lot 95
An Edwardian silver photo frame, shaped rectangular die-stamped and pierced with putti birds and vines, Birmingham 1901, 21cm x 18cm; a modern Britannia standard photograph frame shaped rectangular stamped bead borders, London 2003 (2) Condition Report: First with damage to the leather covered backing particularly noticeable to the reverse second some residue from cleaning and polished residue staining hardwood backing Condition Report Disclaimer
Lot 97
Glass including a pair of George III style cut glass mallet shaped decanters and stoppers, possibly Stourbridge late 19th century, each 27.5cms high; a pair of modern moulded glass ship's decanters, (no stoppers), 27cms high; a modern North European blue and clear glass cut bowl, 22cms diameter; a modern Italian style variegated green glass footed bowl, 11cms high, a modern small decanter, of swept wave form (7). Condition Report: Amendment January 4th All generally fair condition except one of the first pair of decanters that has 6cms scratch to surface- - second additionally has a slight surface scratch and nibble to edge- please contact us for further information and images Condition Report Disclaimer
Lot 98
Glass including a St Louis gilt decorated glass ewer, 26cms high; Baccarat etched decanter (no stopper), 22cms high, plain Baccarat decanter (no stopper), Lorraine decanter (no stopper) and a plain glass water jug (5). Condition Report: First with some very mild rubbing to gilding, vertical scratch to one side, St Louis mark very faint. Second small chip to foot ring. Third fair to good. Fourth fair to good. Will benefit from a clean. Condition Report Disclaimer
Lot 99
Limoges porcelain including a J.P. Limoges tea and coffee set, white body with floral spray decoration comprising 6 tea cups, 6 coffee cans, 12 saucers, 1 sugar bowl and cover, 1 tea pot, 1 milk jug, and a Limoges porcelain cabaret set, with green Bird of Paradise motif, comprising 1 tea pot, 1 sugar bowl and cover, 1 milk jug, 1 tray, 2 cups and saucers (quantity) Condition Report: First generally fair- some wear to raised decoration, second base of tea pot cracked. Condition Report Disclaimer
Lot 315
PUNK - 10 FIRST GENERATION PUNK SINGLES FROM 1977. 1. THE KILLJOYS - JOHNNY WON?T GET TO HEAVEN (PRE - DEXY?S MIDNIGHT RUNNERS), 1977 UK 1ST PRESSING RAW RECORDS, VINYL is EX, P/S is VG+/VG++, 2. THE CORTINAS - DEFIANT POSE, 1977 UK 1ST PRESSING, STEP FORWARD RECORDS, VINYL is EX++, P/S is EX++, 3. THE CORTINAS - FASCIST DICTATOR, 1977 UK 1ST PRESSING, STEP FORWARD RECORDS, VINYL is EX+++ / NEAR MINT, P/S is EX++/ EX+++, 4. SUBURBAN STUDS - NO FAITH, 1977 UK 1ST PRESS, POGO RECORDS, VINYL is EX+++, P/S is EX/EX+, 5. PENETRATION - DON?T DICTATE, 1977, UK 1ST PRESS, VIRGIN RECORDS, VINYL is EX, P/S is VG/VG+, 6. THE ADVERTS - GARY GILMORE?S EYES, 1977, VINYL is EX (name written on one label) P/S is EX+, 7. THE ADVERTS - TELEVISION?S OVER, 1978, UK 1ST PRESS - PROMO SAMPLE, VINYL is EX+++/ NEAR MIMT, P/S is EX++, also PATRICK FITZGERALD - SAFTEY PIN STUCK IN MY HEART, PATRICK FITZGERALD - BACKSTREET BOYS, THE CLASH - WHITE RIOT
Lot 316
PUNK - 10 FIRST GENERATION PUNK SINGLES FROM 1977. 1. THE KILLJOYS - JOHNNY WON?T GET TO HEAVEN (PRE - DEXY?S MIDNIGHT RUNNERS), 1977 UK 1ST PRESSING RAW RECORDS, VINYL is EX+/ EX++, P/S is VG+++ / EX, 2. LIVE AT THE VORTEX - THE WASPS / MEAN STREET, 1977 UK 1ST PRESSING, NEMS RECORDS, VINYL is EX+++ / P/S is EX, 3. RAPED - PRETTY PAEDOPHILES EP, 1977, UK 1ST PRESSING, PAROLE RECORDS, VINYL is in EX condition (1 scuff on side 2, track 2), P/S is VG+++ / EX, 4. THE CORTINAS - DEFIANT POSE, 1977 UK 1ST PRESSING, STEP FORWARD RECORDS, VINYL is EX++, P/S isVG+/ VG++, 5. THE CORTINAS - FASCIST DICTATOR, 1977 UK 1ST PRESSING, STEP FORWARD RECORDS, VINYL is EX+ / EX++, P/S is EX++/ VG+++ / EX, 6. STINKY TOYS - BOOZY CREED, 1977 UK 1ST PRESS, POLYDOR RECORDS, VINYL is EX+++/ NEAR MINT, P/S is EX+/EX++, 7. TRASH - PRITORITIES, 1977, UK 1ST PRESS, POLYDOR RECORDS, VINYL is EX+++/ NEAR MINT, P/S is EX / EX+, 8. NATCHBAND - CADILLAC, 1977, FAR IN RECORDS, VINYL is EX / EX+ (minor flaking to labels) P/S is VG (water damage and minor tears), 9. SKID - I SAW HER STANDING THERE, 1977, GALAXY RECORDS UK 1ST PRESS (RARE Proto Punk), VINYL is EX+++/ NEAR MIMT (LOOKS UNPLAYED), never came in a picture sleeve, also ALTERNATIVE TV - LIFE.
Lot 322
PUNK - THE FIRST 2 SINGLES by THE NEON HEARTS from 1977 - 1979. 1. REGULATIONS (1977, UK 1ST PRESS, NEON HEARTS RECORDS) VINYL is EX+/ EX++, OVER SIZED 8? SLEEVE is in VG- / VG condition (bends and minor tears). 2. POPULAR MUSIC (1979, UK 1ST PRESSING, SATRIL RECORDS) VINYL is EX+++/ NEAR MINT (UNPLAYED), P/S is EX++/EX+++.
Lot 324
PUNK - 7 UK 1ST PRESSINGS, 1978 SINGLES, including PROMOS !!!. 1. THE UNWANTED - SECRET POLICE (1978, UK 1ST PRESSING GREEN LABELS, RAW RECORDS), VINYL is Mint- (LOOKS UNPLAYED), P/S is EX++/ EX+++, 2. RAZAR - IDLE RICH (1978, UK 1ST PRESSING, CHRISMA RECORDS), VINYL is Mint- (LOOKS UNPLAYED), P/S is EX++/ EX+++ (library sticker on back that can be removed), 3. VICE CREEMS - WON?T YOU BE MY GIRL ? (1978, UK 1ST PRESSING, TIGER RECORDS), VINYL is Mint- (UNPLAYED), GATEFOLD P/S is EX+/ EX++, 4. THE TURN - IT?S ALRIGHT (1978, UK 1ST PRESSING, CITY RECORDS), VINYL is Mint- (LOOKS UNLAYED), never came in P/S, 5. LONDON - SUMMER OF LOVE (1977 PROMO SAMPLE COPY 1ST PRESSING, MCA RECORDS), VINYL is MINT- (UNPLAYED, PROMO SAMPLE sticker on one label) + ORIGINAL COMPANY SLEEVE. - First single by this legendary Punk band that included in their line up Jon Moss later of Culture Club) 6. STIFF LITTLE FINGERS - SUSPECT DEVICE (1978 UK PRESSING, RIGID DIGITS / ROUGH TARDE RECORDS), VINYL is EX++ / EX+++ (looks unplayed), P/S is VG+/VG++. 7. BRAINIAC FIVE - MUSHY DOUBT EP (1978 UK 1ST PRESSING, ROACH RECORDS) VINYL is EX++ / EX+++ (looks unplayed), P/S is EX/ EX+.
Lot 344
PUNK - ANOREXIA - RAPIST IN THE PARK (1980, UK 1ST PRESSING, SLIM RECORDS), VINYL is EX+++ / NEAR MINT (LOOKS UNPLAYED), ORIGINAL HOME MADE SLEEVE is EX+. It dies not get better then this Killed By Death classic, the first of only 2 singles by ANOREXIA and by far the better of the two and a favourite on the John Peel show back in the day
Lot 352
PUNK / POWER POP - 4 RARE UK 1982-1983 FIRST PRESSING PUNK / POWER POP SINGLES: 1. FREEFALL - RIDE OUT / DOWN?S SONG (1982, UK 1ST PRESSING, PARADISC RECORDS), VINYL is EX++ / EX+++, never came out in a picture sleeve, but this copy comes with the RARE BAND STAMPED DIE CUT SLEEVE in VG+++ / EX condition, and is also signed by the whole band on one label !!! 2. SCHOOLTIES - INSANITY / HOUSE OF THE RISING SUN (1982, UK 1ST PRESSING, QUEST RECORDS), VINYL is EX+++ / NEAR MINT (minor label tear on one side), never came out with a P/S. 3. RED BANNER - EVENTS (BEYOND YOUR CONTROL) / ONE OF THE BOYS (1982, UK 1ST PRESSING, BANNER RECORDS), VINYL is NEAR MINT (UNPLAYED, P/S is EX (minor stains on front). 4. THE PHONES - IT?S LATE AT NIGHT (1983, UK 1ST PRESSING, SRT RECORDS) VINYL is EX+++ /NEAR MINT (pen marks on one label), not including the limited P/S.
Lot 394
U.S. PUNK SINGLES - 2 RARE US 1ST PRESSING PUNK 7? SINGLES. 1. BLACK RANDY & METROSQUAD - TROUBLE AT THE CUP (1977, US 1ST PRESSING, DANGERHOUSE RECORDS), ORIGINAL FIRST OPRESSING IN MINT, UNPLAYED CONDITION, AND STILL SEALED AFTER 43 YEARS !!!, VINYL is MINT-, P/S is MINT- (STILL SEALED !!!). 2. INNUENDO - DANGERFACE / PUT ME AWAY (1980, US 1ST PRIVATE PRESSING, self released by the band). Ultra rare self released single by this US PUNK / POWER POP band that NEVER COMES for sale, and this copy comes with a hand written white die cut sleeve, written by the band in order to get some support and airplay, VINYL is EX+++ / NEAR MINT, HAND WRITTEN WHITE SLEEVE is slightly damaged by water, but is still VG
Lot 398
U.S. HARDCORE PUNK - MOURNING NOISE - DAWN OF THE DEAD 7? E.P.. An ORIGINAL U.S. 1ST PRESSING, Rare and fantastic slice of U.S. 1983 HARDCORE PUNK E.P. SINGLE. by this N.J. HARDCORE PUNK band related to THE MISFITS !!! The band included members of SAMHAIN and DANZIG, This is the ORIGINAL U.S. first pressing recorded in 1982, and released early 1983, on the band?s own GHASTLY RECORDS, on RED VINYL and comes with 2 RARE ORIGINAL INSERTS - LYRIC INSERTS and BAND MERCHANDISE INSERT !!!, VINYL is EX+++ / NEAR MINT (LOOKS UNPLAYED), ORIGINAL P/S is EX/ EX+, 2 RARE ORIGINAL INSERTS are in EX+/ EX++ condition.
Lot 399
U.S. HARDCORE PUNK - ROSEMARY?S BABIES - BLOOD LUST, 10 TRACKS 7? E.P. An ORIGINAL U.S. 1ST PRESSING, Rare and fantastic slice of U.S. 1983 HARDCORE PUNK E.P. SINGLE. by this N.J. HARDCORE PUNK band related to THE MISFITS !!! The band included members of SAMHAIN and DANZIG, and BOBBY STEELE of THE MISFITS ON GUITARS, while the PS was designed by GLENN DANZIG, This is the ORIGINAL U.S. first pressing recorded in 1982, and released early 1983, on the band?s own NIGHTLATCHE RECORDS, and comes with the RARE ORIGINAL INSERT !!!, VINYL is EX+++ / NEAR MINT (LOOKS UNPLAYED), ORIGINAL FOLD OVER P/S is EX+/ EX++, RARE ORIGINAL INSERT is in VG+++ / EX condition (minor pen marks on top).
Lot 407
PUNK / POST PUNK / NEW WAVE - 6 UK 1ST PRESSING PUNK / NEW WAVE 12? AND 10? SINGLES, including TEST PRESSINGS: 1. SHAKE - SHAKE E.P. - CULTURE SHOCK (1979, UK 1ST PRESSING 10?, SIRE RECORDS), First release by this EX- REZILLOS band. MINT- / EX+++. 2. SLAUGHTER & THE DOGS - WHERE HAVE ALL THE BOOT BOYS GONE ? (DISCO VERSION) (UK , 1977 1ST PRESSING 12?, DECCA RECORDS), This is the RARER - CLUB EDITION, MIXED, DISCO VERSION. VINYL is EX++/ EX+++ / P/S is VG+. 3. THE MEMBERS - GOINT WEST (UK 1983, TEST PRESSING 12", NO LABEL, SP 1), VINYL is EX+++ / NEAR MINT + COMPANY SLEEVE. 4. ELECTRIC GUITARS - LANGUAGE PROBLEMS (EXTENDED VERSION), (1982, UK 1ST PROMO PRESSING 12", STIFF RECORDS), VINYL is MINT-, comes in the original white cardboard sleeve. 5. YELLO / THE MOTHMEN - BOSTICH / TEMPTATION (1981, UK TEST PRESSING 12", DO IT RECORDS), VINYL is VG+++ / EX, comes in the original white cardboard sleeve. 6. ABRASIVE WHEELS - THE PRISONER (1984, UK 1ST PRESSING 12?, CLAY RECORDS), VINYL is EX+++ / NEAR MINT, P/S is VG
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