The Great Train Robbery - ' The Robbers' Tale ' by Peta Fordham - First edition hardcover book, with dust jacket. Signed by x3 Great Train Robbers - Bruce Reynolds (1931-2013), Ronnie Biggs (1929-2013) and Buster Edwards (1931-1994). Undedicated autographs. Obtained personally by the vendor. The Great Train Robbery was the robbery of £2.6 million from a Royal Mail train heading from Glasgow to London on the West Coast Main Line in the early hours of 8 August 1963, at Bridego Railway Bridge, Ledburn, near Mentmore in Buckinghamshire, England. After tampering with the lineside signals in order to bring the train to a halt, a gang of fifteen, led by Bruce Reynolds, attacked the train. Other gang members included Gordon Goody, Buster Edwards, Charlie Wilson, Roy James, John Daly, Danny Pembroke, Jimmy White, Ronnie Biggs, Tommy Wisbey, Jim Hussey, Bob Welch and Roger Cordrey, as well as three men known only as numbers "1", "2" and "3". A 16th man, an unnamed retired train driver, was also present. With careful planning based on inside information from an individual known as "The Ulsterman" (erroneously named as Patrick McKenna in 2014), the robbers escaped with over £2.6 million (equivalent to £53.5 million today). The bulk of the stolen money was never recovered. Though the gang did not use any firearms, Jack Mills, the train driver, was beaten over the head with a metal bar. Mills' injuries were severe enough to end his career. After the robbery, the gang hid at Leatherslade Farm and famously used the money in a game of Monopoly - unwittingly incriminating themselves whilst doing so as the Monopoly set was used to garner finger prints of the suspects and was instrumental in the Police arresting most of the gang. The ringleaders were sentenced to 30 years in jail.
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An original 19th Century soldier's notebook belonging to one 1787 Private George Dowsell of the 2nd Devon Regiment, based at Kwile, Kayin State, Burma during the Third Angle-Burmese War. The notebook has a clear bullet hole penetrating through the centre, stopping short at the last page. To one page Dowsell has written in ink 'Speak not this book for fear of shame, for here you will see the owners name. No. 1787 Pte George Dowsell 2nd Devon Regiment. Done by a bullet when in my pocket at Kyain Kwile Loung (sic) on Sunday the 22nd of February, 1891'. The notebook features only a few other notes, namely some names and addresses of family members. It was likely a fairly new notebook at the time, which never had chance to be filled out. Another page references Schwebo, Burma. A remarkable piece of history. Provenance: Consigned from the family. This notebook directly relates to the next lot (Lot 51). George Dowsell was the Father of William John Dowsell whose First World War medals appear in said lot. History of the 2nd Devonshire Regiment during the Anglo-Burmese War (from devonheritage.org):In October 1890 men of the 2nd Battalion set off for the three locations chosen to be defensive bases in case of insurrection - Schwebo. Bhamo and Bernardmyo. The plan was for two companies of men to be stationed at each place. They knew only too well that the terrain and climate in that part of Burma were some of the harshest conditions in the world and that they had to keep a constant vigil knowning they were never safe from ambush, even behind their stockades.Burma was not considered to have been pacified so the 2nd Battalion was not relieved of its involvement in that country until well into 1892. The men chosen to defend the Empire in these remote places were all young, fit and well when they disappeared into the jungle in 1890 but the sad photos which follow indicate quite another story and go a long way to explaining why the physical condition of the regiment was so poor when they were called upon to take part in the 2nd Boer War a few years later.
A WWI First World War medal pair and Memorial Plaque to one 33480 Private William John Dowsell of the Hampshire Regiment, believed to have been killed in action on the first day of the Battle Of Menin Ridge Road, 20th September, 1917, aged 19. Comprising War Medal and Victory Medal, both with original ribbons (impressed 33480 Pte W. J. Dowsell, Hamps. R.), and Memorial Plaque which is complete with card envelope, letter, and paper envelope. Also included is the official Imperial War Graves Commission letter stating his memorial was erected in Hooge Crater Cemetary, Belgium. Dowsell was born in Olveston, South Gloucestershire, near Bristol. Consigned from the family. History of William Dowsell (taken from: sites.southglos.gov.uk/war-memorials/people/william-john-dowsell/):George, the father of William, ran a coal merchant and hauliers business from Haw Lane in Olveston. His wife Hannah was born in the village, while George came from Yate. The family comprised George, born in 1896 and William, born in January 1898, with Edith arriving at the beginning of the new century. Originally the family name was spelt Dowswell but by the time both boys joined the army, they were recorded as DowsellBefore William enlisted at Bristol on the 6th of May 1916 at the age of 18 he had been employed as a brick maker. Within four days he was posted to the 9th Royal Berkshire Regiment but was subsequently transferred to the 15th Battalion of the Royal Hampshire Regiment. By this time, William’s father George had emigrated to America while Hannah and her daughter Edith had moved to Rose Cottage in TockingtonThe 15th Battalion was involved in the significant attack at Flers on the Somme on the 15th of September 1916 when the British Army first deployed tanks. The Battalion then moved into Flanders and was engaged in the Ypres Salient throughout the winter of 1916/17, mostly in the Hedge Street line and tunnels. The third Battle of Ypres, also known as the Battle of Passchendaele, started on the 31st of July 1917. On the 20th of August with the Battalion in action at Tower Hamlets to the south-east of Ypres on the Menin Road, Second Lieutenant Moore of the 15th Battalion won a VC. William was Killed in Action in the continuing action at Tower Hamlets and the Tower Trench system in the area of Gheluvelt on the 20th of September when 89 men of the 15th Battalion were Killed in Action and 255 were wounded. William is buried in the Hooge Crater Cemetery outside Zillebeck some two and a half miles from YpresWilliam’s brother George survived the war but was seriously wounded in the chest and was temporarily repatriated to the UK where, after recuperation, he guarded German prisoners of war. George was greatly affected by the brutality of war, particularly so when he was told that his comrades had shot and killed the German sniper who inflicted the injury to his chest, it transpired that he was only a young boy.
Two vintage 20th Century Gurkha Regiment Nepalese kukri knives / daggers. The first with wooden grips, with brass banding and pommel, with smaller Karda and Chakmak knives present. The second with horn grips, white metal lion's head pommel and inset white metal decoration. Also in scabbard, with Chakmak & Karda. Measures approx 44cm.
An original WWI First World War CLC Chinese Labour Corps uniform badge. The British made metal badge having C.L.C stamped to the front denoting Chinese Labour Corps and x4 prongs to the reverse. Issued for wear by Chinese labourers working for the British Army during The First World War to free troops for front line duty by performing support work and manual labour. Measures approx 3.5cm.
A collection of WWI First World War Imperial German Army related miniature medals, to include; a miniature Wound badge affixed to a miniature 1914-1918 Iron Cross, and another Iron Cross miniature medal having been converted into a necklace. Along with a 20th century WWII Second World War Nazi ' SA ' ' Fur Treue Dienste ' medal (likely a reproduction).
An original WWI First World War period Swedish M1898 pattern rifle bayonet. The bayonet having a hollow pommel with flat locking stud, chequered grip, muzzle ring and backward facing quillon. The ricasso stamped with a C for Carl Gustafs Stads beneath Swedish Royal Acceptance Crown. Numbered 578 to the reverse. The blade housed in a steel scabbard with leather holster. Knife to measure approx 32cm.
A collection of assorted WWI First World War and similar period early 20th century pen / pocket knives. Comprising; a John Petty & Sons bone handled knife, a larger Joseph Allenson of Sheffield clasp knife, several WW1 period knives, a 1952 Wright & Son Sheffield knife, and others. x11 total.
A original WWI First World War British 1907 pattern rifle sword bayonet. Hooked pommel with press release button, wooden grip, forward facing quillon and muzzle ring. The ricasso stamped with broad arrow inspection and ' X ' bend test mark. Housed in original leather scabbard with steel locket and chape. Measures approx 58cm.
An original WWI First World War Imperial German Army model 98 / 05 Mauser rifle butcher bayonet. Hooked pommel with ribbed wooden grip and upturned quillon. The ricasso stamped for makers Alex Coppel, Stolingen and the spine with a crowned ' W ' above a 1917 date. The wide spear point blade housed in a thick leather scabbard with steel furniture. Measure approx 51cm.
An original WWI First World War British Army ' Bird Cage ' bunker / trench lantern. The Lantern having four flat glazed panes inside a circular cage of twisted wire with a hinged top. The top being designed for keeping a mess tin or metal mug warm. Retaining part of the original oil burner / wick. Measures approx 34x17cm.
A WWI First World War medal group trio and memorial plaque to one 18343 Private Thomas James Carter of the Grenadier Guards, killed in action 9/10/17 (possibly on the first day of the Battle of Poelcappelle). Comprising; his 1914-15 Star, War Medal and Victory Medal. All with original ribbons. Along with the bronze Death Penny / Memorial Plaque 'Thomas James Carter' which retains its original box and letter from The King. The collection also retains his original dog tag and 'Soldier's Small Book'. Carter was born in Fleetwood, Lancashire. With some later printed history / research. Poignant medal group.
An Iraqi War Sniper's kit bag, with contents. Comprising of the uniform kit to include; Two combat helmets, a gas mask, two Olive vests, olive shirt, three SPS notated camo jackets with SPS patch (2x long sleeve, 1x short sleeve), two pairs of trousers, haversack, waterproof poncho and various other items - webbing, straps, first aid supplies etc. Most parts are named with rank number featured. All contained within the original kit bag.
An original WWI First World War British Army 1907 pattern rifle bayonet. Hooked pommel with press release stud, wooden grips, with ring cross guard, leading to a single edged single fullered blade. The ricasso marked with broad arrow mark, King's Crown and 1907 alongside various proofing marks. Complete with its original steel and leather scabbard. Measures approx; 58cm long in total.
A WWI First World War medal pair and related effects awarded to one L7661 F. G. Chamberlain, Ordinary Seaman in the Royal Navy. Comprising War and Victor medals, both with ribbons and impressed to edge ' L7661 F. G. Chamberlain OS3 RN '. Along with the official miniatures, along with a National School Sailing Associated silver hallmarked enamel fob medal for 'Half Mile' 1913, and similar bronze medal for 1912. Consigned from the family.
An original WWI First World War 1907 pattern Lee Enfield rifle bayonet, unit stamped for the West Australian Volunteers. The bayonet of usual form with muzzle ring and long forward facing quillon marked to the crossed guard V. 2. 2299 for West Australian Volunteers. The ricasso dated 1907 with Kings crown, Australian acceptance mark and Enfield makers. Housed in a leather scabbard with steel locket and chape. Measures approx 56cm.
A Pair of George IV or Later Cut-Glass Scent-Bottles, by John Blades or His Successors Blades and Jones, London, Probably First Half 19th Century, each modelled as the Royal crown, with central detachable scent-bottle with finial formed as an orb and cross, each damaged, one with staple repairs, 12cm high It would seem certain that John Blades was making items such as these as early as 1823 when a view of his upper show room at 5 Ludgate Hill was published by Ackermann, after John Gendall (British Museum Heal,66.11). A close examination shows, among lavish glass for lighting and the table, a number of crown shaped objects. The most compelling comparison for the present scent-bottles is an object showing on the right of the mantlepiece. It is depicted apparently under a glass dome, suggesting it was treated as a very precious item. The mantelpiece shows another similar example in coloured glass and a third on the table which is in white and coloured glass. It is possible that these examples were made as a souvenir for the coronation of George IV which was held on 19 July 1821. John Blades was no stranger to Royalty, having held a Royal Warrant to George III and being known to have supplied diplomatic gifts on behalf of the crown, some of which were designed by the architect J. B. Papworth, see for example a pair of lustres from the Royal Collection, (RCIN 53130). A very similar example is in the collection of the Victoria and Albert Museum (C.791 &A-1936), having been gifted by Queen Mary.. There is significant damage to each with one being re-glued and the other with staple repairs. There are further chips to the glass overall.
A Gardner Porcelain Figure of a Sbiten Vendor, 19th century, standing wearing a black top hat, blue coat and white apron holding a kettle and chequered bag, on a circular mound base, painted marks, 19.5cm high Having settled in Russia in 1764 as a timber merchant, Englishman Francis Gardner founded Russia's first privately owned porcelain factory near Verbiki in 1766. Initially producing Meissen influence wares, the factory became well known in the early 19th century for producing figures in traditional Russian costume. The current figure is a street vendor selling sbiten, a spicy sweet drink made with honey, water, spices and jam. For similar figures see Tennants, Spring Sale, 19 & 20 March 2021, lot 58 and Christie's, London, 27 November 2017, lot 310. Restoration to the hat brim, neck, both handle, bag strap and kettle.
A De 3 Vergulde Astonnekens Delft Vase, circa 1700, of octagonal baluster form, painted in blue with chinoiserie birds in branches within stiff leaf borders, BK monogram mark, 16.5cm high; A Delft Baluster Vase, circa 1700, painted in blue with lappet shaped foliate panels, 18cm high; and A Similar Vase, painted with flowers within a moulded scroll border, 19.5cm high (3). All missing covers and with typical glaze flakes, chips and cracks. First vase with some restoration to rim.
A Chinese Porcelain Bowl, Qianlong, painted in famille rose enamels with flowersprays and objects within foliate borders, 23.5cm diameter; and A Similar Smaller Bowl, 19.5cm diameter (2). First with some glaze flakes to rim. Second cracked and with some flat chips to foot rim. Both with typical minor wear to decoration. No repairs.
A Chinese Porcelain Baluster Jar, Kangxi, painted in famille verte enamels with flowering tendrils within blue borders, 18cm high; and A Similar Vase, painted in famille rose enamels with insects amongst waterlilies, 14cm high (2). Both probably lacking covers. First with old restoration to neck. Second cracked. Kangxi jar neck restored, smaller jars has a crack around the shoulder, 2 chips to rim.
A Chinese Porcelain Miniature Teapot and Matched Cover, Kangxi, of lobed ovoid form, painted in underglaze blue with figures and foliage in panels, Chinese character for jade in underglaze blue, 9cm high; A Similar Teapot and Cover, Yongzheng/Qianlong, of ovoid form, painted in famille rose enamels with foliage within formal borders, 8cm high; and A Chinese Porcelain Miniature Teapot and Cover, of pear form, painted in underglaze blue with panels of foliage, Chinese character for jade in underglaze blue, 6.5cm high (3) Provenance: The Countess Peel Collection, thence by descent to present owner. First teapot matched cover with restored rim chip, fritting to the spout. Second teapot with detached restored handle and with restored spout frit to the finial. Third with a short rim crack only.
An Imari Porcelain Dish, 19th century, typically painted with flowers within a brocade border, 21.5cm diameter; A Rice Bowl and Cover, 18th century, painted with fans and foliage, 16cm diameter; and A Similar Larger Bowl, 19cm diameter (3). First dish with some minor wear. Two bowls with restoration. Plate gilding showing signs of wear, large bowl significant restoration to one side, smaller bowl fully glued back together.
An American Silver-Gilt -Mounted and 'Gem'-Set Cut-Glass Scent-Bottle, by B. Blackington and Co., North Attleboro, Massachusetts, Dated 1900, the glass body tapering, the silver-gilt mounts chased with foliage and flowers and set with faceted stones, 11cm high; Together With: an American silver-mounted and 'gem'-set cut-glass scent-bottle, tapering, the hinged cover set with a green faceted 'gem', 11cm long (2) . The first: the marks is generally clear. Engraved '7-23-1900' on the mount. There are some surface scratches and wear, consistent with age and use. There are some chips to the glass. The second: the cover is rather bruised. There are some surface scratches and wear, consistent with age and use. The suspension loop is broken. Stopper lacking.
A Victorian Silver-Mounted Cameo-Glass Scent-Bottle, The Silver Mounts Probably by S. Blanckensee and Son, Birmingham, 1885, The Cameo-Glass Attributed to Thomas Webb, tapering cylindrical, the light blue body with white foliage and berries in relief, the hinged cover chased with foliage on a matted ground, 13.5cm high. The silver mounts marked on neck. The cover apparently unmarked. There is some wear to the marks, with the first letter of the maker's mark partially indistinct. There is some surface scratching and wear, consistent with age and use. There are some areas of the glass where chips have been polished out. These are noticeable at the top and at the tip.
A Whieldon Type Earthenware Miniature Teapot and Cover, circa 1750, of ovoid form with crabstock knop, handle and spout, moulded with flowering branches picked out in typical glazes, 13cm long; and A Similar Smaller Teapot and Cover, with tortoiseshell glazes, 6.5cm high (2) Provenance: The Countess Peel Collection, thence by descent to present owner. First teapot with old restoration to handle, spout and rim of cover. Second teapot lacking handle.
J.R.R. Tolkien, Lord of the Rings trilogy, comprising 'The Fellowship of the Ring' (London: George Allen & Unwin, Eighth Impression 1959), 'The Two Towers' (London: George Allen & Unwin, Sixth Impression 1959), and 'The Return of the King' (London: George Allen & Unwin, Fifth Impression 1959), with some damage to endpapers on all copies, particularly to the 'Fellowship'. With J.R.R. Tolkien, 'The Hobbit or There and Back Again', (London: George Allen & Unwin, Eleventh Impression 1959). With significant tear to the first page of the book, wear to the endpapers and throughout. (4)
First World War French Aircraft Altimeter by Naudet & Cie, Paris, 10cm diaProvenance: by family descent W/Cdr. Benjamin Henry Noel Hans Hamilton flew in the Royal Naval Air Service during the First World War. He was awarded the Distinguished Service Order (D.S.O.) and was mentioned in despatches, he was first to plot and track subs on radio wavelength, and to broadcast from France, he received a commission in the R.A.F in 1919, In 1920 he raced 'Tweedledum' and 'Tweedledee' Peugeots at Brooklands. He was recalled to action in Second World War gaining the rank of Wing Commander and later Acting Group Captain.
Roberti Boyle, 'Nobilissimi Angli, et Societatis Regiae dignissimi Socii, Opera Omini' (Venetiis: 1697). Three volumes, leather bound with extensive wear consistent with age. Hillman Medical and Scientific Library stamps. (3)Condition Report: Library stamp to front cover of each and first visible pageVol 1 = 12 plates and portrait presentVol 2-3 fold out plates present Vol 3- 3 pages of tables
AstraZenecHare is painted as Professor Sarah Gilbert, the vaccinologist who led the team behind the Oxford AstraZeneca vaccine. Complete with lab coat and scientific equipment, AstraZenecHare represents the hope that science and the vaccine has given the world. As this year’s recipient of the RSA Albert Medal (awarded annually to recognise the creativity and innovation of individuals and organisations working to resolve the challenges of our time) she underlines what women can achieve, offering hope to young girls and inspiring them to fulfil their potential. Artist: Karen TurnerBorn in London in 1978, Karen spent many of her school years in Geneva, before returning to the UK to attend Hampstead Fines Arts College in London. In 2014 she moved to Eye, where she has a home studio. A portrait and figure artist, Karen uses a minimalistic, sculptural style to describe structure, aiming to capture her sitter using the least marks possible. Karen's work was recently selected for the Portraits for NHS Heroes exhibition and the accompanying Bloomsbury book. In May 2021 she was awarded the President's Prize at the Institute of East Anglian Artists Open Exhibition. Sponsor: Eye PharmacyMeeting all your pharmacy needs, we always put the patient first. We are ready and able to offer Covid vaccinations to all eligible patients and the local community. We are here to support the people of this lovely area. Measures approx. 17 inches deep x 12 inches wide x 36 inches high
The design for Armour d'Amour - What The Tortoise taught us considers the Tortoises' emergence from hibernation; not longing for what was lost, but learning from what was gained. Strength. Reflection. Connection. A new way of seeing and being. The subtle art of doing everything more calmly and enjoying life in the present. In words, graphic designs and colour patterns, the scheme communicates an appreciation of nature and stillness, reflected in the gaiety of a painted 'house'. The joy of carrying your heart, and your home with you. Carrying your precious 'jewel' of self. An armour d'amour, as the Tortoise might say Artist: Kate CharlesKate was born and raised by the sea on the North Island of New Zealand. A career that started in fashion and film took her to Australia where she studies Visual Art at the University of Sydney, and then to London where she created installations for luxury fashion retailers and department stores. Today she lives by the sea in Suffolk and bases her art on influences drawn from culture, travel and fashion. Sponsor: East of England Co-opWe're proud to be the largest independent retailer operating in the East of England. We provide food stores and specialist services, such as funerals, security, travel agents and petrol filling stations to communities across North East Essex, Norfolk and Suffolk. With a significant property portfolio and other businesses, such as events and conference facilities and stone masonary, we are a diverse and modern business. As a co-operative business. we're run differently to other big organisations, putting our members first. Our focus has always been, and always will be, the local communities in our region.https://www.eastofengland.coop/ Measures approx. 42 inches long x 19 inches wide x 18 inches high
A stainless steel Tudor Princess Oysterdate watch, circa 1980, model no. 92400, the signed dial with baton hour markers and date aperture to 3, rotor self winding movement, within a stainless steel case and tapered bracelet, serial no. 939132, case diameter 25mm. With maker's box, booklet and guarantee.Condition report: Overall condition fairBracelet loose, main link to top of case has come loose and misshapen enabling first link to unhookWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredBracelet stretched, clasp loose
Two gilt metal crownsone possibly Spanish, one by repute sold to the vendor as circa 1580, the other a contemporary copy, 14cm across overall (2)Condition report: The first with signs of wear, losses and marks. Old repairs and evidence of old tests. The other with minor display wear. For additional details please contact the saleroom.
Two horn snuff boxes by John Obrissetthe first an 18th Century pressed horn snuff box of oval form and bearing the Arms of Sir Francis Drake marked "John Obrisset fecit 1712" 9.5cm the second depicting the Drunken Silenes, signed OB for John Obrisset circa 1725, 10.3cm across (2)Condition report: Francis Drake box is fine just natural imperfections, the base has scrapes with the very top layer worn off in one partDrunken silenes box lid has bowed slightly so does not sit snugly to the body. General wear and scratches
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