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Lot 106
World Cup Masterfile, in four 'Fifa 1974' albums, containing stamps, First Day Covers, including signed editions by Bobby Moore, David Speedie, Martin Peters, Pat Jennings, Kenny Dalgish, Bobby Charlton, 1966 World Cup England Winners signed by Bobby Charlton, print signed by Nobby Stiles, Geoff Hurst, etc.
Lot 1509
Two ivory okimono of seated craftsmen: one of a sculptor with a mallet; and one working on a mill stone; the first and larger 5.5 cm wide. Both 20th Century (2)Provenance: The Property of a Lady. From a Private Collection acquired by her Great-Grandfather and all collected prior to his death in 1944.PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank's advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements, and the onus is therefore on them to arrange their own shipping. Some deterioration and age cracking.
Lot 473
English School, early 19th century, Two portrait miniatures of a gentleman and an elderly lady, both initialled J.B.H., oval, watercolour on ivory, 8cm, 3.25in high, set in ebonised frames with decorative brass oak leaf suspension ring mounts featuring a portrait of King George III and crown, together with another early 19th century portrait miniature of Daniel O'Connell (1775-1847), unsigned, titled on verso, watercolour on ivory, 10 x 7.5cm, 4 x 3in (2). * Daniel O'Connell (Irish, 6 August 1775 – 15 May 1847), often referred to as The Liberator or The Emancipator, was an Irish political leader in the first half of the 19th century. He campaigned for Catholic emancipation - including the right for Catholics to sit in the Westminster Parliament, denied for over 100 years and repeal of the Acts of Union which combined Great Britain and Ireland.
Lot 178
Webb, N., Heathlands, 1986, New Naturalist, first edition, fine, dust wrapper fine in protective sleeve, 1 volume, Page, C., Ferns their habitats in the British and Irish landscape, 1988, Collins New Naturalist, first edition, fine, with fine wrapper in protective sleeve, not price clipped, 1 volume and Simms, E., British Larks, Pipits and Wagtails, 1992, Collins New Naturalist, first edition fine with fine dust wrapper in protective sleeve, not price clipped, 1 volume (3).
Lot 4
A 1979 Morris Marina coupé, registration number KVW 665V, chassis number ME2SKD254066, engine number 408295, pageant blue.This now very rare Marina coupé was originally supplied by Southern Motor & Aero Co Ltd and subsequently registered to its first owner a Mr Antony Eden on 9th December 1979.The Marina has covered a believed genuine 73,000 miles from new with a tan interior and sits on Wolfrace alloy wheels (original wheels are available). There are numerous receipts on file for works carried out including a full front suspension rebuild, fitting of electronic ignition and improved headlights amongst others. The car will be offered with a large history file.V5C, MOT to February 2020See illustrationAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions.
Lot 16
A 1964 Commer Cob 7cwt Series III van, registration number 978 TTA, chassis number B631888, engine number B631888, azure blue.The Commer Cob a Rootes Group model was a panel van based on the Hillman Husky estate. The first version of the lightweight commercial appeared in the 1950s. The Cob saw a steady development over its production with improvements to the engine, seating and bodywork through Series I II & III. This charming Series III Cob was originally supplied by Blue Star Garages Ltd, Axminster, Devon to its first owner a Mr W Newbury, a farmer from Colyton, Devon. The original order form is on file stating that Mr Newbury paid £452.8.2 plus an allowance of £20 for a part exchange. Mr Newbury retained the car for twenty years adding 20,000 miles to the odometer using the van to transport the odd calf to Axminster market. Mr Newbury?s daughter and son in law then owned the Cob for a short period before part exchanging it. The next custodian added a further 20,000 miles on the clock until our vendors father purchased the van in 2005 with 42,000 on the odometer. The Cob had been in storage for six or so years and required some recommissioning and repairs but was soon back on the road. Over the next 14 years the van was steadily improved but still retains an honest and genuine appearance which has been admired at local classic car events. Now displaying a believed 55,000 miles from new this refreshingly original Cob will be offered for auction with a history file containing an original owners instruction manual, a run of previous MOTs, tax discs, receipts and the original order form.V5C, MOT and tax exemptSee illustrationsAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions.
Lot 17
A 1972 Rover P5B Coupé, registration number COX 950K, chassis number 845068860, engine number 84017664, silver birch over Arden green. Introduced in 1969, the P5B featured the new Buick 3.5 litre V8 engine in the svelte coupé and saloon body styles. They found favour with government ministers, the business elite and even had royal patronage. As a coupé version COX 950K is one of the most sort after examples with its contrasting colour lowered roofline, sculpted rear seats and Rostyle wheels. COX 950K was originally supplied by main Rover dealers Colliers, Abbey Road Garage Ltd. Erdington, Birmingham, to its first owners, CH Brown & Sons Ltd, Birmingham, for the princely sum of £2,836.80 including optional extras of a heated rear window and two tone paint (original bill of sale on file). Brown & Sons would retain the Rover for eighteen years having all maintenance and servicing carried out by Colliers (receipts on file). Since then there have been four other recorded keepers including our our vendor. Presented in arguably the best colour combination of silver birch over Arden green with a saddle tan leather interior, COX 950K is said by our vendor to be running and driving but is now in need of some TLC to bring the car up to its former glory having seen little recent use. The Rover will be offered for auction with a vast history file contained within two ring files with the original sales invoice, maintenance receipts, previous MOTs, magazine articles, original owners manual and workshop manual. V5C to follow, MOT and tax exempt See illustrations All lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions.
Lot 147
Thomas Ivester-Lloyd (British, 1873-1942) A Sketch book with nude studies, the Charleston, girl in a swimsuit on a beach, horses, foxhounds, riders pencil, within an album 23 x 16cm (9 x 6in) Other Notes: Thomas Ivester-Lloyd was born in Liverpool in 1873. He saw service in France in the First World War in 1914 with the Remount Service, and was later commissioned into the British Artillery. The War Office British Empire Exhibition in Wembley contained thirty dioramas of battles in British history painted by Thomas Ivester-Lloyd. The majority of his work was sporting, and he illustrated the British section of Sir John Buchanan Jardine’s "Hounds of the World". Thomas Ivester-Lloyd spent most of his life in and around Sherington, where he became Master of the Sherington Foot Beagles who hunted the country around Newport Pagnell in Bedfordshire and Northamptonshire.
Lot 217
Huybrecht Beuckelaer (Flemish, c. 1535/40-1605/1624) A fruit and vegetable, poultry and game seller with the Old Church of Delft beyond signed and dated lower left 'Huberius Beuckelaer 15(?8)5' oil on canvas 135 x 101cm (53 x 39in) Provenance: According to the present vendor, acquired by a member of their family, circa 1960, at a local auction, probably Pascal and Cann of Colchester Born in Antwerp and trained alongside his brother Joachim in the workshop of their uncle, Pieter Aertsen, Huybrecht Beuckelaer drew upon Aertsen's style and subject matter. He went on to join the successful workshop of his brother, Joachim, who established his reputation as a painter of kitchen and genre scenes. Due to the scarce documentation of Huybrecht's career, his works were previously attributed to his brother Joachim or Aertsen. Previously known as the anonymous "Monogrammist HB", it was not until 1997 that Huybrecht was definitively established as the author of a small number of works signed "HB". His identity and work was discussed by Dr Margreet Wolters in 'De Monogrammist HB geïdentificeerd: Huybrecht Beuckeleer', in: P. van den Brink, L.M. Helmus (red.), Album Discipulorum J.R.J. van Asperen de Boer, Zwolle 1997, 231-238. His earliest known work, The First Passover Feast, dated 1563, was only identified and sold as recently as 26th of May 2005 (lot 61) at Sotheby's in New York. Huybrecht is believed to have trained in Bronzino's workshop in Florence and worked as an assistant in the studio of Antonis de Mor. For a full discussion of his life and his coming to live in London, see both Josua Bruyn, "Hubert (Huybrecht) Beuckelaer, an Antwerp portrait painter, and his English patron, the Earl of Leicester", Juliette Roding and Eric Jan Sluijter, Dutch and Flemish artists in Britain 1550-1750, Leids Kunsthistorisch Jaarboek 13, 2003, pp. 85-112; and Elizabeth Goldring, Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I, Yale University Press, 2014, pp. 129-132, 163-164, 292. Unlike his better known brother, Huybrecht Beuckelaer is known to have travelled widely in France and probably was in Florence (see above). The last reference to him in Antwerp is in 1584 - an outstanding debt from his time in Bordeaux. It is likely that he had already left for England - though he may have come back briefly before he is definitely recorded in London in 1586 (see Bruyn, 2003, p. 92), where he probably (as a Protestant) went due to the political and religious turmoil in Antwerp at this precise time. He may well have been encouraged to go to London by the promise of - or hoped for - commissions from the Earl of Leicester (1532-1588). Leicester, who had been in the Spanish Netherlands accompanying Elizabeth I's failed suitor the Duke of Anjou when the latter was appointed Regent by Philip II, is known not only to have been painted along with his wife by Huybrecht Beuckelaer (see Bruyn, p. 91) but by 1583 market scenes with figures are recorded in the Inventory of Leicester House (see Goldring, p. 292). That the present painting is dated '15(?8)5' at the very moment that Huybrecht is probably already in London, means it has almost certainly remained ever since in this country, or, if it was painted in Antwerp on his brief return to that city, then he could well have brought it back with him to England. Huybrecht Beuckelaer is presumed to have remained and died in England, as the 'Daniell Buckler' recorded in the Parish of St Giles in the Fields, London, in 1625, is almost certainly his son by his first wife, born in Antwerp in the 1560s (see Goldring, p. 129). We are grateful to Dr Elizabeth Goldring for her assistance with this catalogue entry and to Dr Margreet Wolters for her thoughts on the form of the signature and the attribution to Huybrecht. Oil on canvas which has an early lining but the original tacking edges appear to have been retained. The tacking margins are very slight and have come detached from the stretcher in some areas. This has contributed to the poor tension of the canvas which in turn is causing undulations to the painting, notably at the bottom edge where the painting sags and at the top left corner. At the lower left corner is a tear with associated paint loss. There is an old tear in the canvas and lining to the left of the man's head which has been repaired from the reverse and crudely retouched. The paint layer is raised along the lines of the age cracks in many areas and there are scattered areas of loss across the painting, notably in the lower left corner. In thinner paint passages there is wear and abrasion. There are areas of retouching on the painting which have darkened over time, for example on the lady's right arm and the gourd at the lower left. The varnish is old and no longer adequately saturating the varnish, combined with the uneven surface texture some areas of the composition are difficult to read. There are scuffs and scratches to the surface of the varnish and a layer of dust. The black painted finish to the frame has numerous small losses and scratches.
Lot 421
Duke of Manchester's Light Horse, a collection of Regimental militaria relating to Sergeant Smith H. Rowley of Histon, Cambridgeshire, including mahogany boxed presentation inscription sword, maker R S Garden, London, no.644, from Captain Towgood '... for Proficiency in Sword Exercise July 4th 1865'; four silver cup trophies presented to Rowley; a silver model equestrian statuette 1871 with plaque below; Rowley's regimental cap; red tunic; Cambridgeshire Yeomanry plumed helmet with badge and chin strap; various papers and photographs; also a First World War medal group to Captain Sidney Smith Rowley, with miniatures; and a few other associated items including Masonic regalia (qty) Provenance: By family descent Offered with a newspaper dated 1930 with Rowley's obituary, describing him as the last of the 'D Troop' (Cambs) Duke of Manchester's Light Horse Volunteers. Other Notes: The Duke of Manchester's Light Horse, a famous cavalry regiment, was raised in Bedfordshire and Cambridgeshire by the Duke of Manchester at Kimbolton Castle. The Duke was inspired by his friend the Earl of Sandwich's formation of the 1st Huntingdonshire Rifles Volunteer Corps in the 1850s. The Manchesters wore instantly recognizable bright red tunics, perhaps as a gesture of oneupmanship towards Sandwich, whose troops were clad in drab dark green. By 1865 when the then Prince of Wales became Colonel of the regiment, it consisted of four troops at Bedford, Sharnbrook, Kimbolton and Cambridge. Officers were drawn from local county and farming families and each recruit had to be an excellent horseman and had to provide two horses. Every member paid handsomely for the privilege and pleasure of belonging to it, with each paying an annual subscription, as well as for his uniform, he also supplied his own horse and harness and took his batman with him in the periodical training. Most of the farmers broke their own horses - there was a requirement to be dashing in appearance but also to uphold the highest cavalry standards. The Regiment took part in many ceremonial parades, most notably as escort to HRH Princess Alexandra at her wedding in 1863 to HRH The Prince of Wales. Their Regimental balls were held at Kimbolton Castle, several of which were graced by the Prince of Wales. At the Castle hangs the great painting by Dessanges of the Duke of Manchester in his uniform as Colonel of the Light Horse, standing by his favourite charger. The Regiment was disbanded in 1882. The four silver cups in this lot were mainly presented for sword proficiency and date between 1865 and 1878.
Lot 420
A first world war Military Cross group of four medals, to 2nd Lieutenant Clifford Wortley Caswell, Middlesex Regt., including 1914-15 Star, BWM and Victory, together with a Masonic medal and silver bracelet tag, all mounted to baize faced card; also a copy of the MC citation, few photographs and official letters, and his commission marked 'Temporary' to Second Lieutenant
Lot 281
Arthur James Wetherall Burgess, ROI, VPSMA (Australian, 1879-1957) SS Gretafield; and Charles Ernest Butler (British, 1864-1933), SS Oilfield, the first signed lower right "Arthur Burgess" and the second signed lower left "C E Butler '24" oil on canvas (a pair) 65 x 105cm (25 x 41in) SS Oilfield was a tank steamship launched by the Tyne Iron Shipbuilding Co. Ltd in Newcastle in 1923. It had several owners; including the Mid-Atlantic Shipping Co. Ltd and the Spanish government, which salvaged it in 1941 after being damaged during the Spanish Civil War in an air attack. Only in 1967, did it get demolished at Castellon. SS Gretafield was a tank steamship that was launched by Cammell Laird & Co. Ltd, Birkenhead for the Northern Petroleum Tank Steam Ship Company in 1928. The steamship was active in the Second World War and sadly in 1940, whilst on Admiralty service, it was torpedoed by a German submarine, causing the death of eleven people on board. The wreckage was washed up at Dunbeath, near Wick, and was abandoned as a total loss. SS Gretafield Oil on canvas which in unlined. The canvas tension is slack with slight undulations across the surface. There is retouching in the sky which appears to cover old areas of loss and abrasion. Overall the paint layer is stable. There is an uneven varnish layer which is yellowed with drip marks. The frame is in a good condition although the gilding on the name plaque is worn. SS Oldfield Oil on canvas which is unlined. The canvas is in plane with good tension. There is a small patch on the reverse covering a damage in the lower left hand corner. There is also a slight concave undulation near the top of the canvas, left if centre, which has been filled and retouched. Overall the paint layer is in a good, stable condition and is unvarnished.
Lot 128
Leonardo Scaglia (Italian, fl. 1640-1650), Studies of a full-length female figure pointing to Christ appearing to St Cecilia, with rams, swags, masks and laurel leaves, pen and brown ink with wash, 15 x 21 cm (6 x 8in); together with John Wood (British, 1801-1870) Study for a lunette, inscribed lower right under the mount "John Wood RA", ink and grey wash, 12 x 22.5 cm (5 x 9in) (2) We are grateful to Sir Timothy Clifford for suggesting that the first and illustrated drawing is by Leonardo Scaglia.
Lot 410
A Stirn's Vest plated case camera, no. 6225, D.R.P. 38.391, marked to the front 'Patentees Agents J Robinson & Sons 172 Regent St London & Dublin', lacking cords Other Notes: Stirn's Vest camera was patented in Britain on 27 July 1886 and in other European countries. The camera was manufactured from October 1886 with at least four different models being available. C. P. Stirn had acquired the rights to the camera from R. D. Gray who had demonstrated the first version of his Vest camera in December 1885.
Lot 443
Henry Hindley, York, a George III mahogany 'Chinese Chippendale' longcase clock, the case very similar to a design in Chippendale's Director, the pagoda top hood with 12inch arched signed silvered one-piece dial, 4 pillar movement, the tapering trunk with full length door upon a stepped moulded front plinth, 271cm high Provenance: Mawley Hall, Shropshire Literature: The case design published as plate CXXXVI in the 1754 and 1755 editions of Chippendale's Director. Henry Hindley (1701-1771), a fine and ingenious clockmaker, also created the world’s first telescope powered by a precision clock movement, enabling the telescope to remain fixed on its subject without constant adjustment because of the earth’s rotation (Collection Science Museum, London).ConditionReluctant to keep ticking. Strikes correctly when hands are advanced. One piece hood.
Lot 251
English School, 18th Century Portrait of a gentleman, traditionally identified as Thomas Chatterton (1752-1770), half-length, in a brown coat and white stock, seated at a table, holding papers bears inscription "Chatterton. Poet." upper left oil on canvas 62 x 75cm (24 x 29in) Provenance: With J. Harris, Berkeley St., London. Christie's London, 18 December 1953, lot 118, as 'Thomas Gainsborough: Portrait of Thomas Chatterton, the poet' (£52.10.0 to Rudebeek). with M. Bernard, Ryder St., London. Christie's, London, 4 February 1955, lot 65, The Property of the Earl of Jersey, as 'Thomas Gainsborough: Portrait of Thomas Chatterton, the poet' (£27.6.0 to Fennil or Fenouil (£27.6s) The Long Gallery, Strawberry Hill, Twickenham; Christie's, London, 17 Feb 2008, lot 66, as 'English School, 18th Century'; where acquired by the vendor Other Notes: The tradition that Gainsborough painted Chatterton was first proposed by George Williams Fulcher in his 1856 biography of the artist. He described the portrait as a masterpiece 'with his long flowing hair and child-like face' (2nd edition, 1856, p. 89). Sir Walter Armstrong (Gainsborough and his place in British art, 1898, pp. 110, 193 and 1904, p. 261) doubted the identification and linked Fulcher's description with a picture that once belonged to E. Naylor, describing it as 'half length. Green coat; hair falling much over the forehead and reaching to the shoulders; the face almost in profile.' It measured 22 by 18 inches. It seems unlikely that Chatterton ever sat to Gainsborough. We are grateful to Hugh Belsey for his assistance with the catalogue entry. Oil on canvas which has been lined and extended at the right hand side. The canvas is in plane with good tension. The paint layer has suffered from damage and loss in the past, the texture is slightly uneven with wrinkling in the background. The painting has been heavily reworked. More recent retouchings in the background appear very matte. The varnish is clear, even and semi-glossy. There are small chips and losses to the gilding on the frame.
Lot 192
A Victorian coromandel and gilt brass bound casket, retailed by Asprey of London, circa 1860, of rectangular form, the hinged cover inset with an armorial with the motto PARTA TUERI (Defend what you have won), the ends with recessed brass swing handles; the cover interior with ASPREY. MANUFACTURER TO HER MAJESTY, 166 BOND ST. W. in gilt tooled lettering; above a fully fitted interior, the fall front opening to two drawers, with recessed brass handles, 23cm high, 42cm wide, 33cm deep Please note: 'The crest and motto on the lid are for the Powys family of Lilford. Given the date of manufacture the casket was likely owned by either the 3rd of 4th Baron Lilford, the first a prominent politician and the latter a famous ornithologist.'
Lot 32
A M.I. Hummel Club including First Issue 2001 One Cup of Sugar, boxed, A Girl's Best Friend, boxed; an International Collectible Exposition School Girl, signed to base, boxed, M.I. Hummel figures including Hear Ye, Hear Ye; others including Coquettes, Volunteers, Brother, Playmates, She Loves Me, To Market, Baker, Postman (12)
Lot 862
POP - (LARGELY) 7"/10"/12" - COLOURED/PICTURE DISCS. Superb collection of around 150 x (mainly) 7" with 10"/12", almost all are limited edition coloured/picture discs. Artists/titles include U2 (x3) - 11 O' Clock Tick Tock (yellow vinyl S CBS 8687) and The Unforgettable Demos Volumes 1 and 2, Bananarama - Love In The First Degree (Keren A side picture), Agnetha Fältskog - Can't Shake Loose, McFly - Room On The 3rd Floor, ELO (WA 3720), Dire Straits - Brothers In Arms, ABBA - Waterloo (30th Anniversary), Tears For Fears - Mothers Talk, Laurel & Hardy (x4 including silver discs), Michael Jackson inc. 'Souvenirs picture disc collection' (5 x shaped discs), The Police inc. Can't Stand Losing You (inc. green copy, also with individual releases from the '6 pack'), Jennifer Connelly - Jennifer's X'mas (promo Japanese heart shaped T15-1102), Spandau Ballet, FYC, Bryan Adams, Pet Shop Boys, Marc Almond, Crowded House, Erasure, Kim Wilde, Toto and Elkie Brooks. Condition is typically superb Ex+ (records) and Ex to Ex+ on the sleeves (often very clean, there are often small cataloguing stickers on the front of the sleeve, we have found on most sleeves that these can be removed leaving very little residue).
Lot 515
ROLLING STONES 1972 BILL GRAHAM WINTERLAND FIRST PRINT POSTER. An original, mounted and framed, first print poster for The Rolling Stones at Winterland, San Francisco on June 6 - 8 1972. Poster measures 55.5 x 70.5cm. Some wear, tears along upper edging and creasing. Otherwise appears in VF condition. Frame measures 67.5 x 88cm.
Lot 462
DAVID BOWIE KONRADS NEGATIVES. Twelve x 2 1/4" black and white photo negatives depicting a teenage, saxophone playing David Bowie playing saxophone on stage at a concert at the WI hall, Biggin Hill, Kent with his first group the Kon Rads on the 18th May 1963, one of Bowie's earliest performances. Taken by photographer R Webb. Sold with copyright.
Lot 739
THE AYNSLEY DUNBAR RETALIATION - ORIGINAL UK LIBERTY LPs. Wicked bundle of the band's first 2 albums, both original UK (blue label) Liberty copies. Titles are S/T (stereo LP in mono sleeve LBS 83154 - Ex a couple of rather light surface marks/Ex a well presented sleeve with only very minor wear) and Doctor Dunbar's Prescription (LBL 83177 - VG+ with a few light surface marks, never heavier/VG+ with some ringwear on the reverse).
Lot 799
FIRST GENERATION PUNK - 7". Ferocious collection of 26 x essential 45s. Artists/titles include The Clash (x4) inc. Clash City Rockers, White Riot and Complete Control, X=Ray Spex (x2 - INT 553 and INT 563), PiL, The Damned, Siouxsie & The Banshees, The Rezillos (x2), Stiff Little FIngers (x2), Alternative TV (x3), Chelsea, The Stranglers, The Flys, Sham 69, The Frantic Elevators and Gloria Mundi. Condition is generally clean Ex to Ex+ (records) and VG+ to Ex+ (sleeves).
Lot 339
1960S STARS AUTOGRAPH BOOKS - CLIFF/DUSTY/ELTON JOHN AND MORE. Two autograph books, each bearing a quantity of signatures from stars of the 1960s/70s. Names in the first of the two books ('Woburn Abbey' cover) to include: Elton John, Cliff Richard, The Shadows, Wayne Fontana, Manfred Mann, Long John Baldry. The second bears signatures from: David Jones, Cliff Richards, Walker Brothers, Little Eva, Merseybeats, Dusty Springfield, Tornadoes, Sean Connery and more. **see authenticity note in auction info
Lot 1074
THE BEATLES - STUDIO RUN LPs. Brill run of 10 x original title LPs. Titles are WIth The Beatles (hard to track down 1965 stereo 3rd pressing PCS 3045, 'Sold In UK' 'Gramophone Co' text, no 'Recording First Published' - Ex+ superb vinyl/Ex+ extremely clean sleeve too, small stereo), Beatles For Sale (mono PMC 1240 yellow/black 4N/3N - VG+ copy), Rubber Soul (mono yellow/black -4/-4), Revolver (mono yellow/black -2/-2), Hard Day's Night (mono yellow/black 3N/3N), Oldies (1G/1G mono orig), Magical Mystery Tour (SMAL 2835), Sgt Pepper's (mono -1/-1 non-wide spine, w/cut out, no red inner), Yellow Submarine (stereo 2 red line orig PCS 7070), Abbey Road (aligned UK) and Let It Be (UK 1970 green apple). Condition is generally VG to Ex.
Lot 1011
CLASSIC ROCK & POP LPs - 60s-80s. Fully loaded collection of around 61 x LPs. Artists/titles include Joe Cocker - The Collection and Unchain My Heart, Incantation, INXS, JJ Cale, Joan Armatrading - Me Myself I and S/T, Carole King - Tapestry, Sting - Nothing Like The Sun, Supertramp (x4), Tanita Tikaram, Rose Tattoo, Roxy Music - Flesh + Blood, Sam Brown, Jimi Hendrix, Scorpions - Love At First Sting, Simple Minds - Once Upon A Time, Simply Red inc. Men And Women, Slade - Slayed?, Spirit - Son Of Spirit, Spandau Ballet inc. True, Steve Hillage, Rose Royce and Sad Cafe. Condition is generally VG+ to Ex+.
Lot 725
OASIS - LPs/12". Now listen up, here's a mega bundle of the band's first 2 studio LPs with 2 x 12", all housed with a killer promotional tote bag for the Chasing The Sun 1993-1997 exhibition in Manchester. Titles are Definitely Maybe (UK original CRE LP 169 Damont pressing - superb Ex+ records showing only a couple of very faint markings/VG+ a neat condition sleeve showing some light scuffs along the spine), (What's The Story) Morning Glory? (UK original CRE LP 189 - superb Ex+ or archive records showing very few markings, with superb condition glossy black inners/Ex+ top tri-fold sleeve showing a little edgewear), Whatever (UK original CRE 195T - top Ex+/Ex copy complete with the limited edition print and postcard) and Shakermaker (CRE 182 - Ex+/Ex w/postcard).
Lot 259
GENESIS/VAN DER GRAAF LYCEUM. An original poster for a January 1971 concert with Genesis and Van Der Graaf Generator at the London Lyceum, this was Steve Hackett's first Genesis concert. Measures approx 39.5 x 30". In F condition with losses, tears. From the archive of acclaimed designer David Arnott.
Lot 912
THE WHO - LPs. Great back-catalogue of 26 x (almost entirely) LPs. Titles include My Generation (UK original Brunswick LAT 8616 with MT on labels - G+ with surface and scuff markings and one or two light scratches/G+ solid sleeve with a few light paper tears on the opening edge and some discolouration on the reverse, clean front), By Numbers (number 122531 'dot to dot' has been filled in), Tommy (US MCA2-10005) and Part One (2406 007), Live At Leeds (SPELP 50 RE), Who Are You, Quadrophenia (UK orig 2657 013, main part of booklet is detached), Greatest Hits, McVicar, Who Came First, Who's Better, Who's Best, The Story Of..., Face Dances, The Singles LP, Rarities Vol 2 and It's Hard. Also with solo Daltrey and Townshend albums. Condition is generally VG to Ex.
Lot 990
60s - ROCK/SURF/MOD/POP/BEAT/R&R - LPs. Swingin' collection of around 52 x (primarily) LPs. Artists/titles include Scott Walker - Scott (UK orig SBL 7816 - well presented VG+/VG+) and The Romantic..., Various - Raw Blus (ACL 1220), Long John Baldry - Long John's Blues (ULP 1081 - VG+/Ex copy), Tim Hardin, The Pretty Things inc. S/T (TL 5239 original - VG record/please note G sleeve), Spencer Davis Group - Their First LP (TL 5242, a VG+ copy) and The Second Album (2 x UK TL 5295, both with Island logos on reverse, including a VG+/Ex copy and a VG+/VG+ copy), The Beach Boys, The Shadows, Buddy Holly and Elvis. Condition is generally VG to Ex=>
Lot 1017
CLASSIC METAL LPs. Ferocious selection of 13 x essential LPs. Titles are Iron Maiden (x2) - Killers (UK original EMC 3357 A1/B1 - Ex+/Ex+ a superb copy) and Piece Of Mind (UK original EMA 800 A2/B2 - Ex+/Ex+ another brilliant copy), Black Sabbath (x2) - Live At Last (BS 001) and Born Again (VERL 8), AC/DC (x2) - Flick Of The Switch and For Those About To Rock..., Saxon (x3) - Strong Arm Of The Law (CAL 120 with patch), Wheels Of Steel and Crusader, Dio - Holy Diver (VERS 5 - very clean Ex+/Ex+), Judas Priest (x2) - Defenders Of The Faith and Live In Japan and Scorpions - Love At First Sting. Condition elsewhere is typically top Ex to Ex+.
Lot 442
THE THE INFECTED SONGBOOK SIGNED MATT JOHNSON. A copy of the sought after 'Infected' songbook signed to first page in blue ink by Matt Johnson. Also includes compliments slip circa 1986 from The Mirror Group detailing a competition of which this item was included in the prizes and a flyer advertising the The The Infected movie.
Lot 1069
NEW WAVE/INDIE/AVANT/ALT/COOL POP - 7". Really cool collection of around 140 x 7". Artists/titles include The Jesus And Mary Chain - Upside Down (always hard to find pink design sleeve/blue text, Creation 012 - Ex+/Ex top copy), The Monochrome Set - Apocalypso (Din 26), Geisha Girls, John Ellis - Hit Man, The Bachelor Pad, Sham Rock - First Take, The New York Blondes, Under Two Flags, Dance Trance, Lemonade, The Smiths - William It Was Really Nothing, Laughter In The Garden, Skiddo, The Poles, The Shakin' Pyramids, Carolynne Beale, The Force, The Volcanoes, The Nomads, Beat The Drum, The Strollers, Peter Hammill, Blur - She's So High (FOOD 26), James, The Charlatans, The Boo Radleys, The Wedding Present, Joy Division, The Bravery, Primal Scream - Dixie-Narco EP, REM, New Order, Microdisney, Duffy and Super Furry Animals. Condition is generally VG+ to Ex+.
Lot 901
FOLK/COUNTRY/ACOUSTIC/SINGER-SONGWRITER - LPs. Grandiose collection of over 200 x LPs. Artists will include The Everly Brothers, Harvey Andrews, Donovan, Julie Felix, Various - Top Sampler Number 2, John Paul Hammond, Bob Coltman, Ralph McTell, Bryn Haworth, Alan Mills, Tommy Armstrong, Michael Omartian, Dick Curless, John Hartford - Earthwords & Music, Janis Ian, The Chad Mitchell Trio, The First Edition, Tom Paxton, Paul Brett, The Winter Consort, Harry Chapin, Judy Collins, Pete Wingfield, Sandy Denny and The McCalmans. Condition is generally VG to Ex+.
Lot 738
ANCIENT GREASE - WOMEN AND CHILDREN FIRST LP (ORIGINAL UK MERCURY PRESSING - 6338 033). Extremely clean original UK copy of the eponymous (and only) LP from the Welsh rockers. The record is in superb Ex+ condition showing only a couple of extremely fine, faint and wispy markings under intense LED lighting. The sleeve is in clean Ex condition showing very faint remnants of a pen marking on the reverse and some rather light edgewear.
Lot 1031
MADONNA - 12"/7"/LP COLLECTION. Comprehensive collection of 45 x 12"/LPs with 27 x 7" following the illustrious career of Madonna. Titles include La Isla Bonita (inc. pic disc W 8378 TP and US stock copy Mint and still factory sealed), The Look Of Love (W 8115 TP pic disc), Everybody (including Canadian original 92 98990), Papa Don't Preach (w/poster) , Burning Up (2 x Canadian copies, 1 of which is Mint and factory sealed), Live To Tell (with poster), Material Girl (Japanese P-5199), The First Album, Like A Virgin, S/T LP (92-3867-1), Holiday (W9405T) and Dress You Up. Many of the records are in superb Ex+ or archive condition.
Lot 1003
THE BEATLES & RELATED - LPs. Excellent collection of 28 x LPs. Beatles LPs include White Album (2 mono top loading copies PMC 7067/8, both 'Sold In UK', 'EMI Recording', 'Mfd In UK', first copy is number 0613575, both records are in clean VG+ condition with a few light hairline marks, with black inners, photos and poster/VG+ nice example sleeve, some shelfwear, the other copy is number 0298061 - VG records some surface and scuff marks, no inserts/VG the sleeve is quite dirty, but we all know how these can clean up!), PPM (PMC 1202 mono 5th), The Beatles Beat (German orig 0 83 692, VG copy), Hard Day's Night (PMC 1230 3N/3N original), Abbey Road (aligned), Sgt Peppers (mono UK -1/-1 not wide spine, with cut-out, no red inner), With The Beatles (2 box), Beatles For Sale (2 box), Yellow Sub (stereo RE), Rubber Soul (2 box), Revolver (mono -2/-3), Let It Be (green apple), Help! (stereo RE). Also with a selection of solo LPs (and Wings) including Imagine (UK orig with poster). Elsewhere condition is generally VG+ to Ex+.
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