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Lot 737
National Commercial Bank of Scotland, £1 (2), £5 and £20, 16 September 1959, serial numbers 1A 088211, F242612, D977890 and A145846, Alexander signatures, first original uncirculated, others lightly pressed extremely fine (4 notes) PMS NC 1, 2, 4, Pick 265, 266, 267 £150-£200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Lot 426
The National Bank Limited, £10 (2), 1 July 1959, serial numbers A43520 and A44070, Fry signature, first pressed extremely fine, second graffiti, original very fine (2 notes) PMI NA 83, Pick 160b £220-£280 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Lot 654
British Linen Bank, £1 (5), 8 June 1931, serial number T063335, specimen £1, 8 April 1944 (final date of issue), 4 June 1956, prefix C/3, 31 March 1962, prefix V/3 and 4 May 1964, prefix G/4, some pressed, generally extremely fine, first good very fine (5 notes) PMS BL 64, 65bs,d, 71a,b £100-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Lot 781
International Bank, Jersey, £1, 9 November 1865, serial number 1897, also St Saviours Bank, £1, 1832, first a presentable fine, second note very good (2 notes) McCammon JN99, JN40 £100-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Lot 609
Bank of Scotland, £1 (6), including 6 August 1931, serial number G0052564, Elphinstone and Scott signatures, 4 October 1945 (2), October 1957 (2) and February 1964, first extremely fine, second about uncirculated, others mixed, a useful group with some scarcer types (6 notes) PMS BA 94, 98b, 99c, 100c £100-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Lot 3079
Harry Hoyle (20th century) watercolour on paper, Pigeon, signed and dated 1935 lower right, also with small card showing the Pigeon as the "Royal Messenger", the property of George F. Clarke, Silver Jubilee, May 6th 1935, "First bird home with greetings from Murrayfield to H.M. The King", unframed, approx. 20.3cm wide x 25.3cm. Further details: slightest wear, but still vibrant colours and generally good.
Lot 3317
A collectors lot to include; two Postal Heritage Society first day cover albums of Queen Elizabeth II reign for Commonwealth countries in honour of 25th Anniversary of QEII accession to the throne, plus a Christmas 1978 first day cover with silver commemorative stamp, along with a 1977 proof Guyana coin set including; a Sterling silver 10 dollar and 1/2 silver five dollar coin with certificate and box, a Birmingham Mint cast metal sculpture of Henry VIII with gilt decoration on onyx base with certificate and a cased set of commemorative Wedgwood jasperware Queen Elizabeth and Prince Phillip plaques with hallmarked silver crest and plaque (in frame - in need of gluing).
Lot 3313a
A collection of mixed ephemera, paperwork, posters to include; a John Player & Sons album of cigarette cards of Aeroplanes, Randolph Turpin signed picture, motor fuel ration book, a Wills album of cigarette cards of Railway Engines, first day covers, framed Railway related photos, and a small quantity of 20th century advertising prints for Railways and places of interest, to include Derby, Liverpool, Congleton and others (some tears/damage to most).
Lot 559
A set of four French silver-mounted engraved glass scent-bottles, first quarter 20th Century, the four bottles formed to fit into a circular stand, the glass engraved with foliate swags, the stand and covers each similarly decorated and with engine-turning, 12.5cm high Generally good condition, lacking one stopper, minor chips and nibbles to glass, minor dent to stand
Lot 566
Dod Proctor - A.E. Brain & Co - Foley China - A cup, saucer and side plate with matched teapot and cover for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) hand painted with stylised flowers and foliage with star and lines, Dod Proctor and Foley mark. (4) NB - This was designed by Dod Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 45
Wilhelm Kralik Sohn - An early 20th Century glass vase, of tapering form with ribbed decoration all in a green iridescent ground with pierced decorative metal collar, together with two similar vases, all in green iridescent with metal collar mounts, the first with a dragonfly, the second with repeated scrolls, tallest 19cm, damage. (3)
Lot 562
John Armstrong - A.E. Brain & Co - Foley China - A small circular side plate for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) hand painted with two stylised fish with wash line border, John Armstrong and Foley mark, width 16cm. NB - This was designed by John Armstrong for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 561
Allan Walton - A.E. Brain & Co - Foley China - A pair of cups and saucers for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) with repeat ellipse and triangle design, Allan Walton and Foley mark, together with a matched side plate. (5) NB - This was designed by Allan Walton for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 478
Clarice Cliff - John Armstrong - A circular side plate for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) in the Chaldean pattern with a stylised horse within banded grey borders, John Armstrong and Bizarre mark, plate width 22cm, together with a smaller side plate by Graham Sutherland and a matched saucer with green and black wave line border. (2) NB - This was designed by John Armstrong for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 794
Keith Murray - Wedgwood - A collection of four tankards, to include an example with a green matte glaze, one with a roundel depicting Barlaston, first firing circa 1940, one with a coat of arms for McGill University, Canada, and a plain fluted example, height of tallest 14cm, some damage, together with a set of four small ceramic tot cups of cylindrical form with a flared rim raised to a ringed foot, two transfer decorated with a transfer decal of a cockerel weather vane, KM and Wedgwood mark, height 7cm, damaged. (8)
Lot 479
Clarice Cliff - Dod Proctor - A circular side plate for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) with stylised fish and seaweed, Dod Proctor and Bizarre mark, plate width 20cm, together with a matched sauce boat. (2) NB - This was designed by Dod Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 563
Freda Beardmore - A.E. Brain & Co - Foley China - A cup and saucer for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry), hand painted with a large stylised flower and foliage, Freda Beardmore and Foley mark, together with a Milner Gray trio transfer printed with a convolvulus. (2) NB - This was designed by Freda Beardmore for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 591
Laura Knight - A.E. Brain & Co - Foley China - An early morning breakfast service comprising teapot, two teacups and saucers, milk, sugar and side plate, for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry), transfer printed and hand coloured in the Dove and Flood pattern, surrounded with white rain drops over a pink lustre ground, printed marks. NB - This was designed by Laura Knight for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 473
Clarice Cliff - Michael Willmer - A circular side plate for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) with a stylised devil figure, together with a matched Conical coffee cup, Michael Willmer and Bizarre mark, plate width 17cm. (2) NB - This was designed artist Michael Willmer for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 564
Ernest Proctor - A.E. Brain & Co - Foley China - A cup, saucer and side plate for the 1934 Harrods Modern Art for the Table exhibition (Art in Industry) with repeat coloured wave lines with lustre, Ernest Proctor and Foley mark, together with a matched side plate. (5) NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 14
Rare Third Reich SA / NSKK Dagger with ‘Christmas’ Pattern Motto to Blade by Ernst Pack & Söhne, Solingen, fine and extremely rare example of the first ever issue of the SA dress dagger with the brown wooden grip having the 1st pattern 1927 pattern eagle and enamel SA device. The grip fittings have a nicotine patina. Housed in its matching scabbard with black finish to the centre, which would indicate that the scabbard was replaced when the regulation for NSKK members to have the black scabbard after 19th May 1936, where members could either paint their scabbard or exchange, the scabbard fittings match the grip fittings indicating this has been together since WW2. The double edged blade has the early motto ‘Alles fur Deutschland’ and the reverse has the makers trademark. The blade measures 22cms, overall 37 ½ cms. Untouched as found example, lower ball mount on the scabbard is cracked. On the 15th December 1933, the SA Headquarters officially decided to institute a dagger to be worn with the SA uniform. On Christmas 1933 the first grouping of SA daggers were delivered to the higher SA leaders. These daggers are referred to as ‘Weihnachtsdolch’ (Christmas Dagger) and they have different design mottos to the later examples. This is the first type of these with the early pattern eagle, later examples can be found with the standard / later type eagle, see the following lot for an example of this. This dagger is a must have for any collector of SA daggers and rarer to find than an honour dagger.
Lot 15
Rare Third Reich SA (Sturmabteilung) Dagger with ‘Christmas’ Pattern Motto to Blade by Carl Eickhorn, Solingen, fine example of an early SA dagger with brown wooden grip, nickel eagle and enamel SA device. Lower cross guard stamped with district / gau stamp ‘Fr’. Housed in the original anodised scabbard which has brown leather SA vertical hanger attached and single belt loop. Fine double edged blade with much of the cross graining remaining. The dagger has a variation early type motto ‘Alles fur Deutschland’, known as a Christmas pattern. The dagger blade has the early Carl Eickhorn, Solingen makers trademark to the reverse. The blade measures 22cms, overall 37 ½ cms. On the 15th December 1933, the SA Headquarters officially decided to institute a dagger to be worn with the SA uniform. On Christmas 1933 the first grouping of SA daggers were delivered to the higher SA leaders. These daggers are referred to as ‘Weihnachtsdolch’ (Christmas Dagger) and they have different design mottos to the later examples. This particular example is a transitional pattern with standard SA fittings. See previous lot for a earlier example with the 1927 pattern eagle
Lot 72
John Pettie, RA HRSA (British, 1839-1893)'George Fox refusing to take the oath at Houlker Hall' signed and dated 'J Pettie/1864' (lower left); further signed and titled '1. George Fox refusing to take/the oath at Houlker Hall/John Pettie' (on artist's label affixed to the stretcher)oil on canvas 92.5 x 139cm (36 7/16 x 54 3/4in).Footnotes:ExhibitedLondon, Royal Academy, 1864, no. 471.This year marks the 400th birthday of George Fox. George Fox was one of the founders of The Religious Society of Friends.The work depicts Houlker Hall, Yorkshire in 1663. Where the oath was tendered to George Fox, by the Justices of the neighbourhood. A rumoured 'plot in the north', which probably had no existence, was met by a general lending of the oath of allegiance and supremacy. George Fox was the first victim. In the work, George Fox is the prominent figure and Margaret Fell can be seen to be seated to his side. The Justices are around the table, the gentleman stretching out his hand is Justice Rawlinson.For further information on this lot please visit Bonhams.com
Lot 126
Philip Hermogenes Calderon, RA (British, 1833-1898)Cherry picking signed and dated 'PHCALDERON 1885' (lower left); further signed and numbered 'No3 PHILIP.H.CALDERON' (on the reverse)oil on canvas206 x 81.5cm (81 1/8 x 32 1/16in).Footnotes:ProvenancePrivate collection, Denmark. Exhibited(Possibly) London, Royal Academy, 1884, no. 462. The present painting relates to a suite painted by Calderon as part of the decorative scheme for the dining room at Wilton Park, near Beaconsfield, the home of civil engineer Sir John Aird, who moved the Crystal Palace from Hyde Park to Sydenham; he also served as Conservative Member of Parliament for Paddington North from 1887 to 1906, and became the first mayor of Paddington in 1900. Sir John was an avid art collector; in 1883 he gifted a large number of works on paper by Sir Edwin Landseer to the Royal Academy and his dining room was decorated with eight other pictures by Calderon, including Hops, The Olive and The Vine. Although dated later, the present work is possibly the painting exhibited at the Royal Academy in 1884, no. 462, alongside Currants: decorative panel for a dining-room, no. 588.Saleroom notices:Please note this is a TP lot.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 29
Katherine Muriel Mason Eadie, RMS, ARBSA (British, 1880-1945)Saint Cecilia, Saint Dorothea, Saint Elizabeth three, each inscribed with title (upper centre)tempera and gold paint, with glass beads on card, laid onto paneleach 80.5 x 31cm (31 11/16 x 12 3/16in). (3)Footnotes:Kate Eadie was a student at the Birmingham School of Art, where she met the painter Sidney Meteyard. Kate sat as model for a number of Meteyard's works, and the two collaborated on stained glass designs. Eadie worked in many media: as an enameller, a jeweller and manuscript illuminator, embracing the Arts and Crafts style. She was the first female member of the Royal Birmingham Society of Artists, becoming an associate in 1915. Late in life, she married Meteyard.Eadie exhibited seven works, mostly enamel panels, at the Royal Academy Summer Show between 1905 and 1915. There is a three-panelled firescreen by Eadie, depicting the Fates, in the collection of the Victoria and Albert Museum. A miniature entitled St. Cecilia was commissioned to hang in the library of Queen Mary's Dolls' House, a Lutyens designed project, built in the 1920s.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 74
20th century First and Second World War British medal group comprising of 4 medals to include 1914-15 star, 1914-18 war medal. 1914-19 victory medal and second world war British defence medal. 1914-15 star impressed to Z-2834 L.Cpl F.H.S. Ponsford, Rifle Brigade, war medal and victory medals impressed to Z-2834 Pte. F.H.L Pondsford, Rifle Brigade (4)
Lot 42
Boer war, First World War family medal group, comprising of Queen south Africa medal and EDVII long service good conduct medal impressed to 20828 F.of Wks: Q.M SERJT: C. Mauser Royal Engineers, together with First World War and interwar medal group comprising of 1914-15 star, 1914-18 British War medal, 1914-19 victory medal and GRV General service medal with North West Persia and Iraq clasps impressed to 2514 A.S.SJT C. P. Mauser Royal Engineers together with ERII imperial service medal impressed to Charles Phoenix Manser (7)
Lot 63
First World War Medal trio comprising 1914-18 War Medal,1914-19 Victory Medal and George V Territorial War Medal for Voluntary Service Overseas 1914-19 Medal (lacking ribbon), all impressed to T4-245087 DVR.G.T Orme Army Service Corps together with silver War Service badge together with 1914 Queen Mary's Christmas tin and pencil sketch of G.Orme in 1918 wearing convalescent blues
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