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Lot 114

NO RESERVE Durrell (Gerald) The Mockery Bird, first edition, original boards, dust-jacket, a remarkably fine copy, 1981; and an uncorrected proof copy of the same, 8vo (2)

Lot 128

Fleming (Ian) Diamonds are Forever, light foxing to endpapers and first few pages, sticker removed from pastedown, later issue jacket, price-clipped, spine a little faded with gold sticker to tail, lightly chipped and creased along head, 1956; Thunderball, original boards, dust-jacket, lightly creased and chipped along edges, 1961; The Man With the Golden Gun, ex-library copy with usual stamps and markings, original plain boards, dust-jacket, creased and chipped to extremities, lightly stained, 1965; You Only Live Twice, ink ownership name to front free endpaper, original boards with Chinese characters in gilt to covers, dust-jacket, lightly toned and creased, 1964, first editions; and 21 others by the same, 8vo (25)

Lot 232

Leblanc (Maurice) The Exploits of Arsène Lupin, frontispiece, original pictorial boards, spine creased and chipped, 1909 § Plunket Greene (R. & E.) Eleven-Thirty Till Twelve, 1934 § Tack (Alfred) The Test Match Murder, [1948] § Oppenheim (E. Phillips) Curious Happenings to the Rooke Legatees, stamp to endpapers, 1937, foxing or spotting to first few pages, all but the first original cloth, light bumping to ends, otherwise excellent copies; and 6 others, crime, 8vo (10)

Lot 325

Sayers (Dorothy L.) Gaudy Night, 1935; The Nine Tailors, ink ownership name to spotted endpapers, 1934; Busman's Honeymoon, ink ownership name to endpapers, cloth damp-stained and mottled, recased, spine head repaired and laid down to paper, portions detached, 1937; In the Teeth of the Evidence, 1939, first editions, spotting to endpapers and half-titles, original cloth, joints and extremities rubbed; and 2 others by the same, 8vo (6)

Lot 182

NO RESERVE Hoban (Russell) Turtle Diary, first edition, ownership name to endpapers, lightly spotted, original cloth, dust-jacket, rubbed at edges, chipped at creased at extremities, 1975; The Bat Tattoo, first edition, original boards, dust-jacket, fine, 2002; The Pedalling Man and Other Poems, original wrappers, 1991, each with signed presentation inscription from the author on title; and 10 others, all with signed presentation inscriptions from the author, v.s. (13)

Lot 258

McCarthy (Cormac) The Passenger [and] Stella Maris, 2 vol., first edition, each signed by the author on front free endpaper, original boards, dust-jacket, slip-case, a fine set, 8vo, New York, 2022.⁂ This is one of the very limited number of signed boxed sets released on December 6, 2022 - a rare signed edition of the writer's last works before his death in June 2023.

Lot 184

Hogarth Press.- Dostoevsky (Fyodor Mikhailovich) Stavrogin's Confession and The Plan of the Life of a Great Sinner, translated by S. S. Kotekiansky and Virginia Woolf, light foxing, original blue cloth-backed patterned boards, rubbed at corners, 1922 § Keynes (Joh Maynard, editor) Books and the Public, original wrappers, Cambridge, 1927 § Forster (E.M.) Virginia Woolf, first edition, original wrappers, Cambridge, 1942 § Wells (H.G.) Democracy Under Revision, original cloth-backed boards, sunned, 1927 § Woolf (Leonard) Imperialism and Civilisation, new edition, original wrappers, 1933, all published at the Hogarth Press; and 9 others from the Hogarth Press, v.s. (14)

Lot 344

NO RESERVE Thorndike (Russell) Doctor Syn, first edition, original cloth, spine faded, 1915; The Further Adventures of Doctor Syn, lightly spotted, hinge weak, original boards, facsimile dust-jacket, 1926 § Trent (Paul) Jane Ventures, reprint, original boards, dust-jacket, light creasing and chipping to extremities, 1947 § Gerard (Louise) The Virgin's Treasure, gift inscription to endpapers, original cloth, dust-jacket, light creasing and chipping to extremities, 1934; and c.110 others, mostly romance and humour novels, 8vo (c.115)

Lot 254

NO RESERVE Mastin (John) Through the Sun in an Airship, ink gift inscription to endpapers, second state dust-jacket, light chipping to extremities, otherwise fine, 1909 § Matson (Norman) Doctor Fogg, dust-jacket, spine ends frayed, spine browned, 1929 § Astor (John Jacob) A Journey in Other Worlds, cloth spine ends and extremities lightly scuffed, New York, 1894, first editions, original cloth; and 21 others, science-fiction, 8vo (24)

Lot 340

Stuart (Douglas) Shuggie Bain, original boards, dust-jacket, 2020 § Welsh (Irvine) Filth, original wrappers, light creasing to extremities, 1998 § Gray (Alasdair) Lanark, first edition, original boards, dust-jacket, faint soiling to upper panel tail, otherwise excellent, Edinburgh, 1981, all signed by the authors, 8vo (3)

Lot 276

Ornithology Interest - postcard album containing Rowland Green postcards, together with a first edition of Wing Tips by Roland Green

Lot 395

Quantity of diecast model vehicles to include; Corgi Dr Who Tardis, Hotwheels, EFE Exclusive First Editions, Vanguards, etc.

Lot 269

Collection of GB and world stamps to include first-day covers, commonwealth, commemorative, and definitive postage stamps, postcards, etc.

Lot 421

First World War medal pair awarded to Lieutenant C.R. Averill (2. Lieut. C.R. Averill), together with two Second World War ribbon bars with oak leaf

Lot 422

British First World War medal pair awarded to Bomber W. Asker of the Royal Artillery comprising War Medal and Victory Medal (614465. Bmbr. W. Asker. R.A.), together with 1914-15 Star (7706 Pte. H.J. Asker. Norf. R.), three Chippenham commemorative coronation medals

Lot 278

Group of assorted circa First World War silk postcards and related including Army Service Corps, USS Maryland, White Star Line 'RMS Majestic' and various steam ships

Lot 270

Album of GB First Day Covers, many early examples including 1948 Olympic Games, Festival of Britain, etc.

Lot 419

Imperial German First World War model 1898 Mauser bayonet, 36.5cm blade marked 'E&P Horster', with scabbard and frog, 52cm long overall

Lot 308

Group of horse racing memorabilia/collectables to include; Fine Birmingham Enamels Toye, Kenning & Spencer box 'The First Derby 4th May 1780', bronze plated limited edition model of 'After The Race', wall plates, etc.

Lot 418

British First World War Sanderson '1907' pattern bayonet, with its orignal leather scabbard, 58cm long overall, together with a small wooden walking sticked with carved decoration and 'Chamonix', 64cm long overall

Lot 172

STAMP COLLECTION - WORLD RANGE IN LARGE FILLED ALBUMS - AT FIRST GLANCE THIS IS A MODERN CTO LOT, CAREFUL CHECKING WILL REVEAL A WEALTH OF BETTER SETS AND SINGLES - ADVISE TAKE TIME TO VIEW

Lot 286

A WOODEN CASED PARAGON FIRST AID BOX AND CONTENTS

Lot 292

A TRAY OF FIRST AID COVERS, CIGARETTE CARDS ETC

Lot 5145

Lego Star Wars sets to include 75100 First Order Snowspeeder, 75139 Battle on Takodana, 75133 Rebel alliance battle pack, 75134 Galactic Empire battle pack. All within Near Mint sealed boxes. (4)

Lot 5117

Lego Star Wars set number 75101 First Order Special Forces TIE Fighter, within Near Mint sealed packaging.

Lot 5298

Lego Technic Pair 42068 Airport Rescue Vehicle, 42075 First Responder, within Near Mint sealed packaging. (2)

Lot 5146

Lego Star Wars sets to include 75208 Yodas hut, 8083 Rebel trooper battle pack, 75198 Tatooine Battle pack, 75206 Jedi and Clone Trooper battle pack, 75197 First order Specialist Battle pack. All Sealed within Near Mint boxes. (5)

Lot 5151

Lego Star Wars sets to include 75200 Ahch-To island Training, 75177 First Order Heavy Scout Walker. Both sealed within Near Mint boxes (2)

Lot 5090

Lego Star Wars set number 75190 First Order Star Destroyer, within Mint sealed box.

Lot 5157

Lego Star Wars sets to include 75174 Desert Skiff Escape, 75166 First order transport Speeder battle pack. Both within Near Mint sealed boxes. (2)

Lot 5084

Lego Star Wars set number 75103 First Order Transporter, within Near Mint Sealed Box.

Lot 1232

Pound note First Series B322 unc Page

Lot 1560

The Gruffalo  Coin First Day Cover

Lot 202

British rail triple pulling bracket, British rail first aid tin 13 x 9.5cm t/w Edward 8th commemorative handkerchief t/w oriental lacquer box with mother of pearl detail and slight a/f.

Lot 971

A Steiff fist bean filled bear 'Bertie' A Steiff first bean filled bear 'Bertie' with tag, certificate of authenticity and A3 leaflet along with The Making of a Masterpiece booklet - sold with counterpart bean bear 'Bertha' with certificate of authenticity and receipts

Lot 1070

A Royal Worcester bone china figurine 'First Dance' 3629, from a design by Freda Doughty - sold with a Victorian coloured glass Jack-in-the-Pulpit vase and a 19th Century child's plate

Lot 1543

Four framed decorative coloured prints including Stanhope Forbes: 'A Street in Brittany' and ornate gilt framed William Bouguereau: 'The First Kiss', etc.

Lot 418

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 435

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 441

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 338

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life studies Charcoal drawings from the Chelsea Art School (1903-1907) on both sides of a 62x48cm sheetNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 16

Andrew LANYON (1947) Sanding the First Door - Nature Shakes her Rattles', 2023 Oil on card, signed, titled and dated to verso, 30 x 35cm (framed size 46 x 50cm)

Lot 424

Winifred Eugene BALLARD (1885-1921)* (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 433

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life studies Charcoal drawings from the Chelsea Art School (1903-1907) on both sides of a 62x48cm sheetNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 372

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 238

Eardley Wilmot Blomefield (1855–1927) Girl with a Chamberstick Oil on board, 34 x 29cm.Blomefield served on the first committee of the St Ives Art Club which was formed in 1890. Previously, in 1889, he was secretary of the cricket club in St Ives that often played against the Newlyn artists. This oil is clean and in good condition. It has been restored to an area where previously there has been flaking of paint

Lot 419

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 65

Harold KNIGHT RA (1874-1961) The Lady in Lilac Oil on canvasSigned86 x 100cmIn 1903 Harold married Laura Knight (nee Johnson), a fellow student at The Nottingham School of Art, the couple lived mainly in Staithes, but also made several trips to Holland, where Harold became interested in the farming subjects and interiors of simple working lives. A few years later they moved to Lamorna and became an integral part of the artistic community, Harold continued to paint genre subjects, but with a lighter palette, and also painted a number of sitters in Cornwall, including Mornie Kerr, 'Blote' Munnings (Florence Carter-Wood) and Ella Naper.Later, when they moved to London, Harold continued with portraiture painting depicting the well-known figures of the period, and in 1925 received a Silver Medal for his portrait of Ethel Bartlett at the Paris Salons. The couple were to become the first husband and wife members of the RA in the history of the Academy.

Lot 354

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life studies Charcoal drawings from the Chelsea Art School (1903-1907) on both sides of a 62x48cm sheetNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 392

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907), signed, 62x48cmThis is one of 28 sheets of life drawings on artists paper (the watermark of Michallet has been noted), they were rolled and wrapped in grey paper with a label (see image) giving the artist and tutors. Only one is signed.Note:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 366

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life studies Charcoal drawings from the Chelsea Art School (1903-1907) on both sides of a 62x48cm sheetNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 412

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life studies Charcoal drawings from the Chelsea Art School (1903-1907), nine sheets, some worked on both sides, some cut, 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 487

Two publications Wilhelmina Barns-Graham: New Paintings. Art First London. Exhibition catalogue 1997.Wilhelmina Barns-Graham: St Andrews and St Ives. Belgrave Gallery St Ives. Exhibition catalogue 2016.

Lot 132

Denis MITCHELL (1912-1993) Relief No.6 (1961) Slate reliefInitialled, titled and dated 1961 to verso18 x 56.5cm Our vendor writes- My late Aunt Jane Addleshaw (then Jane Stevens) moved to Cornwall in April 1960 to take up a teaching post in Hayle. In 1962 she bought and renovated 2 cottages at Tregerthan Zennor one of which had been lived in by D.H Lawrence during the first world war. Jane was always interested in art and was friends with several local arMsts in the St Ives area during the 1960s including Denis Mitchel. She had at least 2 of his sculptures including Treen. Jane talked fondly about ferrying Denis around in her old Ford popular van and visiting him in his studio. I inherited the Denis Mitchel slate relief and the cards and photographs from my Aunt when she sadly died in 2022 This relief has the patina of 60 years with tiny scratches but no damage. As can be seen from the back view Denis Mitchell has used slate from a Victorian mantle-piece

Lot 385

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 390

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life studies Charcoal drawings from the Chelsea Art School (1903-1907) on both sides of a 62x48cm sheet Note:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 347

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 377

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life study Charcoal drawing from the Chelsea Art School (1903-1907) 62x48cmNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

Lot 53

Dame Laura KNIGHT (1877-1970) Portrait of Fryn Tennyson Jesse  Oil on canvas, signed, 61 x 51cm (frame size 82 x 72cm)A captivating, early portrait by Dame Laura Knight. Although undated, the low pompadour hairstyle, blouse and black ribbon at the neck, would all indicate a date of circa 1910.The sitter has been the subject of much speculation and the previous owner of this work spent considerable time researching the identity of this fair-cheeked young lady with the soulful eyes, satisfying himself and Cornish art historians Austin Wormleighton, Melissa Hardie and Alison Bevan that it was very likely to be of the criminologist, journalist and author Fryn Tennyson Jesse (1888-1958).Tennyson Jesse, a great-niece of the poet Alfred, Lord Tennyson, arrived in Cornwall in 1907 and attended the Forbe's School of Painting in Newlyn. She lodged at Myrtle Cottage with Dod Procter (nee Shaw) and the other members of the 'Myrtage Set' and took an active part in the bohemian ways of Newlyn and Lamorna. Laura Knight described Fryn's 'slender graceful looks' and the journalist and writer Dame Rebecca West said she was 'one of the loveliest girls of her time'.She fitted in well in Cornwall, was intelligent and witty and it was here that she discovered her passion for the written word, encouraged by her great friend Elizabeth Forbes for whom she wrote a play. She also edited Forbes’ journal ‘The Paper Chase’. Prior to the war, she suffered a grisly and debilitating accident when she caught her hand in the propeller of a plane and subsequently underwent amputations and multiple surgeries. She travelled to New York where she had false fingers fitted. However, the lasting damage seems to have been that she became addicted to morphine, which she took to ease the pain during the months after the accident.Despite this, she continued to travel widely and excelled in her writing career; she was one of the first female war correspondents and became a prominent and prolific journalist, criminologist, playwright and novelist, who accomplished a great deal and was widely praised and celebrated in her lifetime.Fryn was a remarkable woman and this portrait of her is a rare and exciting discovery. This oil is in excellent restored condition. Under UV light a little filling of craquelure can be seen

Lot 403

Winifred Eugene BALLARD (1885-1921) (under the tutelage of Augustus John and William Orpen) Life studies Charcoal drawings from the Chelsea Art School (1903-1907) on both sides of a 62x48cm sheetNote:This collection of competent life drawing studies by Winifred Ballard interestingly illustrate the liberal, progressive nature of Augustus John and William Orpen's short lived Chelsea Art School. Situated in Flood Street in Chelsea and run between 1903 and 1907, the school admitted female pupils who were encouraged to draw from life models, albeit with chaperones, but this was something that previously, societal restrictions had simply not permitted women to do.A whole ten years later in 1913 when Laura Knight exhibited her groundbreaking 'Self Portrait with Model' which depicted herself painting a nude, times were still extremely repressive for women and the response was highly critical. Winifred was 18 years old when she first attended the school. The influence of Augustus John's tutelage (for he did most of the teaching, and by all accounts Orpen was very hands-off) is very apparent in her confident lines and mark-making, and when studying her drawings, we can almost feel the presence of John standing behind his student, guiding and advising her. Winifred Eugenie BALLARD Born Chester 1885. Daughter of Edward George Ballard, mineralogist, Governor Inspector of Mines in Cornwall circa 1914, living at Trelights near Port Issac. Previously lived in Holland Park, London when Winifred was under the tutelage of Augustus John and William Orpen at Chelsea art school between 1903 and 1907. Married Richard Varley 1919 in Chester Cathedral, moved to Hollow Barn Cottage, Kingston Ridge, died in 1921, Kingston Lewes, Sussex.

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