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2013 FA CUP FINAL / MANCHESTER CITY V WIGAN A VIP hardback programme 849 of 2200, a team sheet, menu, three different tickets including a VIP lanyard, first day cover, hand signed photo of Dave Whelan lifting the cup, a Wigan flag plus a hard backed limited edition book issued by Wigan. Good
DERBY COUNTY AUTOGRAPH Three signed 12 x 8 photos, to include the 1974/75 First Division winning squad posing with their trophy at the Baseball Ground, signed by McFarland, Todd and Hector in black marker, together with another squad image from the late seventies again signed by the same 3 players, and a superb image showing several players parading the trophy in front of fans, signed by all 4 players featured. Good
[First book of German nudism pioneer. Nudity : The nudity : in evolutionary, health-related moral and artistic illumination]. Ungewitter, R. Die Nacktheit : in entwicklungsgeschichtlicher, gesundheitlicher moralischer und kunstlerischer Beleuchtung. - [3rd ed.]. - Stuttgart: author's ed., 1908. - 104, [4] pp.: ill.; 23,2x15,5 cm. Original illustrated paperback. In German. Condition: By request.
[Soviet]. Blekher, F.N. [The first book for teaching literacy in kindergarten and preparatory class] Pervaya knizhka dla obucheniya gramote v detskom sady i prigotovitelnov klasse : Dopusheno Narkomprosom RSFSR / F.N. Blekher. - 2nd ed. - Moscow : "Uchpedgiz", 1935. - 64 pp.: ill.; 23x16 cm. Original illustrated paperback. Published without title p. Cover by V.S. Bayuskin, illustrations by V.S. Bayuskin and V.E. Lipgarth. Condition: By request.
NO RESERVE Vance (Jack) Rhialto the Marvellous, proof copy, one of 6 bound galley-proof sets for review, signed by Vance and the publisher Tim Underwood to first page, original wrappers, Oakland, Ca., 1954; The Augmented Agent and Other Stories, uncorrected proof copy, review slip loosely inserted, original wrappers, San Francisco, Ca., 1986; Maske: Thaery, uncorrected proof copy, Berkeley, Ca., 1976; and 3 other proofs by Vance, 8vo & 4to (6)
Milne (A. A.) [The Christopher Robin Books], 4 vol., comprising When We Were Very Young, second edition, embossed ownership stamp to endpapers, 1924; Winnie the Pooh, first edition, 1926; Now We Are Six, first edition, 1927; The House at Pooh Corner, first edition, ink dedication inscription to half-title, endpapers a little browned, 1928, all with illustrations by E.H. Shepard, original pictorial cloth, t.e.g., spines a little faded, ends a little creased and bumped, but a very attractive set overall, 8vo.
Fleming (Ian) Diamonds are Forever, first edition, light spotting to first few pages and fore-edge, occasionally straying onto margins, dust-jacket, portions of loss to spine ends and corners, extremities chipped and rubbed, lower portion of spine broken along joint and horizontal tear but still attached, splitting along joint extremities, light surface marking to lower panel, 8vo, 1956.
Sayers (Dorothy L.) Busman's Honeymoon, 1937; In the Teeth of Evidence, bookplate to pastedown, 1939; Strong Poison, endpapers browned with ink ownership name, hinge cracked, 1930, first editions, original cloth, lightly faded, extremities bumped, light shelf-lean; and a first American edition of Strong Poison, 8vo (4)
Clarke (Arthur C.) 2001: A Space Odyssey, first edition, original boards, very light sunning to edges, dust-jacket, very light toning to edges, small stain to spine tail, short repaired tear to spine tail, nick repaired along joint, very light retouching to spine head, otherwise excellent, 8vo, 1968.
Oppenheim (E.Phillips) A Lost Leader, first edition, frontispiece, Boston, 1907 § Charteris (Leslie) The Avenging Saint, first edition, New York, 1930 § Christie (Agatha) A Cat Among the Pigeons, first edition, ink ownership name to endpapers, 1959 § Morrison (Arthur) Martin Hewitt: Investigator, New York, 1907, original cloth, some light staining or rubbing to extremities but overall excellent copies; and c.35 others, crime and detective fiction, 8vo (c.40)
Christie (Agatha) The Adventure of the Christmas Pudding, light toning to endpapers, 1960; The Pale Horse, 1961; Ordeal by Innocence, 1958; By the Pricking of my Thumbs, 1968, first editions, original boards, dust-jackets, all price-clipped, light creasing and nicks to extremities, otherwise excellent; and 4 others by the same, 8vo (8)
Graves (Robert) Claudius the God, first edition, folding tables, light foxing to pastedown, original cloth, corners bumped, dust-jacket, light toning to spine, edges creased, one or two spots to spine, still an excellent example overall, 8vo, 1934.⁂ Graves' sequel to his acclaimed I, Claudius. Rare in good condition.
NO RESERVE Burroughs (Edgar Rice) Tarzan the Invincible, first edition, frontispiece, original boards, extremities bumped, dust-jacket, spine ends with portions of loss affecting title, worse to head, light stain to spine, tear to upper panel along joint, chips and nicks to extremities, lower panel with light surface soiling, 8vo, California, Tarzana, 1931.
Fraser (George MacDonald) McAuslan in the Rough, 1974 § Greene (Graham) The Complaisant Lover: A Play, review copy with the publisher's compliment's slip loosely inserted, jacket with light toning to edges and spine, 1959 § Ishiguro (Kazuo) The Buried Giant, 2015 § Mantel (Hilary) The Giant, O'Brien, 1998, first editions, all but the second signed by the author, original boards, dust-jackets; and 11 others, modern literature, some signed, v.s. (15)
Hughes (Ted) Spring Summer Autumn Winter, number 56 of 140 copies signed by the author, this copy with additional signed presentation inscription from the author and his wife "To Peggy and Sean with much love at the last suppa - so now you can eat and drink with us from Carol and Ted 18 January 1975" on front free endpapers, original limp calf, lettered in gilt, lightly toned, Rainbow Press, 1973; and 2 copies of The Martyrdom of Bishop Farrar, one numbered and signed by the author, 4to & 8vo (3)⁂ The first is inscribed to Scottish poet Sean Rafferty (1909-1993) and his wife Peggy.
Berkeley (Anthony) Malice Aforethought, first edition, pages toned, original cloth, lightly soiled, spine faded, 1931 § Queen (Ellery) Half-Way House, first edition, light foxing to half-title, original cloth, excellent, 1936; together with a proof copy of the second, as well as a scarce wrapper issue of the first, 8vo (4)⁂ The first is a curious volume in that Victor Gollancz initiated (or at least tried to) for the paperback revolution by producing this crime novel under his "Mundanus" imprint as a 3/- paperback (when hardbound volumes were 7/6). Although it did not quite take off, a number of paperback copies are still circulating in the collector's world. Much less common is the considerably smaller print run hardback edition which Gollancz issued for the library market - a market that remained highly lucrative for the publisher's crime fiction list for years to some. Understandably these hardback copies were heavily stamped and equally heavily used.
NO RESERVE Le Carré (John) Nervous Times, number 199 of 250 copies signed by the author, photographic frontispiece portrait of the author, original morocco-backed boards, light rubbing to tips of spine, The Anglo-Israel Association, 1998; A Delicate Truth, first edition, signed by the author to title, original boards, dust-jacket, 2013, 8vo (2)
Mantel (Hilary) [The Thomas Cromwell trilogy], 3 vol., comprising Wolf Hall, third impression, jacket spine faded with some creasing to head, 2009; Bring Up the Bodies, first edition, 2012; The Mirror and the Light, first edition, 2020, all signed or with signed presentation inscription on titles, original boards, dust-jackets, near-fine generally, 8vo.
Le Carré (John) The Naive & Sentimental Lover, first edition, signed by the author on title, gift inscription to pastedown, original boards, dust-jacket, price-clipped, light scuffing and nicks to jacket extremities, 1971; The Little Drummer Girl, one of 739 copies signed by the author on upper cover (rather faded as usual), proof copy of the paperback edition, this copy signed again by the author on title, publisher's compliments slip loosely inserted, original wrappers, light marking to lower cover, Pan Books, 1984; The Night Manager, second impression, signed by the author to title, 4 photograph stills of the BBC production, including a headshot of Hugh Laurie signed by the actor, all loosely inserted, original boards, dust-jacket, 1993; and 2 others by the same, 8vo (5)
Woolf (Virginia) The Common Reader, first American edition, original boards, fine, dust-jacket, portions of loss, neatly repaired and restored, short vertical tear along spine, spine lightly browned, light staining marks, [Kirkpatrick A8b.], 8vo, New York, 1925.⁂ First US edition, first printing, uncommon in the dust-jacket, published only a couple of weeks after the first UK edition. This is the first of the two volumes of Woolf's Common Reader, each series being a discrete work in its own right; the second was published in 1932.
Le Carré (John) The Russia House, first edition, double- signed by the author "John Le Carré" on title, additionally signed with presentation inscription continuing on the printed dedication "and for Tony, with affection - Best, David" on dedication page, original boards, dust-jacket, fine copy, 1989; together with a Coronet paperback edition of the same, also signed "John Le Carré" on title, 8vo (2)⁂ A lovely pair of signed works of this middle-career title.
NO RESERVE Seltzer (Charles Alden) Last Hope Ranch, first edition, New York, 1923; 'Drag' Harlan, first English edition, [c.1929] § Hill (Thornton) Outlaws of Paradise Valley, 1940 § Echols (Allan K.) The Stranger from Texas, first English edition, ex-library copy with stamps and notes, spotting, 1949, original cloth or boards, dust-jackets, creasing and chipping to extremities, spines faded, short tears along edges, lightly rubbed; and c.50 others, Westerns, 8vo (c.55)
Fleming (Ian) [The James Bond Novels], 14 vol., facsimile set of the first editions, original boards, dust-jackets, slip-cases, The First Edition Library, 8vo, [2008]; The James Bond Archives, edited by Paul Duncan, original boards, 2015; and c.70 others relating to Bond, including 11 bound film typescripts, v.s. (c.80)
Lewis (Cecil Day) From Feathers to Iron, Hogarth Living Poets no.22, first edition, signed presentation inscription from the author on front free endpapers, purple ink pen annotation from Virginia Woolf on list of titles page, original boards, light surface soiling, spine browned, joints splitting, [Woolmer 251], Hogarth Press, 1932; and another by the same, 8vo (2)⁂ A small pen notation in Woolf's signature purple ink corrects the price to '3/6' of the most recent work of the Hogarth Living Poets series, being this title.
[Hayward (William Stephens)] Revelations of a Lady Detective. Never Before Printed, first edition, light foxing or staining to title, neat contemporary and large modern ink ownership inscriptions to front free endpaper, cracking to gutter, contents shaken with a few gatherings proud, original pictorial boards, early calf reback, obscuring one letter of title, chipping to head of spine, some wear to extremities, touching first word of title, rubbed, 12mo, George Vickers, 1864.⁂ An important title in the evolution of the detective novel, not least for being one of the first to feature a female detective, the inimitable Mrs Paschal, depicted on the cover wearing the crinoline from which she at one point extricates herself in pursuit of a mysterious masked man. The book is one of two 'yellowbacks', or 'railway books', published around the same time, the other being The Lady Detective, generally attributed to Andrew Forrester. The truth as to which one actually came first is somewhat muddled, with Revelations of a Lady Detective announced as being ready for release one day before the first known reference to Forrester's book, but listed under a different publisher, J.A. Berger, subsequently absorbed into George Vickers, which may have delayed release slightly.'The increased interest in gender over the last fifty years and, more recently, popular culture has enlarged the audience for these two remarkable examples of nineteenth-century crime fiction. Rarity has also hindered scholarly consideration of these casebooks. Yellowbacks were cheaply produced and seldom archived; extant copies of The Female Detective and Revelations of a Lady Detective are rare and in fragile condition, available only in the special collections of a few research libraries.' (Bredesen, On the Trail of the First Professional Female Detectives in British Fiction, 2010).Rare, Library Hub lists copies at the BL and Cambridge only.
Hughes (Ted) The Iron Man, first edition, signed presentation slip from the author "for Grahame White best wishes from Ted Hughes" tipped onto front free endpaper, illustrations by George Adamson, original pictorial boards, spine ends bumped and toned, dust-jacket, with laminate covering, spine a little chipped, edges toned, preserved in modern slip-case, 8vo, 1968.
NO RESERVE Allingham (Margery) The Fashion in Shrouds, first edition, hinge cracked, first few pages spotted and occasionally throughout, library label removed from rear pastedown, original cloth, corners bumped, joints and extremities rubbed, 1938; The Black Dudley Murder, first American edition, original boards, spine ends frayed and bumped, New York, 1929, facsimile dust-jackets; and 2 others by the same, 8vo (4)
NO RESERVE Fleming (Ian).- Pearson (John) The Life of Ian Fleming, first edition, original cloth, lightly sunned along edges, dust-jacket, rather creased and chipped at extremities, 1966 § Greene (Graham & Hugh) The Spy's Bedside Book, reprint, original boards, dust-jacket, fine copy, 1968 § Amis (Kingsley) The James Bond Dossier, first edition, pen note to endpapers, original boards, dust-jacket, light creasing and chipping to extremities, 1965; and c.80 others, some relating to Bond and other spy fiction, v.s. (c.80)
NO RESERVE Clarke (Arthur C.) 2001: A Space Odyssey, first English edition, original boards, dust-jacket, 1968 § Woolf (Virginia) To the Lighthouse, second impression, foxed, original cloth, spine faded, lightly soiled, 1927 § Ishiguro (Kazuo) The Unconsoled, first edition, signed by the author, original boards, dust-jacket, 1995 § Banks (Iain M.) Inversions, signed presentation inscription from the author to title, lightly spotted, original boards, dust-jacket, 1998 § Rankin (Ian) Black & Blue, first paperback edition, signed presentation inscription from the author to title, original wrappers, 1997; and 12 others, modern literature, 8vo (17)
NO RESERVE Doyle (Sir Arthur Conan) The Exploits of Brigadier Gerard, bookplate to pastedown, 1896; Adventures of Gerard, [1903], first editions, endpapers toned, some foxing to first few pages, original decorative cloth, gilt, spines faded, spine ends bumped, still crisp copies overall, 8vo (2)
Hornby (Nick) About a Boy, first edition, 1998; How to be Good, first American edition, New York, 2001 § O'Toole (Peter) Loitering with Intent: The Apprentice, first edition, 1996 § Kazan (Elia) The Anatolian, first edition, 1982, all signed or with signed presentation inscriptions from the authors to titles or endpapers, original boards, dust-jackets, light creasing to ends; and 14 others, modern literature, all signed, 8vo (18)
NO RESERVE Farnol (Jeffery) The Amateur Gentleman, ink ownership name to endpapers, 1913; The Broad Highway, 1910; The Quest of Youth, dust-jacket, creased and chipped, some tears, 1927, first editions, ink ownership names to front free endpaper, original cloth, faded, light creasing and rubbing to spine ends; and c.35 others by the same, 8vo (c.40)
NO RESERVE Allingham (Margery) The Gyrth Chalice Mystery, first American edition, original cloth, lightly marked, otherwise excellent, facsimile jacket, 1931; More Work for the Undertaker, first edition, original cloth, spine ends bumped, otherwise fine, 1948; The Tiger in the Smoke, endpapers toned, original cloth, dust-jacket, faded an browned, spine ends chipped, 1952; and 3 others by the same, 8vo (6)
Kingsley (Charles) The Water-Babies. A Fairy Tale for a Land Baby, first edition, first issue with later suppressed 'L'Envoi' poem, frontispiece, occasional light foxing, original cloth, rebacked preserving original spine (lacking tips and small square hole), covers a little scuffed, still overall a very sharp copy, preserved in morocco-backed drop-back box, 4to, 1863.
Stephens (Riccardo) The Mummy, first edition, signed presentation inscription from the author "For C. Vincent Cotterell, from his grateful friend and patient" on half-title, ex-library copy with numerous stamps and markings, to first and last few pages, original cloth, gilt, extremities bumped, lightly scuffed, spine ends a little rubbed, 8vo, 1912.⁂ Rare. Can trace no other signed copy at auction. It is thought that about 20,000 words were cut for the 1923 Hutchinson reprint.

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596772 item(s)/page