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Lot 784

Beardsley (Aubrey, illust.). Morte Darthur Portfolio. Reproductions of Eleven Designs Omitted from the First Edition of Le Morte Darthur Illustrated by Aubrey Beardsley and Published in MDCCCXCIII. Also those made for the Covers of the Issue in Parts and a Facsimile Print of the Merlin Drawing, J.M. Dent & Sons, 1927, black and white illustrations, including one tipped-in, some minor spotting and off-setting, free endpapers toned, top edges gilt, remainder untrimmed, original calf-backed vellum, gilt decorated, 4to Limited edition of 300 copies, this unnumbered. (1)

Lot 8

Blagdon (Francis William & Edward Orme). Orme's Graphic History of the Life, Exploits, and Death of Horatio Nelson... Embellished With a Series of Engravings, Illustrative of his Heroic Achievements, [1806], engraved portrait frontispiece (watermarked 'J. Whatman 1825'), six hand-coloured aquatint plates (four double-page, one headpiece at end), four engraved headpieces, facsimile plate of Nelson's handwriting, offsetting to title from portrait, occasional minor soiling and a few spots, one or two old fold marks, waterstain to front endpaper, bookplate of James McBryde, contemporary burgundy half morocco, paper label to upper cover (chipped), a little rubbed with some edgewear, folio Abbey Life 327. Corresponds with the first undated Abbey copy; although the portrait leaf is watermarked 1825, other plates and leaves are variously watermarked 1801 & 1803-04. (1)

Lot 80

Urwick (William). Indian Pictures, The Religious Tract Society, circa 1887, black and white frontispiece with original tissue guard, numerous black and white plates and illustrations to text throughout, occasional spotting, bookplate to front free endpaper, decorative endpapers, all edges gilt, original decorative cloth, a little rubbed and slightly scuffed, 4to, together with Rousselet (Louis), India and its Native Princes, Travels in Central India and in the Presidencies of Bombay and Bengal, Bickers and Son, 1878, black and white frontispiece with original tissue guard, title printed in red and black, numerous black and white plates and illustrations to text, some scattered spotting, few first leaves loose, occasional library stamp of G. Stansfield Broun, bookplate to front free endpaper, original publisher's decorative cloth, rubbed and scuffed, joints cracked, slight loss to corners and spine, thick folio, plus other India travel titles, including Fergusson's History of Indian Architecture, 2 volumes, Menpes' The Durbar, and Historical Record of the Imperial Visit to India, 1911, all original cloth (6)

Lot 806

Nonesuch Press. The Works of Shakespeare. The text of the First Folio with Quarto variants and a selection of modern readings: edited by Herbert Farjeon..., 7 volumes, New York, 1929-33, t.e.g., remainder untrimmed, orig. terracotta morocco gilt, spines slightly faded, large 8vo Numbered 839 from an edition of 1600. (7)

Lot 809

James (Montague Rhodes). A Warning to the Curious and other Ghost Stories, 1st edition, Edward Arnold, 1925, half-title, some light scattered spotting to first and last few leaves, original cloth, lightly damp marked, 8vo Author's presentation copy, inscribed to front endpaper: G. McB. from M.R.J. 2 Nov. mdccccxxv'. Together with an autograph letter signed by M.R. James most likely to Jane McBryde, the daughter of Gwendolyn McBryde, and for whom M.R. James was the legal guardian, following the death of James McBryde in June 1904, on letter paper headed The Lodge, King's College Cambridge, dated 1910, written entirely in capitalised French: 'Ma chere souris blanche, mille fois merci de ton aimable epitre. J'espere moi aussi que je pourrai venir vous voir. Ne mangez pas trop de dindon. Ma chatte a lu votre lettre et m'a demandé si j'etais vraiment un souris noir parce que, dit elle, dans ce cas, j'aurai quelque chose a vous dire...' A humorous letter by M.R. James to Gwendolyn McBryde written on 26 December 1910, describing the conversation he had had with his cat regarding her recent letter, and finishing by wishing her a happy new year. (1)

Lot 810

James (Montague Rhodes). Ghost Stories of an Antiquary, 1st ed., 1904, four black and white illustrations by James McBryde, 16 pp. publisher's catalogue at end, scattered light spotting, original buff buckram, spine a trifle toned, 8vo Provenance: Inscribed to front pastedown: "Jane McBryde on her first Christmas 1904". The inscription possibly in the hand of Gwendolyn McBryde, wife of the artist and illustrator James McBryde, who died in June 1904, from complications following an operation on his appendix. M.R. James became the child's legal guardian. (1)

Lot 817

James (M.R., 1862-1936). Les Manuscrits a Peintures des Bibliotheques de Londres, Paris, 1914-20, together with Souvenir de l' Exposition de Manuscrits Francais a Peintures... , Etude concernant les 65 manuscrits exposes par Eric G. Millar, Paris, 1933, both with numerous collotype reproductions, the first contemporary cloth, small snag at foot of spine, the second loosely contained in printed boards portfolio as issued, cloth tie, folio Both inscribed for M.R. James from Eric Millar, the first signed and dated September 1931, the second using initials of recipient and signer only, dated 11 September 1933. (2)

Lot 818

Benson (Raymond). Zero Minus Ten, 1997; Tomorrow Never Dies, 1997; The Facts of Death, 1998; High Time to Kill, 1999; The World is Not Enough, 1999; Doubleshot, 2000; Never Dream of Dying, 2001; Die Another Day, 2002; The Man With the Red Tattoo, 2002, 1st eds., slight marginal toning (as usual), original cloth, d.j.s, some signed by the author either to title or on publisher's loose compliment slip, 8vo, together with Casino Royal, 2 copies, 1957 & 1960 reprints, three First Edition Library facsimile reprints (Live & Let Die, From Russia With Love & You Only Live Twice) & R.D. Mascott's The Adventures of James Bond Junior 0031/2 (15)

Lot 819

*Betjeman (John, 1906-1984). A series of 10 autograph letters, 10 typed letters, 2 autograph postcards and six typed postcards signed, 1967-82, all addressed to his friend the architectural artist John Nankivell, concerning drawing, architecture, publishing projects and social matters, 'Penelope said to me when we were motoring to Leamington last Sunday, about a sombre house we passed, "It looks just like a John Nankivell" and so it did', 'That square in a circle with a brilliant circle in the square of blue to white slightly different from the blue, purple and red of the rest, is STUNNING. It is a generous and satisfactory present', 'Yesterday I had lunch with some young publishers called Mitchell, Beazley... I am connected with the firm. I mentioned your name as someone who might be willing to illustrate the first of a new series of books we had thought of. In fact I told them you were the man for the job... ', 'This is to introduce John Nankivell, an exhibition of whose work I opened in Exeter University about two years ago. Since then he accompanied my wife in the Hulu Valley India and has made these wonderful pencil drawings of temples out there... ', the letters a total of 28 pp., various sizes and some on 43 Cloth Fair, London, letterhead, plus 5 related carbon copies etc., including 1 signed, 2 secretarial letters, 3 related photographs and 2 envelopes in Betjeman's hand Several of these letters are quoted in the chapter on John Nankivell in Bevis Hillier, 'Betjeman: The Bonus of Laughter', John Murray, 2004, Chapter 13, pp. 249-58. (28)

Lot 821

Blyton (Enid). Child Whispers, 1st ed., J. Saville & Co., [1922], light staple rust stains, previous owner signature, original pictorial wrappers illustrated by Phyllis Chase, spine a little rubbed, a few minor marks, oblong 8vo The author's first book. (1)

Lot 826

Chatwin (Bruce, 1940-1989). In Patagonia, unbound proof copy with author's manuscript corrections, Jonathan Cape, 1977, 13 loose octavo quires, Chatwin's correction and amendments in brown ink and pencil throughout, mostly minor typos, punctuation amendments and notes to check spellings, but also occasional sentence rewrites, deletions and word substitutions, a note about libellous comments concerning Archie at the end of Chapter 46, etc., half-title (with numerous brown ink manuscript notes in Chatwin's hand) and final page (204) slightly toned and dusty, 8vo A rare Chatwin association item and the author's first book. (1)

Lot 827

Christie (Agatha). Poirot Investigates, John Lane, 1924, half title with verso listing three titles down to The Murder on the Links, 14 pp. publisher's catalogue at end, neat presentation inscription to front endpaper, original blue cloth, spine faded, one or two light stains, 8vo Variant copy in blue boards, dated to title verso and most likely a 'remainder' copy bound-up with unused first edition sheets, as the publisher ran out of the first issue yellow boards. (1)

Lot 828

Conrad (Joseph). Almayer's Folly. A Story of an Eastern River, 1895; An Outcast of the Islands, 1896; The Children of the Sea, 1897; The Nigger of the "Narcissus", 1898; Youth: A Narrative and Two Other Stories, 1902; Typoon, 1902; Nostromo, 1904; Victory, 1915; Tales of Hearsay, 1925, 1st eds., occasional light toning and spotting, bookplates to Almayer's Folly & Typhoon, original cloth, Almayer's Folly spine browned and chipped at ends, Typhoon first US issue in green cloth, Tales of Hearsay dampstained, others a little rubbed, 8vo (10)

Lot 83

Bell (James). A New and Comprehensive Gazetteer of England and Wales, 8 vols., Glasgow, 1838, folding coloured map of England and Wales, 44 folding engraved county maps, many with topographical vignettes, manuscript list at front of first volume, some light spotting and offsetting, small previous owner inkstamps to front pastedowns, original cloth, brown labels to spines, a little rubbed and faded, 8vo (1)

Lot 832

Crompton (Richmal). Just William, 3rd impression, 1923; William the Fourth, 1924; Still William, [1925], Just William's Luck, 1948; William the Bold, 1950; William the Tramp, 1952; William and the Moon Rocket, 1954; William and the Space Animal, 1956; William's Television Show, 1958, 1st eds., illustrations by Thomas Henry, occasional light soiling, presentation inscriptions to first two titles, original cloth, Still William upper joint repaired, some marks, d.j.s from Just William's Luck onwards, some fading to spines, William the Bold with one or two chips and tears, 8vo, together with William the Explorer, 1960, William's Treasure Trove, 1962; William and the Witch, 1964 (ex-libris with stain and repair), William and the Pop Singers, 1965, William and the Masked Ranger, 1966 and William the Superman, 1968 (ex-libris with sellotape marks), all first editions, together with numbers 1-25 of the reprint series in d.j.s and two others (42)

Lot 833

Crompton (Richmal). William's Television Show, 1958; William the Explorer, 1960; William's Treasure Trove, 1962; William and the Pop Singers, 1965; William and the Masked Ranger, 1966; William the Superman, 1968; William the Lawless, 1970, 1st eds., illustrations, a few light spots, presentation inscriptions to first two titles, original cloth, d.j.s, Television Show & Treasure Trove price-clipped, a few chips and tears, Lawless spine faded, repairs to verso, 8vo, with four other 'William' reprints (11)

Lot 837

Dunsany (Edward Plunkett, Lord). Time & the Gods, Putnam's, 1922 [1923] / The King of Elfland's Daughter, Putnam's, [1924], the first with 10 photogravure plates, the second with photogravure frontispiece, all plates signed in ink to lower margins by the artist Sidney H. Sime, Preface leaf to each boldly signed 'Dunsany' at foot of text, scattered minor spotting, top edge gilt, remainder uncut and unopened, original quarter vellum over cloth with gilt-titled leather spine labels, a little dust soiled, labels rubbed, 4to Both limited editions of 250 copies, neither copy being numbered. (2)

Lot 855

Graves (Robert). Over the Brazier, 1st ed., Poetry Bookshop, 1916, some light spotting, original wrappers, upper panel with hand-coloured woodcut by Claud Lovat Fraser, previous owner signature at foot of upper panel, a few creases and tinly closed tears to margins, 8vo The author's first work. (1)

Lot 856

Graves (Robert). Good-Bye To All That. An Autobiography, 1st ed., 1st issue, 1929, portrait frontispiece, seven illustrations, first issue with the Sassoon poem to pp. 341-343, slight marginal toning, original salmon cloth (head of spine rubbed with small stain), d.j., spine darkened with small chips at ends, one or two short closed tears, 8vo (1)

Lot 875

Johnson (B.S.). Travelling People, 1963; Albert Angelo, 1964; Poems, 1964, 1st eds., one or two light spots, previous owner signature to Travelling People, original cloth, d.j.s, Albert Angelo price-clipped, a couple of short closed tears, light spotting to Albert upper panel, 8vo, with others by or edited by Johnson including Poems Two, 1972 (one of 26 lettered and inscribed copies), House Mother Normal, 1971 (one of 100 numbered and signed copies), Street Children (with photographs by Julia Trevelyan Oman), 1964, Christie Malry's Own Double-Entry, 1973, Aren't You Rather Young to be Writing Your Memoirs?, 1973, You'll Always Remember the First Time, 1975 and See the Old Lady Decently, 1975 (16)

Lot 881

Le Carre (John). The Spy Who Came in From the Cold, 1st ed., 1963, original brown cloth, titled in gilt to spine, d.j., spine with tiny nicks at ends, light toning to rear panel, 8vo Scarce brown cloth variant, possibly a trial binding, the first edition usually bound in blue boards. (1)

Lot 893

Mackenzie (Compton). Gallipoli Memories, 1929; First Athenian Memories, 1931; Greek Memories, 1932; Aegean Memories, 1940, 1st eds., frontispiece to each (excepting First Athenian Memories), illustrations in Aegean Memories, occasional light spotting, bookplate to Aegean, original cloth (Aegean spine faded, one or two small bumps), d.j.s, Aegean price-clipped, slight toning to other spines (Gallipoli with small repair at head to verso), 8vo Complete set of Compton Mackenzie's wartime memories, including Greek Memories, which was withdrawn upon publication, and the author prosecuted at the Old Bailey for revealing secret information about British intelligence services. (4)

Lot 898

Orwell (George). Down and Out in Paris and London, 1st US ed., New York, 1933, pictorial endpapers, original cloth (slight fading), facsimile d.j., 8vo, together with Burmese Days, 1st ed., 1935, a little light spotting, previous owner signature, original cloth, light mottled stains, slight lean, 8vo, plus Keep the Aspidistra Flying, 1st ed., 1936, one or two light stains, rear pastedown with label remnant, original cloth, spine a little faded, facsimile d.j., 8vo, with six other first editions: The Road to Wigan Pier, 1937, Coming Up For Air, 1939, Inside the Whale and Other Essays, 1940 (2 copies), Critical Essays, 1946 & Shooting and Elephant, 1950 (both in d.j.s), plus George Orwell in Kent. Hop-Picking, Bridge Books, 1970 (limited edition, 51/300) (10)

Lot 9

Bowles & Carver (publishers). Bowles's Universal Display of the Naval Flags of all Nations in the World..., Bowles's vue Universelle des Pavillons Marine dans toutes les Parties du Monde, London: printed for the proprietors, Bowles & Carver, circa 1801, engraved title (printed in English & French), nineteen double-page engraved plates (of 20, lacking first plate) each displaying 12 flags and majority with original hand-colouring, one plate loose, occasional slight smudging to few flags and few minor marks, early ownership inscription 'Elizabeth Newman, Old Charlton, Kent' to upper pastedown, lacking front free endpaper, contemporary quarter calf, joints split, worn, 16mo Flags included are Union Flag or Jack dated 1801, King of Bantam, United States of America & China etc. An earlier edition was published c.1790 with only 19 plates. (1)

Lot 902

Ransome (Arthur). Swallows and Amazons, 1931; Swallowdale, 1932; Peter Duck, 3rd impression, 1933; Winter Holiday, 1934; Coot Club, 3rd impression, 1935; Pigeon Post, 1937; We Didn't Mean to Go to Sea, 1938; Secret Water, 1940; The Big Six, 1941; Missee Lee, 1942; The Picts and the Martyrs, 1943, 1st US eds., colour and black and white illustrations, occasional light toning, bookplate to front endpaper of Swallows, presentation inscription to Swallowdale and Pigeon Post, original cloth (a few mottled dampstains to Winter Holiday), d.j.s, a couple price-clipped, one or two spines with some fading or darkening, a few chips and closed tears, 8vo A near complete set of first US editions (excepting Peter Duck & Coot Club, 3rd impressions) of the Swallows and Amazons titles, only lacking the last title, Great Northern? (11)

Lot 903

Richards (Frank). Billy Bunter of Greyfriars School, 1947; Billy Bunter's Barring-Out, 1948; Billy Bunter's Christmas Party, 1949; Billy Bunter Among the Cannibals, 1950; Billy Bunter's Beanfeast, 1952; Billly Bunter's First Case, 1953; Billy Bunter the Bold, 1954; Bunter Does his Best, 1954, 1st eds., Billy Bunter of Greyfriars School 10th thousand, colour frontispiece to each by R.J. Macdonald, illustrations, presentation inscription to Greyfriars, Among the Cannibals signed to half title by the author, Beanfeast front endpaper with abrasion, original cloth (Among the Cannibals covers a little stained), d.j.s, a little light soiling, a few repairs, 8vo, together with volumes 18-19, 21-22, 24-25 & 27-38 (Lord Billy Bunter, 1956 to Bunter's Last Fling, 1965), 1st eds. in d.j.s, one or two spines faded, a few repairs to versos, 8vo, plus Hilda Richards' Bessie Bunter of Cliff House School, 1949 and another (variant) copy of Billy Bunter at Butlins, 1961 (28)

Lot 905

Roditi (Edouard). Poems for F., Editions du Sagittaire, Paris, 1935, author's first book, with a signed presentation inscription from him "for Roger Mynors Esq from a "prodigal son" who yet hopes to return to more academic ways' on the half-title, original printed wrappers in frayed glassine dust jacket, 8vo Signed limited edition, 44/250. (1)

Lot 907

Simenon (Georges). The Affairs of Destiny, 1942; Escape in Vain, 1943; On the Danger Line, 1944; A Wife at Sea, 1949, 1st UK eds., a few spots, light toning front and rear, original cloth, d.j.s, Escape and Affairs price-clipped, a few tears, stains and losses, mainly to Escape, 8vo, together with other 1st editions by Simenon, UK & US editions, including The Crossroad Murders, 1933, The Strange Case of Peter the Left, 1933, The Shadow in the Courtyard, 1934 (without d.j.s), The Shadow Falls, 1945, Black Rain, 1947, The First-Born, 1947, The Strangers in the House, 1951, The Burgomaster of Furnes, 1952, The Trial of Bebe Donge, 1952, The Stain on the Snow, 1953; Violent Ends, 1954; Danger Ahead, 1955, The Sacrifice, 1956 and The Stowaway, 1957 (69)

Lot 908

Simenon (Georges). Maigret on Holiday, 1950; Maigret Right and Wrong, 1954; Maigret & the Young Girl, 1955; Maigret and the Burglar's Wife, 1955; Maigret's Revolver, 1956; My Friend Maigret, 1956; Maigret Goes to School, 1957; Maigret's Liyttle Joke, 1957; Maigret and the Old Lady, 1958; Maigret's First Case, 1958; Maigret Has Scruples, 1959; Maigret and the Reluctant Witness, 1959; Madame Maigret's Friend, 1960, 1st UK eds., occasional light toning, label remnant to Revolver front endpaper, bookplate to Right and Wrong, original cloth, one or two extremities faded, d.j.s, Revolver price-clipped, a few chips, tears and stains, 8vo, together with 50 other 1st UK Maigret titles, 1960's-80's, a few duplicates (63)

Lot 910

Smith (Wilbur). When the Lion Feeds, 1964; The Dark of the Sun, 1965; The Sound of Thunder, 1966; Shout at the Devil, 1968; Gold Mine, 1970; The Diamond Hunters, 1971; The Sunbird, 1972; Eagle in the Sky, 1974, 1st eds., a few light spots, some previous owner signatures or sinscriptions, original cloth, d.j.s, Dark of the Sun, Sound of Thunder, Gold Mine & Diamond Hunters price-clipped, Shout at the Devil spine with losses and repairs to verso, a few others with small chips and marginal creases, 8vo, together with 26 other first editions by Wilbur Smith, from The Eye of the Tiger, 1975 to Vicious Circle, 2013, of which ten signed or inscribed by the author, including the first four titles (34)

Lot 911

Stevenson (Robert Louis). Travels With a Donkey in the Cevennes, 1st ed., 1879, frontispiece by Walter Crane (with marginal crease mark), advertisement leaf at front, light marginal toning and a couple of short closed tears, presentation inscriptions at front, original green cloth gilt, edges a trifle rubbed, 8vo, together with The Merry Men and Other Tales and Fables, 1st ed., 1887, 32 pp. publisher's list at end, light toning, previous owner inscription to title, patterned endpapers, original blue cloth, spine a little faded and rubbed at ends, 8vo, plus Island Nights' Entertainments, 1st ed., 1893, black and white illustrations, a few spots, original green cloth gilt, spine faded and rubbed at ends, light stains, 8vo, with others by Stevenson including Memories & Portraits, 1887 and Across the Plains, 1892, plus J. Herbert Slater's Robert Louis Stevenson. A Bibliography, 1914 and H.G. Wells' The First Men in the Moon, 1st ed., 2nd issue, 1901 (14)

Lot 914

Tolkien (J.R.R.). The Hobbit or There and Back Again, 1st ed., 2nd impression, 1937, four colour plates by the author, black and white illustrations, advertisement leaf at end, map endpapers, neat presentation inscription to front endpaper, original green pictorial cloth, small lightly faded patch at foot of spine, d.j., vertical split along upper joint (just attaching), some chips and losses, spine and flaps a little toned, 8vo The second impression, published in the same year as the first and is the first edition with the colour plates. (1)

Lot 916

Verne (Jules). Five Weeks in a Balloon. A Voyage of Exploration and Discovery in Central Africa. From the French... with sixty-four Illustrations by Riou, Sampson Low, 2nd UK ed., 1874, thirty-three wood engraved plates, letterpress illustrations, some full-page, 48pp. publishers catalogue dated October 1873 at rear, some light marks, hinges split, all edges gilt, original pictorial cloth gilt, a little rubbed and scuffed, some fraying to corners and head and foot of spine, 8vo First Sampson Low edition, and second UK edition, of Verne's first book (first published in French in 1863), a fantasy of balloon travel over the African continent and a satire on English books on African travel. The first UK edition was published in 1870 by Chapman & Hall and is now virtually impossible to find. This Sampson Low edition is also scarce (unlisted in Myers), and considerably more difficult to find than either Appleton's first edition in English (New York, 1869), or James Osgood's fully illustrated edition (Boston, 1873). (1)

Lot 922

Waugh (Evelyn). Decline and Fall. An Illustrated Novelette, 1st ed., 1st issue, 1928, illustrations by the author, scattered light spotting, contemporary previous owner signature to front endpaper, original cloth, d.j., spine toned and chipped at ends (title in red faded from label at head), 8vo First printing with the names 'Martin Gaythorn-Brodie' and 'Kevin Saunderson' unchanged. The author's first novel. (1)

Lot 930

Wyndham (John). The Chrysalids, 1955; The Midwich Cuckoos, 1957; Trouble With Lichen, 1960; Chocky, 1968, 1st eds., small marginal tears from rough opening to last leaf of Midwich, a couple of leaves with light soiling to Lichen, original cloth, d.j.s, light toning to rear panels of first three titles, 8vo, plus John Wyndham & Lucas Parkes' The Outward Urge, 1st ed., 1959 (5)

Lot 937

*Johnny Thunders and the Heartbreakers. Two vintage gelatin silver prints by Bob Gruen, 1977, the first showing the band on stage with a saxophonist, the second of Thunders backstage in the green room, both with photographer's wetstamp to versos, 20 x 25cm, plus 2 copies of a printed A4 poster for a Johnny Thunders concert at The Coach House, San Juan Capistrano on 22 March 1986 (4)

Lot 938

*Pink Floyd. A group of first pressings of six albums, including Ummagumma, gatefold sleeve, Dark Side of the Moon, two folded posters, gatefold sleeve, Wish You Were Here, original postcard (creased) still present, The Wall, gatefold sleeve, A Momentary Lapse of Reason and Versailles 1988, all covers slightly rubbed and soiled (6)

Lot 940

Abercromie (Patrick, editor). The Book of the Modern House, A Panoramic Survey of Contemporary Domestic Design, 1st edition, 1939, several colour and numerous monochrome plates and illustrations, some light foxing to first and last few leaves, original cloth in slightly chipped and torn dust wrapper, with minor loss to head of spine, 4to, together with Marshall (H.G. Hayes), Within Four Walls, a book about interior decoration, colour schemes and furnishing the home, 1st edition, F. Lewis, 1948, monochrome plates, mostly after photographs, original blue cloth gilt in dust jacket, one or two minor marks to edges, small 4to, plus Schrijver (Herman), Decoration for the Home, 1st edition, F. Lewis, 1939, monochrome illustrations after photographs, original cloth in dust jacket, very slightly rubbed to extremities, slim small 4to, and others on interior design and decoration, the modern home, etc., including Amelia Defries, Purpose in Design, a survey of the new movement seen in studios and factories and at the exposition Internationle des Arts et Techniques Appliques a la vie moderne, Paris, 1937, 1st edition, 1938, Walter Dorwin Teague, Design This Day, the technique of order in the machine age, 1st edition, circa 1940, Bruno Taut, Modern Architecture, The Studio, circa 1930, Herbert Hoffmann, Modern Interiors in Europe and America, The Studio, 1930, J.L. Martin and S. Speight, The Flat Book, 1st edition, 1939, Design for To'Day, 3 volumes, 1933, 1934, & 1935, etc (30)

Lot 967

Hill (Oliver and Cornforth, John). English Country Houses, Caroline, 1625-1685, 1st edition, Country Life, 1966, together with English Country Houses, Baroque 1685-1715, by James Lees-Milne, 1st edition, Country Life, 1970, English Country Houses, Early Georgian 1715-1760, by Christopher Hussey, 1st edition, Country Life, 1955, English Country Houses Mid-Georgian 1760-1800, by Christopher Hussey, 1st edition, Country Life, 1956 & English Country Houses, Late Georgian 1800-1840, by Christopher Hussey, 1st edition, Country Life, 1958, numerous monochrome illustrations after photographs to each title, all original cloth gilt, all except the first volume in dust jackets, 4to, plus Harris (John), Sir William Chambers, Knight of the Polar Star, 1st edition, Zwemmer, 1970, monochrome illustrations, original blue cloth gilt in dust jacket, 4to, and Downes (Kerry), Vanbrugh, 1st edition, Zwemmer, 1977, numerous monochrome illustrations after photographs, original blue cloth gilt in dust jacket, 4to, plus others on English Architecture, mainly of the 18th century, including Kerry Downes, English Baroque Architecture, Zwemmer, 1966, Damie Stillman, English Neo-classical Architecture,2 volumes, Zwemmer, 1988, Kerry Downes, Hawksmoor, Zwemmer, 1959, Eduard Seckler, Wren and His Place in European Architecture, Faber & Faber, 1956, Howard E. Stutchbury, The Architecture of Colen Campbell, Manchester University Press, 1967, etc., all original cloth, many in dust jackets, 4to/8vo (30)

Lot 969

Hoeber (Fritz). Peter Behrens, Munich: Georg Müller & Eugen Rentsch, 1913, black & white portrait frontispiece and numerous illustrations and diagrams (many from photographs), minor spotting to first & last few leaves, with loosely inserted typed letter signed by Behrens on letter headed thin paper (with two ring binder holes to left margin), original brown cloth gilt, spine faded, large 4to, together with Cremers (Paul Joseph), Peter Behrens, Sein Werk von 1909 bis zur Gegenwart, Essen: G.D. Baedeker, 1928, black & white portrait frontispiece, numerous plates many from photos, original cloth gilt, large 4to (2)

Lot 989

Moderne Bouwkunst in Nederland. Edited H.P. Berlage, W.M. Dudok and others, 20 volumes, Rotterdam, 1932-35, black and white photos, and some illustrations, some minor pencil underscoring and marginalia in Dutch, original linen-backed printed boards, a little spotting, upper cover to number 20 browned, large 8vo Covers the major aspects and forms of Dutch architectural output in the first third of the twentieth century. (20)

Lot 992

Muthesius (Hermann). Das Englische Haus, 3 volumes, Berlin: Ernst Wasmuth, 1904-1905, half-titles, titles printed in red and black, numerous black and white illustrations to text, edges rough trimmed, contemporary cloth, original printed wrappers bound in, folio, together with the first complete English edition of The English House, edited by Dennis Sharp, published by Frances Lincoln, 2007, 3 volumes, original publisher's cloth in d.j., contained within original publisher's slipcase, plus one volume of Die Englische Baukunst der Gegenwart, inlcuding plates 1 - 26 only, original portfolio, rubbed and worn (5)

Lot 993

Nederlandsche Bouwmeesters. Een Reeks Studies onder leiding van W. Retera, numbers 1-5, Amsterdam, Van Munster's Uitgevers Maatschappij, circa 1920, monochrome plates, all original printed decorative wrappers, a little rubbed and slight wear to extremities (generally in good condition), 8vo The first five titles of this series, covering W. Kromhout, P. Kramer, H.P. Berlage, A.J. Kropholler and W.M. Dudok. (5)

Lot 1007

The Studio Year Book of Decorative Art, 53 volumes, a complete run, 1906-1963, numerous colour and monochrome illustrations, advertisements, etc., all original cloth (except first volume in original printed wrappers, and 6 other volumes rebound, 14 volumes in dust jackets, some a little frayed and chipped to extremities), folio (53)

Lot 1025

Paalen (Wolfgang). Form and Sense (Problems of Contemporary Art, No. 1), New York, Wittenborn and Company, 1945, monochrome illustrations, original printed wrappers, slightly rubbed to extremities and spine lightly browned, with bookplate of J.D.H. Catleugh (designed by Scottie Wilson) to verso of front endpaper, and signature of Jon Catleugh, dated 17 September 1946 to following leaf, slim 4to, together with Focillon (Henri), The Life of Forms in Art, 2nd English edition, enlarged, New York, Wittenborn, Schultz, 1948, monochrome illustrations, original printed wrappers, very slightly rubbed and spine somewhat browned, with bookplate of J.D.H. Catleugh (designed by Scottie Wilson) to inside front cover, plus Atelier 17. Fourteenth Exhibition of Prints by members of the Atelier 17 Group, Laurel Gallery, New York, March 14 to April 1st, 1949, colour and monochrome illustrations, original printed wrappers, stapled as issued, very slightly rubbed and spine a little browned, 4to Together with a group of geometric designs in pencil on tracing paper by Jon Catleugh for a Christmas card, loosely inserted to the first volume. (3)

Lot 1026

Taeuber-Arp (Sophie, editor). Plastique, numbers 1 & 2, Printemps/Eté 1937, monochrome illustrations after Paintings and Sculpture by Malevich, Pevsner, Domela, El Lissitzky, Taeuber-Arp, Van Doesburg, Hans Arp, Duchamp, Moholy-Nagy and others, original printed wrappers, stapled as issued, lightly rubbed, second issue with wrappers faded to edges, neat ink signature of J. Catleugh to head of upper cover of each issue, slim 8vo Bolliger, Dokumentations-Bibliothek, III, 207. The first two issues of this important constructivist magazine, which ran to a total of five issues between 1937 and 1939. The first issue is subtitled Malewitsch In Memoriam, and contains texts by Malevich, Herta Wescher, Georges L.K. Morris and Siegfried Giedion. The second issue, subtitled Dimensionisme contains texts by Gabrielle Buffet, Hans Richter and Charles Sirato (the latter a separately printed sheet containing the manifesto of dimensionism). (2)

Lot 123

Horticultural Society of London. Transactions of the Horticultural Society of London, First Series, 7 volumes, 1820-30 & Second Series, volume 1, 1835, engraved title-pages, 81 hand coloured plates, (10 folding), plus 77 monochrome plates and tables, (8 folding), plates very slightly cropped to fore-margins, just touching running title to upper right corners, not affecting images, contents generally in clean condition, contemporary uniform green half morocco gilt, rubbed and scuffed, 4to (8)

Lot 13

Clarke (James Stanier & M'Arthur, John). The Life of Admiral Lord Nelson, K.B. From his Lordship's Manuscripts, 2 vols., 1st ed., 1809, 16 engraved plans, plates and portraits, engraved headpieces, first two leaves detached in vol. II, some minor spotting, bookplates of James McBryde, all edges gilt, contemporary calf gilt, joints cracked, some wear to spine, 4to (2)

Lot 134

New Naturalist Series. Volumes 1-127, a complete run, 1946-2014, comprising 1st edition numbers 2-3, 6-10, 13-14, 16-18, 39, 41, 46, 48, 50-52, 55-69, 72-127, numbers 70 & 71 (Orkney & British Warblers) 2nd state printings, bound up in pea- green cloth from paperback editions and a few millimetres shorter than the first issues), the others reprints and later editions, colour and black and white illustrations, a few light spots and previous owner signatures, original cloth (some fading to a few early numbers), d.j.s, some early numbers price-clipped with a few chips and light toning, other spines with some fading, 8vo (127)

Lot 137

Plumier (Charles). Plantarum Americanarum fasciculus primus [-Decimus], continens plantas, quas olim Carolus Plumierius, Botanicorum Princeps detexit, eruitque, atque in Insulis Antillis ipse depinxit. Has primum in lucem edidit, concinnis descriptionibus, & observationibus, aeneisque tabulis illustravit Joannes Burmannus, 1st edition, Amsterdam, Sumtibus Auctoris, 1755, 10 parts bound in one volume, title printed in red and black, lacking the engraved portrait frontispiece, 262 full-page copper engraved plates, including one with later hand-colouring, contemporary quarter calf, rubbed and a little wear with joints partly cracked, large folio (44 x 27 cm) Nissen BBI 1547. Sabin 63459. Sitwell, Great Flower Books 70. Hut 554. The French botanist Charles Plumier (1646-1704) undertook three botanical expeditions to the West Indies, the last two as the French King, Louis XIV's appointed botanist. He was one of the first to describe the native plants of America, the present work being a selection by the Dutch botanist Johannes Burmann, Professor of Botany at Amsterdam. (1)

Lot 152

Battle plans. Smith (Malcolm), The Action of Vimiero, circa 1808, pen and watercolour manuscript battle plan of the battle of Vimeiro, occasional marginal closed tears, 540 x 510 mm The battle of Vimeiro was a resounding victory for General Arthur Wellesley (later the Duke of Wellington) against the French during the Peninsular war; fought in Portugal near Lisbon. Its significance was that it effectively ended the first French invasion of Portugal. Captain Malcolm Smith of the 83rd (County of Dublin) regiment whose signature appears lower right, appears to be the author of the map but it is an historical observation as his regiment did not arrive in Portugal until April 1809, some seven months after the battle. (1)

Lot 933

WORLDWIDE POSTAGE STAMPS. Fifteen albums of worldwide postage stamps and first day covers

Lot 178

Anglo-Chinese School (19th Century) - View of The Thirteen Factories, Canton (Guangzhou) harbour; Whampoa anchorage, on the Pearl River A pair, bodycolour on ivorine Painted first half of 19th century Each c.9 x 12.5 cm. (3 1/2 x 4 7/8 in) For a comparative example see: Carl L. Crossman, The Decorative Arts of The China Trade, 1997, p. 413, illus. 10, and p. 426, illus. 8

Lot 1512

Various First Day Covers, including No1 Squadron Royal Air Force, 1972

Lot 1557

A quantity of First Day Covers, and further stamps

Lot 177

First World War Triang metal toy tank 1918

Lot 395

Assorted stamps and first day covers, in nine albums (box)

Lot 397

Assorted world stamps, first day covers and related items, loose and in albums (box)

Lot 398

Assorted stamps and first day covers, loose and in albums (box)

Lot 400

Assorted stamps, first day covers, and a small group of coins and cigarette cards (box)

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