Jonson (Ben). The Workes of Benjamin Jonson, [2nd ed.], London: printed by Richard Bishop, and are to be sold by Andrew Crooke, 1640, containing the first volume of Plays, Evigrammes, & Masques, and the third volume, parts III, II & IV, eng. port. frontis. (torn & trimmed to image with loss, relaid to front free endpaper), eng. title trimmed to image with slight loss and lined to verso, slight worming to lower margins of initial leaves, lacking prelims. to several parts, early 18th c. half calf, upper board detached and lower joint cracked, spine worn and lacks title label, boards worn, folio. STC14753. Sold with all faults, not subject to return to difficulties of collation. (1)
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Trials. The Accusation, Trial, Defence, Sentence, Execution, and Last Will, of Lewis XVI. Late King of France and Navarre..., Edinburgh, 1793, pp.108, eng. port. frontis., and eng. plt. of The Guillotine, or Machine on which the King suffered at Paris, half-title present, first few leaves and final page soiled, early ms. name at head of title-page, bound with The Trial of William Skirving, secretary to the British Convention, before the High Court of Justiciary, on the 6th and 7th of January, 1794; for Sedition, Edinburgh, 1794, pp.168, first and final leaves foxed and dusty, early ms. name at head of title, and State Trials for High Treason. Containing the Trial of Thomas Hardy..., Edinburgh, 1794, pp. 270, eng. port. frontis., frontis. and title soiled, and latter a little edge-torn, and The Declaration and Confession of Robert Watt, written, subscribed, & delivered by himself, the evening before his execution, at Edinburgh, October 15, 1794..., Edinburgh, 1794, pp.iv+35+[1], eng. port. frontis. (lightly foxed), title-page and final page soiled, qtr. sheep with vellum corners, red leather label to spine, rubbed and some wear to extrems., 8vo (1)
Magna Carta. Magna Carta et ce tera antiqua statuta... , 2 parts in 1, pub. Thomas Marshe, 1556, black letter, a1 (blank?) conjugate of a8 stub only (as often), second part with separate part title and pagination, signature D misgathered, some damp staining and sl. soiling throughout, three leaves (one leaf of prelims. and F1/4 of second part) torn with loss of blank areas of foremargins, several lib. blind stamps to upper outer corners including first and last leaves, ink lib. numbers to head of title and foot of final page, joints cracked and contents somewhat shaken in contemp. blind panelled calf with gilt decoration to corners and a fleur-de-lys to centre of each board, somewhat worn with a little loss, small 8vo. STC 9277; Beale S15 & S23. This copy with the variant U4, 5 as cancellanda. A revised edition of the version printed by Thomas Berthelet in 1531 (STC 9271). (1)
New Testatment [Greek]. Novum Testamentum. Ex Bibliotheca Regia, 2 vols., Paris, Ex officina Roberti Stephani typographi Regii, 1546, title to each vol. with printer’s woodcut device of a serpent entwined with a branch and spear, preface printed in Latin, main text printed in Greek, errata to verso of final leaf, lacks colophon at end, text lightly ruled in red ink throughout, some old ink annotations, a.e.g., early red morocco gilt, 18th century French bookplate of Desprez de Roche to front pastedown of first vol., early red morocco gilt, rubbed and minor wear to outer corners, 12mo. Darlow & Moule 4616. The earliest of the editions printed at the famous Paris press of Robert Estienne, ‘Whose Biblical work taken all together had perhaps more influence than that of any other single man in the 16th century’ (Wordsworth). (2)
Paine (Thomas). Rights of Man, being an answer to Mr. Burke’s attack on the French Revolution, parts 1 and 2 bound as one, pub. J. S. Jordan, 1795, & 6th ed., 1792, port. frontis., bound with Letters addressed to the addressors, on a late proclamation, printed for H. D. Symonds & Thomas Cleo Rickman, 1792 [1795], 50 pp., bound with Dissertation on first principles of Government, printed for the proprietors, [1795?], 31 pp. including ‘Speech of Thomas Paine, July 7th, 1795’, bound with Common Sense, addressed to the inhabitants of America ..., pub. J. Ridgway, 1792, 71 pp., bound with A letter addressed to the Abbe Raynal, on the affairs of North-America ..., pub. J. Ridgway, 1791, [8], 66 pp., with a second volume containing A letter to the Earl of Shelburne ... respecting the acknowledgement of American independence ..., new ed., pub. J. Ridgway, 1791, lacks port. frontis. and half title, ink lib. stamp to title verso and at foot of final page, bound with Two letters to Lord Onslow ... on the subject of the late excellent proclamation ..., 6th ed., 1792, 36 pp., without the final two advert leaves, bound with Prospects on the War, and paper currency of Great Britain, 3rd ed., 1793, half title present, ink lib. stamp at foot of final page, bound with Reason, being an investigation of true and fabulous theology, ink lib. stamp to title verso, bound with The Age of Reason, part the second ..., 1795, half title to page one, ink lib. stamp at foot of final printed page, some occ. spotting and some browning to first work of first vol., old ownership book labels of W. H. Whinfield to front pastedowns, contemp. speckled calf gilt, boards to first vol. crudely held on with tape, some wear to spine, vol. 2 with modern calf gilt reback and corner restoration, 8vo. Vol. 1: ESTC N13114, T169450, N1631, N9104, N27120, N11758. Vol. 2: ESTC T28108, N34501, T5862, T5792, T5795. (2)
[Pearson, John, and others, eds.]. Critici Sacri: sive Annotata Doctissimorium Virorum in Vetus ac Novum Testamentum. Quibus accedunt tractatus vardii theologico-philologici. Editio Nova in Novem tomos distributa, meltis anecdotis commentariis, ac indice ad totum opus locupletissimo, aucta, 9 vols., Amsterdam, 1698, title to first vol. printed in red and black, with printer’s eng. vign., thirteen eng. plts. at rear of first vol. of which ten are folding, including double-hemisphere world map by Montanus, some eng. and woodcut illusts. to text, occ. light browning, contemp. uniform full mottled calf, gilt-dec. spines, rubbed and some wear, mostly to head and foot of spines, one or two joints partly split at foot, small oval gilt label of Dr. Bray’s Library to foot of spine of each vol. (one or two missing). Brunet II, 426. See Sotheby’s, Macclesfield Library, 25-26 October 2006, lot 2884 (for the first edition). The second edition greatly enlarged from the first edition of 1660 of this extensive commentary, intended as a companion work to Walton’s mammoth Polyglot Bible, published in 1657. This revised edition required the collaboration of six Dutch publishers and booksellers from Amsterdam and Utrecht. From the lending library of Dr. Bray, St. James’s, London, with printed library rules, and gift label from the Bray Library to the clerical lending library in West Alvington, Devon, dated 1871, to front pastedown of each volume. (9)
Pelletier (Ambroise). Nobiliaire, ou Armorial General de la Lorraine et du Parrois, en forme de Dictionnaire, vol. 1 [all pub.], Nancy, 1758, half-title, title printed in red and black, approx. 1700 wood eng. illusts. of coats-of-arms to outer margins throughout, all with later hand-colouring by Jacques Francois Joseph de Faulx (born 1741), occ. early ink annotations, with ink annotations by De Faulx to front endpaper and half-title, including a somewhat crude painted armorial of the De Faulx coat-of-arms, and stating this volume was purchased in Metz, and that it was ‘mis en couleur par M. De Faulx procureur du Roi et terminé le 12 Mars 1826’, contemp. mottled calf, gilt-dec. spine, rubbed and some wear to edges, joints cracked, thick folio. Guigard 2681. A fine copy with attractive early colouring, of the first edition of Pelletier’s major work on heraldry, including the rare supplement and errata. Pelletier’s projected second volume remained in manuscript form, and was only published in facsimile in 1974. (1)
Perceval (Richard). A Dictionary in Spanish and English: First Published into Tongue by Ric. Percivale Gent. Now enlarged, printed by J. Haviland for G. Latham, 1623, woodcut device to titles, fore-edge of first two leaves frayed and repaired, inner margin of title also repaired, some light dampstaining, modern calf, folio. STC 19621b. (1)
Pietrasanta (Silvestro). Tesserae Gentilitiae, 1st ed., Rome, Francisco Corbelletti, 1638, eng. title by F. Greuter after F. Romanelli, full-page eng. portrait of the dedicatee Taddeo Barberini by Natalis, numerous illusts. to text of coats of arms, occ. woodcut initials, some minor marks to margins at front and rear, contemp. calf, rubbed and some wear, joints cracked, folio. Guigard 1595. A scarce and important work on heladry, containing the first appearance of a uniform system of ‘hachures’ to signify the different enamels and metals in the symbols. Ex-libris Count Magnus Gabriel de la Gardie, Swedish statesmen, with ink inscription to front endpaper, dated 1659. (1)
Plautus (Titus Maccius). Comoediae, Venice: Aldus, July 1522, Aldine woodcut device to title and final leaf verso, initial spaces with guide letters throughout, sl. soiling to first few leaves, ex-lib with ink number at head of title, and ink date stamp below imprint on final page, embossed lib. stamps to upper corners of first and last two leaves, library label to front pastedown, 19th-century calf gilt, joints cracked and backstrip deficient, 8vo (200 x 125mm). Adams P1487. (1)
Preston (John). The New Covenant, or, The Saints Portion. A Treatise Unfolding the all-sufficiencie of God, mans Uprightnes, and the Covenant of Grace..., 2nd ed., 1629, lacks title and all after 2H8, bound with The Saints Daily Exercise. A treatise Unfolding the Whole Dutie of Prayer...., 3rd ed., 1629, lacks final leaf M4 of index, some dustsoiling and dampstaining, initial leaves of first work frayed, slightly torn and loose, contemp. calf, lacks ties, spine worn, 4to. Sold with all faults, not subject to return. (1)
Shadwell (Thomas). The Sullen Lovers: or, The Impertinents. A Comedy Acted by His Highness The Duke of York’s Servants, 1st ed., 1670, six prelim. leaves + 76 pp., some marks and soiling to title and occn. throughout, together with Otway (Thomas), The Souldiers Fortune. A Comedy. Acted by Their Majesties Servants at The Theatre Royal, 1687, title, dedication leaf, and 68 pp. of text, plus Shadwell (Thomas), A Comedy Called The Miser. Acted at The Theater Royal, 1691, title + 66 pp., some marks and browning throughout, and The Squire of Alsatia, A Comedy. As it is Acted by Their Majesties Servants, 1693, four prelim. leaves + 64 pp. (misnumbered 1-24 and 33-72), occn. marks throughout, dampstain to lower portion of final few leaves, plus Otway (Thomas), Venice Preserv’d, or, A Plot Discover’d. A Tragedy Acted at The Duke’s Theatre, 1704, four prelim. leaves + 62 pp., some foxing and light browning, all bound in modern uniform brown cloth, slim 4to. Wing S2879 for the first title. (5)
Stow (John). The Annales, or Generall Chronicle of England, Begun First by Maister John Stow, and After him Continued and Augmented with Matters, Forreyne, and Domestique, Anncient and Moderne, unto the Ende of this Present Yeere 1614, by Edmond Howes, 1615, title within elaborate woodcut border (close-trimmed at top margin, sellotape mark, tape strengthening to verso), woodcut headpieces and initials, text in black letter and double column, one or two marginal repairs and some light spots, 18th c. calf, spine a little chipped and rubbed, folio. STC 23338. (1)
Whitelock (Sir Bulstrode). Memorials of the English Affairs, from the Suppos’d Expedition of Brute to this Island, to the End of the Reign of King James the First, 1709, a little dampstaining to fore-margin of first few leaves, else a clean copy, contemp. panelled calf, some wear and fraying, folio, together with Bacon (Francis), Resuscitatio or, bringing into Publick Light Several Pieces of the Works..., 2 parts in 1 vol., engraved frontis (marginal paper repair), engraved portrait by Hollar, final two leaves of index with paper repairs, modern half calf, folio, and Mayerne Turquet (Louis de), The Generall Historie of Spaine, 1612, lacking title, some marginal staining and creasing, 18th century panelled calf, folio, and Browne (Thomas), Pseudodoxia Epidemica: or, Enquiries into very many Received Tenents, and commonly presumed Truths, 3rd ed., 1658, contemp. sheep, scuffed and marked, folio, plus two others including a volumeof the works of Thomas Willis published in Lyon (1681) and a copy of Thomas Fuller’s ‘The History of the Worthies of England’ without the engraved portrait (6)
[Coley, Henry. Clavis astrologiae elimata, or a key to the whole Art of Astrologie new filed and polished, in three parts... to which are added the Rudolphine tables, 2nd ed., much enlarged and amended, 1676], first part with 32 pp. eng. tables, volvelle to C1v still present, eng. port. with astrological chart border at 208, separate titles to third part and tabule Rudolphinae, the latter dated 1675, some wood-eng. diags. to text, occ. light spotting and old damp staining, scattered old ink marginalia, lacks port. frontis. and title with small loss of blank areas of upper outer corners of leaves a2 & a3, contents somewhat shaken, lacks upper cover and spine, contemp. calf lower board present with crude paper covering, 8vo. Wing C5099. (1)
Creech (Thomas, trans.). Lucretius, His Six Books of Epicurean Philosophy, and Manilius, His Five Books, containing a system of the ancient astronomy and astrology, together with the philosophy of the stoicks ..., 1700, port. frontis. and five eng. plts., errata leaf at rear, some spotting throughout and heavy browning to early leaves (except plates), small marginal tear with loss to part-title of first work, contemp. panelled calf, antique-style calf reback, 8vo. Wing L3450 and M431. First edition in English of Manilius. (1)
Dalton (John). A New System of Chemical Philosophy, Part 2 (of 3), 1st ed., Manchester, 1810, four eng. plts. at rear, small library bookplate to lower pastedown, later qtr. morocco gilt, rubbed, 8vo. PMM 261; Grolier 22. The second part of Dalton’s work which was to provide the foundation of the atomic theory of matter. The first part was published in 1808 and the third in 1827. In this second part, the chemical elements are described. An unusually clean copy. (1)
Davy (John, 1790-1868). Memoirs of the Life of Sir Humphry Davy, by his brother, 2 vols., 1st ed., 1836, portrait frontis. to vol. 1, spotting at front and rear of each vol., author’s initials at end of advertisement leaf following title to vol. 1, first title with ownership signature of the author’s daughter Grace Rolleston and title to vol. 2 with ownership inscription of Christopher Rolleston, dated 9th March 1916, contemp. half calf over marbled boards, gilt dec. spines, rubbed and upper joints sl. cracked, 8vo. See author under Davy in the Travel section. (2)
Descartes (Rene). Geometria... in latinam linguam versa, & commentariis illustrata, opera atque studio Francisci a Schooten, 2nd Latin ed., 2 vols. in 1, Amsterdam: Louis & Daniel Elzevir, 1659-61, two half-titles with eng. portrait of Descartes dated 1644 on verso of first half-title, first title printed in red and black, woodcut diagrams in text, errata leaf and ‘Carmen in laudem Fr. a Schooten’ leaf at rear, some light soiling and damp staining at front and rear, ex-lib. with occ. oval ink lib. stamps to margins and including stamps to five of the first six leaves, ink ownership inscriptions of John Shuttleworth to front free endpapers, two dated 1690, contemp. calf, soiled and some wear, 4to. Willems 1244. (1)
Galilei (Galileo). Mathematical discourses concerning two new sciences relating to mechanicks and local motion, in four dialogues, I. Of the resistance of solids against fraction. II. Of the cause of their coherence. III. Of local motion, viz, equable, and naturally accelerate. IV. Of violent motion, or of projects, by Galileo Galilei, chief philosopher and mathematician to the Grand Duke of Tuscany, with an Appendix concerning the center of gravity of solid bodies, done into English from the Italian, by Tho. Weston, late master, and now publish’d by John Weston, present master, of the Academy of Greenwich, 2nd ed. in English, pub. J. Hooke, 1730, title printed in red and black, woodcut initials, headpieces, num. diags. in text, plus one table, final leaf of adverts., title sl. browned and soiled with old ink algebra notes to margins, long closed tear to leaf s1 with crude gummed label repair to margin, some old ink marginalia and underscoring including some errata corrections then deleted in errata list, old water stain to upper and lower margins with a few purple spots to lower margins of first few leaves (and front endpapers sl. damp frayed), bound with Bardwell (Thomas), The practice of painting and perspective made easy, 1st ed., 1756, imprimatur leaf before title, six eng. plts., signed by author to title verso to guarantee authenticity, a few ink corrections to text (in author’s hand?), a little spotting and soiling and sl. damp staining to plt. margins, partly torn bookplate of Eric Root to front pastedown, contemp. quarter calf over marbled boards, worn and covers det., 4to (250 x 195mm). Widely recognised as ‘the first modern textbook of physics and the foundation of the [modern] science of mechanics’. This second edition in English is realistically the earliest obtainable. The first translation into English by Thomas Salusbury was published in 1665 but nearly all copies were consumed in the Great Fire of London in 1666. (1)
La Mettrie (Julian Offray). Abrégé de la théorie chymique tire des propres ecrits de M. Boerhaave, auquel on a joint le traite du vertige, Paris, 1741, half title, errata leaf at rear, some spotting, a few ink marginalia, contemp. calf gilt, rubbed and upper joint cracked, 12mo. First edition of La Mettrie’s translation into French of that part of Boerhaave’s Essay on Theoretical Chemistry which deals with the four elements, together with a third printing of La Mettrie’s own Essay on Vertigo. The gilt corner decorations of shells are from the coat-of-arms of Chancellor Henri-Francois d’Heuesseau (1668-1751). On the third page of the Privilege, it states that a copy of this book must be placed in the library of this Chancellor d’Aguesseau. This copy of the book appears therefore to be the copy that was deposited there. (1)
Partridge (John). Mikropanastron: or an Astrological Vade Mecum: Briefly Teaching the whole Art of Astrology, viz. Questions, Nativities, with all its Parts, and the whole Doctrine of Elections, never so Comprised, nor Compiled before; so that the young Student may learn as much here as in the great Volumes of Guido, Haly, or Origanus..., 3 parts in one, 1st ed., printed for William Bromwich, 1679, pp.[xviii]+[xii](Table of Perticulars in ms.)+[iv](blank)+348, lacking 30pp. of prelims. (of which 12pp. supplied in ms.), incl. port. frontis. and all before A3 (first leaf of dedication), and also lacking C1 (pp.25/6), C5 (pp.33/4), L2 (pp.219/20), and Q2-Q5 (pp.339-346), soiled, some early ms. marginalia, early ms. name at head of A3, D11 with closed tear, 18th c. sheep, extrems. sl. worn, with spine ends frayed, joints split, and corners showing, 12mo, together with a defective copy of Benjamin Martin’s Biographia Philosophica, 1764, with title-page and dedication but with text starting on p.237, contemp. calf, worn, 8vo. Scarce. Sold with all faults, not subject to return. (2)
[Ross, Alexander]. Arcana Microcosmi, or, The Hid Secrets of Man’s Body Discovered, in an anatomical duel between Aristotle and Galen, concerning the parts thereof, as also, by discovery of the strange and marveilous diseases, symtomes & accidents of man’s body ..., by A. R., 1652, some dampstaining throughout, closely trimmed at upper margin touching a few running heads towards rear, modern antique-style calf, 8vo. Enlarged second edition, and the first edition to contain the Criticism of Harvey’s De Generatione Animalium. Wing R1947; Gibson 561. (1)
Baur Collection. Chinese Ceramics, by John Ayers, vols. 1 & 2 only, 1968-69, colour and b & w plates, vol. 1 first few leaves loose, previous owners signature, original cloth, d.j.s, 4to, limited editions of 1000, together with The Art of the Chinese Snuff Bottle, by Hugh Moss, Victor Graham and Ka Bo Tsang, 2 vols., New York, 1993, colour illustrations, original cloth, slipcase, folio, plus Snuff Bottles of China, by Hugh Moss, pub. Bibelot, 1971, colour plates, original cloth, d.j., 4to, with others including David Roberts R.A. The Holy Land, 1982, and Mildred Archer’s Early Views of India. The Picturesque Journeys of Thomas and William Daniell 1786-1794, 1980 (26)
Meyer (Bruno et al). Weibliche Grazie... , 5 vols., Stuttgart, 1904, each vol. with twenty toned reproductions of photographs of female nudes tipped in after photographs by Rene le Begue, Prof. H.L. v Jan, A. Lemoine, G. Pluschow, H. Hildenbrand, Otto Schmidt and Kunstmaler A. Schneider, orig. printed wrappers with linen spine ties, a little chipped at head and foot of some spines, old bookseller description tipped on to upper cover of first vol., 4to. A complete set in very good condition. (5)
Piles (Roger de). The Art of Painting, with the lives and characters of above 300 of the most eminent painters ..., to which is added, an essay towards and English School, 3rd [and final English] ed., in which is now first inserted The Life of Sir Godfrey Kneller, by the late B. Buckeridge, [1750], pubs. ads. to final leaf verso, some spotting and dust soiling, contemp. calf, rubbed and joints cracked, 8vo (1)
KOCH, ALEXANDER EXPOSITION DE TURIN 1902 L`exposition Internationale des arts decoratifs modernes a Turin 1902. Darmstadt: Alexander Koch, 1902. 4to, pp.[8],340, [1], publisher`s adverts., French text, text by George Fuchs and F.H. Newbery, illustrated throughout, 4 coloured plates, 2 tinted, Jessie M. King decorative title for Scottish section, on different paper, the "Papier de garde" (end papers) supplement are used as end papers, original Art Nouveau designed vellum gilt, some light spotting to page edges otherwise fine Note: Extremely rare in this fine condition, published in connection with the first international exhibition of modern decorative art, Turin 1902, which included architecture, interior design, painting, ceramics, metal works, book illustrations, typefaces, glass, etc. Participants were Holland, Scotland (includes an extensive article on Charles Rennie Mackintosh and the Glasgow School), Germany, Austria, Hungary, Italy, Belgium, France, USA, Denmark, Sweden, England, and Japan. Special emphasis on the German contribution, with designs and typographical arrangement by Peter Behrens. The Turin Exposition of 1902 was the first to celebrate the emergence of the Art Nouveau style in Italy and is considered the first international exhibit of modern decorative art. Turin was a centre of liberal ideas and creativity and thus a receptive environment for imported modernism with work exhibited by Behrens, Mackintosh, Olbrich, et al. Italian artisan workshops and individual craftsmen such as Carlo Bugatti were also featured. The exposition was concerned also with the renewal of Italian architecture. A bold, exuberant, stylistically appropriate setting was created by Raimondo D`Aronico, at that time the chief architect to the Sultan in Constantinople. His work for the exposition was influenced by a visit to the Darmstadt Artist`s Colony designed by Joseph Olbrich. His entrances, pavilions and exhibition and administrative buildings are illustrated in the first section of the present work, which deals with architecture.
GEORGE WALTON GREEN STAINED LINEN PRESS, CIRCA 1898 The projecting cornice above twin doors, each inset with stained and leaded glass panels with copper inlay worked as foliate motifs, backed by original net hangings and enclosing four sliding shelves each with original linen covers, the base with three long graduated drawers each with brass-backed cut-out handles, the whole raised on bracket feet 152cm wide, 183cm high, 68.5cm deep Literature: Moon, Karen, `George Walton, Designer and Architect`, pub. Oxford 1993, page 115 Exhibited: `George Walton: Designer and Architect` Glasgow Art Gallery and Museum, Kelvingrove, Glasgow 11 June - 19 September 1993 and at Brighton Museum and Art Gallery Church Street Brighton 4 November 1993 - 9 January 1994, No 2.7 Note: This fine linen press in green stained ash was designed by the architect and designer George Walton and was made, circa 1899, for a director of his company, Robert Dick. Walton opened his first showroom at 152 Wellington Street Glasgow in 1888, naming it `George Walton & Co, Ecclesiastical and House Decorators`. In 1897 Walton followed his brother Edward to London where he set up house and studio at 16 Westbourne Park Road, Bayswater, and in 1898 a showroom was opened in York. In the following year a four-storey block of workshops was built in Buccleuch Street, Glasgow, and it was in the same year that Robert Dick became a director of the Glasgow company, rising to chairman by 1905. In her 1993 biography of Walton Karen Moon comments " . . . in the north the company`s directors were keeping them busy: when the two brothers James and Robert Dick, who had been involved in the company since 1899, both married in the early years of the new century, their houses were done out grandly in company style". This press would have stood in one of the bedrooms or upper landings of the house and it retains its original net hangings for the windows and linen covers inside for the drawer slides.
Marie Walker-Last (1917-), Abstract, initialled, inscribed on verso, mixed media, 24 x 26.5cm.; 9.5 x 10.5in. * She trained at the Chelsea School of Art, under Vivian Pitchforth and, later under Sir Terry Frost and Robert Medley. She and her husband were great friends of Ben Nicholson and Dame Barbara Hepworth, and she mixed in London with many of the great painters of the day; she also met Alfred Wallis, who was such a great influence on the work of Ben Nicholson. In her earlier days, she exhibited world-wide, with Exhibitions in London, Paris, Athens, Florence and Australia, and in 1988, she won First Prize in the Druce Constable Award at an exhibition of contemporary British landscape painting in the Camden Arts Centre. Her works are in the Collections of the Bank of England, the Halifax Building Society, Granada Television, the Arthur Haigh Collection, the Open University, Yorkshire Television, Bradford Art Galleries and Museums and the Universities of Leeds, Bradford and York.
Mary Fedden R.A. (1915-), "Cappadocia", signed, titled on a fragmented label verso, watercolour, 13 x 19cm.; 5 x 7.5in. * Mary Fedden was in Turkey in the early 1970`s as recorded on page 92 of ‘Mary Fedden’ by Mel Gooding. The painting depicts Cappadocia on the central Anatolian Plain. As far back as 400BC, people have carved various styles of dwellings out of the soft volcanic rock to create scenes that wouldn’t look out of place in a Star Wars film. First built to hide from the Arab raids, the elaborate cave systems have continued to shelter generation after generation of persecuted settlers. The area provides a wealth of inspiration for the artist from the elaborate rock churches with Byzantine frescoes at Goreme to the intricate, if slightly creepy monastic complex at Zelve and the underground cities of Kaymakli and Derinkuyu.
The Duke of Wellington (Arthur Wellesley) autographed letter. one line letter, dated June 27th, also a letter in the third person informing `Mr Lloyd that The Duke of Wellington has nothing whatsoever regarding sick individuals and their accommodation in the Church` and envelope with red wax seal, both dated February 7th 1835, (the first letter and the envelope with tears) (3)
A Victory wooden jigsaw puzzle, Series No. T.3, the `Southern Railway "Atlantic Coast Express"`, boxed; Victory wooden jigsaw puzzle, Series No. L.T.1, `"The Silver Jubilee" Britain`s First Streamline Train L.N.E.R.`, boxed; and a Victory wooden jigsaw puzzle, Series No. T.4, `The "Coronation Scot" L.M.S. Rly`, boxed, (3).
An English pack of `Ocean to Ocean` [Canadian View] souvenir playing cards by Goodall & Son of London, circa 1905, complete (52 cards, plus Joker, blank and index), with rounded corners and patterned backs with Provincial crests, each 9cm x 6.5cm; a U.S. pack of `Rocky Mountain` souvenir playing cards (copyrighted 1899 by Tom Jones of Denver), complete (52 cards), with rounded corners and floral patterned backs, each 8.75cm x 6.25cm, boxed (box and sleeve lacking bases); a U.S. pack of `Panama` souvenir playing cards (copyrighted 1908 by The U.S. Playing Card Co. of Cincinnati), complete (52 cards, plus Joker, map and fact cards), with rounded corners and patterned backs, each 8.75cm x 6.25cm, boxed (box sleeve torn, scarred and stained; King of Spades with torn corner); a U.S. miniature pack of `Little Duke` playing cards by The United States Playing Card Co. of Cincinnati, circa 1900, complete (52 cards, plus Joker), with rounded corners and patterned backs, each 4.5cm x 3.25cm, boxed (box lacking flap); and a U.S. pack of circular playing cards, first half 20th century, complete (52 cards, with Joker and blank), the Diamonds coloured blue and Clubs coloured green, the patterned backs with a parrot design and marked `International Printing Pressmen and Assistants` union of N.A.`, each 7.5cm diameter, in original box base (lacking lid), (5).
An English pack of playing cards by W. Kimberley of Birmingham, circa 1895, complete (52 cards), the Aces and court cards with flags and Royalty / statesmen (French to Spades / U.S. to Hearts / German to Clubs / Britain to Diamonds), with rounded corners and patterned backs with an international clocks design, each 9.25cm x 6.5cm, unboxed; an English pack of playing cards by Goodall & Son of London, circa 1897, complete (52 cards, plus blank), the court cards with portraits of British Royalty, with rounded corners and backs with portrait of Queen Victoria 1837-1897, each 9.25cm x 6.5cm, unboxed; a Belgian pack of playing cards by Van Genechten of Turnhout, circa 1900, complete (52 cards, plus The Little Joker), the Aces with Belgian cities, with rounded corners and patterned backs, each 9.25cm x 6cm, boxed (box lacking one tab); an unmarked pack of playing cards, possibly German, first half 20th century, complete (52 cards), with rounded corners and patterned backs, each 9.25cm x 6cm, unboxed; and a German pack of playing cards, first half 20th century, incomplete (51 cards, lacking nine of Hearts), stamped `Deutsches Reich....` to Ace of Spades, with rounded corners and patterned backs, each 9.25cm x 6cm, boxed, the box marked `Altenburger Spielkarten-Fabrik Altenburg` (box lacking base), (5).
An English pack of playing cards by Goodall & Son of London, circa 1900, complete (52 cards), the court cards with European Royalty and statesmen (Russian to Spades / Italian to Hearts / German to Clubs / French to Diamonds), with rounded corners and patterned backs with portraits of George III, George IV, William IV and Victoria, each 9.75cm x 6.75cm, unboxed; a Belgian pack of playing cards by Van Genechten of Turnhout, circa 1900, complete (52 cards, plus The Little Joker), the Aces with Belgian cities, with rounded corners and patterned backs, each 9.25cm x 6cm, boxed; a Danish pack of playing cards by Adolph Wulff of Copenhagen, first half 20th century, complete (52 cards), with rounded corners and patterned backs, each 9cm x 6.25cm, unboxed; a Swedish pack of playing cards by J.O. Oberg & Son, Eskilstuna, 1941, complete (52 cards, plus Joker and blank), stamped and printed to Ace of Hearts, with rounded corners and patterned backs, each 9cm x 6cm, unboxed, (4).
Postcards - Approximately 275 topographical, greetings and other cards, including real photographic views of the wreck of H.M.S. Gladiator, 1908; and The Valley, Biggin Hill; views of Hailsham Station (by Brooker of Eastbourne); and Old Watling Street, Wilnecote; artist-drawn by Louis Wain (3, including cat as Father Christmas); one Felix the cat; three First World War silks; and others, (two albums); together with a small quantity of cigarette and trade cards, (two adhesive albums).
Postcards - Approximately 220 topographical and other cards, including real photographic views of Coalpit Heath Station; Williton; Camps Bay, Cape Town (creased corner); Churn Camp (by Taunt); and the Australian cricket team, 1921; with views of the Australian rugby football team, undated (creased corner); Alveston; Moss Hall Crescent, Finchley; Osmington Mills, near Weymouth; H.M.S. Montagu on the rocks at Lundy; and others, including a First World War silk (flags of the Allies), and an artist-drawn Bonzo, some modern, (album); together with a quantity of cigarette cards, (album), (2).
Postcards - Approximately 126 topographical and other cards, including real photographic views of show-jumping, Agricultural Show, Hove, 1921; a Caledonian Railway locomotive, `Sir James Thompson`; other locomotives; a pilot and early aircraft; two others of aircraft interest; charcoal burning in the New Forest; queuing spectators, [Brighton & Hove] Albion v. Millwall, Hove, 1913; and a crowd scene, Albion v. Croydon, Hove, 1912; also four First World War silks, (leaves).
Cigarette and trade cards - Phillips, `Aircraft Series No.1`, 1938, matt, good (54/54); Player, `Hints on Association Football`, 1934, good (50/50), in adhesive album; Player, `Aeroplanes (Civil)`, 1935, good (50/50), in adhesive album; Player, `Motor Cars`, 1936, good (50/50), in adhesive album; Player, `International Air Liners`, 1936, good (50/50), in adhesive album; Player, `British Fresh-Water Fish`, 1933 (pink back), good (50/50), in adhesive album; Player, `Film Stars`, 1934, good (50/50), in adhesive album; Wills, `Safety First`, 1934, good (50/50), in adhesive album; and assorted other sets and part sets; together with a quantity of empty adhesive albums.
Two wave demonstration devices, early 20th century, the first with a series of pins tracking a slide cut with a wave profile to upper edge, set into a glazed mahogany slab stamped `GRIFFIN, KINGSWAY, LONDON`, the second similar but with turn handle operating three wire helixes; and a large laboratory constructed example, with eccentric pulleys acting on a series of L-shaped rods, in pine box case, (3).
Two lacquered brass Cardew pattern hot wire voltmeters, late 19th century, the first with silvered scale signed `W-T-GOOLDEN & CO., LONDON... No.2913`, above long cylindrical shaft, the second with circular paper scale signed `PATERSON & COOPER, LONDON, 385` beneath cylindrical shaft, in original pine box.
Doughty, Charles. Travels in Arabia Deserta, new edition, introduction by T.E. Lawrence, two volumes, Cape, London 1936. Brown buckram, dustjackets, illustrations, quarto; Garnett, David, editor. The Letters of T.E. Lawrence, first edition, Cape, London 1938. Tan buckram, illustrations, quarto; and Lawrence, T.E. Seven Pillars of Wisdom, first trade edition, Cape, London 1935. Brown buckram, illustrations, quarto, (4).

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