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Lot 5204

A 35mm German camera, Gloria, by Braun, brown leather case; match sleeves; Observer's books; small mantel clock; binoculars; stamps and first day covers; qty

Lot 5547

Stamps- first day covers various albums (3)

Lot 5620

A Royal Crown Derby 1128 Imari 27cm plate, first quality, printed marks; another 2451, first quality, printed marks (2)

Lot 5638

A Royal Doulton model First Born (boxed)

Lot 5644

Politics- An unusual T.G. Green commemorative jug, Victory souvenir, 1929, Major D Graham Pole, First Labour Member for South Derbyshire, Elected 1929

Lot 5721

Ethiopian School (20th century), a canvas, painted with Ethiopian forces, assisted by St George in the Battle of Adwa, 90cm x 188cm, c.1965-75; others, showing daily life, 88cm x 144cm (3) The Battle of Adwa (also known as Adowa, or sometimes by the Italian name Adua) was fought on 1 March 1896 between the Ethiopian Empire and the Kingdom of Italy near the town of Adwa Ethiopia, in Tigray . It was the climactic battle of the First Italo-Ethiopian War , securing Ethiopian sovereignty

Lot 391

SEVEN HARDBACK HARRY POTTER BOOKS INCLUDING FOUR FIRST EDITIONS

Lot 421

FIRST WAR PAIR TO LIEUTENANT S.T. ELLICE-CLARK. ALSO VARIOUS ENAMELLED BADGES, SILVER ARP BADGE, MINIATURE WAR MEDALS, ETC.

Lot 206

A quantity of modern first editions by various authors to include Iain Banks, Kingsley Amis, Bernard Cornwell,

Lot 208

Daphne Du Maurier, Frenchman's Cheek, pub. Victor Gollancz, 1941, first edition, in dust wrapper and another copy, (2)

Lot 209

Daphne Du Maurier, The King's General pub. Victor Gollancz, 1946, first edition, in dust wrapper

Lot 210

Daphne Du Maurier, Hungry Hill pub. Victor Gollancz, 1946, first edition, in dust wrapper

Lot 212

The Savoy Cocktail Book pub. Constable & Co, 1930, First Edition

Lot 221

John Le Carre, The Tailor of Panama, pub. Hodder & Stoughton, 1996, signed by the author in clipped dust wrapper, together with The Secret Pilgrim pub. Alfred Knopff, 1990, USA first edition; Single & Single,pub. Hodder & Stoughton, 1999, first edition (3)

Lot 227

The Savoy Cocktail Book pub. Constable & Co, 1930, First Edition

Lot 230

Kipling, The Jungle Book pub. MacMillan & Co, 1894, First Edition together with The Two Jungle Books pub. 1924 (2), and The Second Jungle Book pub. MacMillan & co 1895, (3)

Lot 237

Twenty-one Bernard Tauchnitz editions bound in uniform red cloth, pub. Sampson Low, Marston, Searle & Rivington, all possibly first editions

Lot 253

Fifteen Colllins New Naturalist first editions, all with dust jackets, with duplications

Lot 254

Twenty-one Modern First Editions, all signed,

Lot 264

Fifteen Colllins New Naturalist first editions, all with dust jackets, with duplications

Lot 270

Large quantity of the TP's and Cassell Weekly Periodical, to include the first issue

Lot 271

A quantity of novels, to include first editions, various authors to include Graham Greene, P. G. Wodehouse, Dauphine Du Maurier etc

Lot 296

Quantity of books, car and operation manuals for the Austin Handbook of The Austin Seven publication 715B, 22nd ed., and another publication 619c, 20th ed., List of Spare Parts manuals relating to publication 679c, 679A, 888B, 353i and a larger version for the Austin-Healey 100 parts list publication 1050; Garbutt, The Book of Austin Twelve pub. Sir Isaac Pitman & Sons Ltd., 1929, second edition; three drivers handbooks for a Austin Healey 3000 Mks. 1 and II, series BN7 and BT7 and Mk. II sports convertible Series BJ7; MK III sports convertible series BJ8; series BN7 and BT7; a service manual for the Austin Healey 100z series BN1 and another manual for the series BN4 and BN6; six books relating to the history and the cars of the Austin; and a letter detailing the, 'After Sales Service' of all Austin Cars duting the first one thousand miles, on headed letter paper (21)

Lot 305

Leslie Brown, British Birds of Prey, pub. Collins, 1976, First Edition, clipped dust wrapper

Lot 438

THIS LOT DOES NOT INCLUDE SILVER MEDALLIONS. First day covers, various cigarette card, toys, etc.

Lot 109

Two Hamadan runners, north west Persia, mid-20th century, the first of herati design, 13ft. 11in. x 3ft. 6in. 4.25m. x 1.07m.; the second, ivory centre medallion on a red field, 9ft. 10in. x 3ft. 2in., 3m. x 0.97m. Crease mark to centre field. -2

Lot 16

Two north west Persian rugs, Hamadan area, the first with all over design on an indigo field, 5ft. 10in. x 4ft. 5in., 1.78m. x 1.35m., the second with indigo central medallion and ivory corners, 4ft. 7in. x 3ft. 5in.1.40m. x 1.04m. Surface marks in places; reweaves and repaired kink to left side borders. Both mid-20th century. -2

Lot 183

Heriz carpet, north west Persia, first quarter 20th century, 12ft. 10in. x 9ft. 9in. 3.90m. x 2.97m. ‘Bite’ to left side border centre; overall wear. Note the most attractive ivory corners with green quarter medallions within.

Lot 210

Attractive Chinese carpet, Beijing, first quarter 20th century, 11ft. 7in. x 9ft. 3in. 3.53m. x 2.82m. Slight wear in places; some surface marks.

Lot 226

Attractive Heriz carpet, north west Persia, first quarter 20th century, 10ft. 9in. x 7ft. 8in. 3.28m. x 2.34m. Some areas of wear; slight loss to lower end.

Lot 255

Two Moroccan carpets, 20th century, the first with a central medallion, 8ft. 3in. x 7ft. 3in. 2.51m. x 2.21m. Few surface marks. The second with all over medallion design, 7ft. 7in. x 5ft. 2in. 2.31m. x 1.58m. -2

Lot 271

Attractive Ninxia rug, west China, first half 20th century, 9ft. x 6ft. 2.75m. x 1.83m.

Lot 297

Attractive Anatolian kelim, Adana district, south central Anatolia, first half 19th century, 10ft. 10in. x 5ft. 10in. 3.30m. x 1.78m. Now laid on linen. Two widths joined vertically. Areas of wear with damage in places. In spite of its condition, it is still a kelim of exceptional colour and design.

Lot 349

Two Tekke Turkmen rugs, Turkmenistan, about 1930-40s, the first 4ft. 6in. x 3ft. 8in. 1.37m. x 1.12m. Remnants of glue all edges verso. The second 4ft. 2in. x 3ft. 8in. 1.27m. x 1.12m. -2

Lot 426

Two Shahsavan sumac panels, north west Persia, late 9th/early 20th century, the first with white cotton details 5ft. x 3ft. 4in. 1.52m. x 1.02m. The other 4ft. 11in. x 3ft. 7in. 1.50m. x 1.09m. Both made up from mafrash panels. -2

Lot 508

Two Tibetan women’s finely woven woollen dress aprons, late 19th/early 20th century, the first with soft blue, pink, dark and light brown narrow horizontal bands, 36in. x 31in. 92cm. x 79cm.; the other a darker palette in shades of dark brown, pink and blue, 34in. sq. 87cm. sq. Tape coarsely sewn to both ends. Both of four widths joined vertically. Seams coming apart in places. According to the available literature, these aprons worn by married women were usually made up of three widths. See Hali, Issue 179 (Spring 2014) pp. 61-69 for an article on The Tibetan Aprons in The Karun Thakar Collection, written by Chris Buckley, where further references are cited. Interestingly, a black and white photograph showing Sherpa women wearing such aprons appears in Shipton, Eric, The Mount Everest Reconnaissance Expedition 1951, p. 80 -2

Lot 510

Two Chinese silk and metal thread brocade seat covers, the first: deep purple/blue silk ground woven in gold coloured metal thread with central five-clawed Imperial dragon chasing a flaming pearl, flanked by two pairs of five-clawed dragons chasing a flaming pearl, 21in. x 22in. 53cm. x 56cm. The second: a matching seat cover of similar design, 18in. x 21in. 46cm. x 53cm. Both late 19th/early 20th century. Second seat cover faded. -2

Lot 518

Two modern European presentation patchwork quilts, the first with squares of diagonal floral and plain cotton bands, each square divided by plain maroon cotton bands the quilt similarly edged; embellished with buttons and miniature scissor ornament; lined with floral cotton and bearing a fabric hand-written note verso: ‘This quilt made by Nadine and given to Klaus & Ulrike,…. 10 December 2006’; 81in. x 60in. 206cm. x 153cm. The second quilt composed of squares of floral printed and plain crazy patchwork divided by floral printed bands, embellished with two tiny insect motifs and a miniature scissor ornament; lined with floral printed cottons; in one corner a fabric hand-written note: ‘Klaus. Made by Nadine……2009’ and in the other corner an embroidered label: ‘Dear Nadine, That’s the quilt we’ve been looking for…….Ulrike and Klaus’. 56in. x 50in. 142cm. x 127cm. -2

Lot 520

Pair of silk embroideries of ribbon tied flowers, the first on a cream satin ground worked in long and satin stitch with one floral motif in chenille work; the second with a corded silk ground, the flowers worked in long and satin stitch and some flowers with speckling. English, 19th century, each 14½in. x 12½in. 37cm. x 32cm. The first with shattering to the ground; the second with time stains. Each glazed and in modern frames.

Lot 53

Two Bakhtiari rugs, Chahar Mahal Valley, south west Persia, about 1930s, the first 6ft. 7in. x 4ft. 9in. 2.01m. x 1.45m. Slight losses to ends. The second, 4ft. 9in. x 3ft. 1.45m. x 0.91m. Overall wear; lower end outer guard rewoven. -2

Lot 54

Two Hamadan rugs, north west Persia, mid-20th century, the first 7ft. x 4ft. 10in. 2.13m. x 1.47m. The second 6ft. 5in. x 4ft. 6in. 1.96m. x 1.35m. Overall wear; losses to ends.

Lot 140

BESWICK SHIRE MARE BROWN GLOSS WITH YELLOW RIBBONS 21.6CM HIGH FIRST VERSION BLACK CIRCLE BACK STAMP AND A BESWICK KINGFISHER MODEL 2571 GLOSS 12.7CM HIGH, TIP OF BEAK A/F

Lot 142

BESWICK PINTO PONY 1373, SKEWBALD COLOUR WAY 16.5CM HIGH FIRST VERSION

Lot 365

THREE ALBUMS OF BENHAM SILK FIRST DAY COVERS - JERSEY/CHANNEL ISLANDS, BRITISH ISLAND COIN COLLECTION ETC

Lot 366

TWO ALBUMS OF SILK FIRST DAY COVERS INCLUDING: FLORA AND FAUNA ETC

Lot 369

THREE ALBUMS OF BENHAM SILK GB FIRST DAY COVERS

Lot 371

GOOD SELECTION OF SILK FIRST DAY COVERS AND STAMPS - MOSTLY GB

Lot 372

TWO ALBUMS OF GB RAF RELATED FIRST DAY COVERS AND A SELECTION OF AERONAUTICAL FIRST DAY COVERS

Lot 417

A collectors lot to include three vintage dolls, to include a "Roddy" doll, various packs of vintage playing cards, a vintage first aid box, wooden boxes, ivory pens, feather quills and two tiny cased white metal funnels etc.

Lot 143

A FRENCH MARBLE TOPPED CHESTNUT POT CUPBOARD AND A FRENCH OAK PEDESTAL POT CUPBOARD, BOTH LATE 19TH C the first with a drawer and door to either end and carved on all four sides, the second with panelled sides, the first 80cm h; 53 x 65cm

Lot 226

A ENGLISH BOXWOOD GAUGER'S RULE WITH FOUR SIDES AND A BOXWOOD DOUBLE SLIDE RULE BY DRING & FAGE, BOTH EARLY 19TH C the first unsigned, the second branded DRING & FAGE MAKER'S NO 20 TOOLEY ST LONDON BRIDGE++Both of attractive dark colour and patina with slight handling wear but complete, undamaged and in working order, some old inkstains

Lot 302A

† SYBIL MULLEN GLOVER, RI, ARWA, RMSA (1908-1985) COUCH'S MILL LOSTWITHIEL; SUTTON POOL two, both signed, signed again and inscribed on the artist's labels on the backboard, watercolour, 28 x 53cm and 36.5 x 50cm (2)Exhibited: (the first) RI, 1968.++Both in fine condition with handling marks and foxing on the mounts, undisturbed in the original 1960s limed oak moulded frames

Lot 348

HENRY SCHAFER (1833-1916) FRANKFURT; FECAMP a pair, one signed and dated 1890, the other signed with monogram and dated 1889, the first signed again and inscribed verso FRANKFORT ON MAIN GERMANY Copyright reserved, oil on canvas, 39 x 29cm (2)++Frankfurt in fine lightly cleaned unlined condition. Fecamp - restored and lined in modern 18th c style gilt frames as a pair

Lot 484

A GEORGE I SILVER MINIATURE CHAMBERSTICK AND ANOTHER with ring handle, 5.3 and 6.5cm l, lion passant only or unmarked, the first c1730, 14dwts++Both in satisfactory condition. The larger example with repaired or replacement ring handle

Lot 515

A CHARLES II SILVER GILT TREFID SPOON AND A WILLIAM AND MARY SILVER TREFID SPOON the first engraved with contemporary initials and date EG 1675 (7 reversed), the second with initials *C*W*I, both London, the first maker IS crowned, presumably John Smith c1675, the second maker IC, with rosette and two pellets below, presumably John Clifton 1690, 2ozs 10dwts++Both with light overall wear, the marks well spaced and struck

Lot 81

HENTY (G A) THE TIGER OF MYSORE; WITH MOORE AT CORUNNA; BOTH SIDES OF THE BORDER all first editions, illus, pictorial cloth, aeg, 1896, 98 and 99 (3)

Lot 83

WAUGH (EVELYN) THE LOVED ONE first edition, dust jacket, 1948, Whistler (L & R), Oho!, 1946 and H E Bates, Love for Lydia, 1952 (3)

Lot 744

Large quantity of first quality Royal Albert Old Country Roses dinner and tea ware

Lot 208

George Romney (1734-1802), Portrait of the Reverend Robert Potter, oil on canvas, 76cm x 63.5cm, inscribed to labels verso Provenance: Included in a National Portrait Exhibition of 1868, labelled accordingly. Lent by Miss Conway Griffith. The frame has an Aldrood Frame and Gilder's label verso. Note: The Reverend Robert Potter (1721-1804) was a Church of England clergyman, translator and poet. Born in Somerset, he was ordained after graduating from Emmanuel College, Cambridge and then served in various parishes including Lowestoft and Kessingland in Suffolk, also becoming prebendary of Norwich Cathedral, a position gifted to him by Lord Edward Thurlow. Rising from fairly lowly means, he was brought to the attention of literary society as a result of being the first scholar to translate the works of Aeschylus. At the height of his influence he counted amongst his patrons Elizabeth Montagu, the rich and influential leader of society in London. He sat for Romney in the summer of 1778, during a brief trip to London. In a letter to William Doughty he wrote ''the days were spent chiefly in rambling from painter to painter, which to me is the highest of all entertainments............The excellent Romney gave me my head, as a picture a wonderfull (sic) fine one.'' It is possible that Romney presented this portrait as a gift as Potter knew that Romney wished to paint a scene from Euripide's Alcestis and had provided him with a transcript of his translation to help him

Lot 270

Braun and Hogenburg, Cestria (Vulgo) Chester Anglia, an engraved town plan of Chester, first published in Cologne 1581, this edition published 1657, 32cm x 43cm, mounted to the edge of the engraving and set within a late Victorian oak frame

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