A quantity of Japanese text, art reference books or catalogues with black and white photographs of kakejiku, cha no yu utensils, Ukiyo-e, stone toro, Mingei or domestic crafts, screens, Buddhist Sculpture and swords; together with a number of Volumes of the 'Transactions and Proceedings of The Japan Society' (including: Volume 1, 1892; Volume III, 1894-5;) and a number of Asiatic Society Transactions volumes (lot) As The Japan Society was founded in 1891, the Volume I Transactions here are presumably the Society's First ever.
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Three Lladro figures: Oopsy Daisy, 6691, 1999, 12 cm high; Rosy Posey, 6690, 1999, 13 cm high and First Performance, 6763, 2000, 15.5 cm high, all with original boxes (3) Condition: Oopsy Daisy - nic to one skirt petal. The other two in good condition - without cracks, chips or losses at time of cataloging.
Five Lladro figures: Tired Friend, 5812, 1990, 12.5 cm high; Pierrot with Puppy & Ball, 5278, 1985, 12 cm high; Having a Ball, 5813, 1990, 18 cm high; First Performance, 6763, 15.5 cm high and My Debut, 6764, 2000, 12 cm high, all with original boxes (5) Condition: All in good condition - without cracks, chips or losses at time of cataloging.
Utagawa Kuniyoshi (1797-1861), Japanese oban diptych, two Onnagata beneath sakura branches; together with another diptych, also Utagawa School, of two figures beside a futon, signed Toyokuni ga (4)Please note that some damage and deterioration including: the first diptych with central fold marks, tearing, loss and light or other damage.
Black Sabbath; Three early and first pressing Vertigo label vinyl record albums, Master of Reality 6360050 matrix 1Y//1 420 2Y//1 420, no poster, with inner Vertigo sleeve, Vo 6 847903VTY matrix 1Y*1 420, 13 21 2Y* 420 12 13, large swirl, No Philips under Vertigo logo, with inner Vertigo sleeve, Vol. 4 6360071 matrix 1Y//1, 2Y//1 with inner Vertigo sleeve, (3).
A large collection of assorted railwayania, early 20th CenturyTo include black and white photographs of steam trains, drivers authorities to travel, railway tickets, driver's hat for the L.M.S railway line, Post Office Masters signal block, various booklets to include L.M.S name plates, preserved locomotives, Britain's first decimal coinage, postcards etc.
A collection of 6 bottles of Glenmorangie and Glenfiddich Malt Whisky (an interesting comparative tasting here!) Comprising 1 Litre bottle Glenmorangie 'The Original' 10 yo, 1 bottle (70 cl.) Glenmorangie 'The Original' 10 yo, 1 bottle Glenmorangie 10 yo from 1980's, 1 Glenmorangie Millenium Malt 12 yo 'First Fill' 1 bottle Glenfiddich, 1 bottle Glenfiddich 'Clans of the Highlands' Clan Montgomerie
Seven Harry Potter 1st edition hardbacks with dust jackets comprising The Prisoner of Azkaban; The Goblet of Fire; The Order of the Phoenix; The Half-Blood Prince (2 copies); and The Deathly Hallows (2 copies); together with a Deathly Hallows first day release promo bag; and two first edition Harry Potter paperbacks. (10)
A collection of Concorde memorabilia including an Air France Jean-Pierre Lepine inlaid wooden fountain pen; two boxed sets of four Christofle for Air France silver plated cofee spoons; two grey leatherette toiletry bags with various original contents etc.; together with other BA First Class items. (qty)
Two 19th century embroidered and needlework samplers the first signed 'Honora Macintosh 10', with embroidered scene of a family and their dog in a country landscape, below panels of religious text and two monograms, within a floral meander border, 12¼ x 15in. (31 x 38cm.), in modern bird's eye maple frame, holes and repairs; the other signed 'Maggie W. Scott Age 10', with short motto panel below a flowering urn and shrubs, alphabet panel and floral borders, in gilt frame, 15¾ x 15in. (40 x 38cm.). (2)
Three antique porcelain walking cane or parasol handles in the Meissen and Sevres styles, comprising a porcelain twist handle decorated with floral sprays, the central classical decoration depicting a dandy and his lover; and two spherical knobs, the first in blue and gold gilt with central decoration of a child at a water feature, the second in white with gilt decoration, floral sprays and a dandy and his lover in a forest scene. (3) * Condition: All in good condition with very little wear to underside hole edges. No chips or other damage. Minor gilt wear.
A Chinese Canton carved ivory puzzle ball on stand 1920s-30s, the 2¾in. (7cm.) ball with thirteen layers, the inner balls pierced with dots and stars, the outer ball carved and pierced with three reticulated dragons amidst foliage, on a typical turned stand with a further four layer ball to the centre, the base with reticulated dragon decoration, 11¼in. (28.5cm.) high. * Condition: The outer ball with one tiny piece missing (2/3mm from foliate carving), the first inner ball with broken parts in three places, all other balls very good, otherwise good condition.
Various WWI & WWII medals & cap badgesthe first group - awarded to 1821, PTE J.F.Parsonage, Manchester Reg, consisting of British War medal (no ribbon), Victory medal, ribbon for 1914-15 cross and a Manchester Reg cap badge; the second group - awarded to 202, PTE E.Sunderland, Manchester Reg, consisting of Victory medal, 1914-15 cross, and a Manchester Reg cap badge; the third group - consisting of a single Victory medal awarded to 376160 PTE H. Lord, Manchester Reg, togetther with cased bronze medallion, 8th (A) Bn; the forth group - awarded to 61090, PTE H. Lord, Welsh Reg, consisting of War & Victory medals; the fifth group - WWII Defence & War medals.
A rare Littlefield Parsons & Co whole-plate Union Case 'The Landing of Columbus', containing neatly overpainted ambrotype of portly seated gentleman, 1850s, overall G, some chipping to corners; see 'Union Cases A Collector's Guide to the Art of America's First Plastics', Krainik, C and M, with Walvoord, C, Centennial Photo Service, 1988, p. 22-23, no. 1
A Numbered Series of Limited Edition Prints, no. 0018/0050 from a limited run of this print series, three examples of technical drawings from the earliest Leica models; the first, dated 23 June 1923 showing the Nullserie camera, the second, dated 5 August 1924, shows the production model, and the third illustrates the same camera with a numbered key naming the various parts of the camera, also incorporating the first use of the name 'Leica', these prints come together with a fourth framed piece writted by Gianni Rogliatti explaining in detail the significance of each of these drawings, framed and glazed, signed and numbered, H49cm, W68
TURNER J. M. W.: (1775-1851) English Painter. An extremely rare, pair of early ink signatures, W Turner, together on a slim 8vo page removed from the Attendance Book of the Plaister Academy at the Royal Academy, London, 1st September (17)90. The fifteen year old Turner's bold signatures appear toward the centre of the page and once again further down, and above and below his signatures appear those of twelve other fellow students, with a further fourteen signatures to the verso. Included are the signatures of artists Thomas Hargreaves (2) and Thomas Kearsley. Some minor age wear, and very slight traces of former mounting to the right edge of the recto, otherwise VG Joseph Mallord William Turner, known within his family as William, entered the Royal Academy Schools as a promising student at the age of 14. The young Turner first worked in the Plaister Academy, drawing from casts of antique sculpture. In the biography Turner In His Time (1987) Andrew Wilton notes that Turner's 'name appears fairly frequently in the registers between 21st July 1790 (the earliest record extant) and 8th October 1793. Provenance: Some of the Attendance Books now in the Library of the Royal Academy were once the property of the renowned British collector Charles Fairfax Murray (1849-1919) and bear his Ex-Libris to the inside boards. Upon the dispersal of his large collections, the Registers, with a number of pages removed, were apparently re-acquired by the Royal Academy. The present, previously missing page, was re-discovered in Australia, tipped into an old Victorian album.
A collection of vintage dolls including a boxed Blossom 'Miss Walkalone' doll, a 'World of Beauty' styling set, a boxed Rosebud 'Baby First Step' doll, an Italian Brevetti plastic doll, a boxed German Gotz plastic doll, in unused condition with tag approx 44cm high and two German Schmidt Gotz Modell composite dolls with bisque painted heads and limbs wearing Edwardian style velvet dress, the larger doll boxed with certificate, approx 38cm and 48cm respectively
A 1929 Singer Junior 8 HP delivery van, registration number MW 4478, chassis number 12578, engine number 13296, black over blue. First revealed at the 1926 Motor Show, the 8 HP Junior was a quality light car powered by a 848cc four cylinder overhead camshaft engine. As with many of its contemporaries the Junior lent its chassis and engine to the commercial sector and with upgraded shock absorbers and stronger rear springs, a 5 CWT van was created. The commercial body was available in either single or double rear doors which gave access to a generous 60 cubic feet load area. This original 8 HP delivery van is believed to be only one of six survivors. From information taken from the Singer Owners Club records it would appear that the Singer was registered to its first owner, a Mr H E Munday from Hampshire in the summer of 1929 (Mr Munday's details are still sign-written on the driver's door). Following only two years of service, the 5 CWT van was laid up and sold to a Mr F James. In 1971 the van was offered for sale and passed into the ownership of Mr G D Akehurst from Kent who retained ownership until 1983, whereupon it was sold to the previous owner prior to our vendor acquiring it in 2005. The van is in wonderful original and generally sound condition. The van is fundamentally in the same condition as purchased by our vendor in 2005 and has been dry stored awaiting sympathetic restoration/ preservation. Unfortunately due to work and other commitments this has not been possible, so reluctantly the Singer is being offered for sale. The Singer will be offered for auction with a V5C and Singer and Rotax electrical manuals. V5C, MOT and tax exempt See illustratiions
A 1969 Jensen Interceptor Series I, registration number 42 LOF, chassis number 115-3211, aubergine. First shown to an appreciative general public at the October 1966 Earls Court Motor Show, the Touring of Milan designed Interceptor certainly caused a sensation. Initially built by Vignale of Turin, the Interceptor was quickly taken back and assembled in house due to quality control issues. The Series I Interceptor would remain in production until October 1969 when the Series II became available. This example we have the pleasure of offering for auction is somewhat different from the normal Interceptor, as it has been re-built and upgraded to a unique specification. Thirteen years ago the car was completely stripped and re-built by a South Coast Classic Car Company as a feasibility study into the possibility of producing and marketing a more modern, more economical and reliable Interceptor. Although the car proved very successful, due to other business commitments the project did not go ahead and this prototype has been kept by the company ever since and is one of a kind. The original 6.3 litre V8 Chrysler engine and three speed automatic transmission have been replaced by a Buick derived 4 litre V8 engine with a five speed manual transmission. This reduced the weight of the car considerably still giving the car more than adequate performance and much improved MPG. The original rear axle was retained, as was the rear suspension with new springs and adjustable shock absorbers. The front end of the car is as per Mk III Interceptor incorporating better suspension also with adjustable shock absorbers, vented disc brakes and power assisted steering. The car is also fitted with a stainless steel exhaust system throughout. The bodywork was fully rebuilt at the time and incorporated some alterations including different rear light assembles, front side lamps and indicators, front grill, front bumper, front wing air vents, bonnet air scoop and electric sun roof. Stainless steel finishing's to many areas included the body sills, door shuts etc. The car is also fitted with sundym glass to all windows. The interior was fully trimmed in grey and maroon leather with changes to the centre switch panel, the fitting of separate oil and water gauges and colour coding throughout. The present condition of the car is said to be excellent in all respects as it was completed some eleven years ago. No remedial work whatsoever has been necessary or done since the restoration, which bears testament to the quality of the re-build. This superb example of an iconic 1960s GT car, with much improved driving and handling, far better MPG and easier maintenance has none of the usual unreliability of the original cars and is unique. This Jensen will be offered with its transferable registration number. V5C, MOT to July 2019, tax exempt See back cover and other illustrations
A 1973 Jaguar E-Type Series III V12 2+2 automatic coupé, registration number HVG 889L, chassis number 1S51837BW, engine number 7S8308 SA, Azure blue. The Series III was the last of the line of Jaguar's illustrious E-Type family. The new car featured the mighty V12 engine producing 272 bhp, which in turn enabled the Jaguar to have a top speed in excess of 135 mph, and a 0-100 mph time of around 16 seconds which made the V12 the fastest accelerating production E-Type. This example, a matching numbers 2+2 automatic coupé has had what can only be described as a very subdued life. The Jaguar was originally supplied by Lex Motors, Chelmsford, Essex, to its first owner, D L Iszatt and carried the registration number BHK 13L. Doctor Iszatt would retain ownership until 1976, whereupon the Jaguar would pass into the ownership of the Kidney Family. The Jaguar went into storage in 1978 and would remain there until 1999. During 1999 the E-Type was re-sprayed in its original colour of Azure blue and the car was MOT'd (recorded by odometer mileage of 6,839 miles). The Jaguar was then used for 90 miles before going back into storage until 2017. It is assumed that the original number plate was changed in 1999 to its current HVG 889L. In 2017 the E-Type was re-commissioned by Qprep, a Jaguar specialist to obtain an MOT at a cost of nearly £2,000. There is a letter on file stating that they felt that the E-Type had covered a genuine low mileage due to its still retaining all of its original components including the original tyres! Further re-commissioning has been carried out by our vendor this year, including a brake overhaul, with new discs, all hoses have been replaced, new suspension bushes throughout, new ball joints and numerous other components, at a cost of nearly £4,000. Since then the Jaguar past its MOT in June this year without any advisories. The E-type is very original with a beautifully patinated dark blue leather interior. There is a Webasto full length sunroof fitted for those sunny days and the car sits on period correct steel wheels. On our inspection for the catalogue photographs, the odometer read 6,920 miles (which will increase slightly) and the Jaguar started instantly showing excellent oil pressure and sounded in fine fettle. The history file only contains one previous MOT from 1999 (mileage - 6,839). The two recent MOTs, parts invoices from S N G Barratt, the aforementioned letter from Qprep, their invoice for the re-commissioning work, further re-commissioning invoices, HPI certificates, an owner's handbook and maintenance chart. V5C, MOT to June 2019, tax exempt See illustrations
David Sinclair Nixon (American/New Orleans, 1904-1973), "3 Harlequins", 1954, oil on canvas, signed, titled, dated and inscribed "Paris" en verso, 20 in. x 36 in., framed. Note: Born in Bessemer, Alabama, David Sinclair Nixon spent much of his early life traveling between the United States and Europe while studying violin. In the late 1920s, Nixon established a home with his wife, June Prudhomme, in Paris, where he first developed an interest in modern art and became friends with poet Ezra Pound. By 1938, Nixon had settled in New Orleans at 529 Madison Street and 532-534 Dumaine Street, where he and June would live and run a studio, exhibition and performance venue. The Nixons were quickly embraced by New Orleans’ art and literary circles. In the 1940s, Nixon opened the Little Gallery on Royal Street to exhibit his own work and that of many other local artists. The couple continued to travel extensively in Europe, Asia and North America, periodically returning to their home New Orleans. Nixon’s paintings are colorful, often abstract works, inspired by his travels and frequently featuring his signature, elongated nymph-like figures. Ref.: Burton, Tony. “David Sinclair Nixon, Ezra Point and Ajijic.” Lake Chapala Artists. www.lakechapalaartists.com. Accessed June 11, 2018.
Gretchen Van Sant Lansford (American/Louisiana, 1908-1978), "Seaside Holiday", oil and tempera on masonite, signed lower right, label with title and artist en verso, 20 in. x 16 in., framed. Note: Gretchen Lansford’s professional career as an artist and an art conservator coincided with her husband, Alonzo, serving as the first full-time director (1948-1957) of the Isaac Delgado Museum of Art, now the New Orleans Museum of Art. The couple was active in the New Orleans art community, and Lansford exhibited with fellow local artists such as John Clemmer, Robert Helmer, and Shearly Grode. The Lansfords lived on Governor Nicholls Street and collected art throughout their lives. In the painting offered here, Lansford uses bright colors and expressionistic brushstrokes to portray a late 19th century family visiting the beach.
Jean-Pierre Serrier (French, 1934-1989), "Bastille Day Celebration", oil on canvas, signed lower right, 9 1/2 in. x 5 1/2 in., framed. Note: Jean-Pierre Serrier was born in Montparnasse and attended the Académie des Beaux-Arts in Paris. He had his first exhibition in 1955, before being sent to Algeria to complete his military service. In 1961, Serrier made his first visit to the United States to exhibit at a New York gallery. In 1975 and 1979, he had successful exhibitions in New Orleans, and his work was included in art and news magazines, including Time and Newsweek. He was a member of the Autumn Salon and in 1976 was elected a jury member. He exhibited widely during his lifetime, including in London, Paris, Geneva, and Brussels, and posthumous retrospectives of his work took place in New York and New Orleans.
Two African Carved Wood Chi Wara Headdresses, Bamana Peoples, Mali, h. 63 1/4 in. and 39 in. Provenance: Memphis Brooks Museum of Art, Memphis, TN. First (larger) Exh.: Memphis Brooks Museum, "Art of Africa: The Henry Easterwood Collection", Jan. 1994-Dec. 1995 and "Art of Africa", Jan. 2004-Nov. 2015
Two African Carved Wood Hornbill Figures, Senufo Peoples, Mali or Ivory Coast, h. 53 1/8 in. and 21 1/4 in. Provenance: Memphis Brooks Museum of Art, Memphis, TN. First Exh.: Memphis Brooks Museum, "Art of Africa: The Henry Easterwood Collection", Jan. 1994-Dec. 1995 and "Art of Africa", Jan. 2004-Nov. 2010

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