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Lot 38

A quantity of Japanese text, art reference books or catalogues with black and white photographs of kakejiku, cha no yu utensils, Ukiyo-e, stone toro, Mingei or domestic crafts, screens, Buddhist Sculpture and swords; together with a number of Volumes of the 'Transactions and Proceedings of The Japan Society' (including: Volume 1, 1892; Volume III, 1894-5;) and a number of Asiatic Society Transactions volumes (lot) As The Japan Society was founded in 1891, the Volume I Transactions here are presumably the Society's First ever.

Lot 603

Three Lladro figures:  Oopsy Daisy, 6691, 1999, 12 cm high;  Rosy Posey, 6690, 1999, 13 cm high and First Performance, 6763, 2000, 15.5 cm high, all with original boxes (3) Condition: Oopsy Daisy - nic to one skirt petal.  The other two in good condition - without cracks, chips or losses at time of cataloging.

Lot 605

Five Lladro figures:  Tired Friend, 5812, 1990, 12.5 cm high;  Pierrot with Puppy & Ball, 5278, 1985, 12 cm high;  Having a Ball, 5813, 1990, 18 cm high;  First Performance, 6763, 15.5 cm high and My Debut, 6764, 2000, 12 cm high, all with original boxes (5) Condition:  All in good condition - without cracks, chips or losses at time of cataloging.

Lot 679

A Coalport tea service, first half of 20th century, simple bat wing style, pattern 6427, comprising six tea plates, cake plate, ten saucers, ten cups and sugar bowl (38)No chips or cracks.  Overall crazing but not dis-coloured

Lot 76

Utagawa Kuniyoshi (1797-1861), Japanese oban diptych, two Onnagata beneath sakura branches; together with another diptych, also Utagawa School, of two figures beside a futon, signed Toyokuni ga (4)Please note that some damage and deterioration including: the first diptych with central fold marks, tearing, loss and light or other damage.

Lot 13

Led Zeppelin; vinyl music record selection to include, first self titled with orange text cover with red/plum lebels, Physical Graffiti first pressing SSK89400 with matrix A1/B5 D1/C1 with no Warners logo on labels, Led Zeppelin II with red/plub labels, House of the Holy and Presence, (5).

Lot 134

Four albums of stamps, two albums West Germany 1880-1993, one album overprints, General Government, Rheinland- Pfalz, Wurtemberg, American-British and Russian Zones, one album East Germany 1952-2007, a box of German First Day Covers etc. (5)

Lot 5

The Jimi Hendrix Experience; vinyl music record, first stereo pressing matrix 613003 A/1 B/1, with inner insert.

Lot 9

Black Sabbath; Three early and first pressing Vertigo label vinyl record albums, Master of Reality 6360050 matrix 1Y//1 420 2Y//1 420, no poster, with inner Vertigo sleeve, Vo 6 847903VTY matrix 1Y*1 420, 13 21 2Y* 420 12 13, large swirl, No Philips under Vertigo logo, with inner Vertigo sleeve, Vol. 4 6360071 matrix 1Y//1, 2Y//1 with inner Vertigo sleeve, (3).

Lot 158A

A large collection of assorted railwayania, early 20th CenturyTo include black and white photographs of steam trains, drivers authorities to travel, railway tickets, driver's hat for the L.M.S railway line, Post Office Masters signal block, various booklets to include L.M.S name plates, preserved locomotives, Britain's first decimal coinage, postcards etc.

Lot 309

A collection of 6 bottles of Glenmorangie and Glenfiddich Malt Whisky (an interesting comparative tasting here!) Comprising 1 Litre bottle Glenmorangie 'The Original' 10 yo, 1 bottle (70 cl.) Glenmorangie 'The Original' 10 yo, 1 bottle Glenmorangie 10 yo from 1980's, 1 Glenmorangie Millenium Malt 12 yo 'First Fill' 1 bottle Glenfiddich, 1 bottle Glenfiddich 'Clans of the Highlands' Clan Montgomerie

Lot 352

Two stamp albums containing mint and used stamps of the worldAnd two Royal Mail albums containing in excess of fifty presentation packs from the late 1990s to early 2000s and approximately fifty First Day Covers.

Lot 501

Two Beswick models of budgerigar Model number 1216, first and second version, height 18.5cm CONDITION REPORT: 1217 - restoration to wings and to each flowers1216 - restoration to one wing.

Lot 553

Two 19th Century Meissen figuresThe first of a young girl holding a basket of flowers, the second feeding a lamb, largest height 13cm, both with blue cross sword marks to base.

Lot 647

British School (19th Century) - 'The Ride'Oil on canvas, unsigned, 29x49cm, inset in gilt frame CONDITION REPORT: Surface of picture with craquelureSome white marks on the neck of first horseAppears to have been relinedChip to base of frame

Lot 147

Two sets of six George III silver bright cut teaspoons the first by Thomas Northcote, London 1784, with engraved initials MN to terminal; the second by Charles Hougham, London 1790, weight 4.1 tr.oz. (12)

Lot 233

Seven Harry Potter 1st edition hardbacks with dust jackets comprising The Prisoner of Azkaban; The Goblet of Fire; The Order of the Phoenix; The Half-Blood Prince (2 copies); and The Deathly Hallows (2 copies); together with a Deathly Hallows first day release promo bag; and two first edition Harry Potter paperbacks. (10)

Lot 280

A collection of Concorde memorabilia including an Air France Jean-Pierre Lepine inlaid wooden fountain pen; two boxed sets of four Christofle for Air France silver plated cofee spoons; two grey leatherette toiletry bags with various original contents etc.; together with other BA First Class items. (qty)

Lot 312

Two 19th century embroidered and needlework samplers the first signed 'Honora Macintosh 10', with embroidered scene of a family and their dog in a country landscape, below panels of religious text and two monograms, within a floral meander border, 12¼ x 15in. (31 x 38cm.), in modern bird's eye maple frame, holes and repairs; the other signed 'Maggie W. Scott Age 10', with short motto panel below a flowering urn and shrubs, alphabet panel and floral borders, in gilt frame, 15¾ x 15in. (40 x 38cm.). (2)

Lot 421

A vintage Parsons leather Doctors case together with a vintage first aid kit and syringe.

Lot 560

Kendrick, T. D.The Archaeology of the Channel Islands, volume I, first edition, pub. 1928, Methuen & Co. Ltd., London, with dust jacket.

Lot 652

Three antique porcelain walking cane or parasol handles in the Meissen and Sevres styles, comprising a porcelain twist handle decorated with floral sprays, the central classical decoration depicting a dandy and his lover; and two spherical knobs, the first in blue and gold gilt with central decoration of a child at a water feature, the second in white with gilt decoration, floral sprays and a dandy and his lover in a forest scene. (3) * Condition: All in good condition with very little wear to underside hole edges. No chips or other damage. Minor gilt wear.

Lot 73

A Chinese Canton carved ivory puzzle ball on stand 1920s-30s, the 2¾in. (7cm.) ball with thirteen layers, the inner balls pierced with dots and stars, the outer ball carved and pierced with three reticulated dragons amidst foliage, on a typical turned stand with a further four layer ball to the centre, the base with reticulated dragon decoration, 11¼in. (28.5cm.) high. * Condition: The outer ball with one tiny piece missing (2/3mm from foliate carving), the first inner ball with broken parts in three places, all other balls very good, otherwise good condition.

Lot 9

Various WWI & WWII medals & cap badgesthe first group - awarded to 1821, PTE J.F.Parsonage, Manchester Reg, consisting of British War medal (no ribbon), Victory medal, ribbon for 1914-15 cross and a Manchester Reg cap badge; the second group - awarded to 202, PTE E.Sunderland, Manchester Reg, consisting of Victory medal, 1914-15 cross, and a Manchester Reg cap badge; the third group - consisting of a single Victory medal awarded to 376160 PTE H. Lord, Manchester Reg, togetther with cased bronze medallion, 8th (A) Bn; the forth group - awarded to 61090, PTE H. Lord, Welsh Reg, consisting of War & Victory medals; the fifth group - WWII Defence & War medals.

Lot 247

Seven Royal Mail First Day Covers maroon albums with fifty-eight covers 2000-2001, sixty-one covers 2002-2003, sixty-three covers 2004-2006, sixty-five covers 2006-2007, seventy-three covers 2008-2009, seventy-eight covers 2011-2013 and sixty-three covers 1998-2000

Lot 377

First Edition ' Cartoonist ', quantity of other miscellaneous ephemera and newspapers

Lot 457

Collection of various First Day covers and Commemorative stamps

Lot 465

J.K. Rowling, quantity of various Harry Potter books (some First Edition)

Lot 466

Ian Fleming, ' Thunderball ', First Book Club edition, together with other miscellaneous books

Lot 102

Four Magic Lantern Slide Stories, John Hampden - 6 coloured slides; Tim’s First Speech - 6 coloured slides; Little Jim - 6 coloured slides; and, The Mistletoe Bough - 9 coloured slides, F/G, (27)

Lot 239

A rare Littlefield Parsons & Co whole-plate Union Case 'The Landing of Columbus', containing neatly overpainted ambrotype of portly seated gentleman, 1850s, overall G, some chipping to corners; see 'Union Cases A Collector's Guide to the Art of America's First Plastics', Krainik, C and M, with Walvoord, C, Centennial Photo Service, 1988, p. 22-23, no. 1

Lot 240

Union Cases A Collector's Guide to the Art of America's First Plastics', Krainik, C and M, with Walvoord, C, Centennial Photo Service, 1988, in dust jacket, VG, jacket F

Lot 480

A Leica II Model D Camera, serial no. 78906, 1932, black, first batch, nickel fittings, shutter working, body, G, minor brassing and marks to paint, with 50mm f/3.5 Elmar, no. 93397, eleven o'clock release, bell push, barrel G, elements, G, cleaning marks, with maker's cap

Lot 502

A Leitz 5cm f/2 Summitar Lens, serial no 487950, 1938, from the first production batch, chrome, continental scale, circular iris diaphragm, barrel, G-VG, elements, G-VG, with maker's caps

Lot 532

A Leitz 60mm f/2.8 Macro-Elmarit Lens (11205), serial no. 2762751, 1976, first version, black, barrel, G, elements, G, with maker's caps and matching numbers box, together with a Macro-Elmarit Adapter 1:1 (14198), barrel, G-VG, in maker's box

Lot 537

A Numbered Series of Limited Edition Prints, no. 0018/0050 from a limited run of this print series, three examples of technical drawings from the earliest Leica models; the first, dated 23 June 1923 showing the Nullserie camera, the second, dated 5 August 1924, shows the production model, and the third illustrates the same camera with a numbered key naming the various parts of the camera, also incorporating the first use of the name 'Leica', these prints come together with a fourth framed piece writted by Gianni Rogliatti explaining in detail the significance of each of these drawings, framed and glazed, signed and numbered, H49cm, W68

Lot 166

TURNER J. M. W.: (1775-1851) English Painter. An extremely rare, pair of early ink signatures, W Turner, together on a slim 8vo page removed from the Attendance Book of the Plaister Academy at the Royal Academy, London, 1st September (17)90. The fifteen year old Turner's bold signatures appear toward the centre of the page and once again further down, and above and below his signatures appear those of twelve other fellow students, with a further fourteen signatures to the verso. Included are the signatures of artists Thomas Hargreaves (2) and Thomas Kearsley. Some minor age wear, and very slight traces of former mounting to the right edge of the recto, otherwise VG Joseph Mallord William Turner, known within his family as William, entered the Royal Academy Schools as a promising student at the age of 14. The young Turner first worked in the Plaister Academy, drawing from casts of antique sculpture. In the biography Turner In His Time (1987) Andrew Wilton notes that Turner's 'name appears fairly frequently in the registers between 21st July 1790 (the earliest record extant) and 8th October 1793. Provenance: Some of the Attendance Books now in the Library of the Royal Academy were once the property of the renowned British collector Charles Fairfax Murray (1849-1919) and bear his Ex-Libris to the inside boards. Upon the dispersal of his large collections, the Registers, with a number of pages removed, were apparently re-acquired by the Royal Academy. The present, previously missing page, was re-discovered in Australia, tipped into an old Victorian album.

Lot 58

A box of stamps, albums and First Day covers etc.

Lot 93

Two Rudyard Kipling First Day covers; together with a commemorative First Day cover with a gold coin

Lot 252

Two Japanese ivory netsuke, 19th century, the first Kyoto School of a rat and young with ebony inlaid eyes, 4.1cm and the second as a puppy seated on a fan, 4.7cm, both slight damage

Lot 328

Dutch School, first half 19th century, oil on canvas, figures with cattle in a landscape, 25 x 35cm

Lot 369

Ernest Griset (French, 1844-1907)watercolour and bodycolour'Their First Born'signed and dated 1880,27 x 19in.

Lot 85

A 1953 Coronation coin set, Britain's first decimal coins plus others.

Lot 917

A limited edition Bilston Enamels trinket box commemorating the first performance of Swan Lake, number 74/500, plus two ballooning examples, one a/f, all boxed with certificates

Lot 978

A collection of five Nao figures including No. 1136 “First love” and No. 1304 “Girl with violin”

Lot 1526

A pair of prints depicting Queen Victoria. 'Queen Victoria at Aldershot. 1855.' & 'Queen Victoria Making The First Presentations of The V.C. Hyde Park, 26th June, 1857. Size approx 60.5x46.5cm

Lot 1624

Three military first aid kit bags full of bandages, lintÕs, pads etc Red Cross and green crosses on bags.

Lot 1637

A first edition hardback copy of 'The Hitler Albums' covering the state visit of Italian dictator Benito Mussolini to Germany between 25th-29th September 1937.

Lot 1717

A collection of presentation packs and first day covers.

Lot 1778

A collection of mixed first day world covers.

Lot 1921

A collection of vintage dolls including a boxed Blossom 'Miss Walkalone' doll, a 'World of Beauty' styling set, a boxed Rosebud 'Baby First Step' doll, an Italian Brevetti plastic doll, a boxed German Gotz plastic doll, in unused condition with tag approx 44cm high and two German Schmidt Gotz Modell composite dolls with bisque painted heads and limbs wearing Edwardian style velvet dress, the larger doll boxed with certificate, approx 38cm and 48cm respectively

Lot 2306

A First World War stretcher

Lot 24

A 1929 Singer Junior 8 HP delivery van, registration number MW 4478, chassis number 12578, engine number 13296, black over blue. First revealed at the 1926 Motor Show, the 8 HP Junior was a quality light car powered by a 848cc four cylinder overhead camshaft engine. As with many of its contemporaries the Junior lent its chassis and engine to the commercial sector and with upgraded shock absorbers and stronger rear springs, a 5 CWT van was created. The commercial body was available in either single or double rear doors which gave access to a generous 60 cubic feet load area. This original 8 HP delivery van is believed to be only one of six survivors. From information taken from the Singer Owners Club records it would appear that the Singer was registered to its first owner, a Mr H E Munday from Hampshire in the summer of 1929 (Mr Munday's details are still sign-written on the driver's door). Following only two years of service, the 5 CWT van was laid up and sold to a Mr F James. In 1971 the van was offered for sale and passed into the ownership of Mr G D Akehurst from Kent who retained ownership until 1983, whereupon it was sold to the previous owner prior to our vendor acquiring it in 2005. The van is in wonderful original and generally sound condition. The van is fundamentally in the same condition as purchased by our vendor in 2005 and has been dry stored awaiting sympathetic restoration/ preservation. Unfortunately due to work and other commitments this has not been possible, so reluctantly the Singer is being offered for sale. The Singer will be offered for auction with a V5C and Singer and Rotax electrical manuals. V5C, MOT and tax exempt See illustratiions

Lot 55

A 1969 Jensen Interceptor Series I, registration number 42 LOF, chassis number 115-3211, aubergine. First shown to an appreciative general public at the October 1966 Earls Court Motor Show, the Touring of Milan designed Interceptor certainly caused a sensation. Initially built by Vignale of Turin, the Interceptor was quickly taken back and assembled in house due to quality control issues. The Series I Interceptor would remain in production until October 1969 when the Series II became available. This example we have the pleasure of offering for auction is somewhat different from the normal Interceptor, as it has been re-built and upgraded to a unique specification. Thirteen years ago the car was completely stripped and re-built by a South Coast Classic Car Company as a feasibility study into the possibility of producing and marketing a more modern, more economical and reliable Interceptor. Although the car proved very successful, due to other business commitments the project did not go ahead and this prototype has been kept by the company ever since and is one of a kind. The original 6.3 litre V8 Chrysler engine and three speed automatic transmission have been replaced by a Buick derived 4 litre V8 engine with a five speed manual transmission. This reduced the weight of the car considerably still giving the car more than adequate performance and much improved MPG. The original rear axle was retained, as was the rear suspension with new springs and adjustable shock absorbers. The front end of the car is as per Mk III Interceptor incorporating better suspension also with adjustable shock absorbers, vented disc brakes and power assisted steering. The car is also fitted with a stainless steel exhaust system throughout. The bodywork was fully rebuilt at the time and incorporated some alterations including different rear light assembles, front side lamps and indicators, front grill, front bumper, front wing air vents, bonnet air scoop and electric sun roof. Stainless steel finishing's to many areas included the body sills, door shuts etc. The car is also fitted with sundym glass to all windows. The interior was fully trimmed in grey and maroon leather with changes to the centre switch panel, the fitting of separate oil and water gauges and colour coding throughout. The present condition of the car is said to be excellent in all respects as it was completed some eleven years ago. No remedial work whatsoever has been necessary or done since the restoration, which bears testament to the quality of the re-build. This superb example of an iconic 1960s GT car, with much improved driving and handling, far better MPG and easier maintenance has none of the usual unreliability of the original cars and is unique. This Jensen will be offered with its transferable registration number. V5C, MOT to July 2019, tax exempt See back cover and other illustrations

Lot 68

A 1973 Jaguar E-Type Series III V12 2+2 automatic coupé, registration number HVG 889L, chassis number 1S51837BW, engine number 7S8308 SA, Azure blue. The Series III was the last of the line of Jaguar's illustrious E-Type family. The new car featured the mighty V12 engine producing 272 bhp, which in turn enabled the Jaguar to have a top speed in excess of 135 mph, and a 0-100 mph time of around 16 seconds which made the V12 the fastest accelerating production E-Type. This example, a matching numbers 2+2 automatic coupé has had what can only be described as a very subdued life. The Jaguar was originally supplied by Lex Motors, Chelmsford, Essex, to its first owner, D L Iszatt and carried the registration number BHK 13L. Doctor Iszatt would retain ownership until 1976, whereupon the Jaguar would pass into the ownership of the Kidney Family. The Jaguar went into storage in 1978 and would remain there until 1999. During 1999 the E-Type was re-sprayed in its original colour of Azure blue and the car was MOT'd (recorded by odometer mileage of 6,839 miles). The Jaguar was then used for 90 miles before going back into storage until 2017. It is assumed that the original number plate was changed in 1999 to its current HVG 889L. In 2017 the E-Type was re-commissioned by Qprep, a Jaguar specialist to obtain an MOT at a cost of nearly £2,000. There is a letter on file stating that they felt that the E-Type had covered a genuine low mileage due to its still retaining all of its original components including the original tyres! Further re-commissioning has been carried out by our vendor this year, including a brake overhaul, with new discs, all hoses have been replaced, new suspension bushes throughout, new ball joints and numerous other components, at a cost of nearly £4,000. Since then the Jaguar past its MOT in June this year without any advisories. The E-type is very original with a beautifully patinated dark blue leather interior. There is a Webasto full length sunroof fitted for those sunny days and the car sits on period correct steel wheels. On our inspection for the catalogue photographs, the odometer read 6,920 miles (which will increase slightly) and the Jaguar started instantly showing excellent oil pressure and sounded in fine fettle. The history file only contains one previous MOT from 1999 (mileage - 6,839). The two recent MOTs, parts invoices from S N G Barratt, the aforementioned letter from Qprep, their invoice for the re-commissioning work, further re-commissioning invoices, HPI certificates, an owner's handbook and maintenance chart. V5C, MOT to June 2019, tax exempt See illustrations

Lot 232

David Sinclair Nixon (American/New Orleans, 1904-1973), "3 Harlequins", 1954, oil on canvas, signed, titled, dated and inscribed "Paris" en verso, 20 in. x 36 in., framed. Note: Born in Bessemer, Alabama, David Sinclair Nixon spent much of his early life traveling between the United States and Europe while studying violin. In the late 1920s, Nixon established a home with his wife, June Prudhomme, in Paris, where he first developed an interest in modern art and became friends with poet Ezra Pound. By 1938, Nixon had settled in New Orleans at 529 Madison Street and 532-534 Dumaine Street, where he and June would live and run a studio, exhibition and performance venue. The Nixons were quickly embraced by New Orleans’ art and literary circles. In the 1940s, Nixon opened the Little Gallery on Royal Street to exhibit his own work and that of many other local artists. The couple continued to travel extensively in Europe, Asia and North America, periodically returning to their home New Orleans. Nixon’s paintings are colorful, often abstract works, inspired by his travels and frequently featuring his signature, elongated nymph-like figures. Ref.: Burton, Tony. “David Sinclair Nixon, Ezra Point and Ajijic.” Lake Chapala Artists. www.lakechapalaartists.com. Accessed June 11, 2018.

Lot 242

Gretchen Van Sant Lansford (American/Louisiana, 1908-1978), "Seaside Holiday", oil and tempera on masonite, signed lower right, label with title and artist en verso, 20 in. x 16 in., framed. Note: Gretchen Lansford’s professional career as an artist and an art conservator coincided with her husband, Alonzo, serving as the first full-time director (1948-1957) of the Isaac Delgado Museum of Art, now the New Orleans Museum of Art. The couple was active in the New Orleans art community, and Lansford exhibited with fellow local artists such as John Clemmer, Robert Helmer, and Shearly Grode. The Lansfords lived on Governor Nicholls Street and collected art throughout their lives. In the painting offered here, Lansford uses bright colors and expressionistic brushstrokes to portray a late 19th century family visiting the beach.

Lot 319

Jean-Pierre Serrier (French, 1934-1989), "Bastille Day Celebration", oil on canvas, signed lower right, 9 1/2 in. x 5 1/2 in., framed. Note: Jean-Pierre Serrier was born in Montparnasse and attended the Académie des Beaux-Arts in Paris. He had his first exhibition in 1955, before being sent to Algeria to complete his military service. In 1961, Serrier made his first visit to the United States to exhibit at a New York gallery. In 1975 and 1979, he had successful exhibitions in New Orleans, and his work was included in art and news magazines, including Time and Newsweek. He was a member of the Autumn Salon and in 1976 was elected a jury member. He exhibited widely during his lifetime, including in London, Paris, Geneva, and Brussels, and posthumous retrospectives of his work took place in New York and New Orleans.

Lot 572

Two African Carved Wood Chi Wara Headdresses, Bamana Peoples, Mali, h. 63 1/4 in. and 39 in. Provenance: Memphis Brooks Museum of Art, Memphis, TN. First (larger) Exh.: Memphis Brooks Museum, "Art of Africa: The Henry Easterwood Collection", Jan. 1994-Dec. 1995 and "Art of Africa", Jan. 2004-Nov. 2015

Lot 577

Two African Carved Wood Hornbill Figures, Senufo Peoples, Mali or Ivory Coast, h. 53 1/8 in. and 21 1/4 in. Provenance: Memphis Brooks Museum of Art, Memphis, TN. First Exh.: Memphis Brooks Museum, "Art of Africa: The Henry Easterwood Collection", Jan. 1994-Dec. 1995 and "Art of Africa", Jan. 2004-Nov. 2010

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