A group of 25 Antiquities and Islamic art catalogues and books from Christie's and Sotheby's, comprising of: The William F. Reilly Collection, Christie’s New York Auction Catalogue, Wednesday, 14 October 2009.; Greek, Etruscan and South Italian Vases from Castle Ashby, The property of the Marquess of Northampton, Christie’s London Auction Catalogue, Wednesday, 2 July 1980. ; Ancient Egyptian Glass and Faience from the ‘Pre-neb’ Collection, Part III, The property of A Swiss Private Collector, Christie’s London Auction Catalogue, Wednesday, 8 December 1993. ; Antiquities, Including property from the collection of the Princely House of Liechtenstein, Christie’s London Auction Catalogue, Wednesday, 30 April 2008. ; Antiquities, Including the Plesch Collection of Ancient Glass, Christie’s London Auction Catalogue, Tuesday, 28 April 2009.; Important Antiquities, Christie’s South Kensington Auction Catalogue, Wednesday, 20 October 1999.; Fine Antiquities, Christie’s London Auction Catalogue, Wednesday, 11 June 1997.; The Erlenmeyer Collection of Cretan Seals, Christie’s London Auction Catalogue, Monday, 5 June 1989.; Faces from the Ancient World: A European Private Collection, Christie’s London Auction Catalogue, Wednesday, 20 April 2005.; Fine Antiquities, The Properties of ‘The Earl of Shelburne, Westminster College, Cambridge A European Private Collector, A European Noblewoman, and from various other sources, Christie’s London Auction Catalogue, Wednesday, 5 July 1995. ; The Collection of the Late Henning Throne-Holst, Christie’s London Auction Catalogue, Wednesday, 8 June 1988.; The Erlenmeyer Collection of Ancient Near Eastern Stamp Seals and Amulets, The property of The ErlenmeyerStiftung, Christie’s London Auction Catalogue, Tuesday, 6 June 1989. ; Important Antiquities, Christie’s London Auction Catalogue, Wednesday, 21 April 1999.; Fine Antiquities, The property of MADAME ADDA SHEPPARD & COOPER LTD.; The property from The MARION SCHUSTER COLLECTION and from various sources. Christie’s London Auction Catalogue, Wednesday, 11 December 1996. ; Fine Antiquities, Christie’s London Auction Catalogue, Wednesday, 27 October 2004. ; The ‘Pre-Neb’ Collection (Part I), Highly Important Egyptian Antiquities, Christie’s London Auction Catalogue, Wednesday, 9 December 1992. ; The Northampton Sekhemka, Christie’s London Auction Catalogue, Thursday, 10 July 2014. ; P.H. Newby, Warrior Pharaohs: The Rise and Fall of the Egyptian Empire, First published in 1980 by Guild Publishing.; Modern British and Irish Painting, Watercolours and Drawings, Christie’s London Auction Catalogue, Friday, 5 June 1992. The Property of Odette Gilbert Gallery Ltd., Oxmantown Settlement Trust Alwyne Rickerd, and from various others.; Arts of Islamic World, Sotheby’s London Auction. 22 April 2015.; Sherif El-Sabban, Temple Festival Calendars of Ancient Egypt, Liverpool University Press, 2000. Peter Levi, Atlas of the Greek World.; H. B. Walters, O.B.E., M.A., F.S.A.CORPVS VASORVM ANTIQVORVM, British Museum: Department of Greek and Roman Antiquities, 1927.; H. B. Walters, O.B.E., M.A., F.S.A.CORPVS VASORVM ANTIQVORVM, British Museum: Department of Greek and Roman Antiquities, 1926.; Gordon Childe, What Happened in History.; Joan Grant, Winged Pharaoh: An absorbing, thrilling novel of Ancient Egypt, Publication: A Four-Square Novel. (25)Please refer to department for condition report
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A very rare early illustration to a mid-13th century obscene poem, Bukhara, Iran, late 16th century, ink and opaque pigments heightened with gold, depicting lovers including a figure in a distinctive black hat, in various coupling positions in a brightly coloured and patterned tile interior, with 2 lines of Persian nasta'liq above and below within cloudbands on a gold ground, and diagonal line of the same above and below, outer border decorated in gold with animals on a floral ground, signature top left, mounted, glazed and framed, painting 26.5 x 17cm. Provenance: Estate of costume designer Anthony Powell (1935-2021)Ostensibly, this single folio was part of a manuscript of the collected works (Kulliyāt) of the renowned Persian poet and mystic, Saʿdī of Shiraz (d. 1292 CE). The painting is partially framed by five couplets that belong to a short narrative poem (masnavī) that is found in the little-studied and unpublished collection of Saʿdī’s obscene works (khabīsāt), which are featured prominently in the earliest manuscripts of the Kulliyāt (see D. Ingenito, Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry). The poem, which comprises seventy couplets, recounts the story of a handsome young man who marries an uncomely and ill-mannered woman. Upon experiencing an erotic fiasco during their first night together, the young man begs his father-in-law to allow him to divorce his wife. The father rejects this request by telling the young man that he would have to spend time in jail in order to pay back his daughter’s dowry. After thinking at length about his miserable condition, the young husband resorts to the uncanny expedient of seducing and sexually subjugating his wife’s entire family and entourage, without discriminating between women and men of any age. Being the only family member who has not been assaulted by the young man, the father consents to the divorce of the couple with no further hesitation. The five couplets quoted in this folio pertain to the central part of the poem, which offers a detailed description of the orgiastic spree undertaken by the young man. As is often the case with Saʿdī’s obscene works, in these lines, explicit descriptions of sexual acts are juxtaposed with delicate similes and metaphors that are drawn from the poet’s inimitable lyric styleThe combination of high and low poetic registers in Saʿdī’s ludic narration in verse is reflected in the stylistic elegance with which the painting portrays scenes of sexual disinhibition. In fact, in this folio (if one takes into account the contents of the entire poem), the visual and literary texts simultaneously stage the lewd and the alluring dimensions of eroticism: intimate body parts are covered and uncovered by fine garments, while mechanical forms of sexual penetration reveal seductive tensions between bodies enraptured by desire. The decorative aspect of pieces of clothing, rugs, curtains, along with the delicate rotation of different limbs, seems to mimic the rhetorical embellishments with which Saʿdī’s lines describe multiple forms of vaginal and anal intercourse. Whereas the poem, line by line, offers a list of the young man’s sexual encounters with the members of his wife’s family in chronological order, the painting portrays all of them simultaneously. The orgiastic aesthetics of the visual representation does not allow onlookers to recognize specific details found in the poem (apart from a candle held by a young man on the bottom right). The young husband, as a serial penetrator, occupies a different timeframe in each section of the painting. While his physical features appear to be always the same, different erotic settings are distinguished by different garments. At the center of the painting, as a bizarre variation of the erotic scenes, the young husband appears to have a darker skin color. Moreover, instead of having sex with a beardless male or female youth, the darker boy seems to be penetrating a bearded man. A man with similar facial features and hair appears on the top right of the painting. One could assume that this adult male is the visual depiction of the young man’s father-in-law who, in the versified plot, fears the sexual intentions of his daughter’s husband after having been made aware of the erotic tumult he has brought to his family.Stylistic features of this painting suggest that it was produced in Shiraz between the 1560s and the 1570s CE (see, for instance, a Gulistān copied in Shiraz in 1575). Visual representations of Saʿdī’s bawdy verses (and, in general, of obscene poetry) are extremely rare before the 17th century. Nonetheless, a manuscript of Saʿdī’s Kulliyāt copied in Shiraz in 1566 (British Library, Add. 24944) presents a painting that is strikingly similar to this one [reproduced by Boone, see attachment] and illustrates exactly the same erotic masnavī. Even though both Lâle Uluç and Joseph Allen Boone misread Saʿdī’s poem as a text on “lovemaking techniques” and its visual representation found in Add. 24944 (f. 333) as a “brothel scene,” these documents attest to the existence of a Saʿdī-centric tradition of erotic iconography that developed in Shiraz during the second half of the 16th centuryWith special thanks for this cataloguing to Domenico Ingenito, Associate Professor of Persian Literature, University of California, Los AngelesFolio stuck down
Two Mamluk book bindings, Egypt or Syria, 14th-15th century, each of rectangular form, the first stamped with a geometric lattice arranged around a central dodecagonal and decagonal star, the ground stamped with small knot motifs; the second smaller one with central roundel with interlacing geometric design on a ground of knots, and outer band of repeating fleur-de-lis motifs, 27 x 17.5cm. and 16 x 22cm. (2) Please refer to department for condition report
Three Nishapur slip-painted pottery bowls, Iran, 9th-10th century, the first of shallow form, the brown-slip painting consisting of an oil lamp on an ochre ground with pattern of dots to interstices; the second with curved sides the brown-slip painted decoration consisting of four floriated Kufic inscriptions; the third with brown-slip painted decoration of pseudo-inscriptions and floriated designs to side panels, 11.6cm. diam., 12.4cm. diam. and 18.1cm. diam. (3)Provenance: Private UK Collection formed in the 1960s and 70sAll bowls restored and with varying degrees of overpainting
Two turquoise glazed pottery vessels, Iran, 12th - 13th century, the first of baluster form on a short slightly spreading foot, with tubular neck, the second on a short foot tapering towards the neck, with pinched mouth and slightly curved handle, 18cm. high and 17.5cm. high (2)Provenance: Private UK collection formed in the 1960s and 70sPlease refer to department for condition report
Two Nishapur conical pottery bowls, Iran, 10th century, the first underglaze painted in ochre, red and brown with arabesque design around the body on cream background, restored, 9.1 cm. diam., 6.9 cm. high; the second a sgraffiato splash ware pottery dish, the earthenware body incised to the well and rim, decorated with splashes of brown, green and yellow glazes, restored 5.5 cm. high x 19.2 cm. diam. (2)Provenance: Private UK Collection formed in the 1960s and 70sBoth with areas of restoration and associated repainting
A rare Ottoman 'Miletus' ware pottery bowl, Turkey, 14th-15th century, slip-decorated earthenware body with dark and lighter blue, mauve, the foliate stylised designs against a cream ground, fragments reconstructed into bowl with infill, underside of foot handwritten 'Miletos ware, see page 142, The Iznik Tile, Kiln Excavation, 1981-88', 19.1cm, diam.Provenance: Private Collection of Theo Sarmas (1938-2018). Theo Sarmas was a London businessman who was a passionate collector of Byzantine ceramics and Greek coinage. Princeton University, New Jersey holds the Theo Sarmas collection of medieval Greek coinage.This type of pottery, a pre-curser to Iznik ceramics, came to be known as 'Miletus' because examples were first excavated in the ancient town of Miletus in South-West Turkey, but have subsequently also been found in Iznik (Carswell 1998, p.29). Further examples of this type of rare pottery are in the Victoria and Albert Museum, London, inv. nos. C.17-1982 and inv. no. 792-1905. Please refer to department for condition report
An Ethiopic religious text, Ethiopia, first half 19th century, 103ff., in Ge'ez on vellum, with 19 lines written in black and red ink, 1 ornamental painted headpiece, with contemporary cloth covered wood board covers, folio 13.6 x 9.1cmProvenance: The Private collection of Michel Abemayor (1912-1975)Please refer to department for condition report
An Ottoman collection of prayers, Egypt, first half 18th century, Arabic manuscript on paper, 115ff., with 9 lines of neat black naskh per page within gold outlined in black, including extracts from various surahs (surah al-An’am (6); surah al-Fath (48); surah al-Rahman (55) and surah al-Ankabut (29)), polychrome and gold verse markers, headers in gold and polychrome with floral decoration, opening folio and an addition folio with illuminated header, numerous gold and ink drawings, diagrams and tables, in green morocco binding with gilt border, folio 16.6 x 11.5cm.Provenance: The Private collection of Michel Abemayor (1912-1975)Please refer to department for condition report
An album page with a Safavid drawing and borders from an album made for Emperor Shah Jahan, Persia and India, circa 1625-50, ink, gouache and gold on paper, the drawing with false attribution to the artist Farrukh Beg, laid down with inner borders of floral illumination with panels of nasta'liq calligraphy, wide outer borders with floral decoration from an album made for Emperor Shah Jahan, 38.6 x 24.9cm. Provenance: Ex-collection Ardeshir; Sotheby's London, 'The Property of a Gentleman', 10 July 1973, lot 8; Sotheby's, 05/10/2010, lot 58This album page has been assembled using the exquisite floral borders from one of the well-known albums made for the Mughal Emperor Shah Jahan. The albums made for Shah Jahan and his father Jahangir in the first half of the seventeenth century were notable for the extremely high quality of the border decoration, and the leading artists of the royal atelier were employed to decorate them.The skillful drawing of an old man with a grey beard is executed in Safavid style of the first half of the seventeenth century, approximately contemporaneous with the production of the royal albums of Shah Jahan. However, it is probably not the original work intended for this album page. More likely, it was inserted into these borders, which may have lost their original central panel, sometime in the early twentieth century, when many album leaves were disassembled and re-assembled. The drawing bears a later and fictitious attribution to the Perso-Mughal artist Farrukh Beg.Laid down on card backing
Two prayer volumes, Sub-Saharan East Africa, probably Ethiopia or Yemen, second half 19th /first half 20th centuryTwo volumes including ‘Abd al-Jalil bin Muhammad bin Ahmed bin ‘Azum al-Muradi al Qayrawani (d.1553 AD), Kitab tanbih al-anam, on paper watermarked ‘Beyad Abu Subbak Istambuli/ ’ali asili’, incomplete, 20 lines to the page, written in black with the name of God and the Prophet Muhammad in red, in brown leather binding with flap, the other volume on European watermarked paper written in black with the name of God in red or purple, in brown leather binding with flap, a note at the end stating that it was started on the first day of Shawwal and it took six days to copy, folio 36 by 25cm. and 35 by 26.5 (2)The paper used in one of the two volumes bears a watermark which reads ‘Beyad Abu Subbak Istambuli/ ’ali asili’; for a further discussion on this particular watermark and its diffusion in the region of Ethiopia and Yemen, see Anne Regourd, “Manuscrits de la mer Rouge (première moitié du XX siècle): papiers Abu Subbak du Yémen et d’Éthiopie”, in A. Regourd (ed.) The Trade in Papers Marked with Non-Latin Characters, Leiden, 2018, pp.81-140.Please refer to department for condition report
An illustrated folio from the Freer Small Shahnameh, Sawa Shah slain in battle by Bahram Chubina, Iran, circa 1300-1340, ink and opaque pigments on paper heightened with gold and silver, with 31ll. of black naskh arranged in six columns within red rule, verso with 31ll. and a header in gold naskh, folio 30.4 x 21.8cm. The widely dispersed “Freer” Shahnameh (Book of Kings), is the third of the earliest surviving illustrated copies of the Persian national epic, the work of Abu’l-Qasim Mansur Firdausi (d. 1020). Composed around the turn of the 11th century, the Shahnameh conveys through 50,000 rhyming couplets the lives of 50 Iranian kings before the arrival of Islam. The name “Freer Small” reflects the fact that most of the manuscript (text-pages and 45 illustrations) has been in the Freer Gallery of Art, Washington DC, for much of the 20th century. Other illustrated folios from this manuscript are in the Aga Khan Museum (AKM20, AKM21, AKM22)In many ways, however, the “Freer” manuscript is unlike the other two, the “First” and the “Second Small” Shahnameh manuscript apart from also being copied in six columns of text. The illustrations, too, are differently treated, they are squarish in shape. Please refer to department for condition report
Two Qajar illustrations to a Shahnameh, Iran, mid-19th century, gouache on paper heightened with gold, the first depicting a soldier killing a woman and the second depicting a soldier taming and elephant, each with four columns of nasta'liq, above and below, mounted, glazed and framed, painting 23 x 15cm. (2)Provenance: Private Collection, LondonPlease refer to department for condition report
PETER WRIGHT (1919-2003); a large cylindrical calligraphic tin glazed earthenware vessel incised with the first verse of Geoffrey Chaucer's 'Truth - Ballade of Good Counsel', incised signature, height 29.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
David Copperfield. Published by Bradbury and Evans, London 1850. First edition, illustrated by H. K. Browne. Quarter leather binding. Front cover detached. All books can be shipped worldwide, UK from £5.99, Europe from £6.99, ROW £9.99. 30kg Box up to 20 books UK £16, Europe £34.99, ROW £69.99
Lord Bacons Essays and Councels: Moral and Civil. In two volumes. Volume The First, printed J. Bretherton and Meadows, London, 1720. 503 pages. Printers boards. Front board detached. RARE. All books can be shipped worldwide, UK from £5.99, Europe from £6.99, ROW £9.99. 30kg Box up to 20 books UK £16, Europe £34.99, ROW £69.99
A Tale of Two Cities. Volume One of the Weekly Journal All The Year Round, from April 30th 1859 to October 22nd. 1859. All weekly parts containing the first nine chapters of the novel. Original Publishers cloth covers detached and spine splitting. All books can be shipped worldwide, UK from £5.99, Europe from £6.99, ROW £9.99. 30kg Box up to 20 books UK £16, Europe £34.99, ROW £69.99
A First World War Period silver Officer's trench mechanical wristwatch, white dial with Arabic numerals and subsidiary seconds dial, import hallmarks London 1915, case no. 341912, case width 34mm, working orderMovement – currently working Dial - name slightly faded otherwise only light surface dirtGlass - a few extremely minor chips around edgeHands - some lumed filament missingCase - general surface abrasions and wearCrown – hands adjust smoothlyBracelet - unassociated black leather strap, near newNotes – no box or papers
TWO SMALL SILVER BOWLS, VICTORIAN AND LATER the first by Mappin Brothers, Sheffield 1895, circular with a shaped and crimped rim, 9.8cm diameter; the second by Cooper Brothers & Sons Ltd, Sheffield 1939, flared circular with a Celtic knot rim, 14.2cm diameter. (2) 7.5 troy ounces grossMarks clear to each. The first with several dings and bruises to sides. The second with slight rocking to foot. Light surface marks and scratches to each commensurate with use.
TWO SILVER BOSUNS' WHISTLES, VICTORIAN AND MODERN both of typical boatswain's call form, the first, maker's mark punched through, Birmingham 1884, the barrel-shaped buoy engraved each side with the Royal Naval crown and fouled anchor, the keel engraved with leaves and '1885', the neck engraved 'from A.S to D. BLACK', with hanging loop; the second, maker's mark CI, London 1980, the barrel-shaped buoy embossed each side with an anchor, the keel engraved 'Pilot', with hanging loop. (2) Embossed anchor example 5cm longMaker's mark for Birmingham example punched through for hanging loop. Dents to buoy, ding to neck. Other hallmarks to both clear and well struck. Light surface marks and scratches to each commensurate with age and use.
AN ELIZABETH II SILVER CADDY SPOON AND A RUSSIAN SILVER CADDY SPOON the first by Christopher Milton Stevens, London 1979, with leaf-shaped terminal and spot-hammered ground; the Russian spoon, assay master Anatoly Apollonovich Artsybashev, Moscow 1891. (2) First 11.5cm long, 1.6 troy ounces gross
CARTIER - A SET OF THREE BROOCHES round cabochon emerald, sapphire and ruby within beaded borders and spaced by round brilliant-cut diamonds, to flat-sided bars. (3) The first signed and numbered 'Cartier 09-2542', the second 'Cartier 09-2543', the third 'Cartier Paris', all marked '750', 6cm long, 12.7 grams grossGood condition. Estimated total diamond weight 0.10ct.
THREE SMALL SILVER BOWLS, VICTORIAN AND LATER the first by Frederick Sibray & Job Frank Hall, London 1892, the twin-handled circular dish with scrolling foliate pierceworked sides and handles, 14.4cm across handles; the second by Robert Chandler, Birmingham 1924, as a miniature pedestal punch bowl, with wavy shell-embossed rim, the whole heavily chased with gadrooning, C-scrolls and foliage, on a stepped circular foot, 7.6cm diameter, 5.1cm high; the third by Charles S Green & Co Ltd, Birmingham 1964, the cylindrical pot slightly flared, with squiggle engraved top rim, the sides engraved with floral swags and bellflowers, 8.8cm diameter, 6cm high. (3) 7.3 troy ounces gross
A GOOD SET OF TEN VICTORIAN SILVER TEASPOONS by John Round & Son Ltd, Sheffield 1895, cased with tongs en suite; together with a set of six Scottish silver teaspoons, by Muirhead & Arthur, Glasgow 1900, cased with associated tongs. (2 cases) Length of spoons in first set 12.2cm long, 9.1 troy ounces gross
1919 folder - Vincent van Gogh reproducties naar zijn werken in de verzameling van mevrouw H. Kroller-Muller ~ contains 86 plates (35cm x 25.5cm) ~ Helene Kröller-Müller (1869–1939) was one of the first collectors to recognise the genius of Vincent van Gogh (1853-90) and her collection was donated to the Dutch people to form the Kröller-Müller Museum
Silver - KLM - A 1 troy oz (31.1 grams) fine grade .999 fine silver collectible coin / medallion struck by Liberty mint in the USA. This coin has the image of the KLM logo. On the obverse is an image of a Fokker F-VII airplane and the words KLM FIRST AIRLINE OF THE WORLD 7 OCTOBER 1919. The coin is in a plastic case and is in fine condition.
Silver - a 1 troy oz (31.1 grams) fine grade .999 fine silver collectible coin / medallion struck by Liberty mint in the USA. This coin shows the AMERICAN ALLIGATOR accented in 24K gold and the phrase NATIONAL FOREST SYSTEM, 1891 CENTENNIAL 1991 on the circumference. The obverse shows an image of the NATIONAL FORESTS 1891, 1991. It also bears on its circumference the phrases PROMOTING WISE USE OF NATURAL RESOURCES AND PUBLIC LANDS and LIMITED FIRST ADDITION. The coin is in a plastic case and is in fine condition.
Collectable- Eight collectible coins / medallions struck by Liberty mint in the USA. These coins commemorate various events and people These are all boxed and two with certificates. The coins are of Atlanta Olympics 1997, Micheal Jordan, Michael Jackson, Superbowl XXX, Centennial Olympic games, John Elway, First steps 1997, and Williams.
Silver - a 1 troy oz (31.1 grams) fine grade .999 fine silver collectible coin medallion struck by Liberty mint in the USA. This coin shows the BALD EAGLE accented in 24K gold. and the phrase NATIONAL FOREST SYSTEM, 1891 CENTENNIAL 1991 on the circumference. The obverse shows an image of the NATIONAL FORESTS 1891, 1991. It also bears on its circumference the phrases PROMOTING WISE USE OF NATURAL RESOURCES AND PUBIC LANDS and LIMITED FIRST ADDITION, The coin is in a plastic case and is in fine condition
Silver - a 1 troy oz (31.1 grams) fine grade .999 fine silver collectible coin / medallion struck by Liberty mint in the USA. This coin shows the CANADIAN GEESE accented in 24K gold and the phrase NATIONAL FOREST SYSTEM, 1891 CENTENNIAL 1991 on the circumference. The obverse shows an image of the NATIONAL FORESTS 1891, 1991. It also bears on its circumference the phrases PROMOTING WISE USE OF NATURAL RESOURCES AND PUBLIC LANDS and LIMITED FIRST ADDITION, The coin is in a plastic case and is in fine condition
A Small Group of Belleek China, comprising a ewer, a pair of figural candlesticks, a twin handled basket and a set of three graduate swan form dishes (one tray)One large swan model in good order, circa 1970's. The other larger swan and the smaller swan in good order, circa 1980's. Candlesticks in good condition, circa early 2000's. Jug with some losses to the floral encrusted elements, otherwise OK, third mark 1926-1946. Basket with losses to the floral elements, impressed first mark 1863-1891.
A Greek Dagger/Short Sword, th e28cm double edge steel blade with raised medial ridge to each side, the brass hilt with stepped bolster, diamond shape grip and melon fluted domed pommel, with brass mounted leather scabbard, 41cm; a First World War Trench Knife, with 22cm square tapering stiletto blade and leather bound grip; a Collings & Co Legitimus Machete, the blade bearing part of the original paper label, with composition grip scales and leather scabbard; a Brass Model of an Aerial Bomb, with copper nose cone and four fins, 34.5cm (4)
A Minichamps Maclaren Mercedes boxed diecast group to include a World Champions Collection Lewis Hamilton Vodafone Maclaren Mercedes MP4-23 2008 World Championship race car, a Maclaren Mercedes MP4-21 Lewis Hamilton First roll out Silverstone September 19th 2006, together with a Lewis Hamilton Vodafone Maclaren Mercedes MP-4 25 2010 race car, all in original window boxes
A very interesting prototype model of the Dinky Toys Captain Scarlet Angel Interceptor, is believed to be one of the last prototypes of this particular models with leading authors suggesting it dates between 1979-1980. First evidence of the Captain Scarlet Angel Interceptor prototype was provided by The Dinky Toys Encyclopaedia compiled by Jacques Du Jardin. This model is part of the David Cooke Collection. Please do not hesitate to contact us for any further information.
One tray of original signed photographs by various Star Wars actors to include Angus Macunnes as Gold Leader, Mickey Lewis as First Order General, Michael Culver as Captain Needa, Scott Stevenson as Lt. Adema and Imperial Officer in Rogue 1, Daniel Eghan as an ex wing pilot, and Richard Franklin as the engineer in Rogue 1
A collection of Star Wars memorabilia including 2x souvenir programmes from the first film, various collectors edition magazines, an original Star Wars soundtrack vinyl record poster insert, some trading cards, (cards 1-66 inclusive), and some Superman Trading Cards from 1978, (cards 1-66 inclusive)
2 Triang Minic clockwork Delivery Vans, the first is in dark blue with LNER livery and Pedigree Toys & Frog model aircraft advertising to the sides, the tyres are mis-shapen, and the box has one end flap missing (VG-E,BF), the second is in green with Southern Railway livery and Triang Yachts & Triang Tricycles advertising to the sides, the tyres are mis-shapen and the model might benefit from a clean, still with the original key (VG-BVG)
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596780 item(s)/page