*Opaltype. A hand-painted photographic portrait of an older woman's head, late 19th century, 22 x 18 cm, original elaborate gilt frame preserved within a velvet-lined glazed case, with hooks and desk stand, John Thompson label to verso and the name 'Bonao' scratched on to the back of the frame, overall size 40 x 37 cm John Thompson opened his first English portrait studio in Buckingham Palace Road, London, in 1881. The sitter is possibly Maxima Bonao (1820-1925). (1)
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*Liverpool Institute of Photography. A beautifully tinted albumen print portrait of a seated young lady in ornate satin dress, circa 1860, shown seated on a red velvet chair, 10.5 x 8cm, leather case with gilt embossed stamp to base giving address as Lord Street Chambers, 87 Lord Street, Liverpool, together with a half-plate albumen print of a seated gentleman by Herbert Watkins, 179 Regent Street, London, circa 1855-58, leather case with photographer's gilt embossed stamp to lid, plus a tinted paper print of a mother and young daughter seated by a table, after 1861, set in a gilt oval in a burgundy velvet base [1852-55], cream silk pad, housed in a top-hinged leather case with photographer's gilt stamp on the base, 'James Mudd, 10 St Anns Square, Manchester' First item: Hannavy, Case Histories, p. 80. (3)
*Ninth-plate tinted daguerreotype copy of a young man, by Thomas Chapman Browne, c. 1850, a little tarnished to extremities, top-hinged leather case with the photographer's gilt embossed stamp 'T. Chapman Browne, Bible & Crown, Market Place, Leicester' to base, and Browne's business card inside the case advertising his 'Patent Photographic or Daguerreotype Establishment' and listing his other skills as printed, stationer, music seller, bookbinder and insurance agent, plus a ninth-plate daguerreotype of an elderly gentleman by an unknown photographer, 1850s, image tarnished at edges and somewhat faint, seated in an embossed Thomas Wharton pan and preserver, housed in a sixth-plate plain leather top-hinged case, plus a sixth-plate daguerreotype of a seated gentleman, by Everett Gallery, 423 Broadway, New York, 1850s, name and address stamped on mat, housed in a damaged geometric design thermoplastic union case (Berg 3-160) First three items: Hannavy, Case Histories, pp. 17 & 30-31 respectively. (3)
*Ninth-plate daguerreotype of a mother and child, by Tyler & Co., Corner of Washington and Winter Streets, Boston, 1850s, embossed case with trade card beneath image, together with two further ninth-plate daguerreotypes, 1850s, the first by 'Oliver H. Willard, 120 W Market Street, 8 doors East Schl. St and 6th St. Philadelphia', fine portrait of a young girl in a checked dress, embossed leather case, a little flaking to base, the second by Thompson & Davies, 164 Fulton Street, Brooklyn, of a baby supported by a mother's hand, dress tinted blue, marginal tarnishing, photographers' name and address stamped on mat, plain leather case First two items: Hannavy, Case Histories, pp. 66 & 70. (3)
*Pair of ninth-plate tinted daguerreotypes, by Beard & Foard's Photographic Institution, 1852-55, the first of a seated young lady, housed in a deep blue leather case with gilt stamp to base bearing the address '14 St. Ann's Square, Manchester, and 34 Church Street, Liverpool, also at 31 King William Street, 34 Parliament Street and the Royal Polytechnic Institution, London', the second of a seated gentleman, tarnished at lower margin and upper right margin, leather case with gilt stamp bearing address '14 St Ann's Square, Manchester, 34 Church Street, Liverpool', plus two ninth-plate daguerreotypes by J.J.E. Mayall, 1853-1855, the first of a clergyman seated and reading a book, leather case with gilt embossed stamp to lid, 'Daguerreotype Institution, J.E. Mayall, 433 West Strand', the second of a young man in a leather case bearing the same name and address details in a different design to base Third item: Hannavy, Case Histories, p. 33. (4)
*Pair of quarter-plate daguerreotypes of a seated man, both 1850s, the first by Thomas Jones of a younger man, tinted pink cheeks, some marginal tarnishing, leather case with embossed stamp, 'Jones Photographist, Royal Arcade, 537 New Oxford Street', the second of an older man by John Werge, name and address stamped on mat, 'Monteith Rooms, Glasgow', plain leather case Thomas Jones moved to this address in 1854 and operated from that address for only two years, John Werge succeeded Jabez Hughes at the Monteith Rooms, 67 Buchanan Street, Glasgow. (2)
*Pair of quarter-plate tinted daguerreotypes, by William Edward Kilburn, both 1852-1855, the first of a young girl standing against a scenic background, some small patches of marginal tarnish, the second of a young man seated against a scenic background, both in leather cases, the second with button closure, both with gilt embossed stamps 'By Royal Appointment, Mr Kilburn, 234 Regent Street' to lids, plus a ninth-plate daguerreotype copy of a painting showing a foppish young man seated, by William Edward Kilburn, 1852-1855, leather case with photographer's gilt embossed stamp Kilburn's colourist was the Frenchman Monsieur C. Mansion. Hannavy, Case Histories, pp. 7 & 32. (3)
*Pair of sixth-plate daguerreotypes of young ladies, early 1850s, the first a tinted daguerreotype portrait by Richard Lowe, Promenade, Cheltenham, embossed wood and leather case with photographer's gilt stamp, the second by an unknown photographer of a young lady with ringlets, plain leather case with button closure, both a little rubbed at corners Richard Lowe was originally employed as a manager of Beard's Photographic Institution in Cheltenham. He then operated the studio under his own name from 1850 until 1856, when he ran up considerable debts in local shops, caught a train to Liverpool and was never heard of again. Hannavy, Case Histories, p. 20. (2)
*Pair of sixth-plate daguerreotypes, by Gustav Oehme, mid 1840s, photographer's label to frame versos and subjects identified in ink as Aunt Louise Rause n‚e Bencke and Aunt Bertha Sell n‚e Bencke, marginal tarnishing with thicker band to second image, gilded wood and plaster frames, backing retaped (1970s), overall 18 x 16.5cm Carl Gustav Oehme (1817-1881) learned the daguerreotype process from Daguerre in Paris in 1840, and in 1841 he was one of the first to exhibit daguerreotypes in Germany. He opened his studio in Berlin in 1843 at 20 Jagerstrasse, trading as Gustav Oehme. Hannavy, Case Histories, pp. 15 & 22. (2)
*Quarter-plate tinted portrait of a seated gentleman, by John Urie, 33 & 35 Buchanan Street, Glasgow, late 1850s, embossed floral pad and embossed leather case with Urie's gilt embossed details to base, one small corner chip, together with three further ambrotypes by Glasgow photographers of the same period, the first a sixth-plate ambrotype of a seated lady, photographer's name and address stamped on mat and on base of leather case, 'Bowman, 65 Jamaica Street, Glasgow', a sixth-plate portrait of two male friends in a banded leather Eichmeyer case with embossed gilt stamp of the photographer to base, 'Dickson, 16 St Enoch's Sq., Glasgow', and a ninth-plate gilded portrait of a lady in leather case with pressed paper floral relief designs to lid and base, the mat stamped, 'Taylor, 46 Jamaica St., Glasgow' John Taylor was at this address 1855-1862, Mrs Taylor from 1861 to 1864. Hannavy, Case Histories, pp. 44, 46 & 67 (first, third and fourth items). (4)
*Sixth-plate ambrotype of an old gentleman, by Ross & Thomson, Photographers to the Queen, Edinburgh, late 1850s, embossed leather case with gilt stamp on base, together with a ninth-plate ambrotype of a seated young man by the same studio, late 1850s, gilt highlights, leather case with gilt embossed stamp to base, together with two ninth-plate ambrotypes of young women, late 1850s, one with inside label of Henry Smith, Photographer, 102 Southbridge, Edinburgh, plain leather case, the other with pressed paper floral design to lid and gilt stamp of 'John Stuart, 120 Buchanan St., Glasgow' to base, plus two further ninth-plate ambrotypes, 1860s, one of a lady in a leather case with gilt stamp of H. Greatrex, 70 Regent Street & 196 Piccadilly, [London], the other of a seated young girl by an unknown photographer, in moulded and varnished paper case, the sitter identified by an ink inscription on paper behind the image stating her to be 'Elizabeth Foster, October 21 1856, Meniscus' Hannavy, Case Histories, pp. 47 & 66 (first two items) and p. 65 (last item). (6)
*Sixth-plate ambrotype portrait of a seated gentleman with a top hat, by F. Reynolds Photographic Gallery, Leamington, late 1850s, blue tinting, embossed paper case, together with a sixth-plate ambrotype of a seated bald man with beard, gilt highlights, embossed leather case with button closure (stiff), plus a ninth-plate ambrotype of a uniformed railway official, in embossed and formerly gilted case, plus a ninth-plate tinted ambrotype of a lady in a blue-grey dress, set in an oval French pressed-metal wall frame, 9 x 7.5cm Hannavy, Case Histories, pp. 55 & 131 (first and last items). (4)
*Sixth-plate daguerreotype of a seated young man, by Cornelius J. Hughes, Monteith Rooms, 67 Buchanan Street, Glasgow, early 1850s, a little tarnished at upper and lower margins, name and address stamp to mat, embossed green velvet pad, wood and leather case, together with a sixth-plate daguerreotype of a bearded gentleman, by Rufus P. Anson, 589 Broadway, New York, oxide spot to forehead, photographer's name and address stamped to mat, embossed burgundy velvet pad, wood and leather case with embossed geometric design, plus a sixth-plate daguerreotype by an unknown photographer of a recently married couple, mid 1850s, daguerreotype cleaned [late 1970s], wood and leather case with gilded 'Urn' design and button closure First item: Hannavy, Case Histories, p. 23. (3)
*Sixth-plate tinted ambrotype of a woman seated by a table, by George Coulder, 1850s, gilt highlights, leather case with photographer's gilt stamp on base, 'G. Coulder, Artist, Scarborough', together with a sixth-plate ambrotype of a young man, by Mawson, Newcastle, 1850s, in leather case with photographer's gilt stamp on base, plus a sixth-plate ambrotype of an elderly gentleman with his wife and daughter by a table, by W.W. Law, 1850s, in leather case with photographer's stamp on base bearing the address 49 Gold Street, Northampton Hannavy, Case Histories, pp. 83 & 142 (first and third items). (3)
*Sixth-plate tinted ambrotype of a woman, by E. Eccles, artist, Agur Street, Bury, [Lancashire], 1860s, gilt highlights, the background overpainted in deep purple/brown, the tablecloth and the subject's scarf picked out in reds, brown velvet pad and trim, set in a brown leather Eichmeyer case with photographer's gilt embossed details to base, together with a fine quarter-plate ambrotype of a young woman by E. Wade, 117 Fishergate, Preston, [Lancashire], 1860s, gilt highlights, leather case with photographer's gilt embossed logo on base First item: Hannavy, Case Histories, p. 82. (2)
*Three ambrotype portraits by Duchauffour & McIntyre, Edinburgh, late 1850s, the first a quarter-plate image of a seated gentleman in a plain leather case, the other two tinted ninth-plate ambrotypes, one of a girl, three-quarter length, the other of the same girl with her parents, embossed leather cases with floral designs, all three cases with photographers' gilt embossed stamp to base giving the address as 33 Whitefield Place, Leith Walk, Edinburgh This studio was at this address from 1855 until 1865. Hannavy, Case Histories, p. 86. (3)
*Army Medical Museum, USA. A surgical photograph of a bullet hole through a human spine, Fort Yuma, California, 1873, albumen print photograph, on original mount for the International Exhibition, Philadelphia, 1876, descriptive text above and below, printed descriptive label to verso, water damage to lower part of mount, away from image though affecting some text, image 180 x 150mm, together with a large anatomical stereocard, 1870s, and three later anatomical gelatin silver prints of a human foetus, human brain and skull of a python The label to the mount verso of the first item reads: 'Photograph no. 349. Shot Fracture of Vertebrae. Private W. Castle, 6, 23rd Infantry, was shot at Fort Yuma, California, while drunk, by an acting sergeant of the guard, September 24th 1873'. (5)
*A Game of Chess. Octagonal sixth-plate brown thermoplastic union case by Littlefield, Parsons & Co., c. 1860, housing a pair of sixth-plate daguerreotypes, the first of a man and wife seated, the other of their young daughter, full length, some marginal tarnish and oxidation, reverse with rare geometric design Berg 1-122 (obverse) & 3-215 (reverse); Krainik 338 (obverse) & 352 (reverse). (1)
Middle East. Large-format album of albumen prints by Pascal S‚bah, the Bonfils studio, Antonio Beato and others, depicting Egypt, the Holy Land, Istanbul, and parts of Europe, c. 1880 100 albumen prints mounted rectos and versos within gilt frames to thick card gilt-edged leaves, 23 of the images full-size (265 x 350 mm), of which 7 depict Middle Eastern subjects and 16 European (including 1 not from life), the remaining 77 measuring approximately 260 mm x 200 (or reverse), some slightly larger or smaller, all with calligraphic captions in English to mounts, 6 photographs signed 'P. S‚bah' in the negative, with catalogue numbers and captions, 2 further photographs unsigned but with S‚bah's identifiable caption in the negative, and 1 captioned on the mount 'Camels in S‚bah's yard', 6 photographs signed 'Bonfils' in the negative, with catalogue numbers and captions, and 3 unsigned but also with his catalogue number in the negative, and 12 photographs with Beato's signature in the negative, foxing and soiling to mounts, faint spotting visible in a handful of images, bound in a contemporary black half morocco album, gilt monogram to front board, oblong folio S‚bah's photographs include Cairo street scenes, a view of the Great Pyramid of Giza dn the Sphinx, Istanbul views and a portrait ('Dame turque voil‚e'); Beato's depict the antiquities at Karnak, Luxor and Philaa; Bonfils's comprise city views of Beirut and Damascus, and street scenes and architectural subjects in Jerusalem. The first 64 photographs are Middle Eastern and the remaining 36 comprise architectural subjects and objets d'art in Italy, Germany and Prague. (1)
*Ninth-plate ambrotype portrait of a girl, 1860s, tinted, in a very rare thermoplastic frame by John Smith of Birmingham, overall 11 x 9.5cm, together with a very rare thermoplastic wall frame with metal back, 1860s, holding a carte de visite of a seated lady by P. Devine, Edinburgh, frame with ornate floral design, overall 13 x 9.5cm Hannavy, Case Histories, p. 114 (both items). First item: Berg 7-122. (2)
*Half-plate ambrotype of a husband and wife, 1850s, tinted, 13 x 9.5cm, wood and plaster frame with gilt surround, overall 25 x 21cm, together with two quarter-plate ambrotypes, late 1850s, the first of a seated young man, tinted, 9 x 7cm, oval mat with glazed black surround in wood and plaster frame, eye hook at top, small chip at head and corner repair lower left, 23 x 21cm, the second of two seated young men, tinted, 9.5 x 7cm, white and gilt mat with arched top, wood and plaster frame with rounded corners, overall 22.5 x 20cm (3)
*Sixth-plate ambrotype of a young child, 1850s, beautifully tinted, 7 x 6cm, gilded wood and plaster frame with printed paper label to verso, 'James McClure & Son, Carvers and Gilders and Printsellers to the Queen', 83 Renfield Street, Glasgow, overall 21 x 19.5cm, together with another tinted sixth-plate ambrotype of a young woman, 1850s, 7.5 x 5.5cm, in gilt oval mat and pressed metal oval wall frame with eyelet broken but present, overall 19.5 x 15.5cm First item: Hannavy, Case Histories, page 126. (2)
*Sinclair (James, 14th Earl of Caithness, attrib.). Parish boundary oak near Ascot Gate, 1864, albumen print, plus four others from the same series: Cedars at maturity in Belvidere Wood, Cedars in old age in Belvidere Wood, Great Beech on Manor Hill and Group of Scotch fir, evergreen oak &c, 28 x 23.5cm, original mounts with printed captions and poetic quotations beneath, mount spotted and old water stain to upper left corners, plus two other large-format carbon print photographs of trees, c. 1890, original card mounts The first five photographs come from 'The History of Windsor Great Park and Windsor Forest', published by Longman, Green in 1864. The photographer is either James Sinclair or William Bembridge. (7)
*Sutcliffe (Frank Meadow, 1853-1941). Henry Freeman, Lifeboatman at Whitby, North Yorkshire, c. 1880, printed c. 1910, carbon print, half-length portrait of Freeman wearing his cork lifejacket, together with a gelatin silver print photograph of Freeman in another pose wearing the same cork lifejacket, the first signed by Sutcliffe in pencil to image lower left corner, the second initialled and numbered 259 in the negative, both with signed pencil inscriptions by Sutcliffe to versos giving negative numbers 2072 & 259, 19.5 x 15cm Henry Freeman (1835-1904) was a Whitby fisherman and lifeboatman. He was the only survivor of the Whitby Lifeboat disaster of 9 February 1861, during which a great storm wrecked more than 200 ships on the east coast. During attempts to rescue the stricken vessels the lifeboat capsized and all but one of the crew were lost. Freeman survived because he was wearing a new design of cork lifejacket. (2)
*West Sussex - Bosham. A group of fourteen photographs of Bosham and environs, c. 1890, all but one mounted singly to rectos of paper album leaves (numbered in pencil 251-277), a total of nine albumen print photographs and five cyanotypes, including two grey-toned, including views of the centre of Bosham featuring The Crown Inn, boat studies, bracken and thistles, many with brief pencil captions and initials JT to mounts beneath, the first photograph of two women with dogs in a garden identified as Miss Rose Ellicot and Mrs Travers in the garden at St. Ives, Ringwood, [Hampshire], images mostly approximately 15 x 21 cm, disbound, folio The photographer may be Major John Amory Travers (1847-1915) of St. Ives, Ringwood, Hampshire. (1)
WORLD CUP 1938 Exceedingly scarce official programme, Brazil v Czechoslovakia, 14/6/1938 in Bordeaux. Very few match programmes from the early World Cups exist but this is an official programme for the quarter final replay between the two countries. The first game was played two days earlier and was known as the Battle of Bordeaux with three players being sent off and numerous injuries including a broken arm sustained by the Czech keeper who actually played on and a broken leg. The replay , two days later , was played with both sides having several reserves playing and Brazil won 2-1 before losing to eventual winners Italy in the Semi-Final. The programme has a stiffened card cover and inside is a six page gatefold programme with the teams being listed in formation on a field of play with referee and linesmen in appropriate positions, colours are noted and other pages show the results of previous World Cups and results to date of the 1938 Tournament played inn France. The back cover has a large advert for Electro-Lux and the back cover has suffered minor paper loss and some scuffs due to having been laid down, the front cover is in generally good condition and the inside gatefold pages are in good condition. A very rare item for collectors of World Cup memorabilia. As described
MOTOR RACING - FORMULA 1 Three items relating to the early days of Formula 1. Programme, (Autocar magazine reprint 1999) International Grand Prix at Silverstone 2/10/1948, (generally good), Programme Grand Prix d'Europe incorporating the British Grand Prix at Silverstone 13/5/50 (Original- stains to cover). This was the first European Grand Prix to be staged in Britain and was attended by the King and Queen. The third item is an album page signed by "Wilkie" Wilkinson BRM team manager 1961-73. As described
SOUTH AMERICAN FOOTBALL Excellent and very rare book, "History of the South American Football Championships" by Carlos Rios, bound in leather and dated 1944 on the spine. 112 pages with 16 pages of pictures. First edition, printed in Uruguay and is a history of South American International Football from 1916. many statistics and line-ups etc, written in Spanish language. Some ageing to pages. Generally good
MAN UTD COLTS 53-54 Autograph album page headed Man Colts on one side and Duckinfield on the other (Dukinfield is correct spelling ). The Man Colts are United Youth players circa 53-54 plus trainer Travis. Signatures include, McGuinness, Olive, Beswick, Harding, Lowry,, Littler, Clayton etc, some ink, some pencil, not too many went on to make first team appearances for United, McGuinness was the most successful. 12 Dukinfield signatures. Generally good
RUGBY UNION - SOUTH AFRICA Twenty one items relating to South Africa including eight colour press photos (10" x 8"), programmes including England v SA 1952, 1961 and 1992, Midland Counties East v SA 1969, Midlands v SA 1990, ticket Leics, East Midlands and Oxfordshire v SA 29/12/51 at Leicester and Transvaal RFU First day cover celebrating their centenary in 1989. Generally good
SPORTING AUTOGRAPHS Several signed items including various sports. Golf: B & H Celebrity 1992 folder with a photo of a foursome including and signed underneath by Nick Faldo, and a USA first day cover signed by Todd Hamilton. Tennis: Lili D'Alvares of Spain, Bowls: Internationals Andy Thompson, Gary Smith, Bret Morley, Martin Sekjer and Mal Hughes. Ice Skating: a hand written letter signed by George Miller, Boxing: a colour photocard signed by Tony Sibson, All Blacks Rugby: A large colour postcard with 5 signatures, Horseraciing: letters signed by jockey and trainer Doug Smith plus 2 handwritten signed letters by Joy Beverley (Wright) on Beverley Sisters headed paper to the Wintergardens In Bournemouth relating to her husband Billy Wright. Generally good
LEAGUE CUP A collection of 25 mostly early League Cup programmes to include Bristol Rovers v Fulham, Darlington v Crystal Palace, Northampton v Wrexham, Southampton v Newport, Bolton v Hull, Notts County v Brighton, Cardiff v Burnley, Aston Villa v Preston, Plymouth v Aston Villa 1960/61 (First season),Stockport v Leyton Orient, Mansfield v Exeter, Bournemouth v Torquay, Birmingham v Swindon, Blackpool v Port Vale, Bradford City v Aston Villa, Millwall v Walsall, Bury v Hull City, Aston Villa v Ipswich, Sheffield United v Blackpool 1961/62. Generally good ,
LIVERPOOL AUTOGRAPHS Three first day covers two of which are signed: 1977 Euroepan Cup Final signed by Phil Neal, 1977 v Dynamo Dresden signed by Ray Kennedy and 1978 European Cup Final unsigned, a small signed colour Ray Kennedy sticker, a creased ticket for the 1977 European Cup final, a slightly creased programme for the 1974 FA Cup final and a 10" X 8" b/w photograph of Bill Shankley holding the FA Cup. Generally good
1966 WORLD CUP / FOOTBALL AUTOGRAPHS Four autographed items inc 2 x First Day Covers: World Cup Special Commemorative Issue by Dietrich Schneider, date stamped 1/6/1966 signed by Geoff Hurst and a German First Day Cover showing Seeler and Moore exchanging pennants before the Final and date stamped Bonn 30/7/1966 with all of the results printed on the reverse and signed on the front by Uwe Seeler plus the signatures of Gordon Banks and Alan Ball which have faded. Along with 2 x greetings cards, each signed by 9 England players who played in the Final except B.Moore and B.Charlton. Programme and ticket for the 1995 FA Cup Final Everton v. Manchester United. The programme is multi-signed on the front cover and Everton line-up page by players with 43 in total. Plus 2 pages from the Topical Times Football Book 1970-71 which a have a total of 57 signatures inc players from Blackpool x 15, Hull City x 6, Celtic x 4, Ron Davies, Bob Stokoe, Bruce Rioch, Dave Clement, Paddy Mulligan, Irving Nattrass and Tony Green. Generally good
CRICKET PRESS PHOTOGRAPHS 1931 Thirteen black & white press photographs issued by Sport & General with the majority 8" X 6" during the New Zealand tour of the UK in 1931. This was the first New Zealand tour where Test matches were arranged. Includes the teams being presented to VIP's at Lords X 2 different, crowd scenes at The Oval X 2 different the others are action shots. Good
GOLF MISCELLANY Collection of golf related items inc Ryder Cup 2002 official programme played at The Belfry in Sept 02 due to 9/11 terrorist attacks in the USA (slight crease to top right corner - Europe won 13 to 12) also items relating to 2006 Ryder Club at the K Club, Ireland (Europe won 18 to 9) with Darren Clarke playing just a few weeks after the death of his wife inc Players Guide, Course Guide, Spectator Guide etc. Along with golf programmes and some draw sheets for Women's British Open 94, 96, 97 and 98, plus other tournament brouchers. Along with the 3 first three issues of The International book which contains articles by the worlds top golf writers published in 1986, 87 and 88. Fair-generally good
WALES SHIRT Boys Club of Wales International shirt worn by Sean McCarthy who later played for Oldham Athletic in the Premier League and First Division Championship making 140 appearances and scoring 42 goals between 1993 and 1998. Sean also played for Swansea, Plymouth (two separate periods), Bradford City , Bristol City and Exeter. Sean also played for Boys Clubs of Wales and Wales "B" and due to having an Irish grandparent he was selected for the Irish Republic squad v Russia in a match at Lansdown Road. This shirt, numbered 13 is red and long sleeved with the Welsh Boys Club badge on the left breast. Sean played in 1982 and 1984 for the Wales Boys Club s team. Good

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596780 item(s)/page