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Lot 205
ROLEX. MONTRE BRACELET EN ACIER AVEC CADRAN METERS FIRST MOUVEMENT AUTOMATIQUEROLEX. A STAINLESS STEEL AUTOMATIC BRACELET WATCH WITH METRES FIRST DIAL Model: SubmarinerReference: 5513Date: 1966Movement: 26-jewel Cal.1520 automatic, free sprung balanceDial: Black, luminous dot hour markers, outer minute divisions, polished Mercedes hands with luminous inserts, centre secondsCase: Brushed and polished tonneau form, screw down back and shouldered crown, inside back date coded III.66, bezel with 'ghost' insert, No.196****Strap/Bracelet: Fitted brushed USA rivet linkBuckle/Clasp: Signed folding clasp, stamped 1-73Signed: Case, dial & movementSize: 39mmFootnotes:Rolex introduced to the market reference 5513 in 1962, and produced the reference until the mid-1980's. The model is recognizable by its lack of date feature, allowing the dial to have a well-balanced design. Early examples of the 5513 featured a glossy black dial with gilt text, and in the mid-1960's, Rolex started producing the reference with a matte dial and white printing. These dials featured the depth rating with meters indicated first '200m=660ft', and towards the end of the 1960's, Rolex began producing dials with the depth rating that indicated feet first. The matte dial reference 5513 appeals to vintage Rolex enthusiasts for its dial symmetry, durability, and place in Rolex history as inspiration for future Submariner models.For further information on this lot please visit Bonhams.com
Lot 206
ROLEX. MONTRE BRACELET EN ACIER AVEC DATE MOUVEMENT AUTOMATIQUEROLEX. A STAINLESS STEEL AUTOMATIC CALENDAR WRISTWATCH Model: SubmarinerReference: 1680Date: Circa 1973Movement: 26-jewel Cal.1570 automatic, free sprung balance, adjusted to 5 positions and temperature, No.D63****Dial: Black, luminous dot hour markers, outer minute divisions, magnified date aperture at 3, polished Mercedes hands with luminous inserts, centre secondsCase: Brushed and polished tonneau form, screw down back and shouldered crown, bi-directional bezel with calibrated insert, No.381****Strap/Bracelet: Brown leather strapBuckle/Clasp: Associated steel buckleSigned: Case, dial & movementSize: 39mmFootnotes:Production of the reference 1680 first began in 1966 and was the first Submariner to feature a date function. The earliest of these models had the depth rating with meters positioned first, followed by feet rating.For further information on this lot please visit Bonhams.com
Lot 211
ROLEX. MONTRE BRACELET EN ACIER AVEC DATE ET 2ND FUSEAU HORAIRE MOUVEMENT AUTOMATIQUEROLEX. A STAINLESS STEEL AUTOMATIC CALENDAR BRACELET WATCH WITH DUAL TIME ZONE Model: GMT Master 'Pepsi'Reference: 1675Date: 1966Movement: 26-jewel Cal.1570 free sprung balance, automatic, adjusted to 5 positions & temperature, No.D28***Dial: Black, luminous dot hour markers with baton quarters, white outer minute divisions, magnified date aperture at 3, polished Mercedes hands with luminous inserts, centre seconds, arrow tipped red GMT handCase: Brushed and polished tonneau form, screw down back, shouldered crown, bi-directional bezel with blue and red 'Pepsi' bezel insert, No.140****Strap/Bracelet: Fitted brushed 78360 Oyster link, 401B end linksBuckle/Clasp: Signed folding claspSigned: Case, dial & movement Size: 39mmFootnotes:The Rolex GMT was launched in 1954 after the Transatlantic Airways company asked Rolex to produce a watch useful for their pilots. It quickly gained favour among the Pan-Am executives and the business jet-set community as a whole.Offered continuously since its introduction with relatively little modification it is perhaps, along with the Submariner, the most classic Rolex 'tool' watch made. The reference 1675 began production 80 years ago in 1960. This was the first GMT Master reference to feature protective crown guards as well as the smaller triangular tip on the second hour hand. Examples of the immense popularity and timeless style of the model are evident with steel GMT Master watches being worn on the wrist of actors and actresses such as Honor Blackman as 'Pussy Galore' in the 1964 movie Goldfinger, Tom Selleck as the Ferrari driving 'Thomas Magnum' in the 1980s television series Magnum PI (series 2-4) and more recently on the wrist of Ben Affleck in the 2014 movie Gone Girl.For further information on this lot please visit Bonhams.com
Lot 218
JAEGER-LECOULTRE. MONTRE BRACELET EN ACIER DE FORME COUSSIN AVEC DATE ET ALARME MOUVEMENT AUTOMATIQUEJAEGER-LECOULTRE. A STAINLESS STEEL AUTOMATIC CALENDAR CUSHION FORM WRISTWATCH WITH ALARMModel: MemovoxReference: E871Date: Circa 1970Movement: Jewelled Cal.916 automatic, No.2160299Dial: Silvered, central disc with black alarm baton, polished baton hour markers, inner black minute divisions with luminous 5 minute markers, date aperture at 3, polished baton hands with luminous inserts, centre secondsCase: Brushed and polished cushion form, screw down back, crowns at 2 and 4, No.1298658Strap/Bracelet: Black leatherBuckle/Clasp: Associated steel buckleSigned: Case, dial & movementSize: 38mmFootnotes:Meaning 'voice of memory' the Memovox was first introduced by Jaeger-LeCoultre in 1950/51. The double crowns allowed you to wind the watch and set the alarm separately. The collection has included numerous expansions throughout the years with models introduced for diving, dual time zones and even one designed to remind the owner to feed the parking meter. This model is sometimes referred to as the 'tv watch' due to the almost square shaped case.For further information on this lot please visit Bonhams.com
Lot 234
BAUME & MERCIER. CHRONOGRAPHE BRACELET EN ACIER AVEC DATE MOUVEMENT AUTOMATIQUE EDITION LIMITEE BAUME & MERCIER. A LIMITED EDITION STAINLESS STEEL AUTOMATIC CALENDAR CHRONOGRAPH WRISTWATCH Model: AC Milan Scudetto 2003/2004, Limited Edition No.26/50Reference: MV045216Date: Purchased 25th March 2005Movement: Jewelled automaticDial: Black, silvered Arabic numerals, silvered outer minute divisions and tachymeter, date aperture at 3, silvered subsidiary dials at 6, 9 and 12 for seconds, 30 minute and 12 hour recording, AC Milan crest at 9, polished sword hands with luminous inserts, red centre chronograph handCase: Brushed and polished round, screw down back, crown flanked by twin buttons, back inscribed 'Scudetto 2003/2004', No.3664506Strap/Bracelet: Black Baume & Mercier alligator leather with red stitchingBuckle/Clasp: Signed folding claspSigned: Case, dial & movementSize: 38mm Accompaniments: Baume & Mercier AC Milan Edition box, outer card, International Guarantee Certificate, Limited Edition Certificate, instruction bookletFootnotes:In 2004 AC Milan won their seventeenth Scudetto, their first since 1999. Milan won the league by a comfortable 11 points and striker Andriy Shevchenko finished as the leagues top scorer with 24 goals. The 2003/4 season will also be remembered for the breakthrough of future FIFA World Player of the year Kaka.Oscar DamianiThe current watch is to be offered from the collection of renowned Italian footballer Giuseppe 'Oscar' Damiani. Damiani was born in Brescia, Italy in 1950. During his distinguished career he made over four hundred senior appearances for clubs such as Napoli, AC Milan and Juventus, winning the 1974-75 Serie A title with the latter. Damiani was also capped by the Italian national team. After retiring as a player Damiani carved out a successful career as a football agent representing players such as Alessandro Costacurta, Andriy Shevchenko, Lilian Thuram and Pierre Emerick Aubameyang.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 235
BAUME & MERCIER. CHRONOGRAPHE BRACELET EN ACIER AVEC DATE MOUVEMENT AUTOMATIQUE EDITION LIMITEE BAUME & MERCIER. A LIMITED EDITION STAINLESS STEEL AUTOMATIC CALENDAR CHRONOGRAPH WRISTWATCH Model: AC Milan Scudetto 2003/2004, Limited Edition No.14/50Reference: MV045216Date: Purchased 13th April 2005Movement: Jewelled automaticDial: White, black Arabic numerals, black outer minute divisions and tachymeter, date aperture at 3, subsidiary dials at 6, 9 and 12 for seconds, 30 minute and 12 hour recording, crest of AC Milan at 9, polished sword hands with luminous inserts, red centre chronograph hand Case: Brushed and polished round, screw down back, crown flanked by twin buttons, back inscribed 'Scudetto 2003/2004' No.3656338Strap/Bracelet: Black Baume & Mercier alligator leather with red stitchingBuckle/Clasp: Signed folding claspSigned: Case, dial & movement Size: 38mm Accompaniments: Baume & Mercier AC Milan Edition box, outer card, International Guarantee Certificate, Limited Edition Certificate, instruction bookletFootnotes:In 2004 AC Milan won their seventeenth Scudetto, their first since 1999. Milan won the league by a comfortable 11 points and striker Andriy Shevchenko finished as the leagues top scorer with 24 goals. The 2003/4 season will also be remembered for the breakthrough of future FIFA World Player of the year Kaka.Oscar DamianiThe current watch is to be offered from the collection of renowned Italian footballer Giuseppe 'Oscar' Damiani. Damiani was born in Brescia, Italy in 1950. During his distinguished career he made over four hundred senior appearances for clubs such as Napoli, AC Milan and Juventus, winning the 1974-75 Serie A title with the latter. Damiani was also capped by the Italian national team. After retiring as a player Damiani carved out a successful career as a football agent representing players such as Alessandro Costacurta, Andriy Shevchenko, Lilian Thuram and Pierre Emerick Aubameyang.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 242
ROLEX. MONTRE BRACELET EN ACIER AVEC DATE ET 2ND FUSEAU HORAIRE MOUVEMENT AUTOMATIQUE ROLEX. A STAINLESS STEEL AUTOMATIC CALENDAR BRACELET WATCH WITH DUAL TIME ZONE Model: GMT Master 'Pepsi'Reference: 1675Date: Circa 1970Movement: 26-jewel Cal.1570 automatic, adjusted to 5 positions & temperatureDial: Black, luminous painted dot hour markers, baton quarters, white outer minute divisions, magnified date aperture at 3, polished Mercedes hands with luminous inserts, centre seconds, further arrow tipped dual time zone handCase: Brushed and polished tonneau form, screw down back and shouldered crown, blue and red 'pepsi' bezel insert, No. 28*****Strap/Bracelet: Fitted brushed 7836 folded linkBuckle/Clasp: Signed folding clasp stamped 3/71Signed: Case, dial & movementSize: 39mm Accompaniments: Brushed 78360 Oyster link bracelet with signed folding claspFootnotes:The Rolex GMT was launched in 1954 after the Transatlantic Airways company asked Rolex to produce a watch useful for their pilots. It quickly gained favour among the Pan-Am executives and the business jet-set community as a whole.Offered continuously since its introduction with relatively little modification it is perhaps, along with the Submariner, the most classic Rolex 'tool' watch made. The reference 1675 began production 80 years ago in 1960. This was the first GMT Master reference to feature protective crown guards as well as the smaller triangular tip on the second hour hand.Examples of the immense popularity and timeless style of the model are evident with steel GMT Master watches being worn on the wrist of actors and actresses such as Honor Blackman as 'Pussy Galore' in the 1964 movie Goldfinger, Tom Selleck as the Ferrari driving 'Thomas Magnum' in the 1980s television series Magnum PI (series 2-4) and more recently on the wrist of Ben Affleck in the 2014 movie Gone Girl.For further information on this lot please visit Bonhams.com
![Wilkinson (Norman) The Lure [Salmon about to take fly]; Trout Fishing on the River Coquet, two works, etchings with drypoint,](https://cdn.globalauctionplatform.com/0f22525d-6734-4a1c-ab87-ad1900af7337/44577363-ce03-4d93-b63c-ad1900b2bff3/468x382.jpg)
Lot 100
Wilkinson (Norman) The Lure [Salmon about to take fly]; Trout Fishing on the River Coquet, two works, etchings with drypoint, both signed in pencil, platemarks each approx. 225 x 300 mm (8 3/4 x 11 3/4 in), minor surface dirt and light toning, the former with exposure lines within margin from previous mount, unframed, [circa 1920s] (2) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 101
Wilkinson (Norman) Below the Falls; Salmon on the line; The Kettle Pool, Struan, three works, etchings with drypoint, all signed in pencil, the first two mentioned with platemarks each approx. 225 x 300 mm (8 3/4 x 11 3/4 in), the latter 150 x 200 mm (6 x 7 7/8 in), under glass, minor surface dirt, framed, [circa 1920s] (3) Provenance:[Below the Falls] Arthur Greatorex Ltd., London[Kettle Pool, Struan] Fine Art Society, London, June 1933Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 102
Wilkinson (Norman) Strathspey Fishing; Loch Fishing; Spring Fishing on the Loch, three works, etchings with drypoint, all signed in pencil, each platemark approx. 225 x 300 mm (8 3/4 x 11 3/4 in), under glass, good margins, minor surface dirt, framed, [circa 1920s] (3) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 103
Wilkinson (Norman) A Likely Cast; with three others similar, four works, etchings with drypoint, all signed in pencil, each platemark between approx. 170 x 250 mm (6 3/4 x 9 7/8 in) and 225 x 300 mm (8 3/4 x 11 3/4 in), under glass, good margins, minor surface dirt, framed, [circa 1920s] (4) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 104
Wilkinson (Norman) Heavy Fish; A Spring Fish; Casting a Line; Waiting Patiently, four works, etchings with drypoint, all signed in pencil, each platemark between 200 x 250 mm (7 7/8 x 9 3/4 in) and 225 x 300 mm (8 3/4 x 11 3/4 in), under glass, minor surface dirt, framed, [circa 1920s] (4) Provenance:[Heavy Fish] Arthur Greatorex Ltd., LondonLiterature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 105
Wilkinson (Norman) A Spey Pool; Trout Fishing on the Garry; The Island Pool, River Orchy, three works, etchings with drypoint, all signed in pencil, the first two mentioned with platemarks each approx. 225 x 300 mm (8 3/4 x 11 3/4 in), the latter 265 x 225 mm (10 3/8 x 8 3/4 in), under glass, minor surface dirt, framed, [circa 1920s] (3) Provenance:[A Spey Pool & Trout Fishing on the Garry] Robert Dunthorne & Son, LondonLiterature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 24
NO RESERVE Fishing Satire.- Grant (Charles Jameson) Freaks of Fancy! A Bait; A Gudgeon, two works, etchings with hand-colouring, each sheet 320 x 240 mm (12 1/2 x 9 1/2 in), and 280 x 330 mm (11 x 13 in), even toning and sun exposure lines to the first mentioned, both with surface dirt and handling creases, unframed, published by S Gans, 1830-1831; together with a good group of 17 further satirical fishing prints, including hand-coloured lithographs by William Spooner, Madeley, William Hunt's 'The Complete (April 1st) Angler' after Bunbury, Fores's 'Tickling Trout', and others, various sizes, all unframed, [mainly 19th century] (19)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 109-110
Lot 77
NO RESERVE Haden (Seymour) A Lancashire River; Ye Complete Angler, two works, etchings with drypoint, the former with the artist's stamp [Lugt 1048], the latter signed in pencil, the first mentioned on antique laid paper, platemarks 280 x 400 mm (11 x 15 3/4 in), and 140 x 200 mm (5 1/2 x 7 7/8 in), respectively, both with full margins, circa 1877-1881; together with a duplicate unsigned impression of 'Ye Complete Angler', all unframed (3)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. no. 283
Lot 8
Anglers in the Landscape.- Jukes (Francis) Corwen Bridge; Llangollen Bridge, two works after Thomas Walmsley, engravings with aquatint, on wove papers, each platemark approx. 350 x 440 m (13 3/4 x 17 1/4 in), the first mentioned with good margins, the latter trimmed within platemark, unframed, 1794; together with a good group 6 further landscapes with anglers, including an engraved view of the River Teese after Thomas Smith, an impression of Vivares's Prospect on the River Wie', Thomas Sutherland's 'Union Chain-Bridge', F.C. Lewis's 'Sheffield, from the Reservoirs Crooks Moor', and 2 others, various sizes, all unframed, [mainly 19th century] (8)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 3, 5-6,12
Lot 81
Adams (Douglas), After. Salmon Fishing, photogravure, printed chine collé, platemark 490 x 715 mm (19 1/4 x 28 1/8 in), sheet 530 x 750 mm (20 7/8 x 29 1/2 in), under glass, some fine spotting and surface dirt, faint damp-stain to the upper right edge, framed, published by Thomas McLean, 1892Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 306⁂ W. Douglas Adams (1853-1920) was a prolific and popular sporting artist, but an elusive personality about whom rather little is known. The present lot was the first of Adam's angling pictures to be reproduced, and was undertaken by the process of photogravure on a rather large scale. The features of the photogravure method especially suit Adam's work, in that they manage to convey the drama of the weather; for Adams, fishing in the Highlands invariably meant that there was a hint of menace in the sky.
Lot 96
Wilkinson (Norman) Loch Fishing; Boat Fishing on Colt Crag Resevoir; Spring Fishing, three works, etchings with drypoint on cream wove and laid paper, all signed in pencil, platemarks between 160 x 255 mm (6 1/4 x 10 in) and 225 x 300 mm (8 3/4 x 11 3/4 in), wide margins, some minor toning and surface dirt, unframed, [circa 1920s] (3)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 97
Wilkinson (Norman) The Tyne at Bywell; The Bewitched Pool, River Orchy, two works, etchings with drypoint on cream wove paper, both signed in pencil, platemarks each approx. 225 x 300 mm (8 3/4 x 11 3/4 in), good margins, some minor toning and surface dirt to the latter mentioned, unframed, [circa 1920s]; together with two further 20th century etchings with drypoint of leaping fish by different artists, all unframed [20th century] (4) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 98
Wilkinson (Norman) Spring Fishing on the Ore; Trout Fishing, Loch Awe; Trout Fishing, three works, etchings with drypoint, all signed in pencil, the first mentioned platemark 225 x 300 mm (8 3/4 x 11 3/4 in), the other two each approx. 160 x 220 mm (6 1/4 x 8 1/2 in), good margins, under glass, minor surface dirt and light toning, framed, [circa 1920s] (3) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Lot 1
Cigarette cards - Selection R J Lea Ltd, Manchester. 1912/13 Old English Pottery & Porcelain (First Series) Complete set of 50, together with part sets and odds from other series. 18/50 Chairman & Vice Chairman Miniatures and 19/50 Chairman Miniatures (First Series). In excess of 150 individual cards plus some duplicates.
Lot 137
Cigarette cards - Two blue binders (Nos 3/4) containing a large selection of miscellaneous cards, in sets and part sets, including W D & H O Wills Ltd - Borough Arms, Arms of the Bishopric, Old English Garden Flowers, Alpine Flowers, Arms of Companies, Arms of Foreign Cities, Overseas Dominions (Canada), Life in the Tree Tops Lucky Charms. John Player & Sons - British Empire Series, Butterflies, Nature Series, Sea Fishes, Shakespearean Series, Miniatures, colonial & Indian Army Badges, Wrestling & Ju-Jitsu, Boy Scouts & Girl Guide Patrol Signs and Emblems, Aviary & Cage Birds, Cries of London (First and second series), Characters from Dickens (First and second series), Army Life, Gems of British Scenery. W A & A C Churchman - Wonderful Rail Travel, Howlers, Gallahers- Aesop's Fables. Ogdens- Picturesque People of the Empire. Approximately 1200 cards in total.
Lot 143
Cigarette cards - Three blue binders (Nos 7/8/9) and extra sleeves, containing a large selection of miscellaneous cards, in sets and part sets, some odds, including John Player & Sons - Game Birds & Wild Fowl, Players Past & Present, Bygone Beauties, Wild Animal Heads, Flags of the League of Nations, RAF Badges (No motto), RAF Badges (Motto), Dandies, Military Head-Dress, Wonders of the World, Natural History, Wonders of the Deep, Wild Animals of the World (No Ltd), Wild Animals of the World (Ltd), W D & H O Wills Ltd - First Aid, Do You Know, Cricketers 1928, Merchant Ships of the World, Flags of the Empire, Borough Arms, Signalling Series, Police of the World (8). P J Carroll - Birds. Carreras - School Emblems, The Nose Game, Notable MPs. W A & A C Churchman - Treasure Trove, Interesting Buildings. Lambert & Butler - World's Locomotives. J A Pattreioux - Builders of the Empire. Alexander Boguslavsky Ltd - Sports Records. Cavanders - Foreign Birds. Ardath Tobacco Co Ltd - Your Birthday Tells Your Fortune, Stamps Rare & Interesting. CWS - British & Foreign Birds. Ogdens - Leaders of Men, Children of All Nations (Cutouts), How to Swim. Hignett Bros - Celebrated Old Inns. In excess of 1100 cards. (qty)
Lot 147
Cigarette cards - Two blue binders (10/11) containing a large selection of miscellaneous cards, in sets and part sets, including Lambert & Butler - Naval Portraits, Rhodesian Series. Gallahers - Royalty Series, The Great War Series, Butterflies & Moth. R & J Lea Ltd - Chairman Miniatures (First Series, Gold Border), Old Pottery & Porcelain (Recorder Cigarettes. Second and Third series). Hignett Cigarettes - Greetings of the World. John Player & Sons - Coronation Series, Ceremonial Dress, Animals of the Countryside. Motor Cars (A Series and 2nd Series), Badges & Flags of British Regiments, Derby & Grand National Winners, Cycling, Struggle for Existance, Country Seats & Arms, Regimental Uniforms, Uniforms of the Territorial Army, Dogs by Wardle, Birds and Their Young, Modern Naval Craft. W D & H O Wills Ltd - 27/32 Drum Horses (Plain Back), Aviation, The Coronation Series, Roses (2nd Series), Garden Flowers by Sudell. W A & A C Churchman - Pipes of the World. Ogden's - Modern War Weapons. Carreras Ltd - Britains Defence. Together with a number of odd/ type cards, some scarce, in varying condition, some poor, including Chairman - R J Lea Ltd (Chairman) - War Portraits, War Pictures, Old Pottery & Porcelain. Gallahers - Useful Hints Series, Regimental Colours & Standards (Nos 151 - 200), The Great War second Series, Types of the British Army. Taddy - Orders of Chivalry, Prominent Footballers (J Brearley), British Medals & Ribbons, V C Heroes-Boer War. Ogden's - Famous Footballers, Orders of Chivalry. W D & H O Wills Ltd - Regimental Colours & Cap Badges (United Services Cigarettes), Coronation Series, Cricketers 1928 (Queen Alexandra -1901), Seaside Resorts. Stephen Mitchell & Son - British Warships, Seals. Adkin & Sons - Soldiers of the Queen. The American Tobacco Co - Beauties. John Player & Sons - Celebrated Bridges, Cities of the World, Life on Board A Man of War, 9 Military Series and other makers.
Lot 150
Cigarette cards - An old slip-in type album containing a large selection of cigarette cards, part sets and odds/types, some scarcer examples, including John Player & Sons 1908 - set of 10X Wooden Walls, Nature Series, Life on Board a Man of War 1805/1905, Wonders of the Deep, Products of the World, Riders of the World, Army Life, Egyptian Kings & Queens & Classical Deities, British Empire Series, Celebrated Gateways, Game Birds & Wild Fowl, Wrestling & Ju-Jitsu, Arms & Armour, Ceremonial & Court Dress, Country Seats & Arms, Polar Exploration, Characters from Dickens, Regimental Uniforms, Badges & Flags of British Regiments, Cries of London, National Flags & Arms, Wonders of the World, Counties and their Industries. W D & H O Wills Ltd - Old English Garden Flowers, Celebrated Ships, Signalling Series, Cricketers 1908, Aviation, Time & Money in Different Countries, Naval Dress & Badges, Vanity Fair, Historic Events, First Aid, Arms of Companies, The Coronation Series, Tow Arms, Alpine Flowers, Double Meaning (PC Inset). Ogdens - British Birds, Royal Mail, Records of the World, Boy Scouts, Pugilists & Wrestlers, Flags & Funnels of Leading Steamship Lines, Orders of Chivalry. R & J Lea Ltd - Old Pottery & Porcelain. Adkin & Sons - A Royal Favourite, Character Sketches. Taddy & Co - 11 Royalty Series, Famous Jockeys (Frameline), British Medals & Ribbons, Orders of Chivalry. F & J Smith - Phil May Sketches. Godfrey Phillips BDV - First Aid, Territorial Series, Eggs, Nests & Birds. Cohen Weenan & Co - Wonders of the World. Gallahers - English & Scotch Views. Salmon & Gluckstein Ltd - Coronation 1911, The Great White City, Traditions of the Army & Navy. Approximately 700 cards.
Lot 177
Cigarette cards - Large selection of various manufacturer's miscellaneous sets, part sets and odd cards, including W D & H O Wills Ltd - Arms of Public Schools, Do You Know? Safety First, Physical Culture, Railway Locomotives, Gardening Hints, Lucky Charms, Musical Celebrities, Soldiers of the World. Stephen Mitchell & Son - Seals, Stars of Screen & History, Interesting Buildings, Army Ribbons & Buttons. W A & A C Churchman - 2 Types of British & Colonial Troops - Scots Guards and New South Wales Lancers, 2 Boer War Generals - Maj. Gen. Knox and Col. Plummer, 1 Famous Golfers, 1 Boy Scouts Series, 2 Prominent Golfers. Lambert & Butler - 1 Boer War Generals - Kitchener, Gallahers - 6 Types of the British Army, B Morris & Sons Ltd - 1 The Ice Breaker, 2 A Series of War Pictures, Franklyn Davey - 6 Boxing and others. (Qty)
Lot 100
A collection of 11 books and brochures to include a Pininfarina yearbook 1972-73, Une course d'automobiles with a boardgame, 'The Magic of a Name - The Rolls-Royce Story, The first 40 years' Peter Pugh, 'The Magic of a Name - Part Two: The Power Behind the Jets' Peter Pugh, 'The Magic of a Name - Part Three: A Family of Engines' Peter Pugh, 'Rolls Royce Silver Shadow Bentley T-Series Camargue & Corniche' Malcolm Bobbitt, 'Rolls Royce Silver Spirit & Silver Spur Bentley Mulsanne, Eight, Continental, Brooklands & Azure' Malcolm Bobbitt, 'Making Cars at Crewe' Peter Ollerhead, Crewe's Rolls Royce Factory From Old Photographs' Peter Ollergead & Tony Flood, 'A Collectors Guide The Rolls Royce & Bentley Volume 3: Shadow, Corniche, Camargue 1965-1985' Graham Robson and 'Rolls Royce and Bentley Experimental Cars' Ian W.Rimmer.Qty: 11
Lot 56
Two signed Beatles LP's by John Lennon & Paul McCartney. The first is The Beatles, 'Hard Day's Night' which has songs from the film of the same name. This was the third studio album by The Beatles, released on 10 July 1964 by Parlophone. This album cover has been signed on the reverse by John Lennon in blue ballpoint pen and Paul McCartney in black ballpoint pen. The second album is 'Beatles for Sale' which was their fourth studio album and was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. This album cover has been signed on the front by John Lennon in blue ballpoint pen and Paul McCartney in black ballpoint pen.Qty: 2
Lot 73
Lionel Arthur Lindsay (Australian 1874-1961) "Siesta", signed and numbered 65 in pencil in the margin, wood engraving.16cm x 12cm (6.25in x 4.75in)Footnote:* Sir Lionel Lindsay, along with his brother Norman, is considered to be one of the greatest original printmakers ever to have emerged from Australia. A masterly technician and an outstanding draughtsman, he did much through his work, writing and public speaking to popularise the revived medium of original printmaking in Australia. Having already established himself as the foremost of Australian etcher, Lionel Lindsay joined his colleagues to found the Australian Painter-Etchers’ Society and he was President for their first exhibition. However, he left this grouping and went to London in 1926 to meet Harold Wright of the dealers P.& D. Colnaghi. A close friendship ensued and Colnaghi’s handled his work from there on. After his meeting with Wright, Lionel Lindsay’s art turned towards topographical drypoints of France and Spain. His work was an immense success and firmly established him as one of the leading printmakers resident in England. He did not re-commence wood engraving until his return to Australia in 1930.Condition report:The print is in very good, original condition with no obvious faults to report. The paper has yellowed universally across the sheet. The print is framed and glazed.
Lot 88
Pablo Picasso (Spanish 1881-1973) "Congres National du Mouvement de la Paix", 1962, signed in purple crayon, lithographic poster.98cm x 63cm (38.5in x 24.75in)Footnote:* This rare lithographic poster is steeped in history. in 1949, author Louis Aragon (1897-1982) chose Picasso's lithograph "La Colombe" (The Dove) for posters commemorating the first peace conference in Paris. A dove was appropriate, already a symbol of tranquility, and Picasso's unique take on the bird was joyfully received. Picasso's dove caught on and in the years that followed the artist agreed to provide more for peace conferences across Europe, including this 1962 edition.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The poster is in very good, original condition. There is some cockling, creasing and stains across the surface of the paper. The poster is framed and glazed.
Lot 285
A Chinese hardwood stick-back chair, first half 19th century, 91cm high清19世纪早期 红木梳背椅Condition Report: overall in very presentable condition the underside with possible replacement to stretcher under seat see additional images by request and otherwise small knock, scratches and chipswood very heavy Condition Report Disclaimer
Lot 366
A pale green or white jade model of a ruyi sceptre, mid 20th century, 26.5cm long, wood stand; a jade model of the head of a Horse, mid 20th century, the green jade with black, white and brown inclusions, 22cm high; a pale green jadeite model of a lady, mid 20th century, 17.5cm high; and a soapstone carving of fisherman, first half of 20th century, 15cm high (4) Provenance: Private English Collection 青白玉如意拍品来源：英国私人收藏Condition Report: chips or fault to jade on one ear of horse and small chip to the other ear jadeite model of lady with fan in half and glued and piece chipped off and missing from other handruyi sceptre with natural internal flawssoapstone ok Condition Report Disclaimer
Lot 380
Y A Chinese uncut ivory seal, Qing Dynasty, 18th or first half of 19th century, carved with a ram, with paper Oriental Ceramics Society Exhibition label, script number in black ink 22, 4.2cm highProvenance: Purchased by the late J.B. da Silva (1918-2003), at Phillips, 25th February 1982 (lot number not recorded), for £78, and by family descent. No receipt but itemised in collection notes.Exhibited: Oriental Ceramics Society, Chinese Ivories from Shang to Qing, 1984, no. 226 清18-19世纪 象牙羊首印章拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏，其于1982年2月25日以78镑的价格购自英国富艺思 Condition Report: wit hair crack running from base upwards and then across top and slightly down opposite side overall approximately 41 mm long Condition Report Disclaimer
Lot 445
A Chinese blue and white dish, Qianlong, the centre painted with a chrysanthemum flower and a peony flower, 34cm diameter and a Chinese blue and white dish, Qianlong, painted with precious objects on a 'rockwork' table beside a peony tree, 35.5cm diameter (2)Provenance: The property of a Lady清乾隆 外销青花花鸟纹及博古图盘两件拍品来源：英国私人女士珍藏Condition Report: the first dish with no apparent cracks or chips but with minor surface scratchesthe second dish with fine 3.5cm hair crack on rim and some scratching to surface glaze and fritting to rim and scale chip to underside or rimCondition Report Disclaimer
Lot 533
A Dehua Rhinoceros horn-form libation cup, 17th century, moulded and applied with deer, crane, crouching beast, dragon and flowering branches, all decorated with a white glaze, 12.8cm wide x 7cm high; another similar libation cup, 13.3cm wide x 6.6cm high; a small Dehua group of a lady and attendant, 17th century, the attendant holds a leaf frond for shade and with a large standing bird to one side, 10cm high; a small Dehua leaf-shaped wine cup, 17th century, the base moulded leaf and branch feet, 6.8cm long, fitted wood stand and a Dehua type Buddhist lion, Qing Dynasty, with brown glazed eyes, with later hardstone ball glued to front, the lion 7cm long (5) Provenance: From a Noble English family, prior to 1921 德化白釉器一组5件拍品来源：英国显赫贵族私人收藏，购自1921年前Condition Report: the first libation cup with very shallow scale chip to outer rim approximately 5mmx 4mm and firing crack on base The second libation cup extensively restored The small group in nice condition other than a firing crack to base the small leaf-shaped wine cup has been broken in three pieces and glued and the handle is missingThe lion with hardstone ball glued to frontCondition Report Disclaimer
Lot 545
A Thai gilt-bronze standing Buddha, Rattanakosin, first half of 20th century, both hands raised and facing forward, 37cm highProvenance: From the collection of Sir David and Lady Scholey. Condition Report: tip of hat finial missing some wear and minor looses to inlayCondition Report Disclaimer
Lot 551
A Indian bronze ritual pourer, South India, 18th/19th century, traditionally used to pour milk over sacred images in Hindu temples, in the form of a funnel with cow's head spout, 11cm high; an Indian bronze figure of Durga slaying the Buffalo Demon (Mahisasuramardini), Deccan, Southern India, 19th century or later, the multi-armed Hindu goddess attacking her foe with an array of weapons, assisted by her lion, 9.5cm high; a small Khmer bronze shrine depicting a trio of figures of Ganesha, Cambodia, c.12th century or later, each seated in padmasana within a flaming prabha,6.5cm high; an Indian bronze figure of Nandi Bull, Tamil Nadu, South India, 16th/17th century, the bull vehicle of Siva, crouching on a raised lotus base, 5.5cm high (4) Provenance: From the private collection of a Gentleman, by descent from his fatherCondition Report: pourer with old repair to foot Khmer bronze shrine with Verdigris Nandi Bull with small hole where first layer of stand meets second layer 5mm long Condition Report Disclaimer
Lot 576
A Safavid large tinned copper bowl, Iran, late 16th or 17th century, with various calligraphic cartouches, 36cm wide x 18cm high Provenance: Purchased by the late J.B. da Silva (1918-2003) from Claude Reed, Bridgnorth, Shropshire, 31st April 1985, for £100.00, and by family descent. No receipt but itemised in collection notes. Inscriptions translate approximately as:'O you, who has understanding in the world, Endeavour to be in the company of those of taste Lift the cover from the bowl So that [your] companion may eat the food.' For objects with a similar quatrain (poet unidentified), see A.S. Melikian-Chirvani, Islamic Metalwork from the Iranian World 8-18th centuries, London, 1982, cat 134a, pp. 304-5 (with variation in one word) and dated to circa 1590-1600, and cat 145, pp. 320-21 (identical text) dated to late 16th-early 17th century. 'God, Make the end laudable! [And] avert sudden calamities!' The first verse is from a couplet by the poet Sa di and is common on objects, including a cover in the V&A (A.S. Melikian-Chirvani, Islamic Metalwork from the Iranian World 8-18th centuries, London, 1982, cat 145, pp. 320-21). Condition Report: over polished with loss of tinningbase extensively scratched minor knocks and dentsCondition Report Disclaimer
Lot 587
An Ottoman tinned brass footed bowl, probably 17th century, the exterior with inscription 'al-Hajj Zakariya Sherbetiye',12.3cm diameter; a Persian brass bowl, possibly 13th/14th century, 18.3cm diameter; a Qajar pen case, mid-19th century, 23cm long; a late Tibetan style bracelet, perhaps Indian or Nepalese made after the 1950's exodus, 6.3cm wide; three miniature Savafid type blue and white glazed pottery vases, 18-19th century, 2.5cm high and smaller and a Safavid type glazed pottery lamp, 18-19th century, 12cm long (8) Provenance: The first part of the lot purchased by the late J.B. da Silva (1918-2003) from Bonham's, 29th March 1985, lot 168, for £60, and by family descent. No receipt but itemised in collection notes, where Mr da Silva says the footed bowl was shown to Michael Rogers at the British Museum who deciphered the inscription. Condition Report: An Ottoman tinned brass bowl with dent to rim and extensive wear The Persian bowl with inlet repair to base 2.5cm x 2.5cm and small hole to base and chips to rim and extensive wear throughout Qajar pen case with chips and loss of lacquer to surface one of the miniatures cracked and all with small chips and wearlamp with chips to underside and some loss and wear to glaze on surface Condition Report Disclaimer
Lot 605
A Collection of printed books relating to the Middle East, in German, Syriac, Russian, Farsi and Arabic [mostly nineteenth or early twentieth century] comprising: (i) Rubayat Hakim Omar Khayyam, dated 1304 AH, numerous ink inscriptions to preliminary leaves, two plates of manuscript facsimiles of the work at the back, 160 x 120mm., boards covered with contemporary dutch-pastepaper; (ii) Hermann Gotz, Eine Orientreise, Leipzig, 1901, adnuchromolithographic frontispiece, numerous illustrations in the text, lightly foxed, 235 x 160mm., morocco-backed boards, spine gilt with raised bands; (iii) Philoxeni Mabbugensis, Scriptores Syri (Latin edition), Paris, 1907 AD, ex-libris stamps, 235 x 160mm., half vellum over marbled boards; (iv) Grey's Elegy, illuminated by Owen Jones, London, 1846, lightly foxed, 255 x 180mm., gothic-style binding; (v) A Qajar work on medical pathology, Tehran, dated 1300 AH, first leaf loose, 250 x 170mm., contemporary morocco binding; (vi) Ganjiyeh Qur'an, Tehran, dated 1328, plates and a folding table, 215 x 150mm., morocco-backed cloth boards; (vii) A history of the Russo-Japanese war, Istanbul, dated 1321, illustrations throughout, some gatherings loose, 240 x 170mm., original cloth with chromolithographic map pasted to upper cover, spine worn; (viii) Tuhfat al-Ayan bi-sira ahl'Uman, dated 1330 AH, 245 x 150mm., original printed cloth-backed boards All from the Mohamed Makiya collection
Lot 663
A decorative bolt of Japanese brocade, late 19th or first part of 20th century, woven in golds and autumn colours depicting a repeating pattern of trees flowers and a forest hut, original labels on tube stamped with mark, approximately 360cm x 67cm Condition Report: in good condition Condition Report Disclaimer
Lot 122
Medieval Templar pendant. Circa 13th century AD. Silver, 8.20g. 27.18 mm. An open-work silver composite pendant, formed of a wide band decorated with a central rib dividing a row of pellets on each side. The suspension loop is attached at the join of the ring. At the centre there are two perforated discs forming open-work cross pattee motifs, one front and one back, held in place by a thick round section bezel. The cross within a circle symbolises the Mark of Cain and was worn by the Templar knights."In Ancient Summer, those who wore the “Mark of Cain”, showed they were protected by the “Lord” from the “wrath” of “Jehovah”. It symbolised they had left the spiritual path in life of taking from others and had embraced the path of giving to others. Early in the 12th century, the first Knights Templar uncovered Jesus’ Truths from the Ark of the Covenant. There, they found a wealth of spiritual information and techniques including, but far from being limited to, the Light Body Activations and the “True Cross of Christianity”. It is therefore no surprise that the Knights Templar received from Pope Eugenius III in 1146 the “Mark of Cain” as a symbol for their knight order. In the symbol of the Knights Templar’s Red Cross the circle has been dropped and the design stylized to display the “croix pattée” which contains many geometrical properties and esoteric secrets."
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